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NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.% S& [* L' V) X
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# N i( e) w# M: ?: [/ c+ F◎译 名 阿波罗13号/阿波罗十三/太阳神13号(港)
5 O6 ~! f8 a: J! S" S◎片 名 Apollo 130 Q2 ]9 A' N/ B! y; c/ p7 Y7 Q
◎年 代 1995
: ?4 h3 } L$ g _$ b" a+ W# |◎产 地 美国( I8 l8 a8 t1 Z) y
◎类 别 剧情/历史/冒险
4 F$ ?* |5 N, ^( `◎语 言 英语& U) q& h: L' D+ M* f2 A4 r
◎上映日期 1995-06-30(美国)
4 A; M' s$ { a# {$ D$ _◎IMDb评分 7.7/10 from 287,469 users
+ k9 Z/ E$ g! {$ f" \0 v◎IMDb链接 https://www.imdb.com/title/tt0112384/6 d, Q, F$ y1 t( v
◎豆瓣评分 8.1/10 from 33,221 users
& ^, Y0 x$ ^' W, q◎豆瓣链接 https://movie.douban.com/subject/1293785/
- W" w+ \8 b7 [; C8 E◎文件格式 x265 + DTS
$ z1 V) P) v/ Q3 J2 T◎视频尺寸 3840 x 21607 s$ x" g1 f, H7 R
◎文件大小 1DVD 51.78 GiB0 e! D2 _5 B9 M8 ~. R; a
◎片 长 2:19:51.049 (h:m:s.ms)
/ |5 X, Y6 V/ u$ X* J& F◎导 演 朗·霍华德 Ron Howard
7 j! E9 U3 ]) F9 W◎编 剧 小威廉·保尔斯 William Broyles Jr.
) |8 l2 j7 \5 o8 N0 t7 J 阿尔·赖纳特 Al Reinert
7 R7 M3 I' ?0 F! M 吉姆·洛威尔 Jim Lovell0 e7 N+ [$ t6 A1 o( H+ h* h0 B
杰弗里·克卢格 Jeffrey Kluger1 S5 z4 [7 ~! |: [8 |
◎演 员 汤姆·汉克斯 Tom Hanks% i9 V2 ]5 l+ x+ Y w
比尔·帕克斯顿 Bill Paxton
/ ?7 i% Z( x6 d# g. ]9 n5 b+ { 凯文·贝肯 Kevin Bacon
: k! l1 W3 z0 e' G/ U4 c 艾德·哈里斯 Ed Harris4 a" n* a* o1 s
加里·西尼斯 Gary Sinise
8 [0 s8 J/ b# |1 k( H 凯瑟琳·奎南 Kathleen Quinlan& [6 S) X% v# Q) I
马里·凯特·舒切尔哈德特 Mary Kate Schellhardt; L3 `& L8 w; |- J$ Y$ L
艾米丽·安·劳埃德 Emily Ann Lloyd" P& n" E# m3 U2 S$ m& X
米克·休斯 Miko Hughes2 d Y5 _1 k$ q, `# i; `5 j3 p& m% k
麦克斯·艾略特·斯莱德 Max Elliott Slade7 @8 K: k! ]! q: d9 t$ ]9 x: f
琼·斯皮格勒·霍华德 Jean Speegle Howard
) { I7 ~: B% ?. Z 特雷西赖纳 Tracy Reiner6 T9 Z* s% t1 `% U k% ~6 J
马克·麦克卢尔 Marc McClure' D5 [1 r8 E0 d1 y
克里斯蒂安·克莱门松 Christian Clemenson3 a" A) r6 R- r6 a
布莱特·卡伦 Brett Cullen; N! M# o1 c3 Q+ g
安迪·米尔德 Andy Milder
. F! l3 n7 n, q: P6 f5 _# c Mark Wheeler
. e5 o7 h5 s. P, i, W 山德·贝克利 Xander Berkeley' c1 }/ n/ i; M Q7 E
肯特·卡斯帕 Kent Kasper
7 e/ a4 F3 t+ R% z 杰弗里·布莱克 Geoffrey Blake
4 G- @/ F8 }9 f6 ^4 u# n) `% O: K2 h% A 雷·迈克金农 Ray McKinnon- K: o) D% Q4 g- k. N( K
安德烈·胡勒斯 Endre Hules& ~! T2 j9 F1 i
乔·斯帕诺 Joe Spano' p4 m/ B) k4 r! l0 A
克里斯·埃里斯 Chris Ellis( x2 V& `0 U1 K; o3 w1 p5 J3 s) U: k3 t
Todd Hallowell
$ q3 }9 t& a/ X' w: D5 x7 y 杰弗里·克卢格 Jeffrey Kluger$ }$ ]; n( L1 }( H( X9 i
布莱丝·达拉斯·霍华德 Bryce Dallas Howard1 J& i5 L0 m- R/ c$ P ^. E
Todd Hallowell
+ Y1 ^+ V" M( y Aldric La'Auli Porter2 W- y+ D- c% g3 o+ q0 B
布莱恩·格雷泽 Brian Grazer
; ?7 G1 v( w4 E4 F( ? 詹姆斯·霍纳 James Horner
' s8 A2 R( r8 ~" B3 `% q$ n- F( E 迈克·希尔 Mike Hill6 q; T* j0 y1 c# v8 J9 A+ R
丹尼尔·P·汉利 Daniel P. Hanley
5 n6 @4 {: Y4 ?) O& \$ X. n$ u 珍妮特·希尔森 Janet Hirshenson1 U3 v. E/ C ^! ^2 S# G, w
大卫·J·博姆巴 David J. Bomba) |* z& Z v8 b6 h w
迈克尔·科伦布里斯 Michael Corenblith
3 _7 ~7 \0 b- J" C- F 梅里迪斯·博斯维尔 Merideth Boswell1 S$ u- b; b/ J3 f
丽塔·赖克 Rita Ryack1 K4 u8 U; W& w6 M( ^! B
Larry Abbott
( Z( l' N$ s. Z J 哈泽尔·凯特穆尔 Hazel Catmull; t! E h2 N! H; x, y( D
乔伊·萨帕塔 Joy Zapata a" z, ] \, T9 S
Aldric La'Auli Porter3 m% @' }! R, [' d8 q8 a# i
布鲁斯·莫里亚蒂 Bruce Moriarty/ G) F- e3 X1 S3 O
Todd Hallowell- R6 m3 G2 f) f3 x1 W! |6 k
Jane Paul
8 P1 H; u2 o8 k4 O8 }! j3 H* M 罗科·帕西尼诺 Rocco Passionino( W/ `( O: j, [# K7 R
Eugene P. Rizzardi
7 X' m# J3 _2 o4 O' ]" n2 k) Y 迈克尔·坎弗 Michael Kanfer
) D5 k3 W1 U' G. ?' S8 }0 _8 N 布莱恩·吉尔 Bryan Grill
; h/ @( M+ Q- U- u8 P. @5 m 乔·威斯科西尔 Joe Viskocil
; _$ E5 Y" w7 z% M1 K; K/ p5 a. ? 埃里克·纳什 Erik Nash. k0 h G% o; m4 {8 `
马修·E·巴特勒 Matthew E. Butler
9 [7 g6 ]& `, m 马克·A·拉索夫 Mark A. Lasoff' n1 @3 K4 U5 o k' v+ ?
凯文·斯科特·麦克 Kevin Scott Mack8 r2 u# [; o# |0 ~+ E
西蒙·奥康纳 Simon O'Connor/ v2 k6 U2 C' }! o& M9 k
罗伯特·莱加托 Robert Legato3 R; E9 C% D% D" x6 m
詹姆斯·卡梅隆 James Cameron9 d h: b! |, g6 F7 F. p8 V4 i5 V5 |
派特·迈克朗 Pat McClung
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0 Q5 m U( b3 w1 n2 k, r" I◎标 签 美国 | 灾难 | 太空 | 剧情 | 阿波罗13号 | TomHanks | 1995 | 冒险
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◎简 介
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# S2 X) O9 N+ m0 s 1969年7月20日,乘坐着阿波罗11号的美国人尼尔·阿姆斯特朗成功登陆月球,迈出对人类来说具有重要意义的一大步。与此同时,资深宇航员吉姆·洛维尔(汤姆·汉克斯 Tom Hanks 饰)和亲人好友们通过电视密切关注着这历史性的一刻。吉姆曾乘坐阿波罗8号飞到月球附近,他同样希望在有生之年实现登陆月球的梦想。这个时刻很快来临,就在3个月后,吉姆被任命为阿波罗13号的指挥官,他将连同伙伴佛瑞·德汉斯(比尔·帕克斯顿 Bill Paxton 饰)、杰克·史威吉特(凯文·贝肯 Kevin Bacon 饰)再次升空前往月球。他们满怀着希望,却没想到有无限的磨难等在前方……
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本片根据真实事件改编,并荣获包括1996年奥斯卡金像奖最佳剪辑和最佳音效奖在内的20多个奖项。7 U; T2 C/ g) j1 U
7 A6 A6 L3 J5 \6 |6 P/ s+ q/ J: t NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.' W5 I+ G: a7 U! m/ B% W
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◎获奖情况
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2 T9 y/ Y! c$ Y+ [ 第68届奥斯卡金像奖 (1996)
$ a/ }) V- E" q3 ?/ @ 最佳影片(提名) 布莱恩·格雷泽: N7 M! `6 c3 D" t
最佳男配角(提名) 艾德·哈里斯* `$ r6 H3 c' l
最佳女配角(提名) 凯瑟琳·奎南6 v4 ?, v5 O& F, W, y, E7 V
最佳改编剧本(提名) 小威廉·保尔斯 /阿尔·赖纳特% e; _, q F Y7 L O# l3 e: A
最佳剪辑 迈克·希尔 /丹尼尔·P·汉利
+ B' V% [9 ~$ J" C 最佳视觉效果(提名) Leslie Ekker /罗伯特·莱加托 /Michael Kanfer /Matt Sweeney- U: H/ C b' Y
最佳音响 David MacMillan /斯科特·米兰 /Rick Dior /Steve Pederson" S* M* A0 R& J0 E, o7 i
最佳艺术指导(提名) Merideth Boswell /迈克尔·科伦布里斯
" ]" X8 Q, P* g 剧情片最佳原创配乐(提名) 詹姆斯·霍纳
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; l+ U0 c1 I+ p) M/ V O! O4 l/ L8 O 第49届英国电影学院奖 (1996)8 u6 b6 G: {% D" ]- u/ h D+ n% S
电影奖 最佳摄影(提名) 迪恩·康迪 /迪恩·康迪
4 X/ U+ n+ Y9 r$ c* C 电影奖 最佳剪辑(提名) 迈克·希尔 /丹尼尔·P·汉利
- w ]( U$ j5 e4 }. M4 n 电影奖 最佳艺术指导 迈克尔·科伦布里斯, o8 _3 B- K# q1 W6 ^1 j! a
电影奖 最佳特殊视觉效果 Michael Kanfer /Matt Sweeney /Leslie Ekker /罗伯特·莱加托5 n, N; I! ]8 s' o7 l& r
电影奖 最佳音效(提名) David MacMillan /斯科特·米兰 /Rick Dior /Steve Pederson
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$ t5 _$ e% q* d( D) q 第19届日本电影学院奖 (1996) Q- \ E2 @; {' j4 s' p6 f5 l8 {
最佳外语片(提名)
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- DISC INFO: W% D& M* o& Y8 w. J2 S
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7 F6 j3 ?% l. V" c( ` - Disc Size: 55,599,991,757 bytes
) Z3 V( h5 _. h, w! Q0 p5 z; x - Protection: AACS2) s: O0 d. i% y: ~( j Y6 G
- BD-Java: Yes
# e0 s* c! _2 \4 } F - Extras: Ultra HD
9 y% ^% b: v W/ d' r - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.6.8)
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4 w' ~) P% ]- P1 e" Z, Z7 j3 F- J# t- Name: 00800.MPLS " W$ |5 L& J1 }# H5 U' M# T% }
- Length: 2:19:51.049 (h:m:s.ms)
3 P5 j c7 n( w& G' \$ {7 c - Size: 54,686,910,912 bytes& y& T/ U, v1 `0 o8 C
- Total Bitrate: 52.14 Mbps
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6 o3 A! \0 |$ U& d0 M6 b2 a- AUDIO:: |* l) Z" H; S# X& W( T; I
6 O1 g9 i O* j. b/ n- Codec Language Bitrate Description
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; F6 q2 P) J: }' a - DTS:X/DTS-HD Master Audio English 7230 kbps 7.1-X / 48 kHz / 7230 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)4 B3 q2 @9 A5 ~* @7 [
- DTS:X/DTS-HD Master Audio German 3571 kbps 7.1-X / 48 kHz / 3571 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
* [8 a. w/ t) h* y - DTS Audio Turkish 768 kbps 2.0 / 48 kHz / 768 kbps / 24-bit8 }. |- _6 _$ `) f
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
6 L+ g% L6 D. T( r: a- o - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps3 M9 k4 q( J# C# S/ B, _
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! J3 `+ G8 B Z- h" j. t - Presentation Graphics German 61.408 kbps
5 b4 w2 X% ~0 F$ s - Presentation Graphics English 62.69 kbps 5 \$ P6 a; C" d2 O- d
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- Presentation Graphics German 0.614 kbps . i/ C+ D2 X3 @( x* c$ k9 O
- Presentation Graphics Turkish 0.904 kbps
复制代码 Apollo 13 4K Blu-ray, Video Quality
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5 D7 n) V: l& @ x( ]$ y5 SThe included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.1 w" R) Z! ^% {% x6 x
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Apollo 13 was shot on film and the transition to UHD has resulted in a very pleasing, organically filmic image with little room for major complaint. Grain retention lends a satisfying textural grace to the image. Some may find it a hair on the sharp side, but there's no mistaking the picture's cinematic bona fides. Skin textures appear organically complex, featuring a tangible increase in raw definition over the previous Blu-ray. Complex pores, stubble on the astronauts' faces, and wrinkly lines on an older character are amongst the most evident of the boosts to skin's textural bounties. Additionally, the image's boost in clarity and resolution allows for greater command of fine object detailing as well, including space suits, bulky computer consoles at Houston, and the complex array of buttons and electronics in the shuttle. The shuttle interior's cramped size and density allows every scene inside the craft to be a treasure of ultra high definition exploration. The HDR color palette offers another example of tasteful, complimentary boosts. The palette never betrays the movie's color scheme, accentuating and keeping core shades, like the green computer consoles at Houston command or various accents on space suits or clothes -- particularly some of the more period-colored oranges and browns -- true but more naturally adept in presentation. Skin tones are full and healthy, perhaps pushing a little rosy at times. Black levels are fine. This is a very good image; scoring was a bit tough, with 4.0 and 4.5 both reasonable figures. Either way this is a positive upgrade over the previous Blu-ray.
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Apollo 13 4K Blu-ray, Audio Quality
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Apollo 13 blasts onto Blu-ray with a thunderous DTS:X soundtrack that's also more than capable of delivering nuanced sound elements. This is a movie that benefits from the added surround speakers and overhead layer. Musical placement and stage wrap are wonderful. Clarity is a driving force in the track's excellence, but so too is its organic flow and total engagement, with its complimentary surround and subwoofer usage. The track is awash in small but critical sound effects, including little hums and beeps inside the simulator that spring up from all over the stage. PA announcements following a training session in that simulator early in the film emanate from a clearly defined overhead position. A cacophony of blaring alarms, shattering glass, gusting winds, and other impactful elements completely saturate the stage, top end included, about 13 minutes in. A jet flies distinctly overhead soon thereafter. The shuttle's blast-off sequence is of reference quality. Thunderous gusts of raw power flood the stage with total saturation but pinpoint clarity or highly aggressive details. The subwoofer works overtime to deliver crisp but powerful and balanced bass. Alarms signal the beginning of trouble on the craft after takeoff. The various malfunctions create a serious stir in the listening area, some of which effortlessly encircle the listener to striking, terrifying effect. Small little sonic components both on the ship and at Houston pull the listener into the terror and chaos, and with different sensations both in the tight quarters on the ship and in the more expansive control center. Dialogue is clear and well defined and prioritized with firm center placement for the duration.
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