洛杉矶大逃亡/逃出洛杉矶 [4K蓝光原盘] Escape from L A 1996 2160p BluRaycd HEVC DTS-HD MA 5.1-UTT 60.73GB

It's 16 years later and Snake Plissken is once again called in by the US government to recover a potential doomsday device from Los Angeles.

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0 m* C4 v; E6 L8 M, [8 |. w9 y◎译　　名　洛杉矶大逃亡/逃出洛杉矶
3 D4 y4 p: B* S5 x' ?/ s◎片　　名　Escape from L.A. / John Carpenter's Escape from L.A. / Escape from L.A.
◎年　　代　1996
◎产　　地　美国
◎类　　别　动作/科幻/惊悚/冒险
" G& p" z2 [3 h◎语　　言　英语
+ B) Q$ y( r5 f( C3 _◎上映日期　1996-08-09(美国)
& o5 f, y- X* p3 a◎IMDb评分  5.7/10 from 73,554 users
8 t1 J" s3 I' y) G◎IMDb链接  https://www.imdb.com/title/tt0116225/
◎豆瓣评分　6.4/10 from 2,271 users
◎豆瓣链接　https://movie.douban.com/subject/1293137/
& M( ^3 [4 p9 w- [7 m- H◎文件格式　x265 + DTS  
0 Q8 K) K9 ^! T  F3 \; B+ {◎视频尺寸　3840 x 2160
" a6 r6 [$ a9 Y2 R+ n% q8 r◎文件大小　1DVD 60.73 GiB
◎片　　长　1:40:39.867 (h:m:s.ms)
5 W4 b2 y% w; K" q$ i# t7 \5 ^◎导　　演　约翰·卡朋特 John Carpenter
◎编　　剧　黛布拉·希尔 Debra Hill
　　　　  　约翰·卡朋特 John Carpenter
" \% c" x  {) |4 |　　　　  　库尔特·拉塞尔 Kurt Russell
+ j0 {; i! D5 ^3 Q◎演　　员　库尔特·拉塞尔 Kurt Russell
　　　　  　史蒂夫·布西密 Steve Buscemi
　　　　  　彼得·方达 Peter Fonda
　　　　  　克里夫·罗伯逊 Cliff Robertson
' Y9 W$ C4 |# \$ R1 r: S- P1 M　　　　  　帕姆·格里尔 Pam Grier
& b/ p( @) S9 \; x1 I" q　　　　  　瓦莱丽亚·戈利诺 Valeria Golino
9 n+ z$ B4 x. T　　　　  　库尔特·拉塞尔 Kurt Russell
+ b9 W7 k9 Z9 J) X! M　　　　  　Carrie Frazier
　　　　  　劳伦斯·G·波尔 Lawrence G. Paull
2 f$ {) M7 g6 ~8 Y" l　　　　  　Bruce Crone
3 o1 B$ A2 |! ?" P1 f* U8 d. k( B9 }　　　　  　Robin Michel Bush
; c! D/ Y$ i; R) l& z1 F　　　　  　Bill Sturgeon
　　　　  　Martin Jedlicka
: X! A3 F. Y- B8 c9 z　　　　  　David Jones
　　　　  　莱斯·伯恩斯汀 Les Bernstien
　　　　  　Kimberly K. Nelson

◎标　　签　科幻 | 美国 | 动作 | 1996 | 美国电影 | 约翰·卡朋特 | JohnCarpenter | John_Carpenter

◎简　　介   
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3 v9 r6 A7 G& o; C5 F; Q　　2013年，美国洛杉矶发生9.6级大地震，并与美国大陆分裂，成为小岛。美革命分子在岛上成立一支叛变军队，而美国总统更将所有罪犯放遂在这三不管的九反之地。然而总统女儿亦被叛军掳走，因此总统找来斯内克潜入城内，救回女儿并将开启核弹的钥匙夺回。
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6 A9 p* \6 y, |! ^! J　　Snake Plissken is once again called in by the United States government to recover a potential doomsday device from Los Angeles, now an autonomous island where undesirables are deported.

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3. Disc Title:     Escape.from.L.A.1996.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-UTT
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4. Disc Size:      65,193,644,258 bytes
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5. Protection:     AACS2
   
6. Extras:         Ultra HD, BD-Java
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7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.6.2)
   
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11. Name:                   00100.MPLS  
    
12. Length:                 1:40:39.867 (h:m:s.ms)
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13. Size:                   64,584,898,560 bytes
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14. Total Bitrate:          85.54 Mbps
    
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29. DTS-HD Master Audio             English         4236 kbps       5.1 / 48 kHz / 4236 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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31. Dolby Digital Audio             Spanish         640 kbps        5.1 / 48 kHz / 640 kbps
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32. Dolby Digital Audio             French          640 kbps        5.1 / 48 kHz / 640 kbps
    
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Escape from L.A. 4K Blu-ray, Video Quality   
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( x5 g, u2 M" h: [/ |3 x% [( LThe included screenshots are sourced from the 2010 1080p Blu-ray disc.

5 U2 x1 v# F2 I  I4 S  KWhat a difference a decade, a format, and some TLC make. Paramount's 2160p/Dolby Vision UHD release of Escape from L.A. blows its previous 2010 effort out of the water. It's a textbook definition of a night-and-day comparison that will leave fans yearning for a vastly superior release of this film more than satisfied with the end result. The 2160p/Dolby Vision presentation proves its worth from the beginning. Gone are creamy white numbers ("1998") and the flat green map, replaced here by brilliant and stable white and a bold, neon green that punches out of the screen with limitless vividness and vitality. Overall color depth is greatly improved; even dull grays and blacks are beneficiaries, offering a strikingly more robust scale and contrast and color accuracy that sees the UHD wipe the floor with the Blu-ray. Those improved blacks – here beautifully inky and true – greatly overshadow their 1080p SDR counterparts, which is vital considering how dark the movie is. Yet even through all that darkness the Dolby Vision grading thrives for balance between light and shadow and the pinpoint accuracy with which it handles those various shades of gray and black. Of course, bursts of high yield color are not lost to the darkened depths; Eddie's red car, for example, looks exquisitely full and rich while explosion fireballs are no challenge for punch and color depth and intensity. Dolby Vision is a great friend to this film, even considering its dark nature.
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Not to be outdone are the improvements to detail, clarity, and filmic faithfulness. The picture holds to a healthy grain structure, far superior to the uneven, unnatural, and blocky appearance found on the 2010 edition. Minor clean-up has been performed as well to remove mild, but still unsightly, print blemishes. The result is a handsomely organic cinematic image that boasts impeccably sharp details, including Plissken's facial scruff, pores, and lines and certainly all of the dilapidated content around the wasteland that is Los Angeles. The picture now assuredly resembles its best-case scenario and probably loos even better now than it did in theaters about a quarter of a century ago. This one teeters on perfection; fans are going to be delighted and even non-fans will want to watch just to see UHD done right.
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Escape from L.A. 4K Blu-ray, Audio Quality   

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Escape from L.A. released to Blu-ray with a Dolby TrueHD 5.1 lossless soundtrack in 2010. Here, Paramount has released the film to the UHD format with a DTS-HD Master Audio 5.1 lossless soundtrack, and it's a good – borderline great – one. The familiar opening score is certainly lovely in delivery, offering seamless width married to surround immersion. Clarity is very nice. The earthquake sequence is a delight for intense sonic immersion, with strong-armed bass, effortless absorption as bridges collapse all around the listener, and total submersion as tidal waves power ashore. Here (and in other places to be sure, like PA announcements and overhead helicopters as Plissken arrives at the facility at the eight-minute mark) is where the opportunity for an Atmos track is missed the most. To have these elements falling out of the sky on top of the listener, to be more immersive with surround-back channels would have been a delight. Still, the 5.1 track is no slouch, but in 2022 many listeners will expect more. That said, the 5.1 track suits the film's needs very well. Musical clarity is terrific, placement and movement are largely seamless, atmosphere around various high-tech headquarters and low-tech L.A. exteriors are great, and dialogue is clear, centered, and well prioritized. This is a top-tier 5.1 listen from Paramount.
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