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A process server and his marijuana dealer wind up on the run from hitmen and a corrupt police officer after he witnesses his dealer's boss murder a competitor while trying to serve papers on him.
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0 ~2 b; D L( z' X$ [+ j L◎译 名 菠萝快车/菠萝特快/菠萝快递8 c& }' a. P# T e
◎片 名 Pineapple Express / Piña express 5 }# Z; Y# {" z
◎年 代 2008) B7 m& j+ X8 O+ I' z( s
◎产 地 美国
! c. t4 Y0 t( ]9 u& e% V* N◎类 别 喜剧/动作/惊悚/犯罪/冒险6 S, {8 y7 u; z' D3 d1 f
◎语 言 英语/粤语/韩语
# I' Q' Q2 |: o3 @8 U0 Q6 z◎上映日期 2008-08-06(美国)* X7 R! Y5 M: T
◎IMDb评分 6.9/10 from 347,294 users
5 l. T& l; P$ [( d6 d7 y◎IMDb链接 https://www.imdb.com/title/tt0910936/( k, k% V# u8 j4 N1 c! `$ D! D
◎豆瓣评分 7.0/10 from 17,253 users
0 q6 V5 F- l" X. @◎豆瓣链接 https://movie.douban.com/subject/2074035/' E9 h9 D6 @; f
◎文件格式 x265 + TrueHD$ a& J" `& m# \8 W. ^6 V0 D% @, t/ s
◎视频尺寸 3840 x 2160* i6 D* r7 v3 u, l
◎文件大小 1DVD 54.75 GiB0 k$ e: J5 m# \, }9 Q3 d6 `
◎片 长 1:52:00.714 (h:m:s.ms)
- V8 \, c7 ~5 m$ a2 ~9 N◎导 演 大卫·戈登·格林 David Gordon Green
! o g' ]* J9 Z8 C◎编 剧 塞斯·罗根 Seth Rogen8 k6 b" W$ g9 Y( M. [ m4 z
埃文·戈德堡 Evan Goldberg
0 w* Y J4 w5 l/ Q! B, Q 贾德·阿帕图 Judd Apatow9 V T0 d- T. U0 s
◎演 员 塞斯·罗根 Seth Rogen
: {' t C8 O0 Q6 s 詹姆斯·弗兰科 James Franco( ^ B3 X' L x0 H8 s4 A: H
丹尼·麦克布莱德 Danny McBride
) N: q8 k6 S& S6 V! Z 凯文·考利甘 Kevin Corrigan
2 k, b! m, K. o0 V" p& L+ d 克雷格·罗宾森 Craig Robinson' D! \; h) l! M% \. x
盖瑞·科尔 Gary Cole3 F& ` E! v" Q; ~
罗茜·佩雷兹 Rosie Perez; Q+ V. O; ?) Y5 a5 R
小艾德·博格里 Ed Begley Jr.8 H: Q$ d9 G4 D$ [1 g' ]& Y
诺拉·邓恩 Nora Dunn
, @/ }. \$ ?6 _- _% ] 艾梅柏·希尔德 Amber Heard
% U2 l ]% T2 n4 r; M 乔·洛·特鲁格里奥 Joe Lo Truglio, G [$ L2 K+ n8 |) N; k
亚瑟·纳平泰克 Arthur Napiontek0 e$ b% a5 z& J+ B7 t/ }' p
克利奥·金 Cleo King9 g0 E. F' R8 |1 s7 [" t
比尔·哈德尔 Bill Hader2 `2 G, w' u+ B) k* y
詹姆斯·瑞马尔 James Remar# v5 K2 ^8 v, t' p8 ^ O% {
杰克·科勒尔 Jack Kehler! |5 b: |5 u7 w" u1 J
史蒂夫·班诺斯 Steve Bannos4 ` k5 x7 g1 u; ?
埃迪·鲁斯 Eddie Rouse
( [8 T i# p X: c' w" H' B 郑肯 Ken Jeong
" ^% M' c# J# L) W ] 卓丹·李 Jourdan Lee' }: r( T% f) `7 ?* {4 i# ^0 ?
约翰·R·邓肯 John R. Duncan
, q3 U! R0 e! c9 F, q, F7 j4 c Mae LaBorde
s1 C+ w+ C+ A6 l2 L/ g/ [9 ^: c Jordan Pontell& f* f( X b) X7 y
David McDivitt4 a8 \) @( g3 E8 N2 o3 T# `. R
珍内塔·阿尔内特 Jeannetta Arnette
- m" c' E7 b8 q: c5 O4 ]- o Adam Crosby
; B5 Y! A% b0 d( H" @ 鲍比·李 Bobby Lee
6 e0 C& n* o! |+ z/ F Jill Sayre Jill Sayre% T# F& b4 K8 ~- N( s# U
康妮·索耶 Connie Sawyer" V" o" d$ c. h( Y
John Robert Tramutola
4 V4 S( \; Q6 Q& F* D* v9 o9 w. J( { 布莱恩·斯坎内尔 Brian Scannell: }( @* d2 N. h6 t4 D, C
肯达尔·卡莉·布朗 Kendall Carly Browne
. o) P' p) o0 c5 T8 Y 埃文·戈德堡 Evan Goldberg
9 L7 Y* K- D7 B1 R3 b7 ]% o& I 塞斯·罗根 Seth Rogen5 b6 P' z9 g! a% _) ~
贾德·阿帕图 Judd Apatow9 p/ Y' n8 e% }4 l: g
格里莫·瑞维尔 Graeme Revell
7 F% i' B+ H. g/ K# c Tim Orr Tim Orr
4 ?: q% p( W, m& ~4 a 克雷格·阿尔伯特 Craig Alpert
' j0 l" U" C4 C& ~9 u) `% e 比利·霍普金斯 Billy Hopkins
7 c$ `+ F& Y5 \! ^( q6 f Marc Dabe
2 S* g+ e5 G7 C Erik Porn
) j+ P4 O, |# G" b( F, ]( e0 x% T 罗伯特·霍尔 Robert Hall
8 g$ p i0 o" R- W 金伯利·格雷尼 Kimberly Greene& a" C9 H) ^# e: z5 n, X
Lisa C. Satriano
' `% l5 c; {' g' d/ e6 ?/ ? 比尔·博普 Bill Purple' |+ W( R) [ C ^, B% t; @- c& v
尼克·萨特里亚诺 Nick Satriano
# }- i9 A/ s8 I" J1 s5 } 加里·海姆斯 Gary Hymes+ k( ^9 {% `9 r8 O
布莱恩·哈纳伯 Brian Hanable( ]( B) B7 J }; h
拉乌尔·博洛尼尼 Raoul Bolognini
2 E$ s* V7 e8 b: U3 ?. ? 克里斯汀·布拉南 Kristen Branan
: U# J7 o- g T, w 罗科·帕西尼诺 Rocco Passionino
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0 B. [" L& K6 b3 @* s; D( o6 p5 t3 o1 M◎简 介 ( J) X& A3 M9 o u% n* `* m$ d! a
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戴尔(塞斯·罗根 Seth Rogen 饰)有一份令自己和别人都生厌的工作——传票递送员,高中生女友安吉的帅气男同学们又时时令戴尔如坐针毡,于是抽大麻成了他最好的寄托甚至是信仰。戴尔定期在小混混索尔(詹姆斯·弗兰科 James Franco 饰)的家中购买大麻,索尔视其为朋友,推销给他最好的大麻“菠萝快车”,可戴尔只拿对方当做比自己更失败的落寞者。当晚戴尔偶然撞见当地大毒贩瑞德和一名女警联手杀人,慌不择路逃跑的戴尔将菠萝快车这种罕见大麻遗落在现场,担心被瑞德杀人灭口的戴尔和索尔只得选择逃亡,但他们谨慎又笨拙的隐匿方式只是将更多人卷入这场风波,而逃避性格的两人,在这次事件中渐渐学会正视自己的弱点…… ) `: X, u8 H6 T$ v6 B
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This stoner comedy/action genre bender follows a pair of druggie losers as they reach the top of the hit-list when one witnesses a mob murder and drags his buddy into a crazy flight from mobsters bent on silencing both of them permanently.
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◎获奖情况 $ g+ m3 C. G5 ]/ T1 h& k8 U1 V
9 R; A1 \* I+ `, X 第66届金球奖 (2009)9 z6 q5 n B! T( G
电影类 音乐/喜剧片最佳男主角(提名)4 F4 @- k/ I+ H
└──詹姆斯·弗兰科
$ z( @2 Y! {1 u3 ^: Q9 J 第18届MTV电影奖 (2009)
) M: y0 H3 Q7 t3 O MTV电影奖 最佳喜剧表演(提名)$ d2 `% J$ V% { E: I8 i% M4 h, f
└──詹姆斯·弗兰科5 W9 ?. a8 v. G+ s4 m9 `9 L
MTV电影奖 最佳打斗(提名)
U2 F+ f8 `0 U- N9 ?6 E 第11届美国青少年选择奖 (2009)' C* v# T+ u+ n$ r3 h8 R+ H
最佳喜剧片男演员(提名)
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G! |2 t! e+ Q$ a: w" `0 f Choice Movie: Bromantic Comedy(提名)
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- DISC INFO:# c) @# L& a: C* s
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- Disc Title: Pineapple.Express.2008.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-COASTER4 i3 |' I8 O1 I& S/ n1 ~
- Disc Size: 58,771,836,311 bytes1 i6 g. r, }4 m' |
- Protection: AACS2" ?8 u- S( |% x
- BD-Java: Yes, \- R0 L; q9 V6 ~5 P& z. i
- Extras: Ultra HD
3 {5 o, J# \! r6 ^1 C4 ?& R3 N - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.7.6)
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8 b$ \, i0 K2 C- [1 I l: _ [- PLAYLIST REPORT:
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- Name: 00001.MPLS ! B _2 F; ] j
- Length: 1:52:00.714 (h:m:s.ms)" @2 }- t1 `/ V
- Size: 58,549,917,696 bytes
+ y* e* `* ]" w/ b* i; H, B - Total Bitrate: 69.69 Mbps
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- Video:5 M; e9 `; |- L3 u+ J- h5 Z
4 E$ u* v5 H) a& A1 N5 c- Codec Bitrate Description
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- MPEG-H HEVC Video 56745 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /5 W; F' A# M# Q o
( g& o3 k% Q% a8 f+ U I" f, }; d- AUDIO:6 {% n {: L" }5 d- k
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- Codec Language Bitrate Description 0 ~- y5 z1 f8 \& S
- ----- -------- ------- -----------
$ Y" O! O; i1 j; t! { - Dolby Atmos/TrueHD Audio English 5122 kbps 7.1-Atmos / 48 kHz / 5122 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)9 C( a8 F! |0 J4 U- w2 j
- DTS-HD Master Audio French 2241 kbps 5.1 / 48 kHz / 2241 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
% y0 x9 e; C: u6 h/ W9 J! K - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps+ U6 B, O) J U6 V( g
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround- ], P: b$ B8 w$ J3 h
* O6 T0 `& D; C; A3 O4 A- SUBTITLES:
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- Codec Language Bitrate Description ! o) Y5 V4 P9 A4 D
- ----- -------- ------- -----------
, M" K+ g k* z; I3 _ - Presentation Graphics English 40.393 kbps # O7 w: U8 f/ p- s+ T$ z: R- Y
- Presentation Graphics English 48.755 kbps 0 Q2 X k0 r( i' X/ ?, B
- Presentation Graphics French 31.524 kbps + S4 t" u! l2 n2 c6 z
- Presentation Graphics Spanish 39.981 kbps
+ `4 d: z! e# s% y2 | - Presentation Graphics English 74.449 kbps
* x8 O" y. a# i! p" e - Presentation Graphics Spanish 69.539 kbps
复制代码 Pineapple Express 4K Blu-ray, Video Quality $ A# b3 t; {; s% |
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7 ?9 r* T$ ^4 l6 yNote that the included 1080p Blu-ray disc, and the one that is the source for the comparisons described below, is the original Blu-ray that contains all of the special features, not the featureless Mastered in 4K disc.) z% i |3 x( M" e" m6 J
& d' U$ v9 D6 V# I9 O: Z9 ZPineapple Express was filmed on 35mm and, according to IMDB, it was finished at 2K. However, considering that the movie earned a "Mastered in 4K" release, the UHD is presumably sourced from that 4K master.
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"Stunning." Without having any previous experience with the movie, having neither seen it nor reviewed either of its previous Blu-ray releases, the immediate reaction to Sony's 2160p UHD/HDR Blu-ray is one of awe, awe at the image's robustness, stability, and even and endlessly attractive filmic veneer. Grain is constant and evenly distributed, gorgeously textured and a key in bringing a true cinematic flavor and experience to the home. Detailing underneath is nothing short of a revelation. Rogen's brown sports coat is particularly impressive, reveling fine stitch work, seams, and tiny flaws in every scene. His car interior, and Franco's character's home, are treasure troves of little details. Whether grime on the seatbelt, wear on the dashboard and steering wheel, or the definition with which tiny little trinkets in the home are revealed even as background details is amazing. Likewise, facial textures are precise and highly revealing even in medium shots. Very fine pores, facial hairs, and other skin textures are remarkably lifelike.' h6 ^6 _) n1 F; Z1 L
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Colors are likewise healthy and rich. The movie favors a predominance of brows and tans and other, similar earthy shades, particularly on clothes but also in key environments like Saul's home. Even so, the transfer's ability to so effortlessly manage them, to reveal exacting subtleties and variations in shade, and to offer a fullness and richness in the HDR color space is magnificent. Of course, there's more variety in the movie. Lush natural greens pop, red blood is appropriately authentic, and various support shades all impress with a full, refined appearance. Skin tones hold healthy and true, if not pushing to a very slight warmth that compliments that predominance of brown. Black levels are deep and accurate, never crushing details or appearing unnaturally pale.
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When comparing the UHD with the included 1080p Blu-ray (not the "Mastered in 4K" version) the difference is substantial in favor of the UHD. Colors are much deeper and more refined, gaining depth and accuracy without betraying what appears to be the proper shading. Grain is more noticeable but very elegant. Delineation is noticeably increased, particularly when considering near-frame objects like clothing lines and facial definition. Compare a towel seen around the 50:00 mark, a back and forth dialogue scene. It's draped over a chair in which Gary Cole's Ted Jones is sitting. The Blu-ray fails to offer more than a fairly smeary (comparatively speaking), flat towel. On the UHD, detail is greatly improved, revealing its surface texture with much greater sharpness and very fine attention to fabric detail. The entire scene, really, is a revelation. Even the details the 1080p image handles best, such as facial and hair textures, clothes (particularly Carol's police uniform), and a police badge, the increase in resolution the UHD provides carries all of them to a new level. The green leaves behind Cole are also a good example of the difference in color. They're a deeper, darker shade of green on the UHD transfer, far less robust than the 1080p leaves but at the same time much more organically shaded (and textured) and more believably accurate. Unfortunately, the "Mastered in 4K" Blu-ray release was not available for further comparison, but it should offer an image closer to the UHD in terms of refinement, though the raw resolution and HDR colors should provide the UHD with a boost over the down-rezed 1080p counterpart." R1 U0 T( n: k; Z
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From a purely cinematic perspective, for truly appreciating the concept of "home theater" and experiencing the texture of film replicated on disc, there's perhaps no better Blu-ray -- 1080p or UHD -- currently on the market to fill that duty.% z! A7 f- s$ h
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Pineapple Express 4K Blu-ray, Audio Quality 0 Y% e8 [8 E m# j# U1 J! ^' e
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Pineapple Express makes its UHD debut with a brand-new Dolby Atmos soundtrack, replacing both the standard release's and the "Mastered in 4K" release's Dolby TrueHD 5.1 soundtracks. This review is based on a 7.1.4 setup, which is the "traditional" seven-channel plus subwoofer configuration with the addition of four "object" or "overhead" speakers to the mix. Unlike some of the other recently released Sony UHD titles, like The Amazing Spider-Man 2 and The Smurfs 2, there's not a lot of added, obvious benefit from the Atmos presentation, whether considering more subtle immersion or more obvious sound effects. The movie's sound design frequently favors a basic front-end dominant stage that consists primarily of dialogue and minor sound effects, both of which play with unmistakable clarity and attention to detail. The back speakers open up to capture minor ambient details, such as a crowded school hallway or outdoor locations teeming with insects. Musical delivery is clear and detailed, aggressively but evenly spaced, and never wanting for more pronounced detail or depth. The movie's action-packed finale is also a little more uneven. One gunshot presents with good oomph, while a followup shot a few seconds later lacks that same punch. A greater spray of gunfire opens up the stage with a clear surround support and exciting discrete placement a few moments later. A couple of explosions pack a good wallop and represent the single most obvious "height" immersion in the track. There's a fuller sense of push to the explosions and a more authentic whoosh of fire, but the effect isn't exactly a revelation or perfect demonstration of Atmos' benefits. The track overall is very good, but its inability to really make noticeable, semi-regular use of the height channels is a disappointment.
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