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Seven gunfighters are hired by Mexican peasants to liberate their village from oppressive bandits." U5 J, `' X& n7 |4 z
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◎译 名 豪勇七蛟龙/荡寇七侠传/七侠荡寇志(港)) r' a0 Q. D7 a% X
◎片 名 The Magnificent Seven' Q) c- n4 q9 l2 a
◎年 代 1960; Y0 D! R2 Q8 i
◎产 地 美国
( w4 l! t- L& `$ R1 r% m◎类 别 动作/冒险/西部% O4 ?6 N$ y+ O2 V: h4 \
◎语 言 英语/西班牙语
: |( z/ K9 H: s' c& k( t◎上映日期 1960-10-12(美国)5 \: O' b7 U3 g5 e
◎IMDb评分 7.7/10 from 96,893 users. B% m/ ~: z0 ]( f
◎IMDb链接 https://www.imdb.com/title/tt0054047// h2 A# W' c. I, I' L
◎豆瓣评分 7.4/10 from 5,020 users' ~( y" T7 U& D* {0 ^
◎豆瓣链接 https://movie.douban.com/subject/1303373/0 e Z8 x) c1 i
◎文件格式 x265 + DTS . \7 D; p0 m/ ]( _% l% Y9 C/ `3 W
◎视频尺寸 3840 x 2160
( t9 |( g; U8 Q/ a◎文件大小 1DVD 87.63 GiB
9 n; b! u% c G: W, V# {; E/ m◎片 长 2:07:45.333 (h:m:s.ms)- o9 g2 E* s) }: _
◎导 演 约翰·斯特奇斯 John Sturges
8 A. z% t) ?, C◎编 剧 威廉·罗伯茨 William Roberts
0 J" x1 F$ [2 V, h3 k) E0 e9 R L 小国英雄 Hideo Oguni
# Z' d2 d/ m1 b2 ]6 | 黑泽明 Akira Kurosawa8 v9 P' P$ D _+ N
沃尔特·伯恩斯坦 Walter Bernstein
2 z. r4 x# [, v& F H' f 沃尔特·纽曼 Walter Newman
; F9 `7 H1 @ n# [1 U3 b" ^ 桥本忍 Shinobu Hashimoto
) e2 l- x( L( g+ d( t) X◎演 员 尤·伯连纳 Yul Brynner
- D7 y0 |, s' Y# x/ x 埃里·瓦拉赫 Eli Wallach' A; M# v+ V' O4 O* j U: R- O
史蒂夫·麦奎因 Steve McQueen
7 ?# N) W8 }" l& ] 查尔斯·布朗森 Charles Bronson7 k! G# ^. X% `2 i
罗伯特·沃恩 Robert Vaughn
8 D8 Z1 }7 |+ K) r# z, |! C 布拉德·德克斯特 Brad Dexter
[8 \6 A/ @- j: F {; U 詹姆斯·柯本 James Coburn3 y# |9 g: A/ E b5 s: y* ]: m ^
霍斯特·布赫霍尔茨 Horst Buchholz
0 G9 W* |$ a9 [" l/ W+ Z; g 恩里克·卢塞罗 Enrique Lucero% i% V6 R( y: O' B0 }
豪尔赫·马丁内斯·德奥约斯 Jorge Martínez de Hoyos8 R/ e9 e+ b+ y, R! y7 l& C v
Alex Montoya + J6 E/ v0 I v& V- _
约瑟夫·拉斯金 Joseph Ruskin
! P1 G/ |* ?: a3 x! x$ I; E Natividad Vacío
; M+ n8 W8 J# H4 ~* c7 M+ U. U 弗拉迪米尔·索科洛夫 Vladimir Sokoloff
7 U" }8 l" o, @( T) R 罗伯特·J·威尔克 Robert J. Wilke
7 M! M" j: C8 O' w0 W$ e 罗森达·蒙特罗斯 Rosenda Monteros
. L8 t2 X: u$ {8 U# S Larry Duran & a/ p0 ] _8 {$ s( D8 ^
Danny Bravo
! c' Z1 u% T& ]' R' q8 ?, L 约翰·A·阿朗索 John A. Alonzo
3 R$ b, C; R3 J% ~" G* H: Z" | 维克托·弗伦奇 Victor French' R8 T( K3 x+ ]0 X/ W! P
Bing Russell
6 H) s4 f- B( v! A1 J+ X) _7 ~+ t3 n6 m 怀特·毕塞尔 Whit Bissell R, W: @ [0 v6 \2 k5 W. F
Henry Amargo
. J+ S0 a! v4 ?+ d$ d- R$ R) s5 o- k 瓦尔·埃弗里 Val Avery
8 ~" U: Y J5 P0 b/ \; J Roberto Contreras
7 o. j( k* {+ d) ]" }5 m$ o2 ? 何塞·查韦斯 José Chávez
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7 r0 }. R- ]0 c% E* P* u6 T7 ]) w◎简 介 , z- F0 z$ N2 @! t8 W+ i# `
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一群强盗每年都要骚扰墨西哥的一个小村庄。村里的长者派三名农夫去美国,目的是寻找武艺高强的枪手来保卫村庄。最后一共来了7名高手,他们去墨西哥的理由每个人都各不相同。他们人单力薄,要对付100多个前来掠食的强盗。经过一番激战,终于将盗贼歼灭,但七人中亦折损四人,令人伤感不已。
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A bandit terrorizes a small Mexican farming village each year. Several of the village elders send three of the farmers into the United States to search for gunmen to defend them. They end up with 7, each of whom comes for a different reason. They must prepare the town to repulse an army of over 100 bandits who will arrive wanting food.
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2 r" }8 \! M: x3 d Z& j- DISC INFO:4 \4 d& \, `4 E% s4 d) c# j
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- Disc Title: The.Magnificent.Seven.1960.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-MiXER
6 d( _5 C5 f/ J) Q* z - Disc Size: 94,096,517,734 bytes
- N0 W# ]/ ^/ h' c# Q/ K - Protection: AACS2
, ^) y8 c+ W8 A - Extras: Ultra HD; b; U* Z4 v$ U2 o! [8 Y& X: ~
- BDInfo: 0.7.6.0 (compatible layout created by DVDFab 12.0.9.8)* B5 Q% g* @1 n5 {$ `
- + G9 u: b: E. u1 m: s0 L
- PLAYLIST REPORT:
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- Length: 2:07:45.333 (h:m:s.ms)
+ s+ W E4 V; { ~& z6 ~; | - Size: 93,596,786,688 bytes& O s& Z" X( [' ~% C: \
- Total Bitrate: 97.68 Mbps5 [9 j7 S+ ~" O1 S! J- l
- 8 Q1 L9 f: V: `7 j
- (*) Indicates included stream hidden by this playlist.( W6 H# Q8 K( H- U6 X* p
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- Video:
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6 y; B& ]& ?+ u- Codec Bitrate Description ' R2 i: j; K. R# p( [
- ----- ------- ----------- 4 B2 l" F1 b5 C6 F; y! o4 u
- MPEG-H HEVC Video 76493 kbps 2160p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / HDR10 / BT.2020
% ~+ w4 F8 @+ ? - * MPEG-H HEVC Video 8513 kbps (10.01%) 1080p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / Dolby Vision FEL / BT.2020
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- AUDIO:
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- Codec Language Bitrate Description
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- DTS-HD Master Audio English 1801 kbps 2.0 / 48 kHz / 1801 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)- W; m2 v, a6 u; w
- DTS-HD Master Audio English 3558 kbps 5.1 / 48 kHz / 3558 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
2 u B/ H7 I7 G: V5 o y9 n1 E - DTS-HD Master Audio English 1974 kbps 2.0 / 48 kHz / 1974 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
# c: d8 ?7 w2 g/ c1 Z- Z4 s4 E - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps, F/ u! j- }, K4 M$ F
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
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- SUBTITLES:
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- ----- -------- ------- -----------
$ i: T/ P# c; v - Presentation Graphics English 31.427 kbps
复制代码 The Magnificent Seven 4K Blu-ray, Video Quality
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, L6 E" P4 V* d( j- |Shout Select's "Collector's Edition" package, which comes with a slipcover, includes a BD-100 for the Dolby Vision (HDR10-compatible) presentation on the first disc and a BD-50 (disc size: 45.22 GB) for the Blu-ray transfer on the second. Shout advertises both as deriving from a "2022 restoration and color grade using an existing 4K scan of the original camera negative." The picture appears in its original theatrical exhibition ratio of 2.35:1. The most outstanding element popping out from this new transfer, aside from the enhanced clarity courtesy of the DV/HDR, is how wonderfully balanced the grain structure is sans any stability issues in the image. During reel changes and scenic transitions, there are moments where there is coarser grain to go along with fluctuations in color temperature (before a fade or dissolve, for example) but these were present from the first DVD I viewed of The Magnificent Seven in the early 2000s. The reds are deeper and richer here than they are on the 2010 1080p transfer. The difference is noticeable over the main titles in the 2022 transfer in which the red letters are brighter. In Screenshot #s 15-26, I've created several set of frame matches between the MGM and Shout transfers. In frame grab #16, you'll see how the curtains are crimson compared to the lighter red in #15. There are also some conspicuous discrepancies in the color schemes. For instance, the signage and posts in front of the drugstore in capture #24 is turquoise compared to the dark gray in capture #23. In addition, the sky casts a lighter blue in #22 than the darker hue in #21. It seems that the Shout is probably more accurate since the shot was taken in bright and broad daylight. On the UHD, background clarity is excellent in the shot of Calvera and his banditos galloping towards the Mexican village (frame grab #26). The only damage mark I later spotted is a light scratch in the top right above Vin Tanner (Steve McQueen; see capture #2). I didn't initially notice this in motion. On the Blu-ray, Shout encodes the main feature at a mean video bitrate of 31997 kbps.
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& m9 |1 I$ h+ d8 ^Screenshots 1-14, 16, 18, 20, 22, 24, & 26 = 2022 Restoration and Color Grade (Shout Select)3 {4 |/ D& t$ a% {( E8 F7 Z( h
Screenshots 15, 17, 19, 21, 23, & 25 = 2010 Restoration and Color Grade (MGM)
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/ Y d' J+ b' N9 M- iThe standard twelve chapters accompany the 128-minute feature.
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The Magnificent Seven 4K Blu-ray, Audio Quality
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, m: X3 C0 @2 W' p4 k5 }% M" QShout has supplied a DTS-HD Master Audio Dual Mono mix (1801 kbps, 24-bit), a DTS-HD Master Audio 5.1 Surround remix (3558 kbps, 24-bit), and a DTS-HD Master Audio Stereo track (1974 kbps, 24-bit). I first listened to the 5.1 track and essentially, the only activity I heard along the rears is Elmer Bernstein's rousing theme that plays during the main titles and in various iterations throughout the movie. At first, I had some difficulty fully hearing Yul Brynner and Steve McQueen's first bits of dialogue. I would advise playing the film in either stereo or the original monaural mix. Thankfully, audible hiss is completely absent. There are no pops, crackles, or dropouts on the lossless tracks.0 h; }( M1 Y5 R& `& a& A
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Late last year, Spain-based soundtrack label Quartet Records released an expanded edition of Bernstein's classic score along with the three sequel scores the maestro wrote. QR accessed three 1/4″ full-track monaural rolls of "print" takes in the MGM vaults. Album restorer and producer Chris Malone wrote in a Film Score Monthly thread for this release that all audio content (i.e., instrumentation) plays in both the left and right channels. (Another reason to play the uncompressed mono track on the Shout discs.) It can't be overstated how important it is to still have the original master tapes because for over three decades, they were considered lost. Indeed, Bernstein was unaware of their existence so, along with Christopher Palmer, he reconstructed and edited his score for a 1993 re-recording that was conducted by James Sedares and performed by the Phoenix Symphony. (The US record label KOCH International Classics put it out on CD a year later.) Bernstein wrote in the packaging: "The first recording of the entire score...the definitive interpretation in my opinion." Palmer scaled back the first claim a bit in the liner notes: "...it is fair to say that between about 92% and 95% of the complete score is represented here." Palmer explained why he deemed the original recording lost: "United Artists, a company which owned no studio as such nor, therefore, any music library to serve as repository for its scores. As often happened in these circumstances, the original orchestral scores were lost or destroyed." Palmer and Bernstein relied on the latter's detailed sketches to reassemble the original orchestrations. In April 1997, Bernstein traveled to the City Halls in Glasgow, Scotland to conduct his score, which was performed by the Royal Scottish National Orchestra. (Bernstein and record producer Robert Townson helped prep it for CD with RCA Victor handling distribution.) Then a year later, a major discovery occurred with the discovery of the master tapes. The Warner label Rykodisc mastered Bernstein's 1960 recording on a High Definition Compatible Digital (HDCD), which was produced by Pacific Microsonics. In the liner notes, film music historian Jeff Bond cited this release as a landmark: "[T]his album offers the first chance to hear the original recording actually used in the film." Apparently, Bernstein was too busy in 1998 with other projects to work on the release so Emilie A. Bernstein (Elmer's daughter) produced the album on her father's behalf. (In 2004, Varèse Sarabande reissued the Ryko album.) In 2015, European label Soundtrack Factory remastered Bernstein's score in a 24-bit recording with outstanding fidelity. The 2022 Quartet album contains ten additional tracks not present on the other releases.
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Shout has provided optional English SDH for the feature on the 4K and Blu-ray discs.
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