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While vacationing, a girl and her parents are taken hostage by armed strangers who demand that the family make a choice to avert the apocalypse.
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◎译 名 拜访小屋/敲敲门(港/台). U% U; f! [( V
◎片 名 Knock at the Cabin& q& q) _% w F! ^: B5 ?
◎年 代 2023* L0 F4 F6 v! z: j5 P3 G I
◎产 地 美国1 u$ Y6 Z3 P! Z" Q4 D
◎类 别 悬疑/惊悚/恐怖/同性! x0 l0 k; W0 ]1 u2 t
◎语 言 英语
h5 E N+ Y: Y; u; W, \◎上映日期 2023-02-01(法国)/2023-02-03(美国)! U4 r4 y" d& Y* ~; ?$ a( R$ e
◎IMDb评分 6.1/10 from 70,512 users
: J8 {: r% d9 @" ?/ x◎IMDb链接 https://www.imdb.com/title/tt15679400/
5 y4 X$ V8 Q& f) Z( g◎豆瓣评分 5.3/10 from 5,055 users3 D- X8 X+ s8 E8 w
◎豆瓣链接 https://movie.douban.com/subject/35158418/% n# I' w( M, l0 ]6 I$ u
◎文件格式 x265 + TrueHD ' g8 n& [- a! Z9 C
◎视频尺寸 3840 x 2160
5 U6 [" l7 o: M/ R# W4 i◎文件大小 1DVD 78.51 GiB. ]0 N' E/ v& h4 ~
◎片 长 1:40:08.001 (h:m:s.ms)+ `! L: k7 G; n& @
◎导 演 M·奈特·沙马兰 M. Night Shyamalan' W) m9 P1 V2 @7 i0 V9 e
◎编 剧 M·奈特·沙马兰 M. Night Shyamalan
3 M! K/ w6 I4 g A7 x; x; H) g3 M7 r 史蒂夫·德斯蒙德 Steve Desmond6 w: x+ p* u1 j4 @1 H
迈克尔·谢尔曼 Michael Sherman# s( f6 y7 U/ B! R6 h) d
保罗·特伦布莱 Paul Tremblay, ?2 ?% X2 {- [9 [! \+ M+ y
◎演 员 戴夫·巴蒂斯塔 Dave Bautista$ f" k3 A% n, E7 d0 L
乔纳森·格罗夫 Jonathan Groff7 R7 z7 F a& V) @2 T0 }
鲁伯特·格林特 Rupert Grint# H' |4 n5 Y% G0 C
妮基·阿姆卡-伯德 Nikki Amuka-Bird
5 m* \5 Q+ _* x7 S, z3 r, I+ k 本·奥德里基 Ben Aldridge
}9 F" R; N4 J 艾比·奎因 Abby Quinn1 T: i! x- {2 S. y( t2 a( c
克里斯汀·崔 Kristen Cui4 E8 Z2 }; L9 V$ ?7 X4 a
麦肯纳·克里根 McKenna Kerrigan
; ~' Z# u& V# N2 ] 伊恩·梅里尔·皮克斯 Ian Merrill Peakes: R4 M0 w# @; Z5 u# a. {
丹妮丝·中野 Denise Nakano
3 Q7 Z6 I5 k; i* [& b3 w& ~ 罗斯·卢阿多 Rose Luardo f( m( y2 U6 S) m) R
比利·瓦格斯 Billy Vargus
# B3 C, k$ z) G, @1 B" g 萨托米·霍夫曼 Satomi Hofmann& |" ^) m* E/ @7 |1 ], u
凯文·梁 Kevin Leung( I0 L" C' _( U! [ Z2 c
李·阿方特 Lee Avant% `# f |; A) q' Z( u+ j
凯特·墨菲 Kat Murphy- B2 W( A3 D% ?7 Q7 X: b* G* y) G
M·奈特·沙马兰 M. Night Shyamalan
' p7 U$ Z) n; I, U. c, ^# K/ e$ T. F 克莱尔·露易丝·弗洛斯特 Clare Louise Frost
2 U' w( g; s' D8 z% p7 r 迈克尔·J·克雷西克 Michael J. Kraycik0 h$ Z# e- X. U6 T) @9 P" E
杰里·洛布罗 Jerry Lobrow
! |- p4 P4 V+ \& @# N' i( r 罗伯托·隆巴迪 Roberto Lombardi4 D" e8 B. ?* Q1 f8 S+ v0 j2 ?2 c
威廉·罗格斯戴尔 William Ragsdale) z) h1 P7 f" l4 ]
查尔斯·沃伯顿 Charles Warburton/ Z7 m1 r N6 `# D. p0 G$ W5 z
: Y* `. y% q, y◎简 介 ' \/ |+ p7 z8 n6 ]+ q( \8 W$ v
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一对同性情侣带着可爱的亚裔女儿到偏远的林中小木屋度假,被四名持枪的陌生人挟持为人质,为了避免世界末日发生,他们要求这一家人做出一个天人交战的决定。这一家人无法和外界联系,所以必须决定他们是否该相信这件事,否则世界真的将会毁灭。3 Q5 o% [7 L) R: ~6 H
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影片改编自保罗·特伦布莱所著恐怖小说《世界尽头的小木屋》。
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While vacationing at a remote cabin, a young girl and her parents are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost.
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- DISC INFO:
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- Disc Title: Knock.at.the.Cabin.2023.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-DOUHD
+ c& n& S, o E: ~. Z) S - Disc Size: 84,283,304,393 bytes
0 C0 t. ?, l4 J0 d0 T5 } - Protection: AACS2
3 h5 O& P- K8 A1 \) e6 f9 X - Extras: Ultra HD, BD-Java& @0 \( L$ T6 N
- BDInfo: 0.7.6.1 (compatible layout created by DVDFab 12.1.0.4)
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* |) d$ E+ Q/ h6 H3 S9 m- PLAYLIST REPORT:
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- Name: 00040.MPLS
. Q9 F- L/ Q; y - Length: 1:40:08.001 (h:m:s.ms)* Z5 @" I. V" l; O C! v Q
- Size: 66,685,489,152 bytes* x" v$ ?$ V9 F+ d! N/ w* |$ l
- Total Bitrate: 88.80 Mbps' |0 _& d9 S- u* Y# g# f
; j7 }. ^6 ]6 \$ z- (*) Indicates included stream hidden by this playlist.
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- e7 C8 k9 a+ ~" X) l* w" r- ~# D- Video:- L! B$ W- n0 \+ i& \6 F( u9 A
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- Codec Bitrate Description
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- MPEG-H HEVC Video 71469 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / HDR10 / BT.20209 D0 `# L" s& w
- * MPEG-H HEVC Video 7669 kbps (9.69%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / Dolby Vision FEL / BT.20207 `8 {8 r+ _- T5 x6 o! f
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- Codec Language Bitrate Description 6 x( i8 o/ C3 |! d7 C6 W
- ----- -------- ------- -----------
' j$ @4 g% ]4 n: p! S - Dolby TrueHD/Atmos Audio English 3519 kbps 7.1+11 objects / 48 kHz / 3071 kbps / 16-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)
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- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
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- SUBTITLES:
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- ----- -------- ------- -----------
; u! L+ y3 C: _2 {. s } - Presentation Graphics English 45.498 kbps , s2 E0 t( ~9 y s
- Presentation Graphics Spanish 34.329 kbps a$ Z) R& J* M
- Presentation Graphics French 31.111 kbps
2 L% k" n! @6 o - Presentation Graphics French 0.126 kbps
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Knock at the Cabin 4K Blu-ray, Video Quality ' ~# t8 b* Y0 x; k5 P
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/ m3 K4 `4 P2 {! O' r5 ?Universal's 2160p/Dolby Vision UHD presentation of Knock at the Cabin is a classic case of improvements to image finesse over the companion and concurrently released Blu-ray. This is not a transformational experience, but the enhancements that this format provides are clear, and the image (and the overall viewing experience) is better for these gains. As with the Blu-ray, the source is pristine and filmic and the encode is free of any troubling compression deficiencies. The level of clarity is amplified compared to the Blu-ray, offering a stable of enhanced definition characteristics that render faces, clothes, and environments with firmer clarity within every frame. There is no mistaking the improvements to sharpness, even viewing on a smaller 65" screen. Such gains are apparent everywhere, but viewers will particularly notice how the UHD renders pores and facial scruff in close-up with superior clarity and accuracy. The Dolby Vision color grading offers a deeper spectrum range. The picture looks a little darker overall but the gain to depth means superior blacks, more refined skin tones, and more lifelike colors such as the warm woods within the cabin or the bold natural greens outside. White balance is much better here, offering more vivid, pure whites than even the Blu-ray, which was itself exceptional in this area. Bold primaries pack a punch here as well. This is a very strong UHD release from Universal.: P0 y" n" f6 Z# X# u7 v z9 H
5 S7 [+ `+ ^, F7 iKnock at the Cabin 4K Blu-ray, Audio Quality
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Universal delivers Knock at the Cabin to Blu-ray and UHD alike with a Dolby Atmos soundtrack. The film's sound design is not prolific, taking place in an enclosed, largely quiet environment inside the cabin where dialogue is the primary audio component. Spoken word clarity is fine, with the broad range of vocal inflections and volume handled quite nicely with firmly grounded front-center positioning throughout. Some support elements are nicely defined as well. The Atmos track proves excellent from the opening moments where woodland insect sounds and various atmospheric cues effortlessly drop the listener into the location with full surround content and lifelike definition. This is one of the high points for total immersion; the track has few other opportunities for this level of layered envelopment, but it does deal in all cues with satisfying balance, spacing, and clarity. Some depth is present across a few areas of need, to speak of which would spoil some of the movie's surprises, but rest assured that depth and power are present as necessary. This is not the most potent or prolific track ever presented because of the somewhat more reserved nature of the original audio engineering and the film's core audio needs, but listeners can rest assured that what is here is clear and faithful to original content.- d3 n( {/ M2 ]2 c
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