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As Harry races against time and evil to destroy the Horcruxes, he uncovers the existence of the three most powerful objects in the wizarding world: the Deathly Hallows.( R+ b { \" T
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◎译 名 哈利·波特与死亡圣器(上)/哈利波特7:死神的圣物1(港/台)/哈利·波特与死圣(上)/哈7(上)
/ i& @( e5 m. k+ R◎片 名 Harry Potter and the Deathly Hallows: Part 1 7 c1 `2 T+ w4 \& j
◎年 代 2010' [ i# J0 I( H; S; c
◎产 地 英国/美国
: v( l0 K$ Y, T* o' n8 }8 c◎类 别 奇幻/冒险8 s f7 U* `# B1 f; v# _1 m9 L1 L
◎语 言 英语) E( P$ _$ l4 l3 S0 R$ i
◎上映日期 2010-11-19(中国大陆/英国)
% j& c# _9 t# c! y' L3 [◎IMDb评分 7.7/10 from 581,898 users4 a9 T6 g7 d) y5 T4 `
◎IMDb链接 https://www.imdb.com/title/tt0926084/
. ~6 Z8 U: Q3 H8 P9 d {◎豆瓣评分 8.5/10 from 586,823 users
9 c( t2 \$ o. g- _5 `◎豆瓣链接 https://movie.douban.com/subject/2051007/6 s( V0 {$ A2 `
◎文件格式 x265 + DTS
2 w3 i6 @4 ^* J5 \) L% ^◎视频尺寸 3840 x 2160
1 t1 o4 Q& ~3 _$ d/ [+ S0 o! k; m◎文件大小 1DVD 55.95 GiB
) y0 Q6 w5 }2 e& O5 L; k% n& X◎片 长 2:26:05.256 (h:m:s.ms)
; l* F4 @& M1 \0 M◎导 演 大卫·叶茨 David Yates
$ e @0 M+ ]" r- I5 p1 L, O◎编 剧 史蒂夫·克洛夫斯 Steve Kloves
$ n9 M% w% \4 c. d J. K. 罗琳 J. K. Rowling
6 \: Z& F2 Z. T4 {◎主 演 丹尼尔·雷德克里夫 Daniel Radcliffe7 o! Q U4 d( |5 t5 J
艾玛·沃森 Emma Watson2 H5 a5 U, ~& e4 G4 S" X
鲁伯特·格林特 Rupert Grint
1 M3 U3 ^+ f0 }# f/ E n 海伦娜·伯翰·卡特 Helena Bonham Carter7 I+ x, d9 M5 A$ r3 L. r6 `+ _5 h( V
拉尔夫·费因斯 Ralph Fiennes# r9 _$ V+ v, ^! I5 y
比尔·奈伊 Bill Nighy+ {0 I y3 H' p; R
约翰·赫特 John Hurt* z. F: I" d" S6 v: O& s
艾伦·瑞克曼 Alan Rickman6 q- f& S) u* Q2 A4 Q: S- q
艾美达·斯丹顿 Imelda Staunton
* Z$ c7 h& z, E- z0 d' a9 K+ T& | 费奥纳·肖 Fiona Shaw2 n3 A( h4 ]) p: f) F- D2 B
邦妮·怀特 Bonnie Wright
# y) |+ C0 x% P9 c 朱丽·沃特斯 Julie Walters
% S+ [4 H- M2 D, V+ E 米歇尔·费尔利 Michelle Fairley/ \, K- P! [( f8 o' u
杰米·坎贝尔·鲍尔 Jamie Campbell Bower% ~2 _4 @/ p; s" f( p. O7 D% n4 {, a
杰拉丁·萨莫维尔 Geraldine Somerville
' _: x+ I" C: q# P3 R 多姆纳尔·格里森 Domhnall Gleeson' k8 M! _4 {: r- |8 V
杰西·卡芙 Jessie Cave2 w& [, H" V @# Y! G) D7 @3 M$ ]
夏洛特·阿特金森 Charlotte Atkinson* \4 A) K/ w, N
乔治娜·雷尼达斯 Georgina Leonidas
5 i% ]/ N4 D, A 弗朗西斯·德·拉·图瓦 Frances de la Tour2 i" b0 O0 ?3 B4 Y- V. i
奥利弗·菲尔普斯 Oliver Phelps& Q! i. Y1 \6 z$ b
米兰达·理查森 Miranda Richardson
) H% T& B7 z- _9 Y 凯特·弗利特伍德 Kate Fleetwood* C+ R4 \1 m, d( I- }
斯坦尼斯拉夫·雅涅夫斯基 Stanislav Ianevski
7 p2 z$ R4 a# I0 m9 X 哈泽尔·道格拉斯 Hazel Douglas
( t/ t( u3 Z3 }- j+ K" d( k1 f 弗雷迪·史卓玛 Freddie Stroma! j L% }" Y+ S5 P, P3 ?& H( U1 d
托比·琼斯 Toby Jones+ L, R9 s% L; d
斯嘉丽·伯恩 Scarlett Byrne, H0 a# x, {/ i$ j
托比·瑞格波 Toby Regbo
3 ~" q- D$ L7 J& e# K" c 拉德·舍博德兹加 Rade Serbedzija
5 G' b& O5 N5 ~: [1 e 布莱丹·格里森 Brendan Gleeson
! {( x+ @& N5 F3 k2 `/ S$ e 汤姆·费尔顿 Tom Felton6 s0 [6 I: e) E( M* Y; W
伊文娜·林奇 Evanna Lynch
- d$ Q) d+ o4 N& A 苏菲·汤普森 Sophie Thompson
1 e ]" R! n) v* R' l$ Z6 y 马修·刘易斯 Matthew Lewis
* K9 G) H6 Z, j- } f2 y 马克·威廉姆斯 Mark Williams
9 [. }1 p* ]3 j- Q4 z 拉尔夫·伊内森 Ralph Ineson
7 o: D( w! S G+ M- y9 U0 C 盖伊·亨利 Guy Henry
! H$ t% r3 h, N8 O 蒂莫西·斯波 Timothy Spall/ a# \+ `# f3 d( k& |6 \3 `( W5 X
詹森·艾萨克 Jason Isaacs
; r+ q, \! u" x4 l9 ^ \, z, ^; { 海伦·麦克洛瑞 Helen McCrory
! `7 ~% e: @+ t; \5 Q 卡罗琳·皮克尔斯 Carolyn Pickles* S- s& k2 }6 s5 W3 n. b
理查德·格雷弗斯 Richard Griffiths+ G% i7 E; K1 ?; o
伊恩·怀特 Ian Whyte }' ]2 w* {9 C
尼克·莫兰 Nick Moran
# N( P% Z( M) R& T8 @ 萨缪尔·劳金 Samuel Roukin+ { O0 ?& y4 ?) S# ^4 N
彼得·穆兰 Peter Mullan9 [2 r/ m2 P1 @7 s8 T8 x
哈利·米尔林 Harry Melling
) \5 g) G) `+ j2 C5 ?6 [, b 瑞斯·伊凡斯 Rhys Ifans
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◎标 签 哈利波特 | 魔幻 | 英国 | harrypotter | 美国 | 2010 | 成长 | 经典
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◎简 介
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, K5 ]+ E7 [6 k& H, f 邓不利多死后,伏地魔(Ralph Fiennes 饰)与食死徒入侵魔法学校,魔法部也被伏地魔的爪牙操控,邪恶的阴云笼罩魔法世界上空。在哈利·波特(丹尼尔·雷德克里夫 Daniel Radcliffe 饰)17岁生日之际,凤凰社成员及一众好友护送他回到了凤凰社的据点陋居,然而这立即遭到食死徒毁灭性地打击。哈利和罗恩(鲁伯特·格林特 Rupert Grint 饰)、赫敏(爱玛·沃特森 Emma Watson 饰)侥幸逃亡,并且按照邓不利多的嘱托继续寻找伏地魔的魂器。死亡的威胁时刻逡巡左右,他们还要面对友情的考验。在寻找摧毁魂器方法的过程中,死亡圣器的面纱也渐渐揭开。
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& z" ]5 O8 O l8 f! g( w 与此同时,为了置哈利于死地,伏地魔也在寻找最后一件死亡圣器。最后的决战即将到来……5 q) P7 e: Q( v5 s
" `- w1 y. e# W As Harry, Ron and Hermione race against time and evil to destroy the Horcruxes, they uncover the existence of the three most powerful objects in the wizarding world: the Deathly Hallows.4 X' q H5 x0 Q
& W5 p' t" g% \7 y% C/ `◎获奖情况 5 N5 r: l1 @/ q( }2 D
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第83届奥斯卡金像奖 (2011)
. ~- z3 {8 X- S; L" B 最佳视觉效果(提名) 约翰·理查森 / 克里斯蒂安·曼兹 / 蒂姆·伯克 / 尼古拉斯·阿萨迪3 d2 o6 o! v6 o. o
最佳艺术指导(提名) 斯图尔特·克莱格 / 斯蒂芬妮·麦克米兰
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* o6 p" o; K& v, Q 第20届MTV电影奖 (2011): H8 M% `' {$ t5 k% B$ p
MTV电影奖年度电影(提名)4 x$ ^2 \) v5 x7 M
MTV电影奖最佳女演员(提名) 艾玛·沃森1 [5 C& n ], g
MTV电影奖最佳男演员(提名) 丹尼尔·雷德克里夫
& m( b- n3 Z/ Z: z MTV电影奖最佳吻戏(提名) 艾玛·沃森 / 丹尼尔·雷德克里夫
; J& t& T4 U- p5 n7 A, Q/ L MTV电影奖最佳打斗(提名) 艾玛·沃森 / 丹尼尔·雷德克里夫 / 鲁伯特·格林特 / 阿尔本·巴贾拉克塔拉贾
: l* b u( ^8 T, t; u: {, G, v MTV电影奖最佳反派 汤姆·费尔顿 . l& y& L% U" t0 J5 d
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第12届美国电影学会奖 (2011)7 w Q+ m& E. e- @: o/ G+ x" j
特别表彰
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+ J0 T5 R: S/ `$ C" v9 P' z( E 第9届华盛顿影评人协会奖 (2010)
! f& D8 x; j- o- ]/ a) m 最佳艺术指导(提名)
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& o8 L5 S; d* u5 n 第15届圣地亚哥影评人协会奖 (2010)
4 `: f* J5 U! I, F Z3 z 最佳摄影(提名) 爱德华多·塞拉
8 }2 T4 ]: Q- ` ]8 V* r& i 最佳艺术指导(提名) 斯图尔特·克莱格
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6 Z# k0 U3 m" V7 R% d" r 第10届凤凰城影评人协会奖 (2010)9 `, i9 T/ D2 G+ E+ x
最佳摄影(提名) 爱德华多·塞拉: C9 V d& E' r2 n
最佳视觉效果(提名) 2 n7 x6 t. b& N6 E3 a L
% Z9 b5 X4 j: Q5 B2 B9 N% F 第13届美国青少年选择奖 (2011)/ W# E+ f* |/ ~: ]7 |
最佳科幻/奇幻电影
# o5 e5 y' _; b9 }" A 最佳科幻/奇幻电影男演员(提名) 丹尼尔·雷德克里夫5 z, k) Q: |% }
最佳科幻/奇幻电影女演员 艾玛·沃森! B- N# r: B; v
最佳电影反派 汤姆·费尔顿' F( G4 e) H& k
最佳电影吻戏 艾玛·沃森 / 丹尼尔·雷德克里夫
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- DISC INFO:
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8 [* X9 s K% U8 H" P( e; ]- Disc Title: Harry.Potter.and.the.Deathly.Hallows.Part.1.2010.2160p.BluRayCD.HEVC.DTS-X.7.1-SUPERSIZE 55.95 GB* R) ^, X- L$ i. R: g. N |1 N
- Disc Size: 60,079,767,898 bytes
! Q" G* |: l/ z& h - Protection: AACS2# G, A) m! h1 f7 Y3 j4 {* g- i% @1 c% n
- BD-Java: Yes4 K6 v5 [ ?+ O, R
- Extras: Ultra HD' y) K. Q) r6 Q& L9 j
- BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.7.6)6 U7 v( @) E) ^4 p6 C
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- PLAYLIST REPORT:
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?( q& [5 a/ t- Name: 00020.MPLS
& a7 e/ b( ?# s. f& p7 ~ - Length: 2:26:05.256 (h:m:s.ms)
+ |2 b1 b7 N- `, M$ {# j - Size: 59,336,189,952 bytes J( [0 ~* l+ Q, ?8 E
- Total Bitrate: 54.16 Mbps/ Q( y# b( a4 o* z* L0 j8 l' _
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- Video:
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- Codec Bitrate Description
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& o- r/ W- P$ V1 f. s - MPEG-H HEVC Video 47176 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /7 e1 U0 _4 `( g- d2 S
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- AUDIO:
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2 J7 x0 q" q; C# @5 Z5 V1 G- Codec Language Bitrate Description
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2 ~( h' B. k0 J8 ]2 o/ ?8 \8 N# |) N* v - DTS:X/DTS-HD Master Audio English 3683 kbps 7.1-X / 48 kHz / 3683 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)+ `3 S$ T- I+ k% T, \
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
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$ n6 [# v& b1 g: O# F- SUBTITLES:
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- Codec Language Bitrate Description* ?5 Q4 E' a- b5 }+ T0 d
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- Presentation Graphics English 26.925 kbps
% F3 ^8 r7 b8 N3 D! H( T - Presentation Graphics Spanish 21.301 kbps
3 W. F* V8 u8 X - Presentation Graphics Spanish 0.104 kbps
复制代码 Harry Potter and the Deathly Hallows: Part 1 4K Blu-ray, Video Quality 5 d% Q% ` w! C
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(Note: Screenshots included with this review are 1080p captures from the standard Blu-ray disc. Watch for 4K screenshots at a later date.The Video score has been retained from prior reviews.)
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According to the best available information, Warner's 2160p, HEVC/H.265-encoded UHD presentation of Harry Potter and the Deathly Hallows: Part 1 has been sourced from a 2K digital intermediate, which limits the prospect that the format's superior resolution will reveal additional detail. Still, the HDR encoding provides subtle but noticeable improvements over the standard Blu-ray, courtesy of enhanced contrast, black levels and highlights. Deathly Hallows: Part 1 continues the dark, shadowy and desaturated visual style evident in all four of director David Yates's entries in the Potter series, which remained a consistent trend despite the involvement of three different cinematographers—Slawomir Idziak for The Order of the Phoenix, Bruno Delbonnel for The Half-Blood Prince and Eduardo Serra for The Deathly Hallows: Part 1 and Part 2. Unlike in Order of the Phoenix and Half-Blood Prince, the UHD's creators do not seem to have accentuated the pervasive darkness in their rendering of Deathly Hallows: Part 1. Indeed, a number of sequences are actually a touch brighter with HDR encoding, e.g., the Dursleys' departure from Privet Drive and Harry's farewell to No. 4, or the rocky seaside heights where Harry and Hermione hunker down to consider their options after escaping their pursuers.) p, o2 W- m# ` ]
4 s& ^) _0 o; S/ e9 C! S7 qHowever, the most noticeable benefits of HDR in Deathly Hallows: Part 1 appear in its darkest sequences, courtesy of improved contrast and highlights. The entire early sequence at Malfoy Manor, which begins with Snape's teleported arrival and concludes with Valdemort feeding Charity Burbage to his snake, is rendered newly vivid by the UHD's ability to clearly delineate between separate areas of darkness. The shot of future puppet minister Pius agreeing with Valdemort while the snake Nagini watches him from the right of frame is noticeably more menacing, and the recurrent closeups on Snape are more affecting with the heightened contrast separating his pale features from their frame of jet-black hair. (Snape's reactions—or lack thereof—are critical to the scene.), V1 G5 m! q7 ~
9 G: v3 C! G2 q4 DAnother good example occurs later in the film, when Harry dives beneath the icy surface of a frozen pond to retrieve the Sword of Gryffindor. The Horcrux around Harry's neck hinders his effort, pulling him back, and Harry's struggles in the dark water are clearer, and the movements of the Horcrux necklace are more readily visible, with the benefits of HDR.
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. J M, G8 K' _2 tExcept for eruptions of magic, colors on the UHD remain muted and desaturated, though not to the extent seen in The Half-Blood Prince. For this entry in the series, the UHD colorist appears to have hewed to the palette originally established on the Blu-ray of Deathly Hallows: Part 1.
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[System calibrated using a Klein K10-A Colorimeter with a custom profile created with a Colorimetry Research CR250 Spectraradiometer, powered by SpectraCal CalMAN 2016 5.7, using the Samsung Reference 2016 UHD HDR Blu-ray test disc authored by Florian Friedrich from AV Top in Munich, Germany. Calibration performed by Kevin Miller of ISFTV.]
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Harry Potter and the Deathly Hallows: Part 1 4K Blu-ray, Audio Quality 8 f6 B8 w% Z7 P% w
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Previous releases of The Deathly Hallows: Part 1 contained a 5.1 soundtrack encoded in DTS-HD MA, but the UHD arrives with a DTS:X soundtrack that, on audio systems not yet equipped to decode that format, should play as DTS-HD MA 7.1. Kenneth Brown's review gave the mix highest marks, noting "the ungodly dissonance that opens the film", "the raging storm that gives way to the end credits", a bevy of surround effects that "turn[ ] forest chases and Horcrux battles into enveloping show-stoppers" and "thunderous elements [that] put the LFE channel through its paces and deliver the sonic goods, time and time again". Ken's audio score of 5 leaves me no room for increase, but the DTS:X encoding does indeed surpass its predecessor in numerous respects.
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Start with that opening dissonance, as the Warner logo advances toward the camera, rusting, cracking and disintegrating as it goes. In DTS:X, the crackling and warping sounds are finer and more realistic, which makes them even more unsettling, and they move from front to back with increased precision. Harry's escape from Privet drive on Hagrid's flying scooter—a bravura combination of aerial acrobatics and demolition derby—is newly energized, from the overhead takeoffs passing Mad-Eye Moody to the flock of Death Eaters that attack Harry and his allies, with multiple flying objects precisely localized in an enveloping three-dimensional space. The multi-directional elevators in the Ministry of Magic clank and rattle more expansively, and Ron's explosive diversion to cover his entry into Dolores Umbridge's office is similarly expanded, with multiple jangles and pulses positioned throughout the listening room. When the Horcrux necklace is opened, Voldemort's voice darts deftly through the speaker array, as the dark wizard mounts his psychological attack against Ron (the 5.1 mix makes it a more generalized presence). None of these enhancements come at the expense of dialogue intelligibility or the reproduction of Alexandre Desplat's score.6 l1 h4 g% W) U7 B" q
. F0 ~8 [/ m" F6 P- I. N& o+ ZIt should be noted that "object-based" sound formats are designed to be adaptive, and DTS:X in particular touts its ability to adjust to a wide variety of speaker configurations. Still, the degree to which the new mix produces audible benefits in the home theater will no doubt vary depending on individual sound systems and speaker arrays. For reference, I listened to The Deathly Hallows: Part 1 on a 7.1.2 speaker configuration, consisting of front left, right and center, and two each of side, rear and "height" speakers, plus subwoofer.
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