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[4K极清电影] 霹雳钻/小人物与大逃犯 [4K蓝光原盘] Marathon Man 1976 2160p BluRaycd HEVC DTS-HD MA 5.1-ESiR 82.30GB

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黄金嫖客 发表于 2023-3-27 22:30:25 | 显示全部楼层 |阅读模式
A graduate history student is unwillingly trapped in a killing game of intrigue involving a Nazi fugitive.5 {; P  p  `  {: e2 i4 b

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◎译  名 霹雳钻/小人物与大逃犯//马拉松人3 ^5 r# G; D& V+ c
◎片  名 Marathon Man4 o9 Z2 k# E' S6 j+ ?" k7 c
◎年  代 1976
& |) ]& V9 h6 j7 s2 G4 @3 W9 y* r" }◎产  地 美国
6 O* E1 Z5 F; O7 v& C6 d2 m3 P  ~! ~9 J4 {◎类  别 剧情/犯罪/惊悚( N* N* }( h& e, ?. S: t5 p" D
◎语  言 英语/法语/德语/西班牙语/意第绪语4 h; G6 k1 b. i" |6 u, }% r( Y3 F
◎上映日期 1976-10-08(美国)0 n0 G% Z0 U# R' y+ I6 {
◎IMDb评分  7.4/10 from 66,244 users! h5 I6 h4 e$ E1 j( x; c
◎IMDb链接  https://www.imdb.com/title/tt0074860// W1 H: P; t7 i/ F+ ~
◎豆瓣评分 7.1/10 from 847 users9 r: y- Z. G1 z" V0 d* H1 }
◎豆瓣链接 https://movie.douban.com/subject/1301426/2 \" t4 z2 T$ i* [$ D" C: x7 j
◎文件格式 x265 + DTS  
+ t8 v' P7 \. E8 v" u◎视频尺寸 3840 x 21605 w5 P! o" p: R- B# G1 G
◎文件大小 1DVD 82.30 GiB2 j& n+ \- I* B  e8 U( H
◎片  长 2:05:22.681 (h:m:s.ms)
$ F2 z+ a) l; O) |9 a◎导  演 约翰·施莱辛格 John Schlesinger- x) m2 m) X2 J3 }
◎编  剧 威廉姆·高德曼 William Goldman
3 d- `/ F$ n6 l( }% j' Z1 Y9 P◎演  员 达斯汀·霍夫曼 Dustin Hoffman- v- e& C2 ~* f! o  q% i
       劳伦斯·奥利弗 Laurence Olivier
" J/ u% K, u. k- B       罗伊·谢德 Roy Scheider( r( j" w6 ?  Q0 [* l
       威廉姆·德瓦内 William Devane9 g+ z( _4 P- V- m1 ^
       玛尔特·克勒尔 Marthe Keller+ j5 u% U! m$ D# f2 o# o
       埃斯特尔奥曼斯 Estelle Omens
5 V6 K7 Y  j7 D1 y: n( s. M/ g       Lionel Pina
( I3 L; w; y" c4 |/ z       Glenn Robards
' _$ L! }0 y- R( T       Raymond Serra
% q% \2 I* ]' ^/ ]0 l, L) A       杰姆·蒂尼 Jaime Tirelli
8 ^# q) D5 K& v4 G6 c: }6 C  k       弗雷德·斯图斯曼 Fred Stuthman9 j/ K% i- a: |6 g$ `% Z9 u
       李·斯蒂尔 Lee Steele/ V7 `! c/ J3 Y, h; v
       弗里茨·韦弗 Fritz Weaver9 u# Q8 p/ Y- [6 m7 \( M0 ]
       Michael Vale
" O' _% S7 q; z- Z7 C- R       特里特·威廉斯 Treat Williams
5 P! o. z0 R8 a$ c' u       William Martel2 R" V. ?5 k7 E& u0 k* o7 C; Y& H
       Shawn McAllister
% @3 ~  w' ~; `6 p       理查德·布赖特 Richard Bright
7 D1 q: }7 T- ?( G5 q  E" q: \       阿尔玛·贝特兰 Alma Beltran
" y; e; k$ @8 f2 @" ]       Lotte Palfi Andor' Y8 ^& O, d: c- f. p
       Bryant Fraser* {& Q$ q5 B* e( T
       Ben Dova" S  Z: g8 g) z' L% v6 f& w
       雅克·马兰 Jacques Marin
9 Z! b. i) K0 ?9 f       艾伦·约瑟夫 Allen Joseph7 l+ w. @0 g: }/ W9 f: {
       马克·劳伦斯 Marc Lawrence* G+ G* K# f3 w8 N% N" h+ @6 t. G
       比利·卡恩斯 Billy Kearns
0 v( I' z' b3 H, _1 @       Tito Goya Tito Goya
2 _- t; c) d# m0 K       Wilfredo Hernández. z) B8 d& V* M- @0 ~. q, @
       娄·吉尔伯特 Lou Gilbert, v* o8 m# F' I4 G0 \8 Q2 n3 q" }
       Harry Goz
1 s# N; u: P/ b; p7 s7 A       玛吉·肯尼迪 Madge Kennedy
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2 B$ y/ s5 _% {: I" t" l5 W◎简  介   + ~$ [9 r: o+ u. x, E
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  勒维(达斯汀·霍夫曼 Dustin Hoffman 饰)在不久之前刚刚失去了父亲,这让他和哥哥多克(罗伊·施奈德 Roy Scheider 饰)之间的感情变得更加紧密。某日,勒维邂逅了名为艾尔莎(玛尔特·克勒尔 Marthe Keller 饰)的美丽女孩,瞬间坠入情网的勒维随即向艾尔莎展开了热烈的攻势,很快,两人便走到了一起。
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  勒维邀请多克和艾尔莎一起共进午餐,敏锐的多克发现了艾尔莎隐藏的秘密,没过多久,多克便被害身亡。让勒维感到震惊的是,多克竟然是效力于政府秘密组织的特工,而他的死亦并非意外,而是成为了政治斗争的牺牲品。在警官杰尼(威廉·德瓦内 William Devane 饰)的帮助下,勒维开始调查事件的真相,却发现自己早就已经身处于阴谋的中心。
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  After the shocking murder of his older brother, a New York history student finds himself inexplicably hounded by shadowy government agents on the trail of a Nazi war criminal who is trying to retrieve smuggled diamonds.
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  1. DISC INFO:$ n$ D+ ]: ?( D( c& ~& G# `2 |, w
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  3. Disc Title:     Marathon.Man.1976.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-ESiR1 B& V: @  F4 V
  4. Disc Size:      88,352,293,524 bytes1 g" ^2 `/ z, Y8 x! F. w# L  e$ P' w
  5. Protection:     AACS23 m) G  B2 ~. Z+ M( p# U$ v: a& O
  6. Extras:         Ultra HD
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  7. BDInfo:         0.7.6.1 (compatible layout created by DVDFab 12.1.0.0)  a. ?- A2 D0 i" P! K1 l* {
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  9. PLAYLIST REPORT:% ^- O% U1 K1 U3 n0 ?# q
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  11. Name:                   00001.MPLS  ) w5 M# p7 \$ [2 c- A4 ~2 Y
  12. Length:                 2:05:22.681 (h:m:s.ms), Q& d# @' z* {1 S9 x  Q' t
  13. Size:                   87,911,294,976 bytes# S7 q% t5 `; O" F4 e' M  |
  14. Total Bitrate:          93.49 Mbps6 _4 N1 B+ V5 E. ]! t. N
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  16. (*) Indicates included stream hidden by this playlist.+ ?' k# T2 ~- S
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  18. Video:
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  20. Codec                   Bitrate             Description    & U% k& z4 N! M
  21. -----                   -------             -----------   
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  22. MPEG-H HEVC Video       76491 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
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  23. * MPEG-H HEVC Video     5885 kbps (7.14%)   1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020
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  24. % X' ?* W3 H/ e, p! [7 g5 D: `
  25. AUDIO:8 r0 d9 I* L8 A# d

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  27. Codec                           Language        Bitrate         Description    + }8 H6 W0 |# K( Q. G# _
  28. -----                           --------        -------         -----------      m0 P6 `8 r+ [
  29. DTS-HD Master Audio             English         1945 kbps       2.0 / 48 kHz / 1945 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
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  30. DTS-HD Master Audio             English         2892 kbps       5.1 / 48 kHz / 2892 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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  31. DTS-HD Master Audio             English         1557 kbps       2.0 / 48 kHz / 1557 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
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  33. SUBTITLES:
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  35. Codec                           Language        Bitrate         Description   
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  36. -----                           --------        -------         -----------   
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  37. Presentation Graphics           English         29.202 kbps
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Marathon Man 4K Blu-ray, Video Quality   5 k9 e! k' S3 \7 Z8 s. @5 ~9 c

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Kino Lorber's release of Marathon Man is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray release is Region-Free. The Blu-ray release is Region-A "locked".
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+ x5 J( H6 s9 k# c( `# fPlease note that all of the screencaptures that are included in this article are from the Blu-ray. We have not provided screencaptures from the 4K Blu-ray.+ t5 S% [& b7 ~) n) @. O

9 U! R- u. m; u3 oThe film has been fully remastered in 4K by Paramount Pictures. The 4K makeover can be seen with HDR or Dolby Vision. I viewed the entire film with HDR and only sampled a few areas with Dolby Vision.
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4 S1 \$ Q" Q. j" NI found the new 4K makeover of Marathon Man as frustrating as the recent 4K makeover of Nobody's Fool. It is very easy to tell that the 4K scan that was used to produce it is excellent and could have delivered a definitive home video release, but the film does not look as it should. In fact, there are several areas of it that look very, very strange now.
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9 B; S: D  {9 P9 ~# g3 I4 Q  TGenerally speaking, the film looks healthier in native 4K and 1080p than it does on the this release Paramount produced for the European markets. (I am sorry. I do not have the U.S. release in my library. However, you should know that the U.S. release is sourced from the same master that was used to produce the European release. The U.S. release simply came out a few months after the European release, so I did not have to upgrade). For example, the surface of the visuals is healthier and grain exposure is more convincing. The previous release looked good too because the older master was not compromised by digital corrections, but its age shows. On the 4K makeover, density levels are better as well. Unfortunately, the color grade is unconvincing. For example, rather strong turquoise replaces several ranges of native blues, causing some visuals to have a very contemporary appearance. Elsewhere turquoise and cyan destabilize other primaries -- some appear more prominent during daylight or indoor footage, while some appear more prominent during nighttime footage. You can see examples of the alterations in screencaptures #4 and 20. Cyan completely alters the color temperature of another shot which can be seen in screencapture #28. Furthermore, there are a couple of different segments that produce very odd magenta-timed visuals. See screencaptures #5, 12, and 25. The sequence where Roy Scheider is having a drink right before he is attacked just randomly switches to magenta even though the footage that precedes it is timed differently. To be honest, I do not understand why such drastic switches occur, but it is very easy for me to tell that the turquoise and cyan affect whites, grays, and blues in many different ways, so once the balance is off there are entire ranges of nuances that begin to produce different anomalies affecting the overall temperature of the visuals. (For what it's worth, the same issue is responsible for the anomalies that make different areas of the new 4K makeover of Nobody's Fool look odd as well). (I have included additional screencaptures from the previous release to highlight the color shifts at the bottom of this review). Image stability is outstanding.3 `/ W  c0 J0 \3 W. Q5 \
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How do these areas where color fluctuations are very obvious look with HDR? Most enhance the turquoise more, so there is less blue to see, plus in darker areas, some grays are lost. However, color saturation can be much more convincing when the turquoise and/or cyan are greatly minimized or absent. For example, the segment at the fountain with the reds in the background looks vastly superior now. See screencapture #2. In some darker areas, however, I think that even in native 4K there is light crushing that could have been avoided. In other words, in native 4K, with HDR or Dolby Vision, the dynamic range of the visuals is very clearly superior, but color balance is unconvincing.) b$ N  h5 \3 K5 }. L+ ~

% }6 v( P' Z  e9 x# `& h8 `Marathon Man 4K Blu-ray, Audio Quality   8 \! w/ q& ~4 g( |
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There are two standard audio tracks on this release: English DTS-HD Master Audio 2.0 and English DTS-HD Master Audio 5.1. Optional English SDH subtitles are provided for the main feature.
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8 h8 I4 t; U$ I7 CThe older release of Marathon Man that I have in my library has English DTS-HD Master Audio 5.1 and English Dolby Digital 2.0 tracks. The 5.1 track is very good on both releases, so if there are any improvements on the 5. track that is included on this release, I could not tell. I viewed large portions of the film with the 2.0 track and liked it a lot. In a few areas, I thought that the audio could have been slightly more expanded as the action intensified, but I would recommend that I test this track first before you move to the 5.1 track.; ~0 {4 x5 R; D9 ]9 [1 k; g* L8 h& Y, q
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