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A senator returns to a western town for the funeral of an old friend and tells the story of his origins.
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2 }1 U, a7 y) e4 O6 {2 o◎译 名 双虎屠龙/枪杀了理贝特瓦朗斯的人
, P2 z( [& @* y& S. _- }3 N◎片 名 The Man Who Shot Liberty Valance' l2 |2 z1 J+ c8 X* @6 V4 c/ E
◎年 代 1962; \$ @- p9 e7 _! O; i1 j
◎产 地 美国
4 P1 N6 }- {7 U0 H3 Y3 U8 j v* P◎类 别 剧情/爱情/西部
9 o/ @- ]9 s- s◎语 言 英语
* s; E5 P1 e/ N# t◎上映日期 1962-04-22(美国)
1 O) `( g; w1 Y- g0 ^◎IMDb评分 8.1/10 from 75,180 users# Z. a7 c0 U, s, j, v, l. ]
◎IMDb链接 https://www.imdb.com/title/tt0056217/
- H) c+ w) a$ T8 M! J◎豆瓣评分 8.2/10 from 4,313 users+ ~7 B( L. r# t# P& c
◎豆瓣链接 https://movie.douban.com/subject/1295134/
- q: b0 L; K! a# o$ r◎文件格式 x264 + TrueHD 0 `4 d6 N' g1 A6 F& Q. K( H
◎视频尺寸 1920 x 1080$ v4 F0 }$ I% x9 o! a0 A2 w7 `' I
◎文件大小 1DVD 43.91 GiB
9 }: w* N/ h* W& J4 Q◎片 长 2:03:19.767 (h:m:s.ms)
$ }: \, h, ^8 @: X◎导 演 约翰·福特 John Ford
* f, f8 T6 l! I3 m8 r◎编 剧 詹姆斯·华纳·贝拉 James Warner Bellah
' g. `- D/ x( ~/ x9 X 威利斯·戈德贝克 Willis Goldbeck0 r- C6 C, d( F* p9 y" c! o
◎演 员 约翰·韦恩 John Wayne& r: m. o) T1 N3 E( l
詹姆斯·斯图尔特 James Stewart
6 V" ?0 |% r, ^/ [ 维拉·迈尔斯 Vera Miles3 q" {6 D0 C' |* x" P9 N: L' s' h
李·马文 Lee Marvin
- z2 x* K" ^/ p5 B# I 艾德蒙·奥布莱恩 Edmond O'Brien
6 ?1 \( c7 j5 F4 L I 伍迪·斯特罗德 Woody Strode, r* I' u- b% U
李·范·克里夫 Lee Van Cleef' ?7 u7 u( }$ o1 Q: Y9 P
卡尔·M·莱维尼斯 Carl M. Leviness k1 n7 m, |& r ^+ F1 {
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◎标 签 美国 | 西部 | 约翰·福特 | 西部片 | 1962 | 美国电影 | JohnFord | 1960s! U& s7 G9 `7 f. _9 U
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参议员Ransom "Rance" Stoddard(詹姆斯·斯图尔特 James Stewart饰)带着他的妻子Hallie(维拉·迈尔斯 Vera Miles饰)回到一个小镇去参加一个老朋友Tom的葬礼,他们三人的友情还得追溯到多年前......' c) j" h! m" ]6 L
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年轻的律师Ransom在来小镇的路上遭到了一路恶棍的抢劫,恶棍们的头领叫Liberty Valance(李·马文 Lee Marvin 饰)。受伤的Ransom被镇里的一家开餐厅的人收留,认识了开餐厅的夫妇的女儿Hallie,同时也结识了爱着Hallie的Tom(约翰·韦恩 John Wayne饰)。镇上的人民也深受Liberty一伙人所害。Ransom开始运用自己的知识启发当地民众,希望用法律途径来惩罚Liberty。而Tom则一次次劝说Ransom离开小镇。在一次选举上,双方的矛盾达到了最高潮。Ransom与Tom联合一同对抗Liberty,这场战争最后的赢家是谁?: \) C# k* r7 c( R% G3 B" _
$ {2 m* p" W8 z$ e/ y% N 西部片大师约翰·福特于1962年拍摄的西部片,集合了约翰·韦恩与詹姆斯·斯图尔特两大影星。$ K+ R! f; T0 O$ e! Q# A/ s
. I' C% c' ?5 p! y0 r( z( X A lawyer becomes a hero after shooting a notorious outlaw, but was the shot really fired by his friend?8 e3 G6 F# |# O
! s# w, m: n/ a! T4 U; L. N0 n+ D1 Q◎获奖情况
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第35届奥斯卡金像奖 (1963)
% _" c( e, H+ ]# X' d 黑白片最佳服装设计(提名)1 [( \) A Q; B) C) h+ k4 h
└──伊迪丝·海德% r& _9 U; `" Z( Z2 r7 M# u# i8 W6 O
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- DISC INFO:
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- Disc Title: The.Man.Who.Shot.Liberty.Valance.1962.REMASTERED.1080p.BluRayCD.AVC.TrueHD.5.1-iNTEGRUM
, r* d. ]$ q+ t& T( N& V - Disc Size: 47,146,134,577 bytes
3 e: l! v$ J4 R - Protection: AACS0 ?2 z+ P$ P3 e8 O
- Extras: BD-Java; T1 i! C% ?# Q+ u
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.7.1)3 ?( y. z2 D5 L- V* H# n6 S
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- PLAYLIST REPORT:
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( ~& \" c. r. `1 a7 r8 t5 |- j* l- Name: 00100.MPLS 1 K" z0 v$ X- J3 ^5 ~/ K1 x
- Length: 2:03:19.767 (h:m:s.ms)
) _$ ~+ u, H# h2 R: U i! k t - Size: 36,494,966,784 bytes( y' `# Z* q/ `2 s
- Total Bitrate: 39.46 Mbps" L, x5 d) j" I$ H `) T
P" `) C- |: p$ X3 b1 A H. o- Video:
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- Codec Bitrate Description
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- MPEG-4 AVC Video 32855 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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0 \8 y7 O4 L4 R - Dolby TrueHD Audio English 2832 kbps 5.1 / 48 kHz / 2448 kbps / 16-bit (AC3 Core: 5.1 / 48 kHz / 384 kbps)
/ k8 E4 g1 Q5 t ~ } - Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps/ y+ i4 L: n! |4 q* u
- Dolby Digital Audio French 224 kbps 2.0 / 48 kHz / 224 kbps
9 k' m0 g3 v' X" p - Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps3 J) i4 e1 K% F
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- SUBTITLES:
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- Presentation Graphics English 34.867 kbps : O6 P0 W; \# m4 @
- Presentation Graphics English 38.244 kbps 3 p6 [, @' a1 w$ g% |2 w0 s
- Presentation Graphics French 28.481 kbps + l% y3 C2 y5 _5 W) U* w* _: g* l6 B
- Presentation Graphics English 35.668 kbps . ^5 n1 g+ \ N3 l: E. k5 [) a
- Presentation Graphics French 33.154 kbps
# i# {" g( B' l3 Q" H8 K - Presentation Graphics French 0.187 kbps
复制代码 The Man Who Shot Liberty Valance Blu-ray, Video Quality
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As noted above, this certainly appears to be the same, or at least very similar, to the previously issued UK release. The presentation is very good overall, offering stout and agreeable filmic texturing. The picture holds to a modest, but critical, grain structure which lends a satisfying film-like look to the picture. There are no immediate signs of grain reduction; the picture holds very sharp and true, boasting impressive clarity and naturally sharp definition to the rugged Western landscapes, the texturally gorgeous wooden panels and accents, desert terrains, period clothes, and faces, the latter of which may not show the level of infinite complexity that is more readily apparent on the UHD presentation (and the accompanying remastered Blu-ray) but that does manage to offer the viewer an incredible level of natural and generous depth that never betrays the natural film resolution. The film absolutely thrives, texturally, even here on Blu-ray by bringing to life all of the practical set pieces and incredible photography that gives the movie a very real sense of life and vitality. The grayscale is handled well, too, presenting with rich contrast and expert nuance that cannot approach the UHD's Dolby Vision grading that takes white brilliance, black depth, and contrast to brand new levels of goodness, but viewers should be well pleased with the stability and essential accuracy on display here throughout the range. The picture shows no signs of print wear and no encode issues to drag it down. This is a very good Blu-ray from Parmount.
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The Man Who Shot Liberty Valance Blu-ray, Audio Quality % D1 x" M4 [' w3 [3 O) e) m
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Paramount has included a Dolby TrueHD 5.1 lossless soundtrack for this release, which is in addition to an "English Restored Mono" track. The mono track offers a very good listen. Fidelity is excellent, dialogue images very nicely to the center, and front side stretch is tangible if not somewhat aggressive. The 5.1 track holds to similar characteristics. Dialogue is grounded in the center. Stretch to the front sides is not particularly bountiful with any of the content, but adequate when necessary. The surrounds carry almost no information, and the subwoofer is not engaged to any significant extent. Both are fine tracks within the film's audio parameters and needs within its original sound design, but purists will want to listen to the restored mono track for the most authentic experience possible.. N6 Z* B' X; \8 E2 n- Z
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