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In post-war Italy, a working-class man's bicycle is stolen, endangering his efforts to find work. He and his son set out to find it.9 A2 U6 L* [% a) c; |) l
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◎译 名 偷自行车的人/单车窃贼/单车失窃记(台)5 M9 z# N/ v# h# r( o
◎片 名 Ladri di biciclette / The Bicycle Thieves* d. {- o: ~2 n1 ~0 |7 S
◎年 代 1948( ]+ b) {# ^* ]. K
◎产 地 意大利" S' ~9 `! k4 B( u
◎类 别 剧情/犯罪
1 J4 z6 T- v! }3 X3 y◎语 言 意大利语
: [$ X- u; u1 [, F. z◎上映日期 1948-11-24(意大利)
6 }! \! J# X& d2 {◎IMDb评分 8.3/10 from 162,158 users0 n2 D; {8 ]* W( R8 D
◎IMDb链接 https://www.imdb.com/title/tt0040522/3 r; b& O2 f; o* }& a a
◎豆瓣评分 9.1/10 from 89,730 users
3 a0 Q- B" M: i( S◎豆瓣链接 https://movie.douban.com/subject/1295873/% F" E- W' z) [8 O4 j) [$ X
◎文件格式 x264 + LPCM * A E. u* ~ H2 g2 N- o, _ c" `- g& L
◎视频尺寸 1920 x 1080+ z a2 b5 D8 _1 s% C0 J
◎文件大小 1DVD 22.69 GiB
0 ^% o! V0 l9 ]: {◎片 长 1 h 29 min+ c9 r4 |' H2 j4 K3 {3 s
◎导 演 维托里奥·德西卡 Vittorio De Sica
8 i( {: {& u" u0 P6 e' Q◎编 剧 阿道夫·弗兰奇 Adolfo Franci
7 f" V Q3 d4 ~+ b2 y/ U 切萨雷·扎瓦蒂尼 Cesare Zavattini8 P# t* x6 z$ q0 z
杰拉尔多·圭列里 Gerardo Guerrieri
4 z8 O+ g% b. ?5 |0 Z6 h 苏索·切基·达米科 Suso Cecchi d'Amico
2 K$ x' n5 x& S b3 ` 维托里奥·德西卡 Vittorio De Sica/ q" }) N# D" @) E
奥雷斯特·比安科利 Oreste Biancoli: `3 O% ^. O% r) C8 h5 M3 |
◎演 员 兰贝托·马乔拉尼 Lamberto Maggiorani
5 }* K2 N; Q7 w) R9 V' g8 x6 ^( y 恩佐·斯泰奥拉 Enzo Staiola+ [! E9 Z1 G( R0 [
莉安拉·卡雷尔 Lianella Carell& f% L" U, f0 n1 ~' t
吉诺·萨尔塔梅伦达 Gino Saltamerenda" w- q- Y% |/ M' q
维托里奥·安东努奇 Vittorio Antonucci9 q& d) a& f# g( }
Elena Altieri3 y9 ]9 z1 i- _4 g5 \
赛尔乔·莱昂内 Sergio Leone$ `+ M* a5 X5 y
维托里奥·德西卡 Vittorio De Sica
' ?. a6 A" I# e( y 赛尔乔·莱昂内 Sergio Leone. ]5 U$ h) N0 J6 t6 w- _( y
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◎标 签 意大利 | 新现实主义 | 经典 | 黑白 | 剧情 | 人性 | 1948 | 犯罪4 N$ _5 _! G M2 P) @
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◎简 介 % A: T8 M0 E# G+ Y0 j
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二战过后,罗马同许多城市一样,充斥失业和贫困,人们常常为一个工作机会争得头破血流。已失业多时的里奇(Lamberto Maggiorani)费劲千辛万苦获得一份海报张贴的工作后,却为这份工作需要一辆自行车犯愁,为了以后的日子好过,他用妻子的嫁妆--床单从换回已经当掉的自行车,不想,他的自行车在上班第一天就被盗。里奇同儿子布鲁诺(Enzo Staiola)寻遍罗马大街小巷,也没能找到他赖以活命的自行车,眼见无指望的日子又要降临,里奇决定以牙还牙,可是他的运气却没有别的小偷好。
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In poverty-stricken postwar Rome, a man is on his first day of a new job that offers hope of salvation for his desperate family when his bicycle, which he needs for work, is stolen. With his young son in tow, he sets off to track down the thief.
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◎获奖情况 2 V$ z1 _4 Y u" s
. M8 a+ m; M) d 第22届奥斯卡金像奖 (1950)/ c; @, z9 D& b% T8 R" I
最佳编剧(提名)
* C4 j. a! m) p$ J9 w3 S- P └──切萨雷·扎瓦蒂尼
' A! ?7 ~0 }2 i B& z9 W 第7届金球奖 (1950)
. ^7 J4 b# u/ m. t 电影类 最佳外语片$ u A( j/ d! i. s$ P6 D+ Q
4 y3 L* L& n! m' X5 u2 XBicycle.Thieves.1948.ITALIAN.REMASTERED.1080p.BluRayCD.REMUX.AVC.LPCM.1.0-FGT
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Video5 @9 }& [4 q7 J
ID : 1
( r# N" ]+ F- pID in the original source medium : 4113 (0x1011)
& Q& C' ~- I, ^/ ~+ \$ ZFormat : AVC
* `* u. H2 _" t, }/ }6 S3 PFormat/Info : Advanced Video Codec
5 B- S( l+ Y8 I3 e: E ?8 ~Format profile : [email protected]
5 y6 I1 f$ j1 TFormat settings : CABAC / 4 Ref Frames
6 R; p* w1 x. R' [/ }3 mFormat settings, CABAC : Yes1 \: n" o- L) ]8 P, [4 j+ r8 a
Format settings, Reference frames : 4 frames
7 x) X) `: {/ b* G# cCodec ID : V_MPEG4/ISO/AVC% O. n. i( [+ W& k, E
Duration : 1 h 29 min( e6 [5 b9 H R' s$ q# x. i1 q( G( f( j
Bit rate mode : Variable/ B5 n3 d# X/ V1 G
Bit rate : 35.0 Mb/s
' P9 V, r) g! U; O) e: xMaximum bit rate : 37.0 Mb/s
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Display aspect ratio : 16:95 H1 M9 `* M4 G- X' F: b
Frame rate mode : Constant
# _+ V, j, ]; ]. o. V* \3 F8 F: YFrame rate : 23.976 (24000/1001/189150) FPS
9 {0 i; C$ x2 |Color space : YUV; I: _2 m- ]& ?9 Q; q7 [1 O" A
Chroma subsampling : 4:2:0
/ N% ?5 n4 I4 Q9 L+ ]( }. ?6 ZBit depth : 8 bits
3 V: c c4 \. W9 Y& }Scan type : Progressive
/ M! }9 C" q$ o( v1 w' x/ N) mBits/(Pixel*Frame) : 0.7036 ?' h# R) |: q5 B' M2 y7 p
Stream size : 21.8 GiB (96%)
; t8 H& } I$ @/ t9 mLanguage : English
/ G. i# t% ~+ I6 ~3 P8 o3 _) YDefault : No
, r# [& z, S9 P9 I# xForced : No
, v# _% Y! v4 w) HOriginal source medium : Blu-ray
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! q7 x% ?( ]/ q& ~- A' t. PAudio #13 L0 b: F) @& z( a2 }. s
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6 Z9 `1 }4 T& [! [( K4 OCodec ID : A_PCM/INT/LIT
0 n O4 A; [$ W- c% lDuration : 1 h 29 min! \' c2 E- `& j
Bit rate mode : Constant0 A p7 s* p8 Q8 J
Bit rate : 1 152 kb/s! T0 d5 j% [( g5 ~/ w6 F
Channel(s) : 1 channel8 \8 E- p% |6 Q; r( Z. ?5 K! k
Sampling rate : 48.0 kHz. v8 d8 u0 S) S
Frame rate : 30.000 FPS (1600 SPF)
- U" b) ^) ?1 ]3 ~( w2 X- d) ]8 kBit depth : 24 bits4 }8 L4 u5 }9 w3 \! o- ?4 z
Stream size : 737 MiB (3%) R- q& A r+ ~& C! J
Title : LPCM 1.0
! G @ i( j& L" GLanguage : Italian
) w9 o1 H6 _8 {; N/ IDefault : Yes
( G) s: { s( {8 H# r. tForced : No
[+ n- T1 `: q( |Original source medium : Blu-ray
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8 j4 {% ^8 E! p, m5 }$ p% KAudio #2
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- _# I6 G1 D6 t4 ?, [1 ?Format : AC-3& F5 c" a4 O2 B0 f
Format/Info : Audio Coding 3
7 ^* l( u6 y+ a' r; FCommercial name : Dolby Digital
& z1 ~; D/ a+ F# \Codec ID : A_AC3
5 ~+ z' i% f- t% kDuration : 1 h 29 min6 b2 r' Q: c8 l
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; u1 N5 f: X8 a- mBit rate : 192 kb/s
7 J) z1 z. p, v2 c: o1 i( cChannel(s) : 1 channel* [" a' ^+ J5 u
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Compression mode : Lossy
( [- k7 {+ t5 `+ gStream size : 123 MiB (0%)
# M$ R) I8 L; @" q6 Z& y* O+ m6 h" ITitle : DD 1.00 }% J, c# b* `7 ^5 G
Language : English
( L5 D% |- M2 VService kind : Complete Main
5 L/ N- U. Y5 A/ U1 P3 ^- UDefault : No
* b* G" G( \9 ~Forced : No! M) G- P( [" F# F% r% [
Original source medium : Blu-ray- I+ F. I$ m9 v( h
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5 o% \: I3 f% W$ Z% j& K. ~Codec ID/Info : UTF-8 Plain Text
9 K% ~& {: n: Y) } sDuration : 1 h 26 min. N0 Y$ v H3 X: n
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9 |" |* G/ R- P1 m# zCount of elements : 7841 z- R7 X+ m' H E9 Z: O7 B0 d
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Language : English
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( c1 P/ G$ b1 G( e# hMuxing mode : zlib4 ? {. H- V p# ]# j/ e! C3 L
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! x3 b9 v8 Y2 f( F" M& A8 x: rCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs: S7 v3 b( G1 R9 j# z7 e, v3 R
Duration : 1 h 26 min1 d# J& G& _5 B6 m0 A; M
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7 h4 o, q9 L# m: f: w# ]6 c, g& mLanguage : English! r* Y% t# ?0 ~! w% p$ r8 ~
Default : No
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) `! K/ p7 c0 |2 U, f, B/ w7 |Original source medium : Blu-ray
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Menu, S5 Q% m( @. D6 f3 P; {
00:00:00.000 : en:Chapter 01: B; O0 k5 ?0 t- }
00:05:30.496 : en:Chapter 027 X2 Z S& y9 m: i' d
00:11:07.291 : en:Chapter 03
) o; D2 |; g3 F* \1 _- ?00:14:31.078 : en:Chapter 04
$ J) ~# L& V: q9 | J. b00:18:07.503 : en:Chapter 05
+ z5 {2 {3 @! L% ? n0 |4 z( h. X( ]00:22:16.335 : en:Chapter 06
$ L/ p: n/ R- p8 O% k00:25:54.261 : en:Chapter 07" R& n+ {% r3 X0 D6 U+ ]
00:30:24.906 : en:Chapter 08
& @0 f6 @3 E/ _6 H& W7 k00:35:23.621 : en:Chapter 095 b- K+ O8 ]# h/ m
00:39:06.093 : en:Chapter 10) f% S1 a; `/ R7 A2 U/ T
00:43:09.753 : en:Chapter 11
* j+ r$ B6 ]/ @5 U9 P5 n' B% v4 R: E0 V00:46:39.379 : en:Chapter 123 s3 X6 y7 c: f* ^3 P0 v/ }: i
00:54:42.696 : en:Chapter 13$ y7 }! R( e4 c0 l B$ ~) x: L
00:58:28.171 : en:Chapter 143 A8 t( v' ]2 Y0 @% j& s
01:04:52.096 : en:Chapter 15
* H% b ~! f8 p' ^/ E01:09:23.159 : en:Chapter 16( h& F3 F# {* Y" u
01:15:43.121 : en:Chapter 17
. u1 z+ o* \7 Z+ i01:20:22.901 : en:Chapter 18. b4 }( u* H& a/ j, C6 m
01:26:00.113 : en:Chapter 19 Bicycle Thieves Blu-ray, Video Quality
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Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Vittorio De Sica's Bicycle Thieves arrives on Blu-ray courtesy of Criterion.2 u c6 c* j' k/ o! ~
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The following text appears inside the booklet provided with this Blu-ray release:! |# z: [( |# H# K8 C+ K
! O; G0 W3 k" \ L"This new digital transfer was created in 4K resolution on a Scanity film scanner from a 35mm safety fine-grain master made from the original camera negative. The restoration was performed by Digital Film Restore in Chennai, India. The original monaural soundtrack was remastered at 24-bit from a 35mm optical soundtrack print. Clicks, thumps, hiss, hum, and crackle were manually removed using Pro Tools HD and iZotope RX4.
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Colorist: Lee Kline/Criterion, New York.. x( o; p- y. G9 A7 y& q
4K scanning: Sony Colorworks, Culver City, CA." v7 c3 O/ W$ l0 c" d
- R3 R, ~- T' n9 x' M" v) A3 gThe film has looked quite rough on previous DVD and Blu-ray releases. Fading and stability issues, in particular, have been quite prominent. While some unevenness remains during transitions where it is easy to see that time has left its mark, overall balance and especially fluidity are greatly improved. Many close-ups look cleaner and crisper, while the large panoramic shots are better balanced. During the darker/nighttime footage the improvements are quite substantial, though shadow definition can fluctuate because of inherited limitations. During the daylight footage brightness levels are more convincing, with areas where sunlight is prominent now looking much stronger. Grain is rather well distributed and resolved, but minor fluctuations can be spotted. Some corrections have been applied to rebalance the image as best as possible, but its integrity isn't affected. There are no traces of problematic sharpening adjustments. Debris, cuts, scratches, stains, and damage marks have been removed as best as possible. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).* b+ P: N: l6 A* h
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Bicycle Thieves Blu-ray, Audio Quality 3 a8 Z4 T# X8 {* p4 Y
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There is only one standard audio track on this Blu-ray release: Italian LPCM 1.0. Optional English subtitles are provided for the main feature.
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2 P9 v* \1 ]4 h* o, ?It immediately becomes clear that various stabilization enhancements have been made. The high-frequencies remain somewhat weak -- at times it is easy to tell where some light distortions have been minimized as best as possible -- but clarity is improved. Balance is also better. The overall range of nuanced dynamics remains limited, but the film's original sound design is hardly impressive.* _% A6 Q/ c# _4 ~" \
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