- 积分
- 63922
- 经验
- 23094 点
- 热情
- 13297 点
- 魅力
- 4123 点
- 信誉
- 6585 度
- 金币
- 265 枚
- 钻石
- 186 颗
- 蓝光币
- 0 ¥
Post Share
- 金币
- 265 枚
- 体力
- 27081 点
|
( i6 `8 H' p$ U
4 b# s# k$ t" j$ Z/ Q
◎译 名 造梦之家/法贝曼:造梦大师(港)/法贝尔曼(台)/法贝尔曼一家
4 j4 a+ h. X3 q' O1 g7 Y9 f◎片 名 The Fabelmans / Tuổi Trẻ Huy Hoàng5 y" f, f6 y5 A
◎年 代 2022
6 |& E$ Q8 [6 n% C; E◎产 地 美国/印度
+ N1 E: N" o2 n; I! X2 l& o◎类 别 剧情# D5 `' d2 o3 m4 ?1 U+ J
◎语 言 英语3 n5 e* Z1 Z @! F* {, A
◎上映日期 2022-09-10(多伦多电影节)/2022-11-23(美国)
. E( X8 ~, n- X& l7 e7 |! Q% C& b◎IMDb评分 7.6/10 from 58,851 users$ a3 T4 c. t( j, _8 { b c+ H
◎IMDb链接 https://www.imdb.com/title/tt14208870/3 ]3 j1 \0 _8 a% g. m7 O
◎豆瓣评分 7.5/10 from 17,813 users \! w) b6 a" j- u/ { T
◎豆瓣链接 https://movie.douban.com/subject/35390098/- k( p& e" K! E
◎文件格式 x265 + TrueHD
; U8 [& D3 X" e( A. ^5 }, q1 K E◎视频尺寸 3840 x 2160; D4 z c- x. F) a8 G: g' ]( }) H
◎文件大小 1DVD 91.13 GiB
J3 K$ m; h% |8 }; j- s- A8 N◎片 长 2:30:45.745 (h:m:s.ms)! s- h' F6 S- q5 q$ h% c
◎导 演 史蒂文·斯皮尔伯格 Steven Spielberg
2 v# z3 k# w: F- h, B◎编 剧 史蒂文·斯皮尔伯格 Steven Spielberg
I- `8 }8 S3 l 托尼·库什纳 Tony Kushner- l0 @, y" V# J z2 Y% a
◎演 员 米歇尔·威廉姆斯 Michelle Williams
9 g4 R5 ~ g8 [' t 保罗·达诺 Paul Dano5 ]) _/ a" ]) t' E- z' [) |6 r
塞斯·罗根 Seth Rogen
9 R2 z/ m# J' R1 M# A& _0 z 加布·拉贝尔 Gabriel LaBelle( b2 x Q/ Z' C" o+ G( {+ a) t- b
马特奥·佐里昂·弗朗西斯·德福特 Mateo Zoryon Francis-DeFord
$ d* A; j1 m' w' X8 a 珍妮·柏林 Jeannie Berlin
- J* I$ J* |) ^ c: C: O/ t4 ]/ t 大卫·林奇 David Lynch
5 t1 N4 U7 A0 [# c 贾德·赫希 Judd Hirsch6 l. p5 U$ _% W4 o; f9 z8 x# E
茱莉亚·巴特斯 Julia Butters# A# X" B) t. o) ?
萨姆·雷希纳 Sam Rechner
6 e+ A6 z" y" v; ~: m 罗宾·巴特利特 Robin Bartlett# g) n6 h9 K& l6 H4 t A( ?
姬莉·卡斯滕 Keeley Karsten
# i5 y* P' q0 F+ ~9 q, i- @ 奥克斯·费格雷 Oakes Fegley2 A! ?* ?& f2 S$ A
克洛伊·伊斯特 Chloe East
% Z; R5 I! S( s" J! W5 x0 {- } 伊莎贝尔·库斯曼 Isabelle Kusman
6 H |5 N: N" O 伯迪·博里亚 Birdie Borria
1 N) |: m1 M/ t/ q) a/ g: f 阿丽娜·布雷斯 Alina Brace
, H( t/ Y* H0 x) o! _, W* D 索菲娅·科佩尔 Sophia Kopera
, P' \/ i3 K. q. L5 r, z2 M* p0 H 钱德勒·洛韦勒 Chandler Lovelle) k5 n c0 h9 _
古斯塔夫·奇洛兹 Gustavo Quiroz' _8 E8 W, q5 b8 l) }9 w
尼古拉斯·坎图 Nicolas Cantu
* w% U: k- n. j7 i% H 库珀·达德森 Cooper Dodson4 N" V z5 o$ |9 m8 F: o" U' g
加布里埃尔·贝特曼 Gabriel Bateman2 V; c( H0 t. B2 @- [% @
斯蒂芬·马修·史密斯 Stephen Matthew Smith4 k* g. j9 {" Q" N5 V) r$ [: w4 v! _
詹姆斯·乌尔班尼亚克 James Urbaniak
1 C( }% `5 ^' U( I# e5 K 阿莱克斯·奎加诺 Alex Quijano
7 \; S' I5 t# q1 M* a) Y' r' D 卡拉马·爱泼斯坦 Kalama Epstein8 ^+ i7 X& x! q/ X Z4 a8 D
康纳·特里内尔 Connor Trinneer2 ` q, B0 x! u; R L* b
格雷戈·格伦伯格 Greg Grunberg- N4 x( c1 g" f5 S( ~7 T
简·霍格 Jan Hoag
5 e* j, P1 x7 q0 ]7 j6 ] K6 U% y 以斯拉·巴兹顿 Ezra Buzzington
4 t/ y9 \: h. n: ? 拉金·坎贝尔 Larkin Campbell
0 J/ u; t6 J% y8 N Deborah Dir5 n( G4 p9 {( b
薇拉·迈尔斯 Vera Myers
% z7 d8 i6 \7 W: W/ G! p% o; l( L' u2 L2 F2 a) O8 h
◎简 介
8 Z, X& S; d7 L& z% Y! u' f
2 q" ]1 B# Q) A; ]* j& |' M 故事松散地基于斯皮尔伯格的人生经历,主要聚焦男主角的成长时期,以及他和父母的关系,其名字不叫史蒂文,但和其一样住在亚利桑那州凤凰城。斯皮尔伯格50年代末到60年代初住在凤凰城,他在面对反犹太主义的同时,也在用父亲的8毫米摄像机拍摄家庭电影和冒险电影。高中时期斯皮尔伯格一家搬到了加州,后来父母离婚,他和父亲一起居住,与父亲的紧张关系也成为他打造《E.T. 外星人》《铁钩船长》《侏罗纪公园》《林肯》《猫鼠游戏》等电影的灵感。' M" X6 i: \9 `$ B _2 Q
# N1 v& K) s+ l! `" i j
Growing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret and explores how the power of films can help him see the truth.( e8 M0 o( h; A+ S: B1 a' g0 M }
. e/ h# f @; p; a
- DISC INFO:- o. J. r6 D( u. }6 X$ `
2 m- s: f* O: f0 u0 x- Disc Title: The.Fabelmans.2022.2160p.BluRayCD.HEVC.TrueHD.7.1-DOUHD
9 C8 H: L8 f2 U x1 ` - Disc Size: 95,830,709,013 bytes0 @3 w a! q/ A/ h+ M- j
- Protection: AACS2: X3 T1 r3 |" x
- Extras: Ultra HD, BD-Java+ d6 C+ _) X, a
- BDInfo: 0.7.6.0 (compatible layout created by DVDFab 12.0.9.8)
' u8 M9 j# c4 V- R F - / Z B/ c( s0 ]6 H r0 w4 k) m
- PLAYLIST REPORT:0 D! L$ C" b1 t; g% @; T" u( W
: J: G* {) n) g2 p! g- Name: 00040.MPLS 8 @! A e& _' e6 f+ f+ g. z9 H
- Length: 2:30:45.745 (h:m:s.ms)- v7 v. L5 Z2 P# b: X
- Size: 81,852,678,144 bytes
2 o, h) T; d- B - Total Bitrate: 72.39 Mbps
i9 }7 }6 s# o/ Z; X$ v5 v
5 p A, p7 V* F- (*) Indicates included stream hidden by this playlist.
( |, N0 m s6 F, |
' t& E, p2 l8 Y* I _! P. c# ~- Video:
5 Y: M u) O8 K; S% @
7 G. y1 X" T2 |$ C9 [. \$ [- Codec Bitrate Description
+ A+ ?; g. p& q) C6 |$ u0 } - ----- ------- -----------
" G8 _& ~9 e, ^, o - MPEG-H HEVC Video 58691 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
4 L8 N& }, A2 t' h' a* B - * MPEG-H HEVC Video 3736 kbps (5.98%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020
7 s- Z P/ o5 {! R# q' g
4 V; V1 U2 u1 j. `5 Y( N! U- AUDIO:/ s1 P1 B, S. |
- 0 S# `/ N V7 Z( K1 \0 O& Y7 }3 U
- Codec Language Bitrate Description 4 e* I5 d) f# T! m& x. [1 r; h
- ----- -------- ------- -----------
: a" t) {( Z$ g9 k - Dolby TrueHD Audio English 4075 kbps 7.1 / 48 kHz / 3627 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)
1 N7 w; m# X2 G* X" _% W3 J5 [/ @3 n - Dolby Digital Plus Audio Spanish 768 kbps 7.1 / 48 kHz / 768 kbps (AC3 Core: 5.1 / 48 kHz / 448 kbps ( Core: 5.1 / 48 kHz / 448 kbps))5 x+ Z1 G2 g& E5 ~1 d1 ^
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps I1 `7 R% r" T5 S# t( g# L. K2 t6 s
% W0 f/ X! l, ?! X- Q- SUBTITLES:6 @3 b( J6 Z' [+ y
- * @/ w0 V" p) d' a6 ]+ K
- Codec Language Bitrate Description 8 F) I& m: J! A# [+ R2 y! _
- ----- -------- ------- ----------- 2 R2 e! g* ]* j4 P
- Presentation Graphics English 42.879 kbps , |# ^7 _/ ^/ j! ]+ f
- Presentation Graphics Spanish 31.229 kbps
/ s; ]' I% k( m9 Z - Presentation Graphics French 33.258 kbps 3 Y! p5 _! O X5 `& N8 G% f
- Presentation Graphics Spanish 0.379 kbps / F$ {, _% x. p
- Presentation Graphics French 0.301 kbps
复制代码 $ Z) R( K# O) C
The Fabelmans 4K Blu-ray, Video Quality . L; [2 U& _3 s5 ]- T
/ _4 s6 b2 }3 {
3 W/ e- R4 w" S4 v d% j& @" R2 AThe included screenshots are sourced from a 1080p Blu-ray disc.
" t/ r7 l- I: d- R* e5 n- b6 \1 q$ \# Y8 }' \* s3 f5 @8 g
The 2160p/Dolby Vision UHD release of The Fabelmans offers a satisfying upgrade over the standard 1080p Blu-ray. The picture sees gains in overall filmic clarity and texture; the image is appreciably sharper, offering more refined, more pinpoint, more expressive facial details and clothing elements. The UHD's gains are immediately obvious when watching the film on UHD soon after the initial Blu-ray viewing. In side-by-side comparisons the Blu-ray appears notably smoother, but it does not look smooth on its own (quite the contrary). Still, it is clear that the UHD is its textural superior, bringing out sharper content all around the frame, in bright daylight and in low-light interiors alike. Speaking of, black levels are superb. The film utilizes blacks and shadows very effectively as both a setting and a narrative device when Sammy's films are viewed in a closet, projected in a dark room, or edited in low light. Blacks are beautiful here, with precision shadow detail and depth that the Blu-ray cannot equal. Color output offers more expressive tones as well. They are more vivid, more deeply saturated, more expertly nuanced. Skin tones take on a healthier, fuller look as well. Noise is kept to a minimum. This is a very attractive presentation from Universal.# ]5 S2 f" ~4 P2 C5 }# s3 Z1 F
: B5 a, N2 f& r! t& K% n
The Fabelmans 4K Blu-ray, Audio Quality
7 F: h% W3 v# A& ~5 m& ]8 b9 b' W: _! K9 I7 t4 i
+ K" x4 `3 I0 |. u1 fUniversal releases The Fabelmans to the Blu-ray format with a Dolby TrueHD 7.1 lossless soundtrack; neither this nor the companion Blu-ray offer Dolby Atmos audio. As it is, the 7.1 track is more than sufficient for the presentation. Beyond a few moments of amplified audio, such as two key early film scenes (the model trains maneuvering through the speakers, a tornado blowing about the soundstage), the track offers more or less straightforward audio elements, with centered and clear dialogue and well-defined music. Musical definition, depth, and spacing are excellent, with the latter particularly impressive for both front side stretch and surround envelopment. Certainly, some more densely packed scenes, including the beach and dance scenes later in the film, offer some impressive envelopment, but rarely is the track called upon to work in heftier, meatier content. The presentation satisfies overall, and it is doubtful that Atmos would have added anything beyond a mild sense of added spatial immersion.
: ~" G B2 p: f3 D |
|