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In a future British dystopian society, a shadowy freedom fighter, known only by the alias of "V", plots to overthrow the tyrannical government - with the help of a young woman.
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$ u6 X) O3 f4 @) u◎译 名 V字仇杀队
! [/ M. B$ Q. Y' L2 `) E◎片 名 V for Vendetta
3 {- n# v9 J" R" m* J◎年 代 2005
G+ L3 S( [( f◎产 地 美国/英国/德国
$ b! Q3 a) ?9 f) D, U◎类 别 动作/科幻/惊悚
! r1 T- G. d3 V( l$ u- M# X7 f6 q◎语 言 英语/法语/拉丁语/西班牙语
; {! S4 D3 c, F1 i◎上映日期 2006-03-06(美国)/2006-03-16(德国)8 D, h/ e9 |( ?4 T2 u. H4 q! ~
◎IMDb评分 8.2/10 from 1,218,161 users& q9 D& m$ y6 e" |2 D! f! r0 |
◎IMDb链接 https://www.imdb.com/title/tt0434409/
$ |0 d: o5 Y3 m0 O" B◎文件格式 x264 + TrueHD 6 Z9 s3 C: X7 s/ G" C9 Q0 Z
◎视频尺寸 1920 x 10803 r5 j, n. z: s& @" g
◎文件大小 1DVD 25.94 GiB2 r/ l& C) f) y. U( d
◎片 长 2:12:32.361 (h:m:s.ms)' O+ l6 x8 q1 g! ^
◎导 演 詹姆斯·麦克特格 James McTeigue 5 R5 Y& i: |; |7 L% n* t: q& d
◎编 剧 莉莉·沃卓斯基 Lilly Wachowski
6 b# R h' J) H1 K 拉娜·沃卓斯基 Lana Wachowski5 ~# f6 X. e. P+ Y; W
David Lloyd2 k5 l* p0 V7 M& u0 ^+ }
◎主 演 雨果·维文 Hugo Weaving: t0 t" \, _1 G5 I: ~" p$ k# P3 _
娜塔莉·波特曼 Natalie Portman7 } D0 P8 x5 z
鲁珀特·格雷夫斯 Rupert Graves. {+ o/ r3 R$ r9 p3 p9 M0 T
斯蒂芬·瑞 Stephen Rea1 A8 D1 M6 t$ m8 v6 X
斯蒂芬·弗雷 Stephen Fry) t; A4 m5 _( }/ K$ r
约翰·赫特 John Hurt
" x u. {: l8 s7 n$ n7 g 蒂姆·皮戈特-史密斯 Tim Pigott-Smith
+ b0 `: T8 o. y 罗杰·阿拉姆 Roger Allam4 W, A- A9 T$ A) f) O$ H
本·迈尔斯 Ben Miles d+ Q" |* Q ]" Y5 k0 D, v3 K' H, H z
西妮德·库萨克 Sinéad Cusack
$ B4 N& f; _" P 娜塔莎·怀特曼 Natasha Wightman
: r5 U' a/ ~7 o; C6 w# ]' j 约翰·斯坦丁 John Standing7 ?: {: A# f7 M' G
埃迪·马森 Eddie Marsan
3 x6 i3 {) o ]: h$ w 克里夫·阿什伯恩 Clive Ashborn. j9 f1 u6 S# r7 |4 O9 Y5 ~
Emma Field-Rayner/ C `2 F/ h8 m
伊安·布尔费尔德 Ian Burfield2 v+ e3 f# L( Y. ]6 E4 V! O3 H' f
马克·菲尼克斯 Mark Phoenix
* E. k! \& D& V! H/ j Alister Mazzotti . m2 r! a7 G3 d
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◎简 介
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* s4 q5 J: f5 s0 d, d/ [5 W+ T 在未来的英国暴政中,一位化名为“V”的神秘的自由斗士密谋在一名年轻女子的帮助下推翻它。: a" U7 d7 Q1 E5 Y7 }7 z- z
8 C8 `$ S, K8 n' w2 t2 L 《V for Vendetta》以极权英国的未来主义景观为背景,讲述了一个名叫伊维的温文尔雅的年轻女子被一名蒙面义务警员从生死攸关的境地中救出的故事。V在战斗和欺骗艺术上有着无与伦比的魅力和凶残的技巧,他引爆了两个伦敦地标,并接管了政府控制的电视广播,敦促他的同胞起来反抗暴政和压迫。随着伊芙揭开了V神秘背景的真相,她也发现了自己的真相--并在他将自由和正义带回一个充斥着残忍和腐败的社会的阴谋的高潮中,成为了他的不太可能的盟友。
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/ d, c# f' V5 c Set against the futuristic landscape of totalitarian Britain, V For Vendetta tells the story of a mild-mannered young woman named Evey who is rescued from a life-and-death situation by a masked vigilante known only as "V." Incomparably charismatic and ferociously skilled in the art of combat and deception, V ignites a revolution when he detonates two London landmarks and takes over the government-controlled airwaves, urging his fellow citizens to rise up against tyranny and oppression. As Evey uncovers the truth about V's mysterious background, she also discovers the truth about herself – and emerges as his unlikely ally in the culmination of his plot to bring freedom and justice back to a society fraught with cruelty and corruption.& Y2 f+ n( x+ |/ M" P1 i
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9 a# W( W1 p. t% y2 V# F5 C- Disc Title: V.for.Vendetta.2005.1080p.CEE.BluRayCD.AVC.TrueHD.5.1-FGT
+ e/ ~- f$ q6 y. _2 A - Disc Size: 27 857 988 779 bytes) Z& @/ | c% e7 Q0 [
- Protection: AACS
; X% x$ b I9 E2 w7 O - BD-Java: Yes& e4 z9 Z2 k, p' b( O3 o
- BDInfo: 0.5.8
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- Length: 2:12:32.361 (h:m:s.ms)9 Z5 s6 v4 o7 p- u* n. L* _
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# v8 s* F+ U9 e: E- o, W- (*) Indicates included stream hidden by this playlist.
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复制代码 V for Vendetta Blu-ray, Video Quality " H' a/ Z! K+ D! i
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8 v) Q/ f) [% v4 kV for Vendetta comes to Bluray in an impressive 1080p/VC-1 encode that is clean to the eye, but occasionally processed to create a certain visual effect. Framed at a measured 2:40:1, the encode delivers excellent fine detail; with even long shots having a great deal of detail in them. Take the ending scene when the people disguised as Guy Fawkes enter Trafalgar Square. Finely grained textures are excellent, revealing individual hairs, and the tight weaves and micro-detail of clothing and different fabrics. Color accuracy is spot on with a strong emphasis on crimson, which plays a major role in many aspects of the film. Blacks were deep and inky without hiding shadow detail.
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In the scenes where digital processing was used extensively, like all indoor scenes from the meeting room with the Chancellor on the video screen, the color is desaturated and over contrasted. In these scenes there also appears to be a bit of softness, but it looks intentional as the film as a whole is not soft at all. At other times the color is vibrant and bold without introducing chroma noise or compression artifacts. Picture depth is also quite good, and really works to bring you into each environment. Overall the picture quality is very good and solid, as I could not find a lot to complain about.: G( ]9 \8 w5 h# f! [/ C2 v$ I
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I compared both the HD DVD and Bluray releases side by side and could find little or no differences that could not be attributed to using different players for the evaluation.; O* [4 Y0 c- J$ E1 M
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' P3 O% N7 O! p8 f' m6 sThe 5.1 16/48khz Dolby TrueHD audio encode is generally very good. Dialog is always clear, and that is quite a feat during V's intricate monologues. The dynamic range is wide, and on occasion the bass is deep and powerful not only in the LFE, but in the main front speakers as well. Very fine sonic details such as the Foley work on V's cape, which has a nice flap and pop, and the sound of Evey's heels on the cement and brick sidewalks are very well rendered. As a matter fact I was truly amazed at the sonic details revealed throughout the entire movie. The film score composed by Dario Marianelli, and the familiar classical tunes by Tchaikovsky and Beethoven are extremely well recorded, giving me the ability to occasionally pinpoint the location of specific instruments within the front soundstage. The upper brass cut through the mix with power and clarity without being strident or harsh. Low brass sounded full throated, and the cello's had a nice full voiced texture that was very pleasing to the ear. Explosions were extremely powerful with bass fundamentals landing pretty close to 25hz from the LFE channel.3 r" j: `. M4 S5 Y; Z! {9 r% T
7 F( t. q/ s, ~- VIn spite of all of the good audio things happening, all was not perfect. Surround usage was sorely lacking, which gave the effect of the lack of envelopment. While there was the occasional split surround effect, the surrounds did little to contribute to the overall mix. The entire audio mix in my opinion is a little front heavy. This really is my only peeve with the audio in this film. Overall the soundtrack did a fine job of providing an enhancement to the story line.
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