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[4K极清电影] 双虎屠龙 [4K蓝光原盘 自带中字] The Man Who Shot Liberty Valance 1962 2160p BluRaycd HEVC TrueHD 5.1-B0MBARDiERS 57.80GB

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黄金嫖客 发表于 2022-5-22 11:03:48 | 显示全部楼层 |阅读模式
A senator returns to a western town for the funeral of an old friend and tells the story of his origins.
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7 P: r  j7 J) u" {8 {& r7 V; e◎译  名 双虎屠龙/枪杀了理贝特瓦朗斯的人1 O/ g4 X% |  K. @1 {
◎片  名 The Man Who Shot Liberty Valance
5 `: G+ u0 l- U◎年  代 1962
$ S7 c) d4 U1 Y1 T◎产  地 美国
8 W* I& E8 h2 {2 V& q+ I6 r: k◎类  别 剧情/爱情/西部
8 S8 U! y0 m$ O3 }◎语  言 英语( C  h& i; @, h+ e" V3 W+ d5 T
◎上映日期 1962-04-22(美国)
" n9 \: u. B1 c3 s& \" P# G◎IMDb评分  8.1/10 from 75,020 users
. K1 t: R  g' L! r  w8 H* C◎IMDb链接  https://www.imdb.com/title/tt0056217/* a3 F, \9 F8 P4 x
◎豆瓣评分 8.2/10 from 4,260 users
9 e1 a2 `9 ^7 y2 P5 I9 j" l/ M◎豆瓣链接 https://movie.douban.com/subject/1295134/
$ a. e3 a+ F3 T" s◎文件格式 x265 + TrueHD  2 E0 u( c1 l+ `9 t
◎视频尺寸 3840 x 2160" ~3 I' k4 j8 d% ^, L3 t, Q
◎文件大小 1DVD 57.80 GiB7 U  c  ^9 ^: f2 B- s$ w% h) E
◎片  长 2:03:19.767 (h:m:s.ms)& h/ ~0 }6 m: r$ {& i1 C/ [  A' D
◎导  演 约翰·福特 John Ford
1 R1 }4 {' R0 }% B/ i% ?$ ?◎编  剧 詹姆斯·华纳·贝拉 James Warner Bellah
4 C4 G2 o( k+ O- U9 O       威利斯·戈德贝克 Willis Goldbeck7 A2 W+ u, {0 j9 f
◎演  员 约翰·韦恩 John Wayne
4 A0 j1 H3 J& h. A0 q       詹姆斯·斯图尔特 James Stewart' R' Q% t; J2 t1 v9 T" p8 I5 f
       维拉·迈尔斯 Vera Miles
- \9 [: X3 Q8 J' v1 d, w) B/ N  C% A       李·马文 Lee Marvin
- G' \  N8 Q" p4 y7 B" r       艾德蒙·奥布莱恩 Edmond O'Brien
' |( C: k, b( S  ]9 \4 @# R# u) [       伍迪·斯特罗德 Woody Strode
4 A0 O2 c, p  x1 J; g8 r       李·范·克里夫 Lee Van Cleef* {2 K1 ?/ e8 `; G
       卡尔·M·莱维尼斯 Carl M. Leviness3 A# a1 x1 T9 p. a1 G! r
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◎标  签 美国 / 西部 / 约翰·福特 / 西部片 / 1962 / 美国电影 / JohnFord / 1960s  ^! v; Q0 e% p5 V7 X# f

9 C2 {2 X' n" F" g' G) l! o/ o◎简  介   
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  参议员Ransom "Rance" Stoddard(詹姆斯·斯图尔特 James Stewart饰)带着他的妻子Hallie(维拉·迈尔斯 Vera Miles饰)回到一个小镇去参加一个老朋友Tom的葬礼,他们三人的友情还得追溯到多年前......+ V! {8 ]7 M; y* F7 h. K& d

" Z0 d! l" }0 g; U: Z  年轻的律师Ransom在来小镇的路上遭到了一路恶棍的抢劫,恶棍们的头领叫Liberty Valance(李·马文 Lee Marvin 饰)。受伤的Ransom被镇里的一家开餐厅的人收留,认识了开餐厅的夫妇的女儿Hallie,同时也结识了爱着Hallie的Tom(约翰·韦恩 John Wayne饰)。镇上的人民也深受Liberty一伙人所害。Ransom开始运用自己的知识启发当地民众,希望用法律途径来惩罚Liberty。而Tom则一次次劝说Ransom离开小镇。在一次选举上,双方的矛盾达到了最高潮。Ransom与Tom联合一同对抗Liberty,这场战争最后的赢家是谁?5 R# L! L( I& F! ?. W! N  i2 A

3 _) r2 F& x3 A6 V1 Q# w; k6 Q  西部片大师约翰·福特于1962年拍摄的西部片,集合了约翰·韦恩与詹姆斯·斯图尔特两大影星。
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' _0 d2 M/ Y5 `5 _  A lawyer becomes a hero after shooting a notorious outlaw, but was the shot really fired by his friend?9 N( \& S  B7 N$ b8 a% F) X
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◎获奖情况   6 T& J! P# d' k. \! _) T8 k
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  第35届奥斯卡金像奖 (1963)
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   └──伊迪丝·海德
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  1. DISC INFO:- C2 L# F" p9 z6 N1 m

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  3. Disc Title:     The.Man.Who.Shot.Liberty.Valance.1962.2160p.BluRayCD.HEVC.TrueHD.5.1-B0MBARDiERS
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  4. Disc Size:      62,066,431,663 bytes! _) M5 Z, V9 l, T8 I- R
  5. Protection:     AACS2, N: N/ F6 M' e5 @0 F3 k
  6. Extras:         Ultra HD, BD-Java* l& p* S: H9 U* x+ @# X
  7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.7.1)- g, m& r+ T% @, ~" r; e
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  11. Name:                   00100.MPLS  - ~( j7 H2 g. \' l! h. M0 x
  12. Length:                 2:03:19.767 (h:m:s.ms)' U" h4 }; S4 a2 j  D2 H" ^' e3 d
  13. Size:                   61,591,750,656 bytes
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  14. Total Bitrate:          66.59 Mbps% S+ i% J8 {8 Q) Q* @5 I
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  22. MPEG-H HEVC Video       45999 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
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  23. * MPEG-H HEVC Video     11579 kbps (20.11%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.20208 [3 `6 g( z% @- q& o
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复制代码
The Man Who Shot Liberty Valance 4K Blu-ray, Video Quality   
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. q$ t) d1 u5 y2 z* n* k& LThe included screenshots are sourced from the remastered 1080p Blu-ray disc, included in this set.# r; A- e: \7 l. N4 T5 s5 U$ ]
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The short of it is that The Man Who Shot Liberty Valance looks absolutely spectacular on the UHD format. The picture is refined and takes full advantage of the format's strengths and opportunities, boasting incredible resolution gains courtesy of the 2160p resolution and vastly improved grayscale structure and tonal nuance thanks to the Dolby Vision grading. The improvements to sharpness are astounding. Even from the opening titles the feel for greatly improved clarity and definition are immediately in evidence. The picture continues to delight through the film, yielding incredible definition to facial features, evident in both close-up and medium distance. The former is particularly impressive for added depth and definition to facial lines, hairs, pores, and other characteristics, but viewers will also note heightened definition to clothes, terrain, and various old west interiors and exteriors where the sense of authenticity is only amplified -- greatly -- on this UHD. The Dolby Vision grading is also a major gain for the picture. The Blu-ray, even the remastered Blu-ray included in this set, looks comparatively milky and drab while this is something else entirely with intensely bold blacks, perfectly crisp whites, and an incredible grayscale middle with impressive brightness, stability, and nuance. The sense of separation and overall tonal accuracy far and away bests any previous home video version. The picture shows no encode or source blemishes. The source is in fine shape indeed and is supported by a sharp, but at the same time organic, grain structure which is a little more pronounced here compared to the Blu-ray but yields a wonderful filmic image. This is revelation and a treat.8 s% v. `: Z  u$ L" B4 Y
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For a full review of the included remastered Blu-ray, please click here.
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The Man Who Shot Liberty Valance 4K Blu-ray, Audio Quality   / f9 a; D3 b1 U5 p
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0 i  a4 E. k* g5 N% A) r' MParamount has included a Dolby TrueHD 5.1 lossless soundtrack for this release, which is in addition to an "English Restored Mono" track. The mono track offers a very good listen. Fidelity is excellent, dialogue images very nicely to the center, and front side stretch is tangible if not somewhat aggressive. The 5.1 track holds to similar characteristics. Dialogue is grounded in the center. Stretch to the front sides is not particularly bountiful with any of the content, but adequate when necessary. The surrounds carry almost no information, and the subwoofer is not engaged to any significant extent. Both are fine tracks within the film's audio parameters and needs within its original sound design, but purists will want to listen to the restored mono track for the most authentic experience possible.# V* H6 N# N( s8 [9 m* O1 ?% n
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