冥界警局1/衰鬼刑警 [4K蓝光原盘 自带中字] R.I.P.D.2013 2160p BluRaycd HEVC DTS-X 7.1-B0MBARDiERS 83.57GB

A recently slain cop joins a team of undead police officers working for the Rest in Peace Department and tries to find the man who murdered him.

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2 s$ ^& K+ k6 F8 S$ x% P  t◎译　　名　冥界警局/衰鬼刑警(港)/降魔战警(台)
◎片　　名　R.I.P.D. / Rest In Peace Department / Ghost Agent: R.I.P.D.
+ X+ t, K) g! I) p◎年　　代　2013
! v6 b- e' J0 o5 ]◎产　　地　美国
7 N4 r7 }5 q5 v' V& }- u6 K◎类　　别　喜剧/动作/犯罪/奇幻
' U$ C; E/ K: x/ D' {5 X4 C: L◎语　　言　英语
$ U, H& h( A. \8 H, A8 c4 A◎上映日期　2013-07-19(美国)
◎IMDb评分  5.6/10 from 141,876 users
◎IMDb链接  https://www.imdb.com/title/tt0790736/
1 h, \$ c0 M5 B6 A7 L: S9 M" d# \3 t- a◎豆瓣评分　6.3/10 from 47,257 users
) S3 x* s% n0 ]0 Y◎豆瓣链接　https://movie.douban.com/subject/3264229/
◎文件格式　x265 + DTS
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 83.57 GiB
- q& ~0 O0 g9 ?2 X3 w) K◎片　　长　1:35:56.167 (h:m:s.ms)
4 u7 N: [) E* T5 {7 U' Y◎导　　演　罗伯特·斯文克 Robert Schwentke
◎编　　剧　费尔·海伊 Phil Hay
　　　　　  马特·曼弗莱迪  Matt Manfredi
8 ?6 @  P& q& C1 f　　　　　  皮特·M·列科夫 Peter M. Lenkov
8 _6 }4 l/ l7 m8 y# m. J◎演　　员　瑞安·雷诺兹 Ryan Reynolds
4 ?  l: b+ z) E+ `& S　　　　　  杰夫·布里吉斯 Jeff Bridges
  Z' M3 `5 X5 r2 s' P( L　　　　　  凯文·贝肯 Kevin Bacon
　　　　　  玛丽-露易丝·帕克 Mary-Louise Parker
) m' n) j7 t* h& M　　　　　  罗伯特·克耐普 Robert Knepper
* _* d( V3 U6 W! ~' p, A9 |( {1 n　　　　　  吴汉章 James Hong
% v" G# s9 Y* `) q) l) M5 b　　　　　  迈克·奥麦利 Mike O'Malley
2 D7 E: o  m9 H: `$ G( Z3 V　　　　　  斯特芬妮·斯佐斯塔克 Stephanie Szostak
0 g2 A3 w. M- _5 ]! `, o　　　　　  派珀·麦肯锡·哈里斯 Piper Mackenzie Harris
　　　　　  玛丽莎·米勒 Marisa Miller
　　　　　  迈克尔·陶 Michael Tow
　　　　　  迈克·乔吉 Mike Judge
+ i  k$ P9 ~, B, B5 s　　　　　  托比·哈斯 Toby Huss
　　　　　  拉里·乔·坎贝尔 Larry Joe Campbell
　　　　　  戴文·雷特瑞 Devin Ratray
　　　　　  克里斯托弗·贝克 Christophe Beck
　　　　　  大卫·R·艾里斯 David R. Ellis
　　　　　  麦克·冈瑟 Mike Gunther
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◎标　　签　美国 | 喜剧 | 动作 | 科幻 | 奇幻 | 犯罪 | 2013 | 魔幻

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* ~, m3 C4 v, {7 R　　青年警官尼克·克鲁兹（瑞安·雷诺兹 Ryan Reynolds 饰）思索再三，不愿和搭档巴比·海耶斯（凯文·贝肯 Kevin Bacon 饰）私吞毒贩的赃物黄金，结果在一次行动中被对方趁乱杀害。死后的尼克来到另一个世界，并受雇于冥界警局（R.I.P.D），其主要任务就是 追捕那些不愿接受死后审判而依靠伪装盘桓人间的死鬼。他的搭档是死于19世纪末的老头罗伊·鲍威尔（杰夫·布里吉斯 Jeff Bridges 饰）。罗伊作风粗犷，特立独行，这两个性格与风格上有着巨大差异的搭档跌跌撞撞展开行动。尼克在行动中发现死鬼们和海耶斯有着千丝万缕的关系，而在种种谜团背后隐藏着攸关世界命运的大阴谋。
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　　时间紧迫，尼克和罗伊必须尽最大可能阻止那个通天阴谋……
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　　A cop killed by his own partner joins RIPD, an afterlife law enforcement department working to apprehend various monsters disguised as humans living on earth, and gets paired up with a smart-mouthed veteran.
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1. DISC INFO:
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3. Disc Title:     R.I.P.D.2013.2160p.BluRayCD.HEVC.DTS-X.7.1-B0MBARDiERS
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4. Disc Size:      89,733,227,746 bytes
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5. Protection:     AACS2
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6. Extras:         Ultra HD, BD-Java
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7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.9.4)
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12. Length:                 1:35:56.167 (h:m:s.ms)
    
13. Size:                   72,678,230,016 bytes
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14. Total Bitrate:          101.01 Mbps
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27. DTS Audio                       French          768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit
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32. DTS Audio                       Italian         768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit
    
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R.I.P.D. 4K Blu-ray, Video Quality   

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8 L# p/ h6 f7 oThe included screenshots are sourced from a 1080p Blu-ray disc.
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Universal brings R.I.P.D. to the UHD format with a 2160p/HDR image that is certainly a gain over the Blu-ray. The resolution brings additional clarity and intimate detail that the Blu-ray cannot match, though such gains are not monumental. Look at a close-up of Nick Walker at the 11:57 mark. It's a good, stable shot and a worthwhile point for comparison. The UHD reveals the facial hairs, the pores, and other fine skin details with greater command and clarity. The sharpness gains are obvious here and such holds for the duration. Certainly, these sorts of close-ups are going to be the standard-bearer "show off" or "reference" type images for most any film, and such holds true here. Generally speaking, in the average, garden-variety shot, the UHD reveals enough clarity to please, and with enough muscle to outdo the Blu-ray at every turn, but this is not a spellbinding sort of UHD, either. It's very clear, very stable, and nicely detailed even at some distance, but it's not going to redefine the format or reach the heights of the best of the best of the best, either.
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  @, }8 `4 E: T4 E& WThe same goes for the HDR grading. This is a solid performer that hits all of the usual high points for HDR, including improved color depth and a more robust sense of pop and punch, not to mention a greater feel for naturally inclined colors. In the opening moments, viewers will note that the red buildings on the opening title card are transformed from a bright, gaudy, color to one that is deeper and less loud, but yet remains intense and satisfying. Such is true for the full film. The HDR grading offers a palette that is fortified and solidified with greater push to naturalism and accuracy, but it's not going to wow or dazzle or delight. There's enough high yield fine-tuning at work to bring the best out of the material, but this is not material that necessarily leaps off the screen, either. That said, it is a solid boost over the Blu-ray, and these gains also translate to whites, blacks, and skin tones, which are brighter and more natural, deeper and better able to capture shadow detail, and more lifelike, respectively.
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The image is fairly noise-free and also free of any serious encode/compression artifacts. It looks very good, and fans are going to be pleased, but is it so much of a leap over the Blu-ray so as to make this a day-one must-buy? Probably not, but fans will want to pick it up at some point when it goes on a deep sale, which it almost assuredly will at some point, and probably sooner rather than later.

: X" {; W% S- tR.I.P.D. 4K Blu-ray, Audio Quality   

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( }- M3 V, V" pR.I.P.D.'s new DTS:X soundtrack delivers everything one would expect from a movie of this sort. The audio is loud and aggressive. Action spills from the speakers with both volume and verve while maintaining clarity and crispness. The track offers some cool discreet overhead content in the opening chase scene and at the R.I.P.D. Boston headquarters in the 17-minute mark as well. These are but two examples of some of the fun top layer content to be found. It's very naturally occurring and never forced, and it's not overly prominent, either. It's audible but not obnoxiously wrenched into the sound stage, either. The track is also very wide and immersive; there's never a shortage of traditional surround content. Directionality and movement are precise. Subwoofer engagement is constant, and depth is prominent but not overdone. Musical stretch and clarity are excellent. Dialogue is clear and center focused for the duration.
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