吵闹鬼/鬼驱人/鬼哭神嚎 [4K蓝光原盘] Poltergeist 1982 2160p BluRaycd HEVC DTS-HD MA 5.1-ESiR 56.55GB

3 ]! x7 d  D5 c/ c8 ^! t& W- N◎译　　名　吵闹鬼/鬼驱人/鬼哭神嚎
# S. p0 u; R2 O" _$ k◎片　　名　Poltergeist / It's Night Time
( [3 A& n% u) c0 g2 F' P0 p◎年　　代　1982
" I9 [" ?) @# u& ^. a8 K* r. d◎产　　地　美国
◎类　　别　恐怖/惊悚/奇幻
( `) `, u$ X- r. B* I8 j# R3 C1 p% j◎语　　言　英语
◎上映日期　1982-06-04(美国)
◎IMDb评分  7.3/10 from 161,846 users
◎IMDb链接  https://www.imdb.com/title/tt0084516/
◎豆瓣评分　6.8/10 from 2,184 users
◎豆瓣链接　https://movie.douban.com/subject/1293042/
◎文件格式　x265 + DTS  
0 H( i  m9 l' q2 E. r◎视频尺寸　3840 x 2160
1 p5 M& M: I% J4 F◎文件大小　1DVD 56.55 GiB
◎片　　长　1:54:25.733 (h:m:s.ms)
◎导　　演　托比·霍珀 Tobe Hooper
　　　　　  迈克尔·卡恩 Michael Kahn
1 D, {: o9 R( ^3 ~. U◎编　　剧　史蒂文·斯皮尔伯格 Steven Spielberg
　　　　　  迈克尔·格雷斯 Michael Grais
5 G+ P$ ?$ j' @$ E5 h; w　　　　　  马克·维克多 Mark Victor
◎演　　员　格雷格·T·尼尔森 Craig T. Nelson
4 [  U/ T. C! L" f* s+ t; [3 }$ ]　　　　　  乔贝兹·威廉姆斯 JoBeth Williams
　　　　　  比阿特丽斯·斯特雷特 Beatrice Straight
　　　　　  多米妮克·邓恩 Dominique Dunne
5 A, [/ V. V% R! h# ?　　　　　  奥利弗·罗宾斯 Oliver Robins
! `8 F% q& z4 J3 ^0 u" z　　　　　  赛尔达·鲁宾斯特恩 Zelda Rubinstein
6 F/ D) n8 @, @) Z) L6 y( A　　　　　  詹姆斯·凯伦 James Karen
　　　　　  海瑟·欧罗克 Heather O'Rourke
+ w& t' M, i! Q9 H　　　　　  Michael McManus
4 c6 F; C( o4 j8 U/ u; u: [$ n7 O* L6 {: o　　　　　  维吉妮娅·凯泽 Virginia Kiser
/ Z) P8 v0 m- H  d; o　　　　　  Martin Casella
　　　　　  理查德·劳森 Richard Lawson
　　　　　  卢·佩里曼 Lou Perryman
; O# j+ q. f$ ?" @+ \　　　　　  Clair E. Leucart
+ p( l" P- Z2 J6 B　　　　　  德克·布罗克 Dirk Blocker
　　　　　  阿兰·格拉夫 Allan Graf

! \5 n- P1 P" \" N# k◎标　　签　恐怖 | 美国 | 惊悚 | 斯皮尔伯格 | 1982 | 美国电影 | 1980s | StevenSpielberg
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2 L1 _, N7 d0 C◎简　　介   
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; h: @8 c( |) Z0 f# `4 q　　事业有成、意气风发的史蒂文·弗瑞林（Craig T. Nelson 饰）带着妻子戴安（JoBeth Williams 饰）和三个孩子搬进了加利福尼亚某郊外社区。但在入住不久，怪事便频繁发生。先是小女儿卡萝（Heather O'Rourke 饰）梦游，对着自动开启漫屏雪花的电视机自言自语。接着便又不明物体从电视机中飘出，莫名的地震，破碎的玻璃杯……如此种种，搅得弗瑞林一家坐卧不定。过了不久，恐怖事件逐渐升级，卡萝最终竟被拉入电视机中……
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　　本片荣获1983年美国科幻恐怖电影节最佳恐怖片、最佳化装和最佳女配角（Zelda Rubinstein）三个奖项；1983年英国电视与电影协会最佳特效奖。
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& D/ k! F" f/ }" O　　A family's home is haunted by a host of demonic ghosts.

◎获奖情况  

　　第55届奥斯卡金像奖(1983)
　　最佳视觉效果(提名) 理查德·艾德兰德 / Michael Wood / 布鲁斯·尼科尔森
1 C% t/ b$ `" }　　最佳音效剪辑(提名) 理查德·路易斯·安德森 / 斯蒂芬·亨特·弗利克
5 S% s" n3 `0 D) A　　最佳原创配乐(提名) 杰瑞·高德史密斯

1. DISC INFO:
   
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3. Disc Title:     Poltergeist.1982.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-ESiR
   
4. Disc Size:      60,442,075,988 bytes
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5. Protection:     AACS2
   
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Poltergeist 4K Blu-ray, Video Quality   


NOTE: The screenshots in this review are all sourced from the newly-remastered Blu-ray disc and, as such, obviously do not represent the 2160p, HDR10-enhanced transfer on the 4K disc. Both transfers are reviewed below.Warner Bros.' new 2160p, HDR10-enhanced transfer is a real beauty, one that preserves the film's intended appearance to the fullest extent of this format's capabilities. Poltergeist isn't a visually showy or even attractive production, as only a handful of wistful suburban pans are sprinkled throughout a film that's largely dominated by static interiors and dark, stormy nights. Yet this new 4K transfer, likely sourced from the camera negative, nonetheless impresses at every turn with excellent color reproduction, stability, strong fine detail, and a soft but ever-present layer of film grain that clearly hasn't been subjected to excessive noise reduction. The HDR10 enhancement takes over in subtle but often noticeable ways, from the soon-to-be-dug-up flower beds of the Freelings' backyard to clothes and other background details, but absolutely adds another level of power to the bright whites present during a handful of hauntings. These moments are so dialed-in for contrast accuracy that they'll immediately strike viewers as impressive, especially on an OLED or even LCD screen with reliable local dimming. (There are even dual warnings, both on the slipcover and a full-page insert, warning viewers with epilepsy about the light intensity of strobe effects seen during the film and for very good reason -- they're intense.) Shadow detail is likewise quite good and, though Poltergeist doesn't serve up deep blacks due to its cinematography, they occasionally dig deep but never fall victim to crush or banding. Overall, it's quite the impressive presentation indeed and, again, one that deftly balances subtle refinements with appreciated accuracy to the source material, both in Poltergeist's era-specific film texture and intended color palette.

Contrary to Warner Bros.' usual habits, the included Blu-ray is a brand new disc (not available separately) that sources its 1080p transfer from the recent remaster and has been encoded with the more efficient AVC codec. As such, it displays similar strengths including more refined image detail, better color saturation, a more stable and film-like appearance, and of course improved contrast that helps support medium-deep blacks and bright whites with much less perceived crush and blooming. Although the lack of HDR enhancement -- not to mention that it's downsampled from its true 4K roots -- means that even its strongest moments can't match the UHD in terms of vibrancy or refined detail, it's nonetheless a very strong-looking disc that, if you're not yet equipped for 4K, may still be worth the upgrade.

Poltergeist 4K Blu-ray, Audio Quality   


9 n/ t8 w( P9 u/ O% fNOTE: Both the 4K and Blu-ray discs in this release feature the same audio options, reviewed below.Poltergeist features two separate audio options; the default is a DTS-HD 5.1 Master Audio remix that, on the surface, sounds like a simple port of the older Blu-ray Digibook edition's Dolby TrueHD 5.1 track. However, Warner Bros.' new 4K restoration seems to have wrung a bit more sonic juice out of the original elements, which sound more crisp and forceful in key areas but with a similar overall aesthetic and volume level. I'm normally not a huge fan of remixes but this is one of the better ones, as it amps up the film's supernatural elements while retaining a vintage feel.

The second option may be a more interesting "upgrade", as Poltergeist's original 2.0 mix (listed as "Original Theatrical English" on the menu) has been granted a substantial bitrate boost from the old Blu-ray's lossy 192kbps Dolby Digital (that's DVD quality) to full-fledged DTS-HD 2.0 Master Audio. It's still obviously less gripping than the remix in direct comparison, with a touch of distortion at higher volume levels and very little in the way of LFE and perceived width, but purists will certainly appreciate the option. The fact that both audio mixes have been not only retained but improved is good news for everyone -- another feather in WB's cap, as they're not usually known for this.
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( A. v$ q% o# x. ~Optional subtitles, including English (SDH), are included during the main feature and all applicable extras.
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