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, X0 [4 u5 y' |8 M5 @7 l9 C* I◎译 名 训练日/震撼教育(台)/边缘特训(港)- N3 u, H/ O3 \: f( e
◎片 名 Training Day
- o3 H2 N% C5 `3 P' T6 K8 W◎年 代 2001
3 Q' x5 B4 D5 Q- N4 L4 |7 l% z& E◎产 地 美国
1 a5 H& I! S- r; \" _; T# `◎类 别 剧情/犯罪/惊悚
$ ?$ G# E# W' x7 D/ N4 B1 v◎语 言 英语/俄语/西班牙语/韩语/希腊语
0 y! x9 u; a( w, @◎上映日期 2001-09-02(威尼斯电影节)/2001-10-05(美国)( y% W8 v+ t6 g
◎IMDb评分 7.7/10 from 444,735 users1 ~ T0 E" N _( M
◎IMDb链接 https://www.imdb.com/title/tt0139654/$ `" l, M. Z# M" b) [' D! }0 m7 O7 D* P
◎豆瓣评分 8.0/10 from 86,623 users
! J. [* K& {: |+ O, l$ `9 a1 V1 n8 a◎豆瓣链接 https://movie.douban.com/subject/1304898/, e/ L3 P+ x( L; V. J
◎文件格式 x264 + TrueHD
. a4 s( [" v( e" |( R◎视频尺寸 1920 x 1080
# K% i0 u2 M8 G0 }* f+ s9 ?0 l! b◎文件大小 1DVD 41.10 GiB
+ d1 h9 K$ u2 e◎片 长 2:02:04.150 (h:m:s.ms)
: M4 y8 t7 P* O◎导 演 安东尼·福奎阿 Antoine Fuqua( \( m$ K, d" x0 a- `8 @7 G3 x
◎编 剧 大卫·阿耶 David Ayer7 h/ G0 {$ {& S3 J3 ^1 o
◎演 员 丹泽尔·华盛顿 Denzel Washington
1 g4 @% ], c" ~$ r 伊桑·霍克 Ethan Hawke j+ l3 m: [# W$ Z) Q+ T
斯科特·格伦 Scott Glenn {9 |) E( j0 ] j/ L+ J
汤姆·贝伦杰 Tom Berenger% w* y w5 m7 V9 d
哈里斯·于林 Harris Yulin
) v& k! Z) R) _ 雷蒙德·J·巴里 Raymond J. Barry7 E- K7 V" S3 L# K
克利夫·柯蒂斯 Cliff Curtis
/ ~0 {) [( q8 p7 w" U7 G' I2 c 德瑞博士 Dr. Dre9 j2 t9 z5 K% a" s2 ]( z c
史努比狗狗 Snoop Dogg
5 Y0 D* c$ N% D& A6 m. ~ 玛西·格雷 Macy Gray
/ `' g3 V. J) n0 C J 夏洛特·阿雅娜 Charlotte Ayanna4 r H5 s8 C# E; U
伊娃·门德斯 Eva Mendes
) g8 @7 w j8 f 尼克·齐兰德 Nick Chinlund! R2 y# ?1 J5 X7 m
Jaime Gomez* u+ b9 V* U3 b
雷蒙德·克鲁斯 Raymond Cruz
5 {9 A; l k1 Y; R2 B* d 诺尔·古格雷米 Noel Gugliemi
4 A3 N6 b" ^8 b- u6 M Samantha Esteban% Z: P: h: w! Q" G
弗兰·克朗茨 Fran Kranz8 C" t) c& y) R2 G7 H# L
萨拉·丹尼尔·马迪森 Sarah Danielle Madison
( F3 R% ~# e2 v. p 威尔·斯图尔特 Will Stewart: R+ R5 }+ T. r1 v+ ]0 }
丹泽尔·惠特克 Denzel Whitaker
7 ^ J2 C0 U9 L8 P8 Z3 Z8 @. v5 Y1 @ 大卫·阿耶 David Ayer& ?0 ?( D3 w$ ~8 s4 } ^' u
泰瑞·克鲁斯 Terry Crews
7 d4 `" e2 }- i" C3 L 彼得·格林纳 Peter Greene
% i) F/ |% `, ^. ]- x$ C) j 娜姆拉塔辛格古吉尔 Namrata Singh Gujral/ K% s X1 h+ `0 t, E
盖瑞·罗德里格斯 Gary Rodriguez
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/ ] Z9 ^ `+ y; o3 V- c◎简 介 : Y- G4 @& |: H7 N& j: C5 u
$ n9 K, r, F0 k 阿洛佐(丹泽尔·华盛顿 Denzel Washington饰)是美国毒品缉查部的黑人警探,经验丰富,查案出色,对毒品案件有着敏锐的嗅觉。人称“魔幻之眼”。这天阿洛佐的部门来了一个新同事杰克(伊桑·霍克 Ethan Hawke 饰),杰克跟随阿洛佐深入到街头的每一个阴暗角落,发现这个城市光怪陆离的同时,也慢慢见识了阿洛佐亦正亦邪的办案手法。1 s1 f1 ~' ^% ]" o- W
& ?: Q+ P1 X8 U5 R! S 阿洛佐虽然身为警探,手段却游走在法律边缘。他秉持“以毒攻毒”的原则,先把自己武装起来:没收罪犯的毒品自己服下,用枪指着杰克命令他跟着照做,他与贩毒分子甚至有着某种不寻常关系。但另一方面,他却奋力保护杰克这个年轻人,复杂的性格让杰克对这个神探上司捉摸不透。2 e1 w0 i- @1 G# Y
2 x: ^5 [; x1 z i( f A rookie cop spends his first day as a Los Angeles narcotics officer with a rogue detective who isn't what he appears to be.
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- z" \: v5 o5 a7 E) d; z- z P! w: U 第74届奥斯卡金像奖 (2002)
& J# w& `- k4 o5 f" N: i 最佳男主角 丹泽尔·华盛顿
4 z0 o- o3 N$ b/ W6 |9 R 最佳男配角(提名) 伊桑·霍克
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- DISC INFO:& |$ j7 O" L* p1 g! J/ Y! Z
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- Disc Title: Training.Day.2001.REMASTERED.1080p.BluRayCD.AVC.TrueHD.7.1.Atmos-ESiR
+ n* \0 z. d9 _& Y- e - Disc Size: 44,132,808,448 bytes7 A P) K I. ^" G( {# H* Z
- Protection: AACS
* S" ^5 d& p/ f* z2 \/ O - Extras: BD-Java
' v& P& A8 ~$ e' S3 | - BDInfo: 0.7.6.0 (compatible layout created by DVDFab 12.0.9.8)
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- PLAYLIST REPORT:7 t3 s( A" b1 T& u1 _/ a
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- Name: 00001.MPLS
) |( Q( P6 ^. R0 w6 Q - Length: 2:02:04.150 (h:m:s.ms)( ^1 Z$ t( D$ V8 [9 {- R, \9 O
- Size: 36,406,874,112 bytes9 d& i! r) {/ ^& u# b" Q4 @
- Total Bitrate: 39.77 Mbps" d% o- E& N0 K; P/ @! ?
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- Video:
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- Codec Bitrate Description , f0 w1 D; v& r5 `; w- [
- ----- ------- ----------- N9 Q7 B5 v3 L3 D8 u9 }
- MPEG-4 AVC Video 29798 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.10 F6 [9 @7 ^" R/ E
* a9 s' l3 Y+ g. x- AUDIO:4 e1 B. \. H! R0 s) g- X9 `
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- Codec Language Bitrate Description
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2 K4 V2 W1 v! o - Dolby TrueHD/Atmos Audio English 3230 kbps 7.1+11 objects / 48 kHz / 2782 kbps / 16-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)# F: E" e8 b/ H7 C' {) ^
- Dolby Digital Audio French 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround0 ] J- Y0 O* C
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps" D$ X- `0 e3 G( n0 X) ?
- Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps3 ^( g6 c& b* i- A4 |- q& u
- Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps
% P0 X/ A- {* M5 h* @% k - Dolby Digital Audio Spanish 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
U" j" }% }3 N1 E1 {, U/ q - Dolby Digital Audio Spanish 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
* x% m9 W: V6 p4 r7 o - Dolby Digital Audio Czech 640 kbps 5.1 / 48 kHz / 640 kbps `/ J1 m' W7 ~6 ]( ]+ ?
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
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5 i) J- v6 x- h - ----- -------- ------- -----------
7 {! Z) K+ ^" ?7 z( O. R - Presentation Graphics English 29.463 kbps
- R, A2 ~1 z# N( @3 l5 J- H. K - Presentation Graphics French 24.404 kbps
5 q6 I% Z1 W) _0 P! g( K. L9 t" J - Presentation Graphics German 34.931 kbps - t' ]" T+ W0 m7 B7 d5 v# d
- Presentation Graphics Italian 28.747 kbps 9 G* @4 }- U8 d* H$ y8 D9 S
- Presentation Graphics Spanish 29.557 kbps
; f, I+ |* _. B9 p3 m! L" R- x - Presentation Graphics Dutch 23.257 kbps
4 W' c8 k" k% z' D& u - Presentation Graphics Chinese 28.526 kbps
4 {# z- B v7 b: ?3 b - Presentation Graphics Korean 26.473 kbps
) _2 x3 A6 `, u) Z6 c - Presentation Graphics Spanish 29.955 kbps
, A7 z% y3 w q# r$ i+ n0 B4 o - Presentation Graphics Czech 22.79 kbps
* i2 v0 [8 ^ N) l% Q0 g. j - Presentation Graphics Danish 26.805 kbps 7 ~0 _+ H9 m% y7 \# y. J
- Presentation Graphics Finnish 24.506 kbps
) ^; L" E9 b) p- b. n5 B; \: @ - Presentation Graphics Norwegian 30.315 kbps $ y/ ]: `% E" I% N- o8 y' F
- Presentation Graphics Swedish 24.968 kbps + z# |8 ~9 a9 O" u- b
- Presentation Graphics French 0.045 kbps , Z7 w, q; Q5 m# v9 Z6 M
- Presentation Graphics German 0.037 kbps
+ P" s" e; ^+ Q7 v+ R - Presentation Graphics Italian 0.023 kbps
_, _. y% y+ y' R& @( ]( i7 _ - Presentation Graphics Spanish 0.016 kbps
7 [6 [, }4 ^+ x$ T4 R) D - Presentation Graphics Czech 0.024 kbps
复制代码 Training Day Blu-ray, Video Quality 4 ?6 D' h/ I5 N. c6 `% ?, S2 |0 ?
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: z6 t3 n- m R; s& d* _' UPresented in 1080p high definition on Blu-ray, Training Day looks very good, but doesn't rank among the best on the format. This 2.40:1 filmed image arrives encoded in MPEG-2 and as an early Blu-ray release, assessing this image proves slightly more difficult than normal. Many newer transfers that take advantage of AVC or VC-1 codecs look much better than what we have here, but taking into account the age of the disc, its status as an early release, and the MPEG-2 codec, this one still ranks fairly high overall. It certainly looks good and clearly benefits from the increased resolution compared to my worn DVD copy that I can now view upconverted to 1080p. The increase in quality is high, but definitely not astronomical. The image is truer to life on Blu-ray with more depth, clarity, and detail than the DVD release. Colors are more vibrant and there is more of a lifelike look and feel to the film in high definition. The Blu-ray edition is mostly free of grain and the print is spotless with nary a speck of dirt, hair, scratch, or pop. Daylight scenes fare the best, presenting high detail and depth to the image. In contrast, the indoor scenes, particularly those taking place inside Roger's dark and dreary house, fare the worst. A bit of wavering and slightly less than perfect blacks are the only real blemishes on this disc. Still, while a clear upgrade from the DVD, Training Day slightly falters in comparison to its Blu-ray contemporaries.
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9 d3 M$ U1 M& ITraining Day Blu-ray, Audio Quality 1 S$ |+ g/ v, ^7 U. F, g
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Like the majority of Warner's current Blu-ray titles, Training Day appears on Blu-ray with a standard Dolby Digital 7.1 audio track. Despite the lack of a lossless option, this is one of the better "standard definition" soundtracks I've heard on Blu-ray. The fine score by Mark Mancina is pleasing to the ear and fills the room with a harmony that is never overshadowed by the urban beats that permeate parts of the film. They are presented with clean, deep, and vigorous low frequencies that embody the style of the music, culture, and attitude of the street. Bass is present in the action as well, pounding with authority as shotgun blasts explode with hard hitting, chest pounding presence. A shoot out near the end of the film, beginning in chapter 23, is particularly impressive. While not as awe-inspiring as the gunfire in 3:10 to Yuma, it's powerful, loud, clear, and immersive. Dialogue flows freely from the center channel, delivering fine, naturalistic tones. Surround channels are used here and there, sometimes practically nonexistent while at other times they're as active and alive as my six month old hell-raising kitten. Mostly used during action, the rear soundstage is nevertheless present with mostly fine ambiance but there is a noticeable lack of activity when they shut down, clearly to the detriment of the film's feel of total immersion in the world of inner-city narcotics. Overall, this is a decent track that would have benefited from a lossless encode and a slightly better sound design.
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