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Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.
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9 ]! A" d6 t$ F9 X1 [8 T' d◎译 名 黑街神探/夏福特/铁杆神探
9 c. |0 L6 B( N" h: H" V& p, ]) A◎片 名 Shaft / Detektiv Saft% R+ _0 P7 p4 N! u9 o
◎年 代 1971
7 u, m" b1 A$ N& `3 I0 c% [8 ^◎产 地 美国7 z! ^7 W7 O, X: `6 D
◎类 别 动作/惊悚/犯罪
+ s8 e6 S" r' v; {◎语 言 英语1 |; G7 O+ Y* e0 v) v4 e9 c' x4 \
◎上映日期 1971-07-02(美国) U* x, y& M9 L7 V6 w- r/ V
◎IMDb评分 6.6/10 from 18,908 users; t& e6 f0 b6 S2 z, Q' E4 l
◎IMDb链接 https://www.imdb.com/title/tt0067741/ h% {& W q8 I3 i6 |, h$ V
◎豆瓣评分 6.9/10 from 389 users+ C7 [& m9 I) q( I. N
◎豆瓣链接 https://movie.douban.com/subject/1294071/
: O* N( ~! Y' m! d; Q' D2 t◎文件格式 x264 + LPCM
( G- g+ g6 `; A3 k+ [2 [. G◎视频尺寸 1920 x 1080
9 R x$ |7 Y2 D◎文件大小 1DVD 43.99 GiB
; ~! w, |; h% f H◎片 长 1:40:27.021 (h:m:s.ms)$ Q& _! @- ]8 ]- L2 U
◎导 演 戈登·帕克斯 Gordon Parks, X+ L, d% Q R) X6 D9 a
◎编 剧 欧内斯特·泰迪曼 Ernest Tidyman
+ y4 z9 ]/ l1 T John D.F. Black* c/ T4 G- Z0 Y
◎演 员 理查德·朗德特里 Richard Roundtree
. H" K" V9 o8 u" o& x 摩西·冈恩 Moses Gunn2 z* r% S% j5 p' M/ Z/ V% [
查尔斯·乔菲 Charles Cioffi% }; S' B4 n- L
克里斯托弗·圣约翰 Christopher St. John
# |, p- J2 C, B$ c# t Gwenn Mitchell' T5 h5 q/ L4 P/ v( b9 Q& i: |
劳伦斯·普莱斯曼 Lawrence Pressman
$ D: j$ C. p" {5 f. V 维克多·阿诺德 Victor Arnold
" K8 s. e& H$ M: H y3 h% i 雷克斯·罗宾斯 Rex Robbins
C# ~7 o2 d7 E! U$ } 约瑟夫·利昂 Joseph Leon: l( ?5 ~% l0 D) X, V# M" M, N5 g& Y
阿诺德·约翰逊 Arnold Johnson1 v1 u, `. J" |: O M
多米尼克·巴托 Dominic Barto
( [. ?9 v# Z/ t* O; r 德鲁·邦迪尼·布朗 Drew Bundini Brown. f% A1 O. w! c3 b$ I% Z5 T% h
希门·鲁斯金 Shimen Ruskin' y+ g4 y: p( v+ l' T
安东尼奥·法加斯 Antonio Fargas' P- Y, p1 E, L8 O9 O/ ^
格特鲁德·珍妮特 Gertrude Jeannette# _/ ?' A# {6 Q; v5 H3 `
李·斯蒂尔 Lee Steele: J& n7 r' c* K2 ^) [
托尼·金 Tony King: i, f+ r" E- x' f
丹尼斯·泰特 Dennis Tate
& ]8 U! x8 m0 k# A5 S 亚当·韦德 Adam Wade
& g; `2 b% A3 N f5 ] 克利·伯顿亚 Clee Burtonya
3 g+ k/ g a4 @9 z 埃德·伯纳德 Ed Bernard% |- K" A3 E0 i/ a8 w
埃迪·巴特 Eddie Barth6 n* \0 m% A2 Y0 e; E0 n
保罗·内文斯 Paul Nevens
& _( F* @( w& H2 P* ^0 `; g8 N 戈登·帕克斯 Gordon Parks& S7 S2 n0 v+ S& H0 W" A
J.J. Johnson) E* I, }, B3 J6 _
艾萨克·海耶斯 Isaac Hayes, f9 V8 l" _- e* P" v
罗伯特·德拉姆海勒 Robert Drumheller) ^8 X" \: U- }; E0 [& R
Joseph G. Aulisi
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7 J4 A( b3 T1 z7 p2 _: {. } ?◎标 签 美国 | Blaxploitation | 1971 | 美国电影 | 动作 | 犯罪 | 1970s | 剧情
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* h8 B% H7 r7 I' Q# k◎简 介 5 |% {8 E0 G; t" v$ Z( W) q
3 m" e8 \, F, w* `# O5 L7 U 纽约侦探约翰·夏福特英勇强悍,他受命办理哈林区角头老大女儿的绑架案,却也因此和所有黑帮为敌。各路人马的对决,一触即发!( W! U/ ]6 W( ^% ?) O) i7 q
. c* ~2 W, J' Y' H: @ Follows the investigations of legendary, black private detective - one baaaad muthuh - Shaft! Donned in a turtleneck and leather jacket, he's not only an undercover hero, Shaft's also a lean, mean, sex machine, for all to admire...; d* w- }( W- Y) \% I' C9 r
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- DISC INFO:. c: y: k+ ]8 T. \: n
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- Disc Title: Shaft.1971.REMASTERED.1080p.BluRayCD.AVC.LPCM.2.0-iNTEGRUM
. y, I, h& Y- A5 {, g - Disc Size: 47,237,181,286 bytes6 L: u# c! I( Y9 J
- Protection: AACS
; F/ m: s; @( J) z. M8 h - Extras: BD-Java9 {1 v! |# k+ U) {( B8 l, x
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.7.3)
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9 P0 c: W# {! g8 x) r- PLAYLIST REPORT:4 W/ ^# W4 e5 I7 P1 Q
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- Name: 00001.MPLS 6 ^; S9 M9 A) Q ]. O6 F
- Length: 1:40:27.021 (h:m:s.ms)% w" ?% }. X# y# d# {
- Size: 31,874,924,544 bytes0 |, ?; u5 f6 `/ h7 b
- Total Bitrate: 42.31 Mbps
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- Video:; o }+ Q1 P' U, }+ o+ M
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- Codec Bitrate Description 0 `5 l/ G. I) F
- ----- ------- ----------- , k1 {$ u2 ^8 f
- MPEG-4 AVC Video 35724 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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- AUDIO:- n0 x7 ^8 j( i; x
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- P* r# t( ?! Z+ w9 H! ~+ B - ----- -------- ------- ----------- ; o1 X" p% {9 \- M
- LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit" f9 i4 R, [! S' ?3 B* C& s& g
- LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit4 } P, }6 p$ w( K. G' @
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- SUBTITLES:
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- Presentation Graphics English 41.175 kbps
复制代码 Shaft Blu-ray, Video Quality
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Shaft's tiny production budget is reflected in its image, but Warner's 1080p, AVC-encoded Blu-ray offers a remarkably faithful reproduction of the film's original look. The source material is in fine shape, which is especially noteworthy when you consider that most audiences in 1971 saw prints that had been run through projectors repeatedly and taken quite a beating by the time they reached the second or third week of exhibition.
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+ G9 K' Y% d2 N) G' ^# bSwiss cinematographer Urs Furrer (whose career was cut short by a fatal heart attack at age 40) was a veteran of documentaries and industrial films, which made him ideal for shooting Shaft in largely natural light in the many real locations in and around New York City where the production filmed. If you don't like grain, you won't like this Blu-ray—and you also don't like film, because this is what film of this vintage looks like when shot under such conditions. The same emulsion that created the grain also captured substantial detail (light permitting), and reducing the grain would be difficult to do without losing detail. Even if you could keep all the image information with sophisticated software, the degrained result wouldn't look like Shaft. This Blu-ray does.
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Blacks are deep and inky, which is critical in certain night scenes, e.g., when Shaft and Buford are fleeing gunmen. Director Parks and his DP place the two men in deep shadow as they hide, with only a small amount of light falling on their faces; it's a painterly composition that requires solid blacks for its effect, and the Blu-ray delivers. Colors are generally cool, flat and dull, consistent with the wintry season and crumbling city infrastructure, but there are exceptions (e.g., the apartment of Shaft's girlfriend).
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The film runs under two hours; the soundtracks are all mono; and the extras are all standard definition. As a result, Warner has managed to get away with a BD-25 without compression issues. My video score for this title is based on fidelity to the source and a remarkable job with difficult material.
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5 s: V4 K b/ ^/ V+ \- @Shaft Blu-ray, Audio Quality
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The film's original mono soundtrack is presented as DTS-HD MA 1.0, and there isn't much to say about it other than that it adequately reproduces the film's original mix, with decent dynamic range for the Isaac Hayes score and clarity for the film's dialogue. This is all one can ask from a good mono track.' x( l4 u0 D. s3 W5 |( k: M4 n
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