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◎译 名 天地大冲撞/末日救未来(港)/彗星撞地球(台)/末日救地球4 o7 N4 h, L, A% v5 x% E
◎片 名 Deep Impact, P- H' k. h1 u0 L: m
◎年 代 1998
( D0 R% x4 ] R4 ^" t◎产 地 美国
% b* U& U# B1 I2 ^) }6 m% W: {6 i◎类 别 科幻/灾难/惊悚
9 w9 X4 Y2 ?0 z6 j- h◎语 言 英语/俄语
8 N8 L* a' o" K◎上映日期 1998-05-08(美国)/1998-09-09(中国)
$ h' w i+ c v9 n$ w5 h# T. v W, z◎IMDb评分 6.2/10 from 182,812 users
/ f4 X6 S& I P9 L V+ s `. s◎IMDb链接 https://www.imdb.com/title/tt0120647/2 t0 d2 B1 m; L' a' V
◎豆瓣评分 7.2/10 from 42,973 users8 E3 f0 M) c; B5 D. `0 d5 q
◎豆瓣链接 https://movie.douban.com/subject/1293131/; Q m* g* |/ x: M+ _ U
◎文件格式 x265 + TrueHD
4 T i3 e8 O- \◎视频尺寸 3840 x 21609 I1 I( h$ G4 u H1 C+ k
◎文件大小 1DVD 58.49 GiB4 v: l B! f1 s) N* O8 F V. F
◎片 长 2:01:10.513 (h:m:s.ms)& |+ E3 W% J5 a7 s5 X8 A
◎导 演 米密·莱德 Mimi Leder8 I0 k9 c. r: r! F7 z
◎编 剧 布鲁斯·乔尔·鲁宾 Bruce Joel Rubin
* D6 E' I% I" |; a* M E 迈克尔·托尔金 Michael Tolkin6 n5 ~; B1 G% L% f$ \; |8 U4 R& j" h y
◎副 导 演 Cara Giallanza
) i& u8 X4 a; S* i# P. J Dana J. Kuznetzkoff - m) O8 J+ |% q6 O: {9 y
Glen Trotiner
2 b$ h Q' c' X4 {* ~: D 小汤姆·普里斯特利 Tom Priestley Jr.
: Y% n& n! L6 y1 x Michele Ziegler 4 i" C; j1 Q( ]& D
◎动作特技 M.詹姆斯·阿内特 M. James Arnett, d, ?8 p8 o: R1 n" ?# a
◎音 乐 詹姆斯·霍纳 James Horner* |- j" g u9 y
◎主 演 伊利亚·伍德 Elijah Wood; K3 f9 S7 U9 U) f8 O: z
瓦妮莎·雷德格雷夫 Vanessa Redgrave& u1 ^$ T2 U9 g L, i" y" L: C
摩根·弗里曼 Morgan Freeman
: ]' F& B! `0 A @( V& M 罗伯特·杜瓦尔 Robert Duvall
( }! v) M% i; V8 B) p/ K* q; U' a. [ 蒂娅·里欧妮 Téa Leoni
; }9 L; p& \! h# J 乔恩·费儒 Jon Favreau( C0 D! V3 L! d$ ]% P7 S" q3 [
莉莉·索博斯基 Leelee Sobieski
$ [. A4 o7 K0 [3 p r 詹姆斯·克伦威尔 James Cromwell
7 j3 M; L' E9 f" P- f* N1 b 多格雷·斯科特 Dougray Scott
7 T' _' ^$ y0 U' [4 a* I 马克·摩斯 Mark Moses' l: e" ]( x1 w" K9 h
德雷克·德·林特 Derek de Lint
, x3 K- u i' K: I# Z( x. x+ q( n2 Z) ` 马克西米连·谢尔 Maximilian Schell
$ K( v7 E6 O8 X 朗·埃达德 Ron Eldard% v, \" P! c9 F# Y- s- c; ~4 [
劳拉·伊内斯 Laura Innes
2 x) v4 b( U4 A% h! l2 G 玛丽·麦克科马克 Mary McCormack
( X! g. i7 k% }, `4 b" @ 理查德·希夫 Richard Schiff1 n2 E+ v" T1 D8 |- |+ y
布莱尔·安德伍德 Blair Underwood
1 } w+ M; j M6 z! K 迈克·奥麦利 Mike O'Malley
: C8 M5 a3 r, e0 M2 @6 ~5 k 杰森·多灵 Jason Dohring
5 p% q8 U* t9 l 柯特伍德·史密斯 Kurtwood Smith
, P0 \ i' {7 o. N4 n 查尔斯·拉西·陈 Charles Rahi Chun3 ]& n) f% t) B+ S9 x7 a
弗朗西斯·X·麦卡蒂 Francis X. McCarthy7 ^) M" r7 S! v8 {: ?) V; I
童自荣 Zirong Tong
* r+ E; A/ k. x* E5 M 沈晓谦 Xiaoqian Shen
1 }8 A3 j' |& \0 z& C1 N 莱斯利·迪利 Leslie Dilley# H0 ?: u4 @' S0 D- k I
米克·罗杰斯 Mic Rodgers
4 p+ I$ r8 _: H9 F Kevin LaRosa
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◎标 签 灾难 | 科幻 | 美国 | 灾难片 | 彗星撞地球 | 美国电影 | 1998 | 电影+ v V; x) L- U1 Y3 U
8 l Z r/ o9 V p( H I& K6 G◎简 介 ! K/ K, U r3 e. N* k! m
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“毕德曼慧星”正朝着地球飞奔而来,给人类致命一击。当局紧急行动,研究出一个最佳方案——由宇航员坦纳(罗伯特·杜瓦尔 Robert Duvall饰)驾驶“弥赛号”飞船飞往慧星,把预先准备好的核弹放置到慧星上面引爆,以令它化成碎片或是改变轨道。坦纳英勇地完成了任务,却发现并没有取得预期效果。慧星碎成了一大一小两部分,向地球步步逼近。
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; A3 B; U! r) {0 v% j- c" O 当局迅速采取最后的行动,用“诺亚方舟”计划保住包括人类在内的一些地球物种。这是一个秘密的地下庇护所,只有少数的人可以在这里避开大劫难,等灾难散尽后方重建世界。较小的那部分慧星已经撞向地球,引发山崩地裂,一片世界末日的景象。而跟随其后的大慧星给地球带来的毁灭程度,将远远超乎人们想象,力挽狂澜的人类进入了倒数时刻。: _2 T' R8 ^# O r; k1 G
- r* H$ [: \* ?. P1 d A comet is discovered to be on a collision course with Earth. As doomsday nears, the human race prepares for the worst.! R2 I. V" w0 r4 M! Z$ ~1 J
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《天地大冲撞》是一部根植于现实的科幻片,因为地球确实曾经遭受过彗星和小行星的反复撞击。为了广泛研究近地小行星和彗星、统计测算出人类在撞击中的死亡机率,美国宇航局的喷气推进实验室和美国空军联手开展了近地小行星跟踪计划(NEAT),研究结果表明,大体积小行星要么会让华盛顿大小的区域毁于一旦,要么会造成灭绝级事件(E.L.E),即物种的大量消亡和全球气候的长期改变,如果它击中海洋,那么海啸足以淹没地球上的大部分陆地。70年代,诺贝尔奖获得者路易斯·阿尔瓦雷兹(Luis Alvarez)和他的儿子沃尔特·阿尔瓦雷兹(Walter Alvarez)公布了一项惊人的发现,那就是他们在形成于6500万年前的古老岩石中发现了分布在世界各地的一层稀有元素,而恐龙等数百个物种正灭绝于同一时期,两人由此推断出地球曾被来自太空的物体击中,该物体也许是一颗彗星,撞击威力相当于数百万枚核弹,形成的陨石坑直径超过100英里,数十亿吨灰尘和水汽被抛入大气层,地球周围随即出现了遮挡阳光数月或数年之久的云团,大多数生物逐渐消亡,只有极少数生物得以幸存下来。现在,很多科学家都相信地球曾经历过多次这种浩劫,虽说数千万或数亿年才可能发生一次,但却完全不可预测。
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0 s" b5 W) E! j% D, a/ v- X 作为《大白鲨》、《大白鲨2》、《横冲直撞大逃亡》、《大审判》,《茧》和《魔茧续集》的制作人,理查德·D·扎努克和大卫·布朗一直对《天地大冲撞》中人类面对世界末日的故事偏爱有加。编剧迈克尔·托尔金说:“《天地大冲撞》有关全世界对末日的反应,我们聚焦于少数特殊人群的生活,从而将巨大的灾难引入个人层面。”监制琼·布拉德肖说:“不管你是一名年轻的职业女性,还是身担重任的宇航员,或是才刚刚开始领悟的生活的懵懂少年,都要面临一个终极问题,那就是怎样度过灾难前的余生。”在片中扮演职业女性珍妮的蒂娅·里欧妮说:“如果我知道自己只能再活两天,我可能会从楼顶跳下体验飞的感觉,可如果还有两年,你会在这奇怪的期限中做些什么?”+ z9 t, u W, M+ w* s4 i- n% X0 _
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本片导演咪咪·莱德曾凭电视剧《急诊室的故事》两次摘得艾美奖,而本片正是她继《和平缔造者》之后执导的第二部长片。“这个故事之所以会吸引我,”莱德说,“是因为我们在面临灭绝的厄运时必须作出的选择。人们会陷入惊恐、放弃工作和坚守婚姻吗?他们又该怎样拯救他们的孩子?本片不仅有关特效和灾难,还展现出当面临灭顶之灾时我们会做些什么,片中人物作出了多种多样的选择,希望有人能因本片而重新评估自己的人生和选择。”& R/ A6 g: N1 ]3 k7 ]/ u
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本片于1997年6月16日开拍,剧组首先在弗吉尼亚州马纳萨斯的一段刚刚完工但尚未开通的高速公路上拍摄了美国东海岸居民疯狂逃离彗星撞击点的混乱场景,有2100名临时演员和1870台各种车辆参与拍摄,整个堵车现场绵延1.5英里。值得一提的是,为协助剧组拍摄,弗吉尼亚的乔治城和阿灵顿史无前例的首次允许在星期天关闭弗朗西斯·斯科特·基大桥,因为两座城市的政府和电影部门给予了大力支持,并提前告知公众大桥的关闭时间,所以拍摄现场井然有序,而蜂拥而至期待报道混乱场面的媒体记者也只好失望而归。
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- DISC INFO:
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y" }) R8 ~0 p3 T7 q- Disc Title: Deep.Impact.1998.2160p.BluRayCD.HEVC.TrueHD.5.1-OPTiCAL
! ~% l P" {- B& y) ]# h0 N& j6 C+ v - Disc Size: 62,781,338,525 bytes8 S# d+ {, ` F6 w
- Protection: AACS2( c- ?! [- {5 g: f
- Extras: Ultra HD, BD-Java
) Y8 h; ~% m" B! u8 F+ u - BDInfo: 0.7.6.1 (compatible layout created by DVDFab 12.1.0.4)
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3 Q% T2 P9 I8 n4 n, i& l- (*) Indicates included stream hidden by this playlist.
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- Video:
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2 U: E/ X( ~6 O" M - MPEG-H HEVC Video 46399 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
' ~3 |1 T+ b+ m5 _' o8 } - * MPEG-H HEVC Video 11674 kbps (20.10%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020- X# \( G3 j$ B9 Z
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% |! T: R1 d% k s- Codec Language Bitrate Description 5 s" L( M5 m2 h. H
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6 Z* U9 @- c& F - Dolby TrueHD Audio English 3210 kbps 5.1 / 48 kHz / 2570 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)
9 u# Q: C3 V3 q! N: t4 Y5 z - Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps) H6 x0 z- y; f$ z5 e, I
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
; ^; f) K; X) U3 I. @, i5 b - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
0 i e) j: Y4 Z R- m - Dolby Digital Audio Japanese 640 kbps 5.1 / 48 kHz / 640 kbps& \8 e, K- D; J
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复制代码 Deep Impact 4K Blu-ray, Video Quality + C+ A" c+ a5 E- l. L! ^) \
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The included screenshots are sourced from a 1080p Blu-ray disc.
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- o( ~) u% O( e# [0 cParamount releases the highly anticipated Deep Impact to the UHD format with a 2160p/Dolby Vision UHD presentation. The image may not rank as tops on the format, but the improvements over the previous issue are in evidence throughout. This is a pleasantly film-like image, holding to a natural grain structure that is consistent and complementary of the film roots. Grain consistency is understandably interrupted during various key visual effects shots, especially as seen in the final act, but these sorts of visual inconsistencies are rooted in the source, not introduced into the UHD transfer. The image is sharp, well sharper than the old Blu-ray, and captures a fine facial and hair details with fine accuracy, offering viewers the crispest, most satisfying home presentation ever for the film. There appears to be no significant digital tampering, resulting in a steady, crisp, healthy image that satisfies expectations.5 I0 C% C, w8 R
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The Dolby Vision color grading offers amplified color output, but not so heavily manipulated as to lose the core color parameters. Depth is improved, as is vitality and boldness. Viewers will appreciate crisp, efficient, and brilliant colors in newsrooms, on clothes, and out in sun-soaked exteriors. Black levels are at times problematic, with very dark shots exhibiting some crush. However, white balance is excellent, with clothes, an MSNBC chopper seen towards the end, and other white content offering a crispness and clarity that exceeds the previously issued Blu-ray. Skin tones are healthy as well.+ F0 _5 h9 t0 ^
+ W4 L; R! R+ n/ a; j$ pThis image suffers from no more than the odd pop and speckle. No serious compression issues are in evidence, either.' L, ~9 }% {& s) Q- J5 F i: u# d
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Deep Impact 4K Blu-ray, Audio Quality 0 t' q$ H$ |/ U. Y @
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7 l1 ^! w7 u% r2 h P' WThis new UHD disc shares the same audio track originally found on the 2009 Blu-ray. Below is a reproduction of the original audio review:
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, V7 R* Y5 o( p9 ~Deep Impact crashes onto Blu-ray with a startling Dolby TrueHD 5.1 lossless soundtrack. The track enjoys a nice, full, and precise presentation. The rear channels are implemented often, beginning with Dr. Wolf's repositioning of the heavy telescope in Tucson; the shifting gears and mechanical movements are heard all around the soundstage. Meanwhile, his opera music enjoys superb clarity as it spills out of the front half of the soundstage and seems to reverberate about the listening area, and a subsequent explosion rocks the floorboards with a loud and powerful low end effect. Later, the Messiah's rockets explode throughout the soundstage, and its rough ride into the comet features the sound of rattling bolts and metal on the inside and debris bouncing off the hull on the outside in a full-fledged surround sound presentation that, through all the goings-on, retains excellent clarity. There are too-numerous-to-count instances of the track delivering powerful, full, and exciting sound effects that engulf the soundstage. Deep Impact also offers several more nuanced atmospheric effects that bring the track to life; listeners will enjoy the bustling background activity of the MSNBC offices in several scenes and the gentle rocking of a pier-side boat in chapter four. Also featuring crystal-clear dialogue reproduction, Deep Impact delivers a wonderful listening experience that nicely compliments a wonderful movie.
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