双重赔偿/双重保险 [4K蓝光原盘] Double Indemnity 1944 2160p BluRaycd HEVC LPCM 1.0-TASTED 60.18GB

A Los Angeles insurance representative lets an alluring housewife seduce him into a scheme of insurance fraud and murder that arouses the suspicion of his colleague, an insurance investigator.
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! M  t+ i, W' Q. s/ S1 `( W! L◎译　　名　双重赔偿/双重保险(台)/双重生活/双倍赔偿
◎片　　名　Double Indemnity
◎年　　代　1944
◎产　　地　美国
◎类　　别　剧情/悬疑/惊悚/犯罪/黑色电影
# c8 t% O9 _1 `( V& V2 ~◎语　　言　英语
/ Q/ q- |$ X% K8 p1 d7 M; U8 m" {◎上映日期　1944-07-03(美国)
◎IMDb评分  8.3/10 from 154,704 users
◎IMDb链接  https://www.imdb.com/title/tt0036775/
◎豆瓣评分　8.5/10 from 33,289 users
# ]& I7 B+ y1 b" x6 U◎豆瓣链接　https://movie.douban.com/subject/1293226/
  t* g  Y) l, I◎文件格式　x265 + LPCM
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 60.18 GiB
- [$ M  i) q& ?7 f2 Q◎片　　长　1:47:51.756 (h:m:s.ms)
◎导　　演　比利·怀尔德 Billy Wilder
◎编　　剧　比利·怀尔德 Billy Wilder
; r6 j. \( X% `; _& r　　　　　  雷蒙德·钱德勒 Raymond Chandler
　　　　　  詹姆斯·M·凯恩 James M. Cain
5 n& V: p- w/ \1 o8 n; g◎演　　员　弗莱德·麦克莫瑞 Fred MacMurray
5 ?# n0 u0 V; H. z. h) @' U5 n5 x: Z　　　　　  芭芭拉·斯坦威克 Barbara Stanwyck
# [* x0 K) y$ U6 K0 U　　　　　  爱德华·罗宾逊 Edward G. Robinson
, x3 o" F0 i8 O8 T! X　　　　　  波特·霍尔 Porter Hall
8 ^; z9 J- K* N/ P　　　　　  琼·希瑟 Jean Heather
　　　　　  汤姆·鲍尔斯 Tom Powers
　　　　　  Byron Barr
1 T6 a1 d) f- S9 `　　　　　  理查德·盖恩斯 Richard Gaines
　　　　　  福图尼奥·博纳诺瓦 Fortunio Bonanova
　　　　　  John Philliber
4 m, [# s# I3 c9 \( h　　　　　  杰姆斯亚当森 James Adamson
. K5 Y3 B! u: D: m' u+ M　　　　　  约翰·贝里 John Berry
4 ^8 A9 C+ G# H) ]! E) A　　　　　  雷蒙德·钱德勒 Raymond Chandler
　　　　　  埃德蒙·科博 Edmund Cobb
　　　　　  Kernan Cripps
　　　　　  Betty Farrington
' l& y! G. a- `2 o# z: u　　　　　  贝丝·弗劳尔斯 Bess Flowers
　　　　　  Eddie Hall
  M1 S, C2 U8 N( @' j% h' P5 k　　　　　  Teala Loring
　　　　　  乔治·麦格瑞 George Magrill
; X# Q: e+ [% i/ B$ b　　　　　  Sam McDaniel
: W. b' ^" w; W. ~  O　　　　　  Billy Mitchell
　　　　　  克拉伦斯·缪斯 Clarence Muse
　　　　　  Constance Purdy
　　　　　  Floyd Shackelford
" V& R- i1 i3 s: M　　　　　  Oscar Smith
　　　　　  道格拉斯·斯宾塞 Douglas Spencer
# N/ e/ c- M- q  d3 o/ p　　　　　  Florence Wix
　　　　　  米克罗斯·罗兹萨 Miklós Rózsa
　　　　　  洛伦·L·里德 Loren L. Ryder

. u: }+ ?7 y: `3 G0 B◎简　　介   

9 b: W9 m) M2 F　　Walter Neff（弗莱德·麦克莫瑞 Fred MacMurray 饰）是一个成功的保险代理人，他在夜里回到办公室，开始在一个录音机上诉说他的故事......

* z/ J1 R7 i* @4 K9 O" T+ Q' e　　Neff为了取得Dietrichson先生的保险代理权，来到了他的家中，Dietrichson先生不在，Neff遇到了Dietrichson先生的新妻子Phyllis Dietrichson（芭芭拉·斯坦威克 Barbara Stanwyck 饰）。美丽的Phyllis让Neff感到不自然，而她也开始说起她的丈夫的诸多不好之处。在第二次拜访中，Neff终于控制不住自己的欲望，愿意参与Phyllis的杀夫计划。Neff计划在Dietrichson先生坐火车的时候制造他失足摔下的假象，以骗取“双重保险”。一切进行的非常顺利，Dietrichson先生死掉了，Neff和Phyllis两人的爱情和金钱似乎都有了保障。然而，Neff的好友保险调查员Barton Keyes （爱德华·罗宾逊 Edward G. Robinson 饰）却觉得事有蹊跷，开始调查整个事件......
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　　本片改编自James M. Cain于1943年出版的同名小说，由导演比利·怀尔德和侦探小说作家雷蒙德·钱德勒共同编剧，获第17届奥斯卡最佳影片等7项提名。
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　　A calculating wife encourages her wealthy husband to sign a double indemnity policy proposed by smitten insurance agent Walter Neff. As the would-be lovers plot the unsuspecting husband's murder, they are pursued by a suspicious claims manager. It's a race against time to get away with the perfect crime in this suspenseful masterpiece that was nominated for seven Academy Awards including Best Picture.

- {$ t2 I) R6 |3 H◎获奖情况   
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　　第17届奥斯卡金像奖 (1945)
$ T5 E( D  U4 f+ d0 q9 r　　最佳影片(提名)
　　最佳导演(提名)
6 O: c- e/ _. r; j6 `7 R$ Z　　　└──比利·怀尔德
/ k4 t( ^8 L3 J　　最佳女主角(提名)
　　　└──芭芭拉·斯坦威克
　　最佳编剧(提名)
: ~8 @$ l* g$ `, M' [3 a# v　　黑白片最佳摄影(提名)
$ i/ ], V4 O$ x: G　　　└──约翰·F·塞茨
　　最佳录音(提名)
' p  h) g' m0 y) L( J, d　　　└──洛伦·L·里德
　　剧情/喜剧片最佳配乐(提名)
, ]/ B* x2 p( m% @) f# d　　　└──米克罗斯·罗兹萨
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3. Disc Title:     Double.Indemnity.1944.2160p.BluRayCD.HEVC.LPCM.1.0-TASTED
   
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Double Indemnity 4K Blu-ray, Video Quality   

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Criterion's release is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray and Blu-ray offer presentations of an exclusive new 4K restoration of Double Indemnity.
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# V/ d" L* h* `1 K7 G. H; qThe following text appears inside the leaflet that is provided with this 4K Blu-ray release:

"This new 4K digital restoration was created from a 35mm nitrate composite fine-grain held by the British Film Institute, which was scanned in 4K resolution on an ARRISCAN film scanner, in pinless/archival mode due to shrinkage of the film. A 35mm safety duplicate negative, created in 1986 from a fine-grain that now no longer exists, was used to replace frames missing from the BFI's element. The original monaural soundtrack was remastered from the nitrate fine-grain. On the 4K Blu-ray disc, the feature is presented in Dolby Vision HDR (high dynamic range). On the Blu-ray, it is presented in high-definition SDR (standard dynamic range).

Colorist: Lee Kline/Criterion Post, New York."

Please note that all of the screencaptures that are included with this review are taken from the 4K Blu-ray are downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual grayscale/color values of this content.

9 R, q4 `& v% x7 U$ V7 aThe native 4K presentation of the exclusive new 4K restoration of Double Indemnity confirms my initial impression that is the strongest organic makeover we have seen to date. It will remain the definitive presentation of this classic film noir on the home video market as well. (You can see our review of the upcoming Blu-ray release here).
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4 L2 q& [% l; ]' j( ^7 JI did direct comparisons between this release, the new Blu-ray release (linked above), and Universal's Limited Edition Blu-ray release. In native 4K resolution, delineation, clarity, and depth are wonderful, so even on a very large screen the visuals are typically quite striking. Now, there are areas where density fluctuations that are inherited and density fluctuations that are introduced by the original cinematography produce minor fluctuations. (I took screencapture #9 from one such area so that you can see what to expect). However, in native 4K resolution these minor fluctuations look 'tighter' and the transitions appeared more even on my system. Furthermore, I expected the grayscale to reveal superior ranges of grays and blacks -- but grays in particular because there are many unique layers of shadows throughout the film -- and I can confirm that with Dolby Vision enabled the visuals are indeed richer and more attractive. (I took screencapture #2 to demonstrate the difference, but we do not currently display proper 4K sreencaptures in our reviews). So, in native 4K the dynamic range of the visuals is better. How much better? To be honest with you, I think that the new 4K restoration looks great in 1080p as well, but the difference is noticeable, so at the end it will probably depend on your appreciation of the type of strength that is associated with dynamic range. I personally think that the darker indoor and nighttime footage looks terrific now. Also, on the new 4K restoration I did not see any traces of grain management, so this is another positive that adds to the strength of visuals. Fluidity is really good. Finally, the entire film looks spotless. (Note: The 4K Blu-ray release is Region-Free).

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There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.

I left some comments about the lossless track in our review of the Blu-ray release here. I do not have any new technical information to add here. While viewing the 4K Blu-ray release, I did not encounter any encoding anomalies to report.
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