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[4K极清电影] 美国狼人在伦敦 [4K美版原盘] An American Werewolf in London 1981 2160p US BluRaycd HEVC DTS-HD MA 5.1-B0MBARDiERS 89.97GB

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迅雷电影 发表于 2022-3-21 18:19:38 | 显示全部楼层 |阅读模式
Two American college students on a walking tour of Britain are attacked by a werewolf that none of the locals will admit exists.5 k, v& E, F) j( I! H: ]
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◎译  名 美国狼人在伦敦/鬼追人4 m8 K% R$ l3 Q0 t: }8 E: |
◎片  名 An American Werewolf in London
- y! x% [+ y! K8 l, _2 [◎年  代 1981- G) r+ M( M) X" z  z8 o0 Z! \
◎产  地 美国/英国) i# a7 K) g" q. P/ s: l% p2 m% M& g
◎类  别 喜剧/爱情/恐怖
$ C; l* Y" g( O! ?1 i◎语  言 英语- b' `0 x$ p. G" V  L
◎上映日期 1981-08-21(美国)
  ]; d1 y" Y* }8 T* w◎IMDb评分  7.5/10 from 103,179 users0 t& @" w# r% W4 {& }
◎IMDb链接  https://www.imdb.com/title/tt0082010/
7 a2 x' U  D6 N$ v" Q3 o◎豆瓣评分 7.0/10 from 2,301 users
2 [1 P$ I( m% {- v* o◎豆瓣链接 https://movie.douban.com/subject/1295077/
/ r5 P; o. B- j( i1 f# y" ^" f◎文件格式 x265 + DTS6 F4 b: M' w5 C4 B/ ]. R
◎视频尺寸 3840 x 2160
' T, v9 P8 M* H◎文件大小 1DVD 89.97 GiB, j5 c/ s0 b- p$ B
◎片  长 1:37:16.163 (h:m:s.ms)' d+ T8 L, c# H) G# C5 l1 X8 h- [
◎导  演 约翰·兰迪斯 John Landis; R# X9 w, q% {
◎编  剧 约翰·兰迪斯 John Landis
$ [$ a  u( }* W% @( Q& q◎主  演 大卫·诺顿 David Naughton$ F0 B5 N! I. S6 Q" J; _
       珍妮·艾加特 Jenny Agutter5 e% t2 F) `/ {" D
       格里芬·邓恩 Griffin Dunne
1 m( z1 W& r4 b5 T: P* K, a       约翰·伍德温 John Woodvine5 ^+ y- Z6 C9 Y1 O2 m( R
       莉拉·凯 Lila Kaye
. i* z4 j# H: L% {: I2 J# ?       保罗·肯伯 Paul Kember
" Y& I% ?# `5 `) C  V       Don McKillop . C4 n3 V) p; l. G1 f0 _
       埃尔默·伯恩斯坦 Elmer Bernstein
( m( j! x' n8 J3 E       莱斯利·迪利 Leslie Dilley / l# ?0 G3 A* q
       戴博拉·纳杜尔曼 Deborah Nadoolman
7 i0 s  q0 c9 u& o& N  |6 U/ ^       里克·贝克 Rick Baker & m' u: {* h4 ~- ]0 A8 v
       Bill Sturgeon
0 c0 r: z% c3 @9 ?       史蒂夫·约翰逊 Steve Johnson
! g/ z3 r7 A6 `3 u* I. P  {       Robin Grantham 9 n  {+ b5 k; v3 n) \
       Doug Beswick
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◎标  签 恐怖 | 美国 | 惊悚 | Cult | 1981 | 美国电影 | 英国 | 1980s
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4 j- M# v4 F9 U9 ]& v7 V0 P◎简  介   6 ?" X8 b# T8 z* g& m

# y' ~% Q9 e2 |/ j" T  来自美国的杰克(格里芬·邓恩 Griffin Dunne 饰)和戴维(大卫·诺顿 David Naughton 饰)是一对经常结伴出游的好友,一次意外中,他们在位于英格兰的一篇沼泽里遭到了可怕的狼人的袭击,杰克当场死亡,戴维负伤。住在附近小镇里的村民们救了戴维,并为他提供了养伤的住所。3 ]! O6 t  `2 L
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  自从受伤以来,杰克频频出现在戴维的幻觉之中,杰克告诉戴维,戴维已经有了狼人的血统,为了避免伤及无辜,杰克鼓动戴维尽早的结束自己的生命。果不其然,月圆之夜的隔天清晨,几句尸体的出现让小镇陷入了恐慌之中,只有杰克明白,自己是这一切的罪魁祸首。杰克想要自首,可小镇上没有人愿意相信他。
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. N) d2 O# {4 a: p4 q  The tale of a tourist from the U.S. whose stay in London is disrupted when, after being bitten by a wolf, he turns into a werewolf.2 t* \5 {3 T) i( s

* c9 P# B5 \( d# T$ i/ i7 Q+ e$ a◎获奖情况  
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  第54届奥斯卡金像奖 (1982)3 j! M$ M: C: V, @# u5 i
  最佳化妆& D4 U6 ^6 g) U2 J, V
   └──里克·贝克/ b( c8 Q$ W( G$ l( A

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  1. DISC INFO:5 Y6 F% ]7 M$ K& ?% P/ D. f: d2 e
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  3. Disc Title:     An.American.Werewolf.in.London.1981.2160p.US.BluRayCD.HEVC.DTS-HD.MA.5.1-B0MBARDiERS
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  4. Disc Size:      96,604,607,414 bytes5 S) [4 l! f. G
  5. Protection:     AACS2
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  6. Extras:         Ultra HD
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  7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.6.5)
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  9. PLAYLIST REPORT:
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  11. Name:                   00000.MPLS  . x6 O( V/ b- y' L8 @
  12. Length:                 1:37:16.163 (h:m:s.ms). u0 ^0 `( q# t
  13. Size:                   75,018,848,256 bytes1 n3 L0 \. v2 q) Y# o. v
  14. Total Bitrate:          102.83 Mbps" ?5 S, p7 x2 |
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  16. (*) Indicates included stream hidden by this playlist.+ d! ~" R" q; }7 J) e

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  18. Video:" o2 q. ^9 L; p( [9 A" f  w; h1 c9 x
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  22. MPEG-H HEVC Video       92872 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
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  23. * MPEG-H HEVC Video     76 kbps (0.08%)     1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision MEL / BT.2020/ [, v+ L( A- V1 ~

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  29. DTS-HD Master Audio             English         1083 kbps       1.0 / 48 kHz / 1083 kbps / 24-bit (DTS Core: 1.0 / 48 kHz / 768 kbps / 24-bit)1 `8 F8 D1 S0 |# M- o8 N( ~
  30. DTS-HD Master Audio             English         3616 kbps       5.1 / 48 kHz / 3616 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 768 kbps / 24-bit)0 i* |) `! }: Q. T$ m8 |
  31. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
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  32. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
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  34. SUBTITLES:, G8 Y$ _2 B) d( s0 K4 x, j" [
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  38. Presentation Graphics           English         36.748 kbps
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An American Werewolf in London 4K Blu-ray, Video Quality   
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% F& ?8 i  y  r$ M% U4 Q2 m- WNote: Screenshots are sourced from the 1080 disc. Note that this release follows Arrow's somewhat puzzling "tradition" of not including a 1080 disc with their 4K UHD releases.
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An American Werewolf in London is presented in 4K UHD courtesy of Arrow Video with a 2160p transfer in 1.85:1. Arrow's insert booklet contains verbiage that is just slightly different from what I reproduced in the video section of my original An American Werewolf in London Blu-ray review:
An American Werewolf in London is presented in its original aspect ratio of 1.85:1 with mono and 5.1 sound and has been exclusively restored in 4K by Arrow Films.! ~) _) H' D' j8 M9 {

; v3 F2 H: e' k3 b2 y& ]# SThe original 35mm camera negative was scanned in 4K 16-bit resolution at NBC Universal Post. The film was restored in 4K and graded in HDR10 & Dolby Vision at Silver Salt Restoration, London. The key grading reference was a prior HD master approved by director John Landis.
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' \  Z- A0 p! ?3 e$ XThe mono mix was sourced from the original mono mix reels and remastered at Deluxe Audio. The 5.1 mix was originally created by NBC Universal at Twickenham Film Studios, however the original 5.1 master print mage reels were newly remastered by Arrow Films at Deluxe Audio to correct for a pitch error introduced in the original mix.
Anyone who is still fearful of Universal's once notorious use of digital noise reduction need only pop this 4K UHD disc into their player to be greeted with a clear (actually chunky) disabusing of that notion, since the opening few minutes of this film, and a few interstitial scenes thereafter, have some of the most ungainly yellow grain that I've personally seen in a 4K presentation, to the point that it almost looks like swarms of little yellow birds are flickering across the screen. Of course this is due in part to the opening scenes having optically printed credits, and you'll be able to see some of the same almost comical spikes in grain during a number of optical dissolves (as in the lovemaking montage much later in the film), though I have to say this aspect popped up a couple of times apart from any opticals that I was able to discern. That presentational aspect aside, this 4K version shows some nice upgrades in detail levels, with things like the bristly hair on David's "alter ego" looking really precise and nicely rendered. The gruesome makeup that adorns Griffin Dunne's face, especially the first "vision" in the hospital, is also noticeably more detailed in this version, which may or may not be a good thing, considering some viewers' more squeamish sensibilities. HDR and/or Dolby Vision add a rather interesting slightly darkened burnished look to the palette, which tends to make things like David's bright red jacket look gorgeously suffused, but also perhaps pushed just a bit more toward purplish tones than in the 1080 version. And in fact a number of flesh tones looked just a bit ruddy to me in this 4K presentation.2 L1 m+ h, S) c" g% [! n( {

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4 v- b5 g$ E* k$ r$ N% L; WNeither Casey nor Marty was that blown away by the DTS-HD Master Audio 5.1 tracks on the releases they reviewed, but neither of those releases offered the original mono track from the initial theatrical exhibition, which is included here via DTS-HD Master Audio Mono. The mono track is obviously more "confined" sounding than the surround track, but is quite enjoyable on its merits, offering good fidelity and generally smart prioritization. As Casey and Marty noted, the surround track isn't a nonstop array of "showy" effects, but it certainly does engage the side and rear channels with a fair degree of regularity, offering good placement of ambient environmental effects both outdoors (the moors sequence is notable in this regard) but even with regard to some of the urban environments. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
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