黑街神探/夏福特/铁杆神探 [4K蓝光原盘] Shaft 1971 2160p BluRaycd HEVC LPCM 1.0-KRUPPE 61.49GB

Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

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$ h  {# h6 H! N% n) e, f& D6 c; k◎译　　名　黑街神探/夏福特/铁杆神探
6 S4 \. r% b7 `/ G& W. p4 M◎片　　名　Shaft / Detektiv Saft
◎年　　代　1971
4 z; M8 R, U2 \  u( b% T! Q- f◎产　　地　美国
◎类　　别　动作/惊悚/犯罪
◎语　　言　英语
4 o! }7 h! p: k- l8 }1 j5 m◎上映日期　1971-07-02(美国)
◎IMDb评分  6.6/10 from 18,908 users
◎IMDb链接  https://www.imdb.com/title/tt0067741/
- N5 V" k- {9 \/ `◎豆瓣评分　6.9/10 from 389 users
◎豆瓣链接　https://movie.douban.com/subject/1294071/
◎文件格式　x265 + LPCM
- B/ j% _/ M* K9 [/ O* m0 e◎视频尺寸　3840 x 2160
# Q7 w0 Q6 M+ t◎文件大小　1DVD 61.49 GiB
◎片　　长　1:40:27.020 (h:m:s.ms)
◎导　　演　戈登·帕克斯 Gordon Parks
◎编　　剧　欧内斯特·泰迪曼 Ernest Tidyman
& o& b# v- A" G% I4 |　　　　　  John D.F. Black
◎演　　员　理查德·朗德特里 Richard Roundtree
' Z+ A6 U% f  P　　　　　  摩西·冈恩 Moses Gunn
( `( `, v% ~% E! h: t5 B  ?2 @　　　　　  查尔斯·乔菲 Charles Cioffi
　　　　　  克里斯托弗·圣约翰 Christopher St. John
, Y% f  \3 h4 |　　　　　  Gwenn Mitchell
% M; [& [3 G+ O　　　　　  劳伦斯·普莱斯曼 Lawrence Pressman
9 X0 C. l, S% C1 C　　　　　  维克多·阿诺德 Victor Arnold
; ^9 S% d1 T: J$ v　　　　　  雷克斯·罗宾斯 Rex Robbins
8 w, _8 l4 m6 f　　　　　  约瑟夫·利昂 Joseph Leon
: {1 t9 m( R3 x& \* U　　　　　  阿诺德·约翰逊 Arnold Johnson
5 Z! Y# e0 V/ p3 e1 ^2 n8 H$ u　　　　　  多米尼克·巴托 Dominic Barto
( J* i. R! t+ k& r) W8 ^　　　　　  德鲁·邦迪尼·布朗 Drew Bundini Brown
　　　　　  希门·鲁斯金 Shimen Ruskin
　　　　　  安东尼奥·法加斯 Antonio Fargas
　　　　　  格特鲁德·珍妮特 Gertrude Jeannette
, e. R. _7 R5 h0 s# w9 e1 V$ `5 X　　　　　  李·斯蒂尔 Lee Steele
6 e8 U, V; p+ E# K　　　　　  托尼·金 Tony King
& d0 H1 V1 N2 R: A　　　　　  丹尼斯·泰特 Dennis Tate
* a0 B& _- g& B& p- N/ `  S4 Y% I　　　　　  亚当·韦德 Adam Wade
4 f" w; I. N, ~: L- }8 _! J　　　　　  克利·伯顿亚 Clee Burtonya
　　　　　  埃德·伯纳德 Ed Bernard
% B$ j8 x) f, O* Q; D　　　　　  埃迪·巴特 Eddie Barth
9 u% Y. Q4 T& E2 Z2 |$ N) b　　　　　  保罗·内文斯 Paul Nevens
　　　　　  戈登·帕克斯 Gordon Parks
　　　　　  J.J. Johnson
　　　　　  艾萨克·海耶斯 Isaac Hayes
　　　　　  罗伯特·德拉姆海勒 Robert Drumheller
& o3 T" X; r' t5 x0 `　　　　　  Joseph G. Aulisi
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◎标　　签　美国 | Blaxploitation | 1971 | 美国电影 | 动作 | 犯罪 | 1970s | 剧情

◎简　　介   

3 i$ h8 I1 F* p& e) W　　纽约侦探约翰·夏福特英勇强悍，他受命办理哈林区角头老大女儿的绑架案，却也因此和所有黑帮为敌。各路人马的对决，一触即发！
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　　Follows the investigations of legendary, black private detective - one baaaad muthuh - Shaft! Donned in a turtleneck and leather jacket, he's not only an undercover hero, Shaft's also a lean, mean, sex machine, for all to admire...
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1. DISC INFO:
   
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3. Disc Title:     Shaft.1971.2160p.BluRayCD.HEVC.LPCM.1.0-KRUPPE
   
4. Disc Size:      66,007,292,743 bytes
   
5. Protection:     AACS2
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6. Extras:         Ultra HD, BD-Java
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7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.7.3)
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11. Name:                   00001.MPLS  
    
12. Length:                 1:40:27.020 (h:m:s.ms)
    
13. Size:                   64,051,138,560 bytes
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14. Total Bitrate:          85.02 Mbps
    
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22. MPEG-H HEVC Video       70003 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
    
23. * MPEG-H HEVC Video     6630 kbps (8.65%)   1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020
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29. LPCM Audio                      English         1152 kbps       1.0 / 48 kHz / 1152 kbps / 24-bit
    
30. LPCM Audio                      English         2304 kbps       2.0 / 48 kHz / 2304 kbps / 24-bit
    
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36. Presentation Graphics           English         41.251 kbps

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Shaft 4K Blu-ray, Video Quality   
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Criterion's release of Shaft is a 4K Blu-ray/Blu-ray combo pack.
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$ S$ `( e8 }: r! f5 K- r6 ^The following text appears inside the leaflet that is provided with this release:

"This new digital transfer was created in 16-bit 4K resolution from the 35mm original camera negative. Some footage that was damaged in the original camera negative had been replaced using a duplicate negative. For these sections, the original yellow, cyan, and magenta separation masters were independently scanned and recombined to replace the inferior duplicate footage. The original monaural soundtrack was remastered from the two-inch, 24-track dialogue, music and effects track. On the 4K Blu-ray, the feature is presented in Dolby Vision HDR (high dynamic range). On the Blu-ray, it is presented in high-definition SDR (standard dynamic range).
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7 S. |$ F: f# e7 g0 A$ a( ~2 tDigital scanning: Company3 Los Angeles.
( j& {2 z( x$ n; JColorist: Lee Kline, Giles Sherwood/Criterion Post, New York."

9 O6 c) b1 i" x+ H  mPlease note that all screencaptures that appear with this article are taken from the 4K Blu-ray and are downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content.

Screencaptures #1-10 are from Shaft Blu-ray.
Screencaptures #13-21 are from Shaft 4K Blu-ray.
Screencaptures #24-30 are from Shaft's Big Score!

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After the recent 4K makeover, Shaft looks gorgeous in native 4K. Some of the outdoor footage, in particular, is so striking it is pretty hard to believe that the film recently celebrated its fiftieth anniversary. I expected that it would look really, really good, but to be honest, I did not expect this type of quality. Delineation, clarity, and depth tend to fluctuate a bit, especially during darker indoor and nighttime footage where shadows create various natural contrasts, but I thought that the overall quality of the visuals was still outstanding. Some darker nuances and shadow could be a tad too prominent at times, but it is awfully difficult to tell whether the effect was avoidable because the original cinematography can be very fluid at times. With Dolby Vision enabled, the dynamic range of the visuals immediately becomes superior. This is a difference that becomes very easy to appreciate when you compare the native 4K presentation and the 1080p presentation from the Blu-ray. Some darker nuances are expanded as well, though the fast moving camera makes direct comparisons a bit tricky. The lighter nuances benefit as well, so the superiority of the improved dynamic range remains consistent. Fluidity is excellent in native 4K. (In 1080p there are a few sequence where the quick camera movement isn't quite as smooth). There are no traces of problematic degraining adjustments. In native 4K the visuals look predictably tighter, which is a quality that is reflected in the strong density levels. Image stability is outstanding. All in all, the new 4K makeover and native 4K presentation of Shaft are pretty spectacular, so I think it is fair to conclude that the 4K Blu-ray/Blu-ray combo pack will remain its definitive home video release. (Note: The 4K Blu-ray release is Region-Free).

BLU-RAY DISC

7 P+ l0 I3 ?+ ~5 G- x7 z: II think that the main discrepancy between the native 4K and 1080p presentations is in the dynamic range of the visuals. This is a difference that is also noticeable on other 4K Blu-ray/Blu-ray combo packs, but on Shaft it is extremely easy to see and appreciate. I think that the manner in which the new 4K master was graded has a lot to do with it, but so does the original cinematography because it produces plenty of material that unintentionally exacerbates the difference. I found this very interesting because grain exposure and delineation remain very convincing on the 1080p presentation as well. In some darker areas shadow definition is a tad more convincing in native 4K as well, but I don't think that the difference is too big. The rest looks just as solid as it does in native 4K, but in certain areas you can just tell that 1080p has its limits. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
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Shaft 4K Blu-ray, Audio Quality   
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. i- v2 V0 h' F- t: @5 aThere are two standard audio tracks on this release: English LPCM 1.0. and English LPCM 2.0 (Stereo). Optional English SDH surtitles are provided for the main feature.
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6 U# h' o8 ^6 B& G% _I viewed the entire film with the Mono track and thought that was excellent. It was clean, clear, sharp, and nicely balanced. The shootouts later into the film sound pretty good too, though the dynamic variety that you would get from more recent films is clearly missing. I tested the Stereo track during a few of the action scenes and while separation is obviously the main attraction, I would not say that it offers a dramatically different experience. But you should test is as well to decide which of the two tracks you prefer. I did not encounter any anomalies to report in our review.

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