洛杉矶大逃亡/逃出洛杉矶 [蓝光原盘] Escape from L A 1996 1080p BluRaycd AVC TrueHD 5.1-FGT 34.06GB

It's 16 years later and Snake Plissken is once again called in by the U.S. government to recover a potential doomsday device from Los Angeles.

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8 F5 w1 H& W; \# G◎译　　名　洛杉矶大逃亡/逃出洛杉矶
◎片　　名　Escape from L.A. / Escape from L.A. / John Carpenter's Escape from L.A.
◎年　　代　1996
◎产　　地　美国
. s7 x; V$ S* d+ l: O+ h. [5 J◎类　　别　动作/科幻/惊悚/冒险
◎语　　言　英语/西班牙语
◎上映日期　1996-08-09(美国)
5 s4 x* D1 U# U- O◎IMDb评分  5.7/10 from 81,230 users
◎IMDb链接  https://www.imdb.com/title/tt0116225/
◎豆瓣评分　6.4/10 from 2,720 users
◎豆瓣链接　https://movie.douban.com/subject/1293137/
9 ]; O: v' Y$ J$ c◎文件格式　x264 + TrueHD
2 D( r3 r) y. C◎视频尺寸　1920 x 1080
# p% d$ W: V  F; G" e9 ^◎文件大小　1DVD 34.06 GiB
/ x1 n- u8 P' }$ ^. U( Z- P◎片　　长　1:40:42 (h:m:s)
/ F+ e' S8 o0 ^/ O- L; A+ B  X◎导　　演　约翰·卡朋特 John Carpenter
◎编　　剧　黛布拉·希尔 Debra Hill
/ F) c" s  D$ _: K　　　　  　约翰·卡朋特 John Carpenter
4 \9 ]" Y4 r% p6 z* t　　　　  　库尔特·拉塞尔 Kurt Russell
◎制  片  人　库尔特·拉塞尔 Kurt Russell
. ?7 a( c  d! }: ^0 t/ Q2 W◎演　　员　库尔特·拉塞尔 Kurt Russell
　　　　  　史蒂夫·布西密 Steve Buscemi
: `% F6 s8 z! w( r+ B# d& t1 ^　　　　  　彼得·方达 Peter Fonda
4 _  h, b* d# f( E9 n9 ~　　　　  　克里夫·罗伯逊 Cliff Robertson
) c2 T2 ~$ d( I! W, E# I# h　　　　  　帕姆·格里尔 Pam Grier
5 N7 u  c, U: T: [　　　　  　A·J·兰格 A.J. Langer
! l+ p7 W) ]6 O! P$ m( z: N9 j/ Y3 n　　　　  　瓦莱丽亚·戈利诺 Valeria Golino
( B# |' p. P3 I3 U7 g8 `　　　　  　库尔特·拉塞尔 Kurt Russell
9 V1 l. w& O9 M2 C: s; [　　　　  　Carrie Frazier
4 Y. p" W$ X! ~" K" v- B　　　　  　劳伦斯·G·波尔 Lawrence G. Paull
　　　　  　Bruce Crone
　　　　  　Robin Michel Bush
4 ]1 _$ X& ^* L7 R' y( ?" f. }　　　　  　Bill Sturgeon
　　　　  　Martin Jedlicka
/ \, O9 [4 ]! g( T1 e1 z; Y　　　　  　David Jones
  Q9 z- r: X9 v  x' j- C( j　　　　  　莱斯·伯恩斯汀 Les Bernstien
　　　　  　Kimberly K. Nelson

8 |7 @$ {# @! n# v0 q* ~. B◎标　　签　科幻 | 美国 | 动作 | 1996 | 美国电影 | 约翰·卡朋特 | JohnCarpenter

% J, d$ V, @0 A◎简　　介　

! U+ T5 K& `$ R8 ]- Y1 A9 V　　2013年，美国洛杉矶发生9.6级大地震，并与美国大陆分裂，成为小岛。美革命分子在岛上成立一支叛变军队，而美国总统更将所有罪犯放遂在这三不管的九反之地。然而总统女儿亦被叛军掳走，因此总统找来斯内克潜入城内，救回女儿并将开启核弹的钥匙夺回.
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　　Snake Plissken is once again called in by the United States government to recover a potential doomsday device from Los Angeles, now an autonomous island where undesirables are deported.
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◎幕后揭秘

! ?' V5 j/ |6 `# J% i0 X& J　　本片既是《逃出纽约》的续集，也可视为重拍，因为桥段极其相似。

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3. Disc Title:     Escape.from.L.A.1996.1080p.BluRayCD.AVC.TrueHD.5.1-FGT
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4. Disc Size:      36 571 402 140 bytes
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5. Protection:     AACS
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6. BD-Java:        No
   
7. BDInfo:         0.5.6
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9. PLAYLIST REPORT:
   
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11. Name:                   00000.MPLS
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12. Length:                 1:40:42 (h:m:s)
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13. Size:                   33 787 613 184 bytes
    
14. Total Bitrate:          44,74 Mbps
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20. MPEG-4 AVC Video        31499 kbps          1080p / 23,976 fps / 16:9 / High Profile 4.1
    
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26. DTS-HD Master Audio             Russian         4348 kbps       5.1 / 48 kHz / 4348 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
    
27. Dolby TrueHD Audio              English         3973 kbps       5.1 / 48 kHz / 3973 kbps / 24-bit (AC3 Embedded: 5.1 / 48 kHz / 640 kbps / DN -4dB)
    
28. Dolby Digital Audio             Russian         448 kbps        5.1 / 48 kHz / 448 kbps
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29. Dolby Digital Audio             Russian         192 kbps        1.0 / 48 kHz / 192 kbps
    
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35. Presentation Graphics           English         32,824 kbps                     
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36. Presentation Graphics           Russian         25,141 kbps

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Escape from L.A. Blu-ray, Video Quality   
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Escape from L.A. lumbers onto Blu-ray with a passable but far from pristine 1080p, 2.35:1-framed transfer. The picture's brighter opening segments reveal good detailing and color reproduction, but the bulk of the movie takes place in darkened locales where there's less opportunity for bright and lively visuals. The 1080p picture only accentuates the obviously fake backgrounds, special effects, and sets -- sometimes to a visually distracting fault -- but it's a small tradeoff for the increased resolution yielded by the Blu-ray transfer. Even in darker scenes, the transfer can reveal some good detailing -- Snake's scruffy facial hair or the worn leather jacket he wears as the film opens -- but the movie can and often does appear flat and lifeless, sometimes leaving faces looking a bit pasty. However, it does retain a very slight layer of film grain throughout. Additionally, backgrounds are often soft, sometimes downright fuzzy and blurred in several shots. Black levels are consistently deep and dark but occasionally overwhelm the image and overcome finer details. The print is in relatively good condition, exhibiting only a few random speckles that don't represent much cause for concern. Escape From L.A. is far from a pristine transfer, but it effectively gets the job done in most instances.
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! M. r8 [  p8 P! Z8 HEscape from L.A. Blu-ray, Audio Quality   
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  Y& m. c+ c5 O5 gEscape From L.A.'s Dolby TrueHD 5.1 lossless soundtrack does a fair job, but it's not up to par when compared alongside some of the better, reference-quality Blu-ray presentations. Sound effects swoop from the sides and into the center of the soundstage during the opening credit sequence, bringing a fair amount clarity, a good surround presence, and some heft to the proceedings. The track's high point comes during the apocalyptic destruction of Los Angeles near the beginning of the film; buildings seem to crumble around the listener, and accompanied by some potent bass, this lossless mix creates a chilling sensation that's not a poster child for clarity and realism, but it suits the material and the experience very well. The track makes good use of the back speakers throughout; nothing in the track is particularly engulfing and there are no seamless atmospherics, but it's a decent enough surround presentation. Unfortunately, most effects seem underpowered; a motorcycle chase lacks much heft or energy, and while gunfire occasionally echoes nicely and spills from the back channels, it more often than not lacks that seamless, powerful, and crisp presentation of the more powerful sound effects that define the superior Action movie tracks. Additionally, dialogue is often shallow and underpowered, clear to be sure but lacking in presence. Audio enthusiasts aren't going to use this track as demo material, but casual listeners will most likely be pleased with what it has to offer.

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