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A film account and presentation of the final concert of The Band.
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7 l8 H" ?; g( D; A" N8 v◎译 名 最后华尔兹& ?. C1 l/ |3 B2 ~
◎片 名 The Last Waltz- o! n8 F' r4 _
◎年 代 1978: f: B z. j4 e) i6 [
◎产 地 美国8 S5 }1 @) z) T) ]
◎类 别 纪录片/传记/音乐
+ W4 o4 Y/ [! [' x2 X7 n: \* t◎语 言 英语/中古英语8 ]* C J, N& Y$ w$ t/ _/ c
◎上映日期 1978-04-26(美国)# b' f0 }9 a* K5 F# ^+ m
◎IMDb评分 8.1/10 from 17,621 users( V/ |' P& ^# U2 H, G5 G5 A
◎IMDb链接 https://www.imdb.com/title/tt0077838/ a: U F: E8 h$ u
◎豆瓣评分 8.7/10 from 1,195 users! v' K S, Y2 ?: ]' M( E- N& u
◎豆瓣链接 https://movie.douban.com/subject/1306025/
! V4 {4 ^, L- k8 U◎文件格式 x264 + DTS
2 ?) U: f" A$ \$ a8 j8 d◎视频尺寸 1920 x 1080
7 U' d* L8 K: m! F6 j( }# p2 D◎文件大小 1DVD 45.77 GiB, Y4 r- k# j* ^; l
◎片 长 1:57:11.983 (h:m:s.ms)
& \+ u1 \) x9 T3 b! i◎导 演 马丁·斯科塞斯 Martin Scorsese( @: P8 f, L' f" Y5 @" c
◎编 剧 麦迪克·马丁 Mardik Martin' ?4 L$ | v K/ I
马丁·斯科塞斯 Martin Scorsese. `' n p( n6 P% W' ]5 X* z+ ^" d
◎演 员 Rick Danko ]" J; g& n( _
列翁·赫尔姆 Levon Helm. z% }+ M; Z( L" ~, j& w/ f
Garth Hudson. d# G# |3 ?( @' x& {0 O
Richard Manuel
$ n# H- c# R, N- R7 J2 N; j 罗比·罗伯逊 Robbie Robertson
2 ^4 H* V9 D( @0 Q 埃里克·克莱普顿 Eric Clapton
1 a- }/ x' @: q* }6 f7 w$ D0 x/ F 尼尔·戴蒙德 Neil Diamond
6 u: ]% | O* J# M 鲍勃·迪伦 Bob Dylan
o+ c3 u8 V) P' r: o2 _ 乔尼·米切尔 Joni Mitchell
, P, e, m: h& S5 O; z: m7 A: x# C 尼尔·杨 Neil Young
# g. F6 A; Y& E$ b% g 爱美萝·哈里斯 Emmylou Harris. ?0 {# N9 U- g6 w5 [8 q
林戈·斯塔尔 Ringo Starr- E2 @+ I' a+ m2 @2 K' [) F- h
Paul Butterfield i/ D7 c7 @! C5 z
Dr. John Dr. John
s- F0 u! `5 Y9 o. p 范·莫里森 Van Morrison z$ x4 A' u8 z5 Y
Ronnie Hawkins
6 G3 z- B, p% M4 U7 k Muddy Waters' [0 X) i! i; ^) N
荣·伍德 Ron Wood
/ {5 F: S: J3 y3 \ Michael McClure
& o7 `7 @: K' s- ]) Z. } 劳伦斯·弗林盖蒂 Lawrence Ferlinghetti; L! C' j4 v5 G/ U* w5 s1 q
马丁·斯科塞斯 Martin Scorsese
4 ^; ?9 E' b/ S, ^ 汤姆·马龙 Tom Malone- J. o/ N( m; p$ |' u* k6 d
Howard Johnson
: R4 j( }2 q$ Q a 杰里·海 Jerry Hey! n% U8 I' H' L+ M0 N
Mavis Staples8 p* e: m n% G1 B
Roebuck 'Pops' Staples
: o% z* W1 k2 F0 ^6 D" ^$ \ Robert Charles Guidry
- x" A! K T) N 比尔·格雷厄姆 Bill Graham
0 a1 ^. a/ A& L2 V* |9 j 派恩塔普·帕金斯 Pinetop Perkins
& D$ K8 m6 g% x: _1 h Carl Radle
2 U7 k+ q, M* r* G" l" E 罗比·罗伯逊 Robbie Robertson
, o8 R) S, R2 [" F0 _/ \ 弗兰克·马歇尔 Frank Marshall. ]8 w/ F# Z, a; u# d R0 ?4 f
乔尔·切尔诺夫 Joel Chernoff
- ] I9 ~! p( A- O9 h, m8 ?# S5 E L·A·约翰逊 L.A. Johnson
9 }9 P3 ^; a9 D8 Z7 O2 r5 K7 F Jonathan T. Taplin6 S9 Q e( j! L
迈克尔·查普曼 Michael Chapman
4 g9 ^2 T/ K, ~6 `) f4 n5 S5 n 鲍里斯·莱文 Boris Leven( _# {- J: A; x4 u/ {1 M! Y8 }
安东尼·蒙戴尔 Anthony Mondell+ X0 M d4 b" {3 O. j+ z
迪昂·哈奇 Dion Hatch
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◎简 介 * i+ g2 A& }; L9 n
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本片是美国摇滚乐队“THE BAND"在三藩市作告别演出音乐会的纪录片。 片中的大腕实在太多了。
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' E z; v5 l* w 马丁.史高塞斯的导演手法出色,在把握节奏、色彩运用方面掌握得非常有尺度;鲍里斯.李文的摄影技术也是炉火纯青,使得本片成为摇滚乐纪录片的代表作之一。6 Y' u. g+ q- }7 W: N
9 N( f3 r, L0 |+ X% j: m: X It started as a concert. It became a celebration. Join an unparalleled lineup of rock superstars as they celebrate The Band's historic 1976 farewell performance.* Z% e. A: L$ _6 ?- j# @! Y
9 t% ^5 C: S5 y8 c4 E- DISC INFO: S9 g- K8 D% V0 |$ }1 C
B2 o5 I! y, v- Disc Title: The.Last.Waltz.1978.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-iNTEGRUM. l1 L7 A$ ?1 q$ W+ [7 S
- Disc Size: 49,149,140,682 bytes
7 g9 k9 _/ n6 a3 W9 O$ X - Protection: AACS
0 S R) j1 F( q( }, T5 D1 R6 j - Extras: BD-Java
1 s, c7 d- f* ?+ [6 \ - BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.6.7)
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& O e4 t- t0 P1 h- PLAYLIST REPORT:+ T" g7 c8 n4 E5 r( `: Y. _' v
* g3 E) ?! e8 O" k3 j9 ?- Name: 00001.MPLS 9 R' g9 l1 M8 ^# a# ?9 I; x
- Length: 1:57:11.983 (h:m:s.ms)
# z2 J& X+ R! I, k0 S' E - Size: 41,186,838,528 bytes# [4 T' S$ I) y& @! x
- Total Bitrate: 46.86 Mbps
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+ z: _+ \1 q% k D) @7 P6 I/ _- Video:
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- Codec Bitrate Description 0 ^3 s. W7 q$ j% f6 Y) g$ {
- ----- ------- ----------- & J( ~$ l S" K1 m! y) ?* r
- MPEG-4 AVC Video 34926 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.17 q3 u/ O2 Y+ J& Q* l$ d/ a
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- AUDIO:$ J$ ?6 ~6 q3 m$ U. l
: J" |5 W5 O3 q- Codec Language Bitrate Description
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- DTS-HD Master Audio English 4540 kbps 5.1 / 48 kHz / 4540 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
1 B9 Z% [0 m& r# a - LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit# v& S/ o* S" J4 o l( Z* D" Q) I% U
- DTS-HD Master Audio English 2050 kbps 2.0 / 48 kHz / 2050 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
. F" T0 g2 \7 V; S$ U; q - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
9 e* l W8 |6 O# h9 \# p! x - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
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% G# w, f0 D9 H7 V' n! \5 \- SUBTITLES:
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- Codec Language Bitrate Description 9 A6 l: O1 Y' ^! J* q
- ----- -------- ------- ----------- 4 _( _5 E2 Z; F0 K3 P3 z
- Presentation Graphics English 41.148 kbps
复制代码 The Last Waltz Blu-ray, Video Quality ( A7 s$ V& ]# i: ^
Those who did not see The Last Waltz in theaters are in for a treat. The Blu-ray is remarkably film- like, with contrast, resolution and grain normally associated with filmstock. Noise is minimal, and the picture is remarkably clean and detailed, while retaining warmth. Even the definition visible in the menu's navigation bar is resolved gorgeously, giving a more modern look and feel, as well as excellent navigation to The Last Waltz. The film is also made timeless by Scorsese's attention to camera angles, framing and lighting. Unlike most concert footage where the long shots are jittery and the close-ups miss the mark, The Last Waltz focuses on the key areas to see at any given moment, whether it's the facial expression of a musician or the entire band on the stage. The 1080p resolution instantly communicates details unresolved in NTSC versions, including fabric textures, hair, or in Neil Young's case a bit of white powder near his nose, rumored to be cocaine. The definition is fantastic and dramatically improves the footage compared to DVD releases. | The Last Waltz Blu-ray, Audio Quality
' j& J! }) H5 xAside from the camerawork, the real gift of The Last Waltz is the music, and the BD production offers a significant upgrade over the CD and DVD versions. The 5.1 lossless PCM is a treat with extended treble, solid midrange and taught bass. Every instrument is audible and images superbly in the soundstage, which is lush deep and vibrant. Listen to Joni Mitchell sing backup vocals in Helpless. Female voices are an excellent reference for judging the audible merits of recordings, and here Mitchell sounds full and with gorgeous timbre. Throughout her subsequent performance of Coyote, the way she breaks from spoken words into more melodic placement of the notes soars above the taught rhythmic pulse of The Band. The mix shows each of the instruments off well, with no audible congestion that tends to make instruments sound like they're tripping over each other in |
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