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Set in the international world of classical music, the film centers on Lydia Tár. Widely considered one of the greatest living composer/conductors and first-ever female chief conductor of a major German orchestra.
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7 `7 i! s+ M4 d( H1 F S8 S8 h: K6 m◎译 名 塔尔/她/Tár塔爾(台)1 E9 E1 T) y" R, d* _5 ]- G
◎片 名 Tár / Тар
' k; N3 m1 L% \' C& d" n; {◎年 代 2022$ m5 w# S) R% k" P- _
◎产 地 美国
8 x6 Q& ] F( c' u) o a◎类 别 剧情/音乐3 I1 l7 A$ C' }* y3 W( E0 W
◎语 言 英语/德语/菲律宾语/法语
# L! s: p# \1 b4 p+ J◎上映日期 2022-09-01(威尼斯电影节)/2022-10-07(美国)5 V0 y5 D5 }* D. J
◎IMDb评分 7.5/10 from 66,674 users
& C$ ~# A% E; k4 `◎IMDb链接 https://www.imdb.com/title/tt14444726/
0 w+ g% C1 b* A4 v2 @% U( o◎豆瓣评分 7.4/10 from 22,400 users1 j3 \. u' s9 a: \0 P" O
◎豆瓣链接 https://movie.douban.com/subject/35430833/+ t7 f4 b3 q% {* U, }- j
◎文件格式 x265 + TrueHD 7 e4 k |9 s: [: A; W9 N! a: Y9 l F
◎视频尺寸 3840 x 2160
' {7 B, F* Z, C◎文件大小 1DVD 60.63 GiB' x/ m8 h7 ?) M/ g/ w
◎片 长 2:37:59.469 (h:m:s.ms)9 y: r E9 j/ `& h
◎导 演 托德·菲尔德 Todd Field
9 c( W% d4 X, @4 q( z! z◎编 剧 托德·菲尔德 Todd Field l: V4 ?7 X, P8 n& J1 i
◎演 员 凯特·布兰切特 Cate Blanchett
U) b4 w4 T% a0 j 诺米·梅兰特 Noémie Merlant
5 }0 {' {5 L8 o; v! d" a' U1 q 尼娜·霍斯 Nina Hoss
) O0 H6 V, Z, ^. H 马克·斯特朗 Mark Strong
% ^8 k8 O4 G7 c 苏菲·考尔 Sophie Kauer$ \9 J( Q- n$ Q" ?
朱利安·格洛弗 Julian Glover
' d' {' \7 b8 F- t: I 阿兰·柯德勒 Allan Corduner+ Z* }6 `% }. w5 h0 u/ y( ^& j
西尔维娅·弗洛特 Sylvia Flote
- z5 j$ Z9 o# p 亚当·戈普尼克 Adam Gopnik
. d! y& H9 R2 B9 `& ? 米拉·博戈耶维奇 Mila Bogojevic3 E: t; y, B* m7 Z& X6 g& C
泽斯潘·D·史密斯-格尼斯特 Zethphan D. Smith-Gneist. K+ y3 I9 u9 O. {5 ]
西德妮·莱蒙 Sydney Lemmon+ R+ f/ l3 c1 C* V* f
玛丽·卢·塞勒姆 Marie-Lou Sellem
5 z0 a. D& m. f$ e 亚历克·鲍德温 Alec Baldwin: U2 P4 k0 R. N; L
杰西卡·汉森 Jessica Hansen
8 z; t! x1 r/ l8 X& @2 \ 亚特乔姆·吉尔茨 Artjom Gilz
# m# _+ l' i1 Q' i& ~ 蒂亚·克拉奇伍利 Tilla Kratochwil8 i6 ^+ x8 n% R/ Q: U; s: z
李·R·塞拉斯 Lee R. Sellars- ~# W3 K6 I- D7 `# v$ Y
阿尔玛·洛尔 Alma Löhr
9 B! L; `: t+ r) _, _$ K. X! h 基蒂·沃森 Kitty Watson6 D2 A, O) T) `/ o0 O7 f1 Y( h
André Röhner
' P! q4 B# U6 v3 a- d6 d) h Frank Röth& I+ ]+ L( O! C Z- n) R$ A
约翰·冯·比罗 Johann von Bülow1 v& g( i+ k+ ]' m2 y, b
仙妮娅·阿森察 Xenia Assenza
( {* S6 `+ b L$ r2 [ 山姆·道格拉斯 Sam Douglas
- j6 a; r* p6 h2 A5 O5 H 穆拉利·佩鲁马尔 Murali Perumal
. G* o2 I( ~( w9 Q 埃德·怀特 Ed White8 n( C( T2 Y9 t7 s4 a
文森特·里奥特 Vincent Riotta
% c) [- \3 \, ]% I m Vivian Full, ^. I" ?! \. I4 k7 ?
露西·波尔 Lucie Pohl
, O# Y' Q% A/ m1 Z 迪安娜·比伦特 Diana Birenyte
, s, T3 e' ?1 V) N6 }5 T( V 法比安·蒂尔 Fabian Dirr
* g' c h) \/ x( u5 v8 h 凯特·布兰切特 Cate Blanchett8 q/ @# _+ Q$ y% O) e3 t
托德·菲尔德 Todd Field
0 [' {5 D+ y; S: d 希尔迪·居兹纳多蒂尔 Hildur Guðnadóttir
5 R/ h, {0 }# u5 n' L& g9 I 弗洛里安·霍夫梅斯特尔 Florian Hoffmeister3 M1 a$ S0 x8 u' B$ t5 x) r: K
Minka Farthing-Kohl
$ Q. ~! @8 r7 e& ^5 m 佩纳·戴格勒 Bina Daigeler
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& A% ?+ a$ Y: I. H n& W◎简 介
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著名音乐家莉迪亚Tár还有几天就要录制提升她职业生涯的交响曲了。当所有的因素似乎都对她不利时,莉迪亚的养女佩特拉成了她苦苦挣扎的母亲不可或缺的精神支柱。5 n4 p/ v$ w0 O) j0 X" |) k; w
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Set in the international world of Western classical music, the film centers on Lydia Tár, widely considered one of the greatest living composer-conductors and the very first female director of a major German orchestra.
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( M' h& f- N# @8 I% J- DISC INFO:
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- Disc Title: Tar.2022.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-MiXER
+ \; o' e4 U- y - Disc Size: 65,105,870,804 bytes
! A5 S3 w, S% H' P - Protection: AACS2
0 C E3 ?0 N8 e9 z* g5 J - Extras: Ultra HD, BD-Java1 x) c! z, i7 U- s ], \. L
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.9.4)
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- PLAYLIST REPORT:2 T" U$ J* O3 w/ y N* _
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$ M; ]3 W Z- t/ _9 H$ v& H3 p - Length: 2:37:59.469 (h:m:s.ms)
% j3 V5 `' y$ s7 P9 X8 U3 M2 E3 O - Size: 63,399,757,824 bytes* S6 N( K u1 ?; h# Z
- Total Bitrate: 53.50 Mbps- e+ i8 H$ O; u5 v F1 V5 q
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- Video:
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5 P6 w1 i( Z* G2 z+ K- ~3 @- Codec Bitrate Description 7 q) u6 h2 ?- \. w" u. t& p
- ----- ------- -----------
1 ?$ \$ r# }$ \ - MPEG-H HEVC Video 45547 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020! e( [: H, P$ t" D. \9 j; R
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- AUDIO:
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- Dolby TrueHD/Atmos Audio English 3337 kbps 7.1+11 objects / 48 kHz / 2889 kbps / 16-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)$ g5 f A v0 d1 t' t8 A
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
& q0 D0 Q6 m. O - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps# R# R, k6 \* @5 B4 n; ^* V
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- SUBTITLES:
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- x* O @, A* \- P4 E4 F0 C - ----- -------- ------- ----------- , u d7 J2 M8 V; P# F9 ~4 }* c; P/ o
- Presentation Graphics English 41.579 kbps : |0 z9 w# M) _0 B& R7 T- s5 i% K. [
- Presentation Graphics Spanish 32.686 kbps
/ f0 D- m8 r# Q) n) P' J - Presentation Graphics French 35.544 kbps
: N5 W1 K( v; l ? - Presentation Graphics Spanish 2.021 kbps # E7 r+ I, e! T' Z: I. L% ~
- Presentation Graphics French 0.347 kbps
复制代码 Tár 4K Blu-ray, Video Quality
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/ G+ I/ n+ E( l. l9 m) s# i1 [This triple pack from Universal and Focus Features contains a 4K UHD BD-66, a Blu-ray, and an insert with a digital code (expiration: 1/31/24). My copy came with a slipcover. The picture appears in its original theatrical exhibition ratio of 2.39:1. (The frame grabs are in 1080p.) Tár's DI was finished in 4K. According to the American Cinematographer, DP Hoffmeister used custom optics created by Christoph Hoffsten of Arri Rental Berlin. The HDR10 brings out exceptional clarity on the actors' faces whether they're framed in close-up, medium shot, or long shot. I was struck how well I could see Tár's face in an extreme long shot when she's interviewed by Gopnik. In closer shots of Tár, I could notice the pores on her face. The source lighting and what it accents in the frame are immaculately rendered on this UHD. Hoffmeister sometimes employs a technocrane (aka stereoscopic crane) for the more expansive shots and they're breathtaking to see here. The Blu-ray often comes close to matching the UHD's clarity, detail, and sharpness. That disc uses the MPEG-4 AVC encode and fits on a BD-50 (disc size: 43.75 GB). It features an average video bitrate of 28849 kbps.& w( \( |5 l* `: c
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Twenty chapters accompany the 158-minute feature.
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Tár 4K Blu-ray, Audio Quality
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/ R( }# f2 X. s1 ^3 S$ F6 dFocus Features has supplied a Dolby Atmos and Dolby TrueHD-compatible multichannel track (7.1+11 objects; 3337 kbps; 2889 kbps, 16-bit) on the UHD and BD discs. The Atmos recording delivers finite clarity to the actors' spoken words. There are only one or two instances in which dialogue is somewhat unclear to my ears (e.g., a medium shot of Francesca talking). The first time I can hear the full spectrum of the sound track is when Tár initially conducts the orchestra. In subsequent performances within the film, the instrumental sounds completely envelop my home theater room. The brass chords played from Symphony No. 5 in C-Sharp Minor produce some deep, thunderous sounds. When there's a knock on the door of Lydia's Berlin-based flat, it sounds like someone is pounding on my wall (front, back, or both). When Lydia's neighbor knocks again in a later scene, I could clearly hear it on SL. A significant element of Tár's sound design is what Lydia hears off screen. This includes sounds in the walls she aurally perceives while awaking from dreams and screams she hears while jogging. These f/x are subtly reproduced on the Atmos track but with noticeable resonance.
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Universal includes optional English SDH as well as additional sets of subtitles in French and Spanish.. B. A1 ?0 b9 g
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