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◎译 名 恶魔的光火/魔鬼之光(港)/鬼祷(台)5 M$ x) H# [8 A
◎片 名 Prey for the Devil / The Devil's Light
0 Z+ { ?7 S$ }& ]◎年 代 2022
0 A0 h x9 c: U" S9 P# A9 p7 h% ~◎产 地 美国: t/ v% o/ ^$ ~8 p( X2 r" g% y* Y- S
◎类 别 惊悚/恐怖! l0 j- J2 \0 C/ u
◎语 言 英语/保加利亚语/西班牙语/拉丁语1 d1 }, v, f6 n$ W$ I7 c) I
◎上映日期 2022-10-26(法国)/2022-10-28(美国) I. U! w* A# n$ m
◎IMDb评分 5.2/10 from 11,435 users
3 b, i& P) R; x X◎IMDb链接 https://www.imdb.com/title/tt9271672/
. I; } q+ X9 r+ d% u9 g◎豆瓣评分 5.4/10 from 1,378 users2 @( ^( P: E* {7 R2 u+ O9 T9 [
◎豆瓣链接 https://movie.douban.com/subject/35053657/# Q1 ~. X3 ]: E7 X0 y: X1 ?; z8 E4 x
◎文件格式 x265 + TrueHD 1 A0 Z1 _) R7 m% j4 k7 V' s
◎视频尺寸 3840 x 2160) p( I* C5 l9 b
◎文件大小 1DVD 84.26 GiB4 _+ x( j# c$ m0 z% v
◎片 长 1:33:09.542 (h:m:s.ms)
S6 F e3 T% M' d/ U◎导 演 丹尼尔·斯坦 Daniel Stamm0 ]* }3 O4 _) u O6 H
◎编 剧 罗伯特·扎皮亚 Robert Zappia1 k& y; a& f) b5 ^6 Z
托德·R·琼斯 Todd R. Jones5 l9 n4 Q' [2 {1 D- S
厄尔·里奇·琼斯 Earl Richey Jones
. u1 }; D+ v( s0 U◎演 员 杰奎琳·拜尔斯 Jacqueline Byers) I. }5 w# W% j }5 K( T
维吉妮娅·马德森 Virginia Madsen% Y: }) h( A+ O; I
科林·萨蒙 Colin Salmon
: A, Q- d S$ g& Q4 Y) O 尼古拉斯·瑞夫 Nicholas Ralph
( ?6 c& D1 |$ |6 Z 本·克劳斯 Ben Cross6 c0 l3 q1 D: i; J; N: C
克里斯蒂安·纳瓦罗 Christian Navarro
- E* e7 m2 y3 Z) W1 s$ B 黛博拉·热切娃 Debora Zhecheva1 }* h Q D8 C3 {) W% Z8 ^3 v
汤姆·福布斯 Tom Forbes+ g/ q8 q4 k$ h8 B. Y0 g
丽莎·帕弗瑞 Lisa Palfrey* D0 F4 k0 a& X5 _
波西·泰勒 Posy Taylor
@* e' _: X0 s/ \ 沃利扎·比尼夫 Velizar Binev
p! J9 E( @( }: K$ n 欧文·戴维斯 Owen Davis3 s3 M4 g, b, E5 t$ o! T+ J$ `
雅娜·梅里诺娃 Yana Marinova* S* |& \( `- ^9 I7 v
亚妮娜·泰什娃 Yanina Kasheva& l* t0 B0 o; |3 u4 L$ p3 c Z
马丁·塔斯科夫 Martin Taskov
1 X L1 ^, u$ K* H _ 内森·巴尔 Nathan Barr
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8 n5 H/ k8 s3 j& ?( @$ M" z/ F◎简 介
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$ D, e1 f: Q3 P9 ]/ K 加入教会不久的年轻修女安,深信替人驱魔是她天生的使命,然而天主教会却有个令她不满的不成文传统:只有神父可以进行驱魔仪式。幸好,安和一个认可她驱魔天赋的导师相遇,因而破例让她参与并旁观驱魔课程,成为首位学习驱魔仪式的修女。安很快地展现出在驱魔上的才能,与此同时,众人却发现她与恶灵有着一段不可告人的过去……
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; {! d/ ~% o3 F: y' n A nun prepares to perform an exorcism and comes face to face with a demonic force with mysterious ties to her past.
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- DISC INFO:
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# M6 O6 M. Z* i+ d* C+ ^- Disc Title: Prey.for.the.Devil.2022.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-CHD
6 n! K; E$ X: f, ^3 M$ G/ E, I - Disc Size: 90,470,733,040 bytes
; C' [+ m% k; d6 E3 ~" G - Protection: AACS27 ?0 L. F- N- f
- Extras: Ultra HD, BD-Java9 \; }& l3 x6 z5 A) v, T3 b
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.9.6)3 t4 i/ m' O. y: {6 c
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- PLAYLIST REPORT:& p3 ^5 c6 d5 E& I* P
8 q& k* a0 a# f9 ?- Name: 00800.MPLS 7 B+ }, s; X) e' j: I
- Length: 1:33:09.542 (h:m:s.ms); ]4 \2 |8 b) h0 T4 v) Q
- Size: 41,355,048,960 bytes
3 {9 }& n o9 F# ^ - Total Bitrate: 59.19 Mbps$ T6 Y: [' M- o: P
5 U( B/ f" i4 Q! w R% K- (*) Indicates included stream hidden by this playlist.
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- Video:
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- ----- ------- -----------
+ R2 F. V4 }& Q - MPEG-H HEVC Video 47094 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020# b# ]/ C5 `. v- N
- * MPEG-H HEVC Video 1988 kbps (4.05%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020 r2 X6 [& Z& Z3 C2 o- B
/ W3 v5 Q7 C" ]1 Z" y9 P' ^- AUDIO:8 }2 d3 }- j% Q v
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- ----- -------- ------- -----------
1 H3 p! w8 |# Y) e2 W - Dolby TrueHD/Atmos Audio English 4545 kbps 7.1+11 objects / 48 kHz / 3905 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps): a6 L3 Z9 X L& ^$ f
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps# V' |: J+ E1 K" J9 k4 m
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
( g7 [, v0 y3 S- N - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
. ?; J. v* Y5 [ - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps+ H" I3 Z. R$ {6 b
7 Q9 S8 S" n* c0 B- SUBTITLES:
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4 A' R, m7 v. m- p- Codec Language Bitrate Description $ r5 w& Q' K5 a' \ {
- ----- -------- ------- ----------- , Y9 f( w. Y! i3 C
- Presentation Graphics English 28.829 kbps
6 o$ ?( J* n0 c ~* x; s4 b* A - Presentation Graphics Spanish 21.05 kbps . }' c0 X7 X; V
- Presentation Graphics French 21.664 kbps
复制代码 Prey for the Devil 4K Blu-ray, Video Quality
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Prey for the Devil is presented in 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.39:1. I haven't been able to track down much technical data on the shoot, and as of the writing of this review the IMDb is largely silent, and so I'm frankly guessing about the resolution of the DI (as always with my reviews, if anyone has authoritative and verifiable information, private message me and I'll happily update things here). I'm assuming a 2K DI only because I did not see the often more than noticeable uptick in fine detail that often accompanies 4K UHD version of 4K DIs when compared to their 1080 versions. This is a generally sharp digital capture that does encounter a few passing issues with detail levels due to frequency of low light scenes. There are any number of rather nicely lit scenes that nonetheless don't offer a ton of brightness, and occasional murk can attend otherwise kind of nicely burnished and often buttery yellow grading. In normal lighting, detail is generally excellent, though some may have occasional quibbles with the CGI, which is used to up the "exorcism movie set pieces" ante with any number of things you've seen before ("broken back" levitating) along with maybe a couple of exciting new phenomena (like "killer hair"). The palette is rather interestingly bleak a lot of the time, so that things like some of the pops of color of priestly vestments actually probably resonate even more strongly since they're so often the only really colorful thing in the frame. Dolby Vision and/or HDR do add some interesting highlights, kind of ironically perhaps most noticeably in some of the quasi-sepia flashback material.3 e4 y: w2 ]* i
3 }9 H* I I4 o# S; aPrey for the Devil 4K Blu-ray, Audio Quality
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5 r9 ]- J7 I# M, w) k) a! |0 C; aPrey for the Devil features a nicely immersive Dolby Atmos track, one which admittedly exploits all sorts of audio tropes horror movie fans in general and exorcism movie fans in particular will no doubt have heard before, but which are handled here with both appealing surround activity as well as clear Atmos engagement. Ambient environmental effects like the rainfall that is featured early in the film can provide some midair moments, but really more of the impressive aspects of the sound design tend to understandably take place during the "big possession" scenes. A whirlwind of sound effects attends a couple of these moments, with some smart prioritization and discrete channelization. Nathan Barr's score also fills the side and rear channels invitingly. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.. M3 Y* ^, \" F: h& ^; X0 n
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