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A Los Angeles insurance representative lets an alluring housewife seduce him into a scheme of insurance fraud and murder that arouses the suspicion of his colleague, an insurance investigator.- w: d" ]6 t- n# U7 W
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, \: T! h: s/ R: A7 }% n- n2 k' R◎译 名 双重赔偿/双倍赔偿/双重保险(台)/双重生活+ N c4 m6 d" b
◎片 名 Double Indemnity
1 f" q+ M4 b K◎年 代 1944) ]5 q9 i" ~6 ~: u% V3 r3 I3 ]. b
◎产 地 美国# s) `" o0 Q" T" F5 T
◎类 别 剧情/悬疑/惊悚/犯罪/黑色电影
& z/ f1 i2 u7 ^( Z7 O( r◎语 言 英语
4 }3 \ H0 C4 r7 ~ m; O' n◎上映日期 1944-07-03(美国)
9 J1 X$ Z% `9 _5 A: ~& M. D◎IMDb评分 8.3/10 from 154,655 users
6 L+ Z# q, G- Z x( {% O7 b◎IMDb链接 https://www.imdb.com/title/tt0036775/# `- Q8 t4 ^& i$ {# g" V1 B
◎豆瓣评分 8.5/10 from 33,250 users: V' E! }2 s$ E6 J' ^/ i, v
◎豆瓣链接 https://movie.douban.com/subject/1293226/% M( n( H8 J. F4 v
◎文件格式 x264 + LPCM - I# Z1 g+ h2 \- U
◎视频尺寸 1920 x 1080* L; ]# Z; \* @
◎文件大小 1DVD 46.37 GiB6 }" I* p1 V3 g3 ?9 B' _
◎片 长 1:47:51.756 (h:m:s.ms)
, @ t$ ]' k: r8 c r/ L4 d◎导 演 比利·怀尔德 Billy Wilder
/ N$ f) Y: h+ i- E& p◎编 剧 比利·怀尔德 Billy Wilder
6 o! c9 ]- q9 v. a 雷蒙德·钱德勒 Raymond Chandler
: e8 `- w5 B3 [0 i8 b 詹姆斯·M·凯恩 James M. Cain
# |( ^2 R( O# k7 T◎演 员 弗莱德·麦克莫瑞 Fred MacMurray1 |( @& T$ h' T% @$ L* G
芭芭拉·斯坦威克 Barbara Stanwyck
0 U% Z, |1 h I5 P7 ~0 E' [ 爱德华·罗宾逊 Edward G. Robinson
6 Z3 S) ?% F; y; H# T 波特·霍尔 Porter Hall
6 t( g2 G: F" Y* M. b& ?, A# N 琼·希瑟 Jean Heather; M$ t) T! L- b( @2 s
汤姆·鲍尔斯 Tom Powers
. v# G; H. t4 q& Y3 Q0 }% R0 E Byron Barr Byron Barr
6 Z: ~+ n7 P7 D% s7 i8 P: E4 e 理查德·盖恩斯 Richard Gaines' Q% l! b" R; t h
福图尼奥·博纳诺瓦 Fortunio Bonanova
" @6 z/ s4 @0 ~$ q* G John Philliber John Philliber- Y' ]+ M* V' L+ h* G+ O
杰姆斯亚当森 James Adamson
J2 [0 p" |; C+ [2 J 约翰·贝里 John Berry
0 S" a! k. C! d' Q3 `! K& x( D$ x4 A 雷蒙德·钱德勒 Raymond Chandler
8 I# ?& V+ k' F 埃德蒙·科博 Edmund Cobb
$ K8 ]/ f& U; r3 l Kernan Cripps Kernan Cripps. G5 h4 Z; Z* x E. R9 {, A$ I) M3 H
Betty Farrington Betty Farrington
/ m0 X- y7 w9 b- h 贝丝·弗劳尔斯 Bess Flowers
( A+ n$ A# C& u! i) g Eddie Hall Eddie Hall d( k: j5 F: A! k
Teala Loring Teala Loring. s: I4 N0 ]) r# z
乔治·麦格瑞 George Magrill* q: E- F1 h% h3 |0 z# w
Sam McDaniel Sam McDaniel
# L0 o: W% g) u$ S Billy Mitchell Billy Mitchell( L I5 R$ V. M* H
克拉伦斯·缪斯 Clarence Muse* j: v4 @8 [% l8 J8 ?% J' n* h
Constance Purdy Constance Purdy
0 g- k# ]: B, @( X2 q0 w$ U Floyd Shackelford Floyd Shackelford% J+ V g9 o, I" D6 R
Oscar Smith Oscar Smith4 A( z5 M$ P* z$ e$ C! }
道格拉斯·斯宾塞 Douglas Spencer }: b; q& s+ h% ~ j6 R& \' f; {
Florence Wix Florence Wix8 W' e5 d" V5 K3 o; y9 j+ \6 H
米克罗斯·罗兹萨 Miklós Rózsa
, `# G* r, l) s4 p0 T! ] 洛伦·L·里德 Loren L. Ryder+ _* z- r6 j* O- g+ X0 r
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◎简 介
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Walter Neff(弗莱德·麦克莫瑞 Fred MacMurray 饰)是一个成功的保险代理人,他在夜里回到办公室,开始在一个录音机上诉说他的故事......
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Neff为了取得Dietrichson先生的保险代理权,来到了他的家中,Dietrichson先生不在,Neff遇到了Dietrichson先生的新妻子Phyllis Dietrichson(芭芭拉·斯坦威克 Barbara Stanwyck 饰)。美丽的Phyllis让Neff感到不自然,而她也开始说起她的丈夫的诸多不好之处。在第二次拜访中,Neff终于控制不住自己的欲望,愿意参与Phyllis的杀夫计划。Neff计划在Dietrichson先生坐火车的时候制造他失足摔下的假象,以骗取“双重保险”。一切进行的非常顺利,Dietrichson先生死掉了,Neff和Phyllis两人的爱情和金钱似乎都有了保障。然而,Neff的好友保险调查员Barton Keyes (爱德华·罗宾逊 Edward G. Robinson 饰)却觉得事有蹊跷,开始调查整个事件......
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8 p8 Y# `! T U8 A) c* \$ _/ N! a& L& b 本片改编自James M. Cain于1943年出版的同名小说,由导演比利·怀尔德和侦探小说作家雷蒙德·钱德勒共同编剧,获第17届奥斯卡最佳影片等7项提名。; _' s9 L. ^$ ^$ z V
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A calculating wife encourages her wealthy husband to sign a double indemnity policy proposed by smitten insurance agent Walter Neff. As the would-be lovers plot the unsuspecting husband's murder, they are pursued by a suspicious claims manager. It's a race against time to get away with the perfect crime in this suspenseful masterpiece that was nominated for seven Academy Awards including Best Picture.
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◎获奖情况
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1 P1 E2 Z' t, t! a2 n! M- y, @ 第17届奥斯卡金像奖 (1945), K( z; P5 m% x5 i1 {
最佳影片(提名)
) Z1 n, s0 G: c& V* [% P3 A' m6 | 最佳导演(提名); h4 L6 n# O7 u* K) R' v
└──比利·怀尔德
2 O8 \$ u% A4 i9 i 最佳女主角(提名)
% n/ h: F; y; s. N9 Y └──芭芭拉·斯坦威克
# _0 `/ j9 ^$ X8 x7 l" N! S 最佳编剧(提名)2 s) J9 S, H6 E
黑白片最佳摄影(提名)( G3 g, I- J3 X1 r
└──约翰·F·塞茨
' y) w/ b0 n& ]" t 最佳录音(提名)
/ O7 ~: Z" |: @! v └──洛伦·L·里德$ g8 y! X( _+ y7 N1 I
剧情/喜剧片最佳配乐(提名)1 t' ~( [7 X& V3 s: a
└──米克罗斯·罗兹萨
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6 t) ^. M8 y" `+ ], {- DISC INFO:( ~" ^; J( J. L, p/ R2 u
W/ n/ t5 h) p7 h- Disc Title: Double.Indemnity.1944.REMASTERED.1080p.BluRayCD.AVC.LPCM.1.0-FGT9 z7 h3 Z; {! m0 A$ q
- Disc Size: 49,793,891,244 bytes/ Y4 Z3 f# t$ [& b/ u
- Protection: AACS
( o1 N, z4 r- ~7 m2 G - Extras: BD-Java, m3 f9 J& |6 F
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.7.3)
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- PLAYLIST REPORT:
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- L9 l. F5 Z. C; M- Name: 00001.MPLS e( f0 s" p T1 r. M2 L
- Length: 1:47:51.756 (h:m:s.ms)
: V3 K/ w' B9 X: A - Size: 32,541,855,744 bytes% U$ z7 \9 H4 u) ]' k! g
- Total Bitrate: 40.23 Mbps- S2 j' z" u. \/ z
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- Video:/ Y+ {0 D2 r2 {: U
; p+ q7 ]" n& A! {2 K' l N- Codec Bitrate Description ( C7 s& d' T6 F; ]' l" h7 _+ ?( q
- ----- ------- -----------
2 ^4 L& D: V* r1 |% f - MPEG-4 AVC Video 35807 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1' Q$ w7 U2 q6 e) M
- i9 m0 Z W O9 c- AUDIO:
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% f0 P. O5 X. A* a- Codec Language Bitrate Description , L$ u) S, B) ]* W/ ^3 u9 a
- ----- -------- ------- ----------- ( A6 O6 U: b5 L* m1 [
- LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit
A$ v X6 {! D* v: F/ H - Dolby Digital Audio English 192 kbps 1.0 / 48 kHz / 192 kbps: x( g+ _" v. L( b8 } ?6 z
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- SUBTITLES:
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- Codec Language Bitrate Description
: w3 Q6 W* P8 x# r( ] - ----- -------- ------- ----------- + X! q0 S+ t! k5 P% S! `2 ?2 u- a
- Presentation Graphics English 85.664 kbps
复制代码
# ?% G% k2 q. R( P8 }Double Indemnity Blu-ray, Video Quality , N9 W& Z" e4 T; `
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Presented in its origin aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Double Indemnity arrives on Blu-ray courtesy of Criterion." L/ q J: w8 z7 E
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The release is sourced from an exclusive new 4K restoration, which will be made available on 4K Blu-ray as well. You can see our listing of this upcoming release here. Currently, we do not have a screener to provide a review of the 4K Blu-ray release.$ \8 Y, D6 R2 m3 e% Q
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I have four different releases of Double Indemnity in my library, one of which is a very old R1 DVD. So, I did some extensive comparisons with Eureka Entertainment's Region-B release from 2012, and Universal's North American release from 2014.
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7 ?( _- V D% e, y% ]. c. ~This upcoming Blu-ray release has the most convincing organic presentation of Double Indemnity, but I still like the other two releases quite a lot. A direct comparison with the Region-B release immediately reveals that this upcoming release has superior grain exposure. You won't have to view the film on a larger screen to appreciate the difference either because the improvement is consistent and easy to appreciate throughout the entire film. Also, the inherited density fluctuations do not compromise this improvement. In fact, quite a few of them make it easier to appreciate because they emphasize the organic nature of the visuals. The grayscale has more in common with that of the North American release because it reveals better balanced blacks and grays with more attractive and natural highlights. However, I am very much looking forward to testing the upcoming 4K Blu-ray release because I suspect that gray and black nuances will have superior ranges in native 4K that will improve the dynamic range of darker footage. At the moment, I think that in 1080p some of this darker footage looks just a tad too dark. This being said, I actually prefer how this footage looks now, especially when compared with the same footage from the Region-B release. Clarity, sharpness, and depth are typically very good or excellent, but they were convincing on the previous releases as well.
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% z, D6 V6 i( Y" Q2 l) r! A" |1 PA direct comparison with the North American release once again confirms that the upcoming release has the all-around best organic appearance. This time the discrepancy isn't as easy to identify, but trained eyes will notice that on the North American release there are very minor traces of grain management. On the upcoming release some of the native density fluctuations are slightly more pronounced, and this is almost certainly the reason why the adjustments I mentioned earlier were introduced. Highlights are balanced very similarly, so I am unsure if minor differences would be possible to identity without having the two releases playing on different monitors at the same time. They are no distracting age-related imperfections. So, at the moment it very much looks like the new 4K restoration will be the most convincing makeover Double Indemnity has received to date, and I expect the 4K Blu-ray release to simply confirm that it is so. My score is 4.75/5.00. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
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% n. B' Y {; X6 P2 fDouble Indemnity Blu-ray, Audio Quality
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There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.
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The audio is clear, clean, and nicely rounded. I think that even on the Universal release the audio was already slightly better rounded, possibly thicker than it was on the Region-B release as well, but I could not hear a notable positive difference on this upcoming release. There are no encoding anomalies to report in our review.
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