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' f3 `/ b. Z( w& `& \0 S3 l◎译 名 恶魔的光火/魔鬼之光(港)/鬼祷(台)
r6 `- l0 R1 j5 X8 p◎片 名 Prey for the Devil / The Devil's Light4 z8 u3 N+ K4 _ y
◎年 代 2022
( e: G7 k# O6 P' d◎产 地 美国6 \4 B3 {: r: ^$ J4 ]
◎类 别 恐怖/惊悚. N+ V8 _" X0 g1 T9 h$ f2 `8 z
◎语 言 英语/保加利亚语/西班牙语/拉丁语& R7 }2 L- M) Z2 ?0 F; _! J/ A$ j* s
◎上映日期 2022-10-28(美国)/2022-10-26(法国)
# ]$ m4 |# D- A d( k◎IMDb评分 5.2/10 from 11,435 users
. y3 d& b4 P& K7 H. R/ i9 Z8 P, w◎IMDb链接 https://www.imdb.com/title/tt9271672/" y* z6 R$ G( @
◎豆瓣评分 5.4/10 from 1,384 users
" U+ B5 m$ E' b) Z◎豆瓣链接 https://movie.douban.com/subject/35053657/( @% C: Y, x# S& r0 H
◎文件格式 x264 + TrueHD4 e4 X4 b! E3 T! R1 C2 N
◎视频尺寸 1920 x 1080+ p& Z9 u: r" t
◎文件大小 1DVD 45.42 GiB
" T2 a0 e% ?9 _4 G; {: V- L◎片 长 1:33:09.625 (h:m:s.ms)
! D! \: e n3 I, y: a$ L0 a◎导 演 丹尼尔·斯坦 Daniel Stamm2 C) n! S! i" \4 w I$ T6 y
◎编 剧 罗伯特·扎皮亚 Robert Zappia
+ Y" T( R6 v( A8 V 托德·R·琼斯 Todd R. Jones
, N6 z5 r4 c; ]; s 厄尔·里奇·琼斯 Earl Richey Jones
$ q4 F% g0 i! C- r8 `5 h◎演 员 杰奎琳·拜尔斯 Jacqueline Byers- l, s3 l' a# a( o! m" {
维吉妮娅·马德森 Virginia Madsen( T$ R+ p+ o* h) z9 B" `3 f$ V
科林·萨蒙 Colin Salmon
5 ?0 r' D- a# s2 ?# W8 p i) h; g/ W 尼古拉斯·瑞夫 Nicholas Ralph& K9 h6 D g0 n n
本·克劳斯 Ben Cross
6 {4 b+ q& @1 L T 克里斯蒂安·纳瓦罗 Christian Navarro
4 C g: x3 [) e5 l' ^5 c 黛博拉·热切娃 Debora Zhecheva& v) M5 m2 J( w, O" Y: [. D! e
汤姆·福布斯 Tom Forbes$ K# G9 O+ R$ \* c
丽莎·帕弗瑞 Lisa Palfrey! t) X. b0 k0 ?6 |
波西·泰勒 Posy Taylor3 V: [0 I4 i8 W5 z' q4 g
沃利扎·比尼夫 Velizar Binev" N0 x5 _, b. z7 s H
欧文·戴维斯 Owen Davis
' V5 Z! N4 \! B' V p" W 雅娜·梅里诺娃 Yana Marinova$ ~( f4 s2 G) M9 \+ W' I
亚妮娜·泰什娃 Yanina Kasheva) l" [6 s6 W- V6 I1 t2 |! J
马丁·塔斯科夫 Martin Taskov1 |8 p, S! m c1 n% g
内森·巴尔 Nathan Barr7 _! s0 o1 G6 z3 u' O; o) v
( c X) j* }$ W- ^3 {. n◎简 介
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7 F7 z2 l2 K% O( [) ^$ u 她是一个不安分的25岁女孩,她虔诚地相信执行驱魔是她的使命。但她与机构的传统相抵触,不允许修女进行驱魔,只允许牧师进行驱魔。在一位导师的支持下,她被允许观察实际的培训课程,这位教授感觉到了她的特殊天赋。她想证明自己的愿望在她遇到学校最不安的一个病人时发生了个人变化。
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, ^7 d. d% t( g8 [ A nun prepares to perform an exorcism and comes face to face with a demonic force with mysterious ties to her past.( M# U( n; a# u! q
9 a* Z" w3 R* U+ b- DISC INFO:( P& [2 a7 X) q. U/ I
1 q/ F" e5 b7 r* a" Q7 p- Disc Title: Prey.for.the.Devil.2022.1080p.BluRayCD.AVC.TrueHD.7.1.Atmos-iNTEGRUM
1 a6 y, Z8 {, q: o* n - Disc Size: 48,765,106,483 bytes
7 w) L6 O* O N+ N8 _ - Protection: AACS3 C. @4 X% T( o X/ l2 [0 q/ W, G
- Extras: BD-Java6 I, F! l0 ~. J1 m8 y% V( D
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.9.4)/ s# m$ a! g* E, w" D; }
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- PLAYLIST REPORT:- F9 {$ |# ~" w8 H
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- Name: 00800.MPLS $ s! e/ k9 n% [% i ?8 F7 j% j
- Length: 1:33:09.625 (h:m:s.ms): w- |! ~* f1 b9 K3 b3 R
- Size: 23,723,784,192 bytes
- K9 p, `. B- L - Total Bitrate: 33.95 Mbps
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+ z8 r) z5 G% u- F4 S% M! p- Video:
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% G+ ]7 K/ ?# R& o6 k+ o3 ^, i- P- Codec Bitrate Description $ I! H, I$ o2 R( _
- ----- ------- -----------
+ L) E- D* I3 \! j - MPEG-4 AVC Video 24919 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1- N6 `) \5 R1 b
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- AUDIO:( X) \' a$ E3 o6 [9 E' W* d' s
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- Codec Language Bitrate Description
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% M" I& B7 U `9 {1 ^# H1 u5 z% N+ Z - Dolby TrueHD/Atmos Audio English 4545 kbps 7.1+11 objects / 48 kHz / 3905 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)
; {% [5 D2 G J3 E; @+ [) M! G! L2 v - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
- {) P3 _4 e2 ^* U5 k$ p. o5 T& m% q - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps1 C$ `0 j, l, l4 H
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps" G b- [9 g( @, ~! _
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps. ^' l0 D L: i# {& [
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- SUBTITLES:
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$ ^) Z2 D+ ^% x% ]' Z- Codec Language Bitrate Description - P: p; l8 V+ O' p6 \4 t1 `
- ----- -------- ------- -----------
# |" s+ z. e6 Q) o6 X* Z9 E - Presentation Graphics English 28.828 kbps
+ ]. o) U1 b" d8 I- ]( d, z7 R - Presentation Graphics French 21.664 kbps * r, k! U" N2 Q; `% ?" f0 u
- Presentation Graphics Spanish 21.049 kbps
复制代码 Prey for the Devil Blu-ray, Video Quality
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Prey for the Devil is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. I haven't been able to track down much technical data on the shoot, and as of the writing of this review the IMDb is largely silent, and so I'm frankly guessing about the resolution of the DI (as always with my reviews, if anyone has authoritative and verifiable information, private message me and I'll happily update things here). As I mention in our Prey for the Devil 4K Blu-ray review, I'm assuming a 2K DI because I really didn't notice a huge uptick in fine detail in the 4K version vs. this 1080 version, though, again, if someone has information to the contrary, let me know. This is a generally sharp digital capture that does encounter a few passing issues with detail levels due to frequency of low light scenes. There are any number of rather nicely lit scenes that nonetheless don't offer a ton of brightness, and occasional murk can attend otherwise kind of nicely burnished and often buttery yellow grading. In normal lighting, detail is generally excellent, though some may have occasional quibbles with the CGI, which is used to up the "exorcism movie set pieces" ante with any number of things you've seen before ("broken back" levitating) along with maybe a couple of exciting new phenomena (like "killer hair"). The palette is rather interestingly bleak a lot of the time, so that things like some of the pops of color of priestly vestments actually probably resonate even more strongly since they're so often the only really colorful thing in the frame. Several flashbacks are in a kind of quasi-sepia tone, which also offers secure detail levels.
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Prey for the Devil Blu-ray, Audio Quality : J4 C. v9 w' s3 O: {% Z# D
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* ~; Y' U+ k; e5 \! Z# h' MPrey for the Devil features a nicely immersive Dolby Atmos track, one which admittedly exploits all sorts of audio tropes horror movie fans in general and exorcism movie fans in particular will no doubt have heard before, but which are handled here with both appealing surround activity as well as clear Atmos engagement. Ambient environmental effects like the rainfall that is featured early in the film can provide some midair moments, but really more of the impressive aspects of the sound design tend to understandably take place during the "big possession" scenes. A whirlwind of sound effects attends a couple of these moments, with some smart prioritization and discrete channelization. Nathan Barr's score also fills the side and rear channels invitingly. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.
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