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[4K极清电影] 伸冤人3/私刑教育3 [4K蓝光原盘] The Equalizer 3 2023 4K UHD COMPLETE 2160p BluRaycd HEVC TrueHD 7.1 Atmos-MassModz 52.92GB

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黄金嫖客 发表于 2024-2-25 15:33:42 | 显示全部楼层 |阅读模式
Robert McCall finds himself at home in Southern Italy but he discovers his friends are under the control of local crime bosses. As events turn deadly, McCall knows what he has to do: become his friends' protector by taking on the mafia.
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( G$ P# c" C* Z2 E9 G8 C6 X◎译  名 伸冤人3/私刑教育3(台)/叛谍裁判3:终极一战(港). C1 s* N! z5 I+ E7 p2 w* g
◎片  名 The Equalizer 3 # Z0 d3 `& t: B  p
◎年  代 2023
" l( ^# w- Q: m/ x◎产  地 美国/意大利
1 v5 i. K; j9 I3 }- \◎类  别 动作/惊悚/犯罪
; u" x- @. R' h  G/ Q: o' {◎语  言 英语/意大利语" ~& A# W3 ^% y3 o1 ~6 k1 A
◎上映日期 2023-08-30(意大利)/2023-08-31(中国台湾)/2023-09-01(美国), g( a) v. Z- U' P- g5 B0 H: Q# g
◎IMDb评分  6.8/10 from 102,128 users2 ^* e: Z% b7 T( `5 F: W- }- t
◎IMDb链接  https://www.imdb.com/title/tt17024450/
4 }3 ~' [* a4 S7 E4 u1 H◎豆瓣评分 7.2/10 from 37,841 users3 _+ P" O* ?: v& ?
◎豆瓣链接 https://movie.douban.com/subject/35736400/( V' ?& t6 X9 |1 [! G
◎文件格式 x265 + TrueHD
$ G  o$ G% Z0 Z3 k$ v' ^1 o' ?◎视频尺寸 3840 x 2160! r& K0 T4 K6 @  [
◎文件大小 1DVD 52.92 GiB
5 m. |# U- P, B◎片  长 1 h 48 min
7 Y" g0 T, ^' K◎导  演 安东尼·福奎阿 Antoine Fuqua! D) q- W( B6 S% _5 d9 |3 }
◎编  剧 理查德·温克 Richard Wenk
; M9 n& d, o' {3 d3 G       迈克尔·斯隆 Michael Sloan, l. P! o& x5 F. |/ h/ J
       理查德·林德海姆 Richard Lindheim
, ?0 `+ e, l! S) `8 j. F/ |9 [7 [◎演  员 丹泽尔·华盛顿 Denzel Washington - N5 a0 ~% d7 R/ T6 _! ]7 ~  \4 e: V
       达科塔·范宁 Dakota Fanning * u& F. t3 L1 f4 G2 i
       欧吉尼奥·马斯特兰德雷亚 Eugenio Mastrandrea
' y- x$ H8 N& i$ ]% h       大卫·丹曼 David Denman # ^! C/ Y3 R+ m. n5 d
       盖亚·斯考达里奥 Gaia Scodellaro  
3 R8 B9 C/ Z8 @       雷莫·吉罗内 Remo Girone
9 U) o: l5 J  c+ M1 `& I) s, H& p       安德烈·斯卡杜齐奥 Andrea Scarduzio
4 E8 N- e) a" L, K       安德烈埃·多德罗 Andrea Dodero
. k9 s( d2 `" V9 s       丹尼尔·佩罗内 Daniele Perrone
9 X0 g/ T1 F5 |8 F       扎卡里亚·哈姆扎 Zakaria Hamza ; @3 E) B5 G1 X; u
       索尼娅·阿马尔 Sonia Ammar / l3 W5 m6 |+ y
       尼可洛·森尼 Niccolò Senni
( Q. L% D8 H  R6 F; @       布鲁诺·比洛塔 Bruno Bilotta & e6 f1 ^3 q/ Y( C
       萨尔瓦多·罗科 Salvatore Ruocco
5 [: J: ~7 L8 L: X" Y       迪亚·兰扎罗 Dea Lanzaro 1 {& A1 m4 q, T. G  @
       亚历山德罗·佩斯 Alessandro Pess
# o$ h: y# F; _2 d7 R5 K" _3 ?       尼科洛·法瓦 Niccolò Fava
* i% b3 v9 i3 E" E/ M       阿德里安·萨布里 Adriano Sabrie 8 Y, A( n2 U8 q4 u' |
       亚历山德罗·泽维尔·德席尔瓦 Alessandro Xavier De Silva " ?/ }: b# m& K$ X2 u9 x$ N) C
       玛塔·佐菲利 Marta Zoffoli : v3 t) f: M' ~/ I6 E8 N' R- u; ^
       曼努埃拉·塔西奥蒂 Manuela Tasciotti
2 \6 c3 k" j: \: q" l       约翰·特罗贝塔 Giovanni Trombetta
" E, ~+ G5 [  a/ V7 s1 u. q7 `       丹尼尔·奥纳泰利 Daniele Ornatelli
! j% W/ ~) W; d/ Z       伊莎贝拉·戴尔·莫纳奇 Isabella Delle Monache
8 w% d" ?) e& G6 r/ p/ |' F+ i, K       瓦莱里奥·达·席尔瓦 Valerio Da Silva ' M8 |1 v7 `4 t0 }) T' O: `
       詹路易吉·希拉 Gianluigi Scilla . E- i* ?% w9 e8 P9 C5 h
       乔瓦尼·斯科蒂 Giovanni Scotti $ i" O4 z5 e/ G; J% p7 f: _
       马科·朱利安尼 Marco Giuliani 7 {1 r) z3 f+ W: K/ N
       毛罗·克雷莫尼尼 Mauro Cremonini
; |$ m7 u) ]; u8 Z8 j3 r- j' [& d       阿尔坎杰罗·扬内斯 Arcangelo Iannace
" K$ |( j  f( ~2 z* Y0 \       比阿特丽斯·艾洛 Beatrice Aiello
6 U. g" A9 M( b* z; b4 z; S       克里斯蒂亚诺·皮塔雷洛 Cristiano Pittarello
; l" k: }! S0 i       阿戈斯蒂诺·屈马列洛 Agostino Chiummariello
. [8 \1 `* @* I/ T       玛丽亚·罗萨里亚·明吉奥内 Mariarosaria Mingione
) v) C; H/ C: O( o' F  q6 h; G       马科·西卡莱丝 Marco Cicalese
# p  K* S0 w# N, }  c       迭戈·里亚斯 Diego Riace
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$ |; A: z. X/ J; ~◎简  介 
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0 }8 m  {: K; v$ @# X8 z; m' D  退休特工兼私人侦探罗伯特·麦考尔(丹泽尔·华盛顿 饰)大杀四方为复仇之路写下最后一章。他放弃了为政府担任杀手的生活,并一直在努力调解过去所做的可怕之事,在代表被压迫者伸张正义时,他的内心找到了一种奇怪的慰藉。在意大利南部,罗伯特发现他的新朋友被犯罪头目控制了,随着事件变得致命起来,罗伯特知道自己必须与黑手党交手,以保护朋友安全。1 D2 T+ H8 n' D) F, ?( Y  H

: y/ V/ d" `# B# c0 ?  Since giving up his life as a government assassin, Robert McCall has struggled to reconcile the horrific things he’s done in the past and finds a strange solace in serving justice on behalf of the oppressed. Finding himself surprisingly at home in Southern Italy, he discovers his new friends are under the control of local crime bosses. As events turn deadly, McCall knows what he has to do: become his friends’ protector by taking on the mafia.
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The.Equalizer.3.2023.4K.UHD.COMPLETE.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-MassModz 52.92 GB: Q# s4 n5 v$ ?9 p0 {1 l

, T$ x1 k0 h+ y1 ^IMDB Link - https://www.imdb.com/title/tt170244507 p0 e4 h( U7 H

/ l* D9 l. R" U8 g/ D; NVideo #1
: U2 P& I: P! lID: 4113 (0x1011)
: g' j/ }; T; J& H1 W2 wMenu ID: 1 (0x1)
  d7 w' H6 C6 E/ U: d7 aFormat: HEVC- Z/ B9 c+ x, k( H& V3 e7 ?
Format/Info: High Efficiency Video Coding
8 ~2 f1 V3 G- n8 tFormat profile: Main 10@L5.1@High3 y, m& R* y& A- w5 _: U5 ?: j
HDR format: SMPTE ST 2086, HDR10 compatible
8 G! S3 H% h( s; s, MCodec ID: 36
! D* F7 \! ^: TDuration: 1 h 48 min
& c0 C- C9 s9 P: Z5 k# q# A1 sWidth: 3840 pixels
9 n9 D$ E6 v# C8 C5 oHeight: 2160 pixels
/ g7 E8 [6 r5 L3 g" J! {4 kDisplay aspect ratio: 16:9
1 R6 E" d& }& Q& B/ G: ]Frame rate: 23.976 (24000/1001) FPS  {3 H- M) Y" a) p, y; |5 w4 Y
Color space: YUV
2 @$ x* `  ~9 f# aChroma subsampling: 4:2:0 (Type 2)
( Y0 y" O+ L; u. E5 f3 o, F9 gBit depth: 10 bits3 J3 Y7 T& b5 c4 a! S% t
Color range: Limited
7 `9 Z0 H# ~0 N- G- CColor primaries: BT.2020/ r9 d6 [2 J# k8 x
Transfer characteristics: PQ( \0 I5 X8 t2 T4 b# ]) t) F
Matrix coefficients: BT.2020 non-constant$ u+ g' {' G% {; t6 ^" a
Mastering display color primaries: BT.20200 D/ B4 ]5 x  R( N2 D+ g
Mastering display luminance: min: 0.0001 cd/m2, max: 1000 cd/m2/ G1 X2 ~  C( I( k
Maximum Content Light Level: 1057 cd/m2
( I* ]6 l' w/ m& mMaximum Frame-Average Light Level: 333 cd/m2
/ d; V5 ]! W$ P( [1 r. L" {+ t# [. D) F7 c: _" Q
Video #2 (Dolby Vision)) x1 ]" W5 y. R) s
ID: 4117 (0x1015)
! y! S& g/ X) J5 |Menu ID: 1 (0x1)
9 T7 \; Z  \+ CFormat: HEVC7 S% f( j4 O6 j6 K, \$ [: y
Format/Info: High Efficiency Video Coding; w) Z4 r5 F9 J
Format profile: Main 10@L5.1@High  J, r3 D. @3 `% G$ C- N1 d0 h# u
HDR format: SMPTE ST 2086, HDR10 compatible
" h( _7 K# d2 G9 O& ?: _8 |- _7 SCodec ID: 36
" w  W( b& Z3 q9 Q% ^' \Duration: 1 h 48 min" g$ [5 K* d" y( L
Width: 1920 pixels5 P4 s9 f, M, \5 u3 G" ~9 _& J
Height: 1080 pixels
. N$ Z" X/ g0 {+ rDisplay aspect ratio: 16:9
( O5 Z$ _3 }6 K0 DFrame rate: 23.976 (24000/1001) FPS
* ~! `7 p/ p) i: Q5 x, m5 i: IColor space: YUV
, S7 ?2 h1 H* p- ]9 e/ g; ~+ _& f, b, aChroma subsampling: 4:2:0 (Type 2); m3 T; g9 s6 S/ m* B: o
Bit depth: 10 bits
3 Z# Q" ]" n* B+ X0 ^Color range: Limited2 Q0 f8 g, H- S! h8 J, q, U
Color primaries: BT.2020
3 E0 ^" Z7 \7 w0 h3 T7 f" H# ZTransfer characteristics: PQ
$ g' ?7 s6 W. l2 b; s9 f# yMatrix coefficients: BT.2020 non-constant
' B* ?6 L- a1 G5 {  J$ U7 PMastering display color primaries: BT.20205 c& l9 G1 q0 D$ A
Mastering display luminance: min: 0.0001 cd/m2, max: 1000 cd/m2
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Audio #1
: W6 o# {" z& [! P. l; `ID: 4352 (0x1100)" J! c8 i9 q/ K5 |( `) x
Menu ID: 1 (0x1), r6 H4 y' P8 N* r- o, f
Format: MLP FBA AC-3 16-ch( r. v' k# D& }; ^* o9 h
Format/Info: Meridian Lossless Packing FBA with 16-channel presentation$ c' ~; a3 S5 i
Commercial name: Dolby TrueHD with Dolby Atmos
" u  x3 t8 A3 a, zMuxing mode: Stream extension( r) @7 E0 b" H1 Z7 c; \) q
Codec ID: 131
7 e8 V) A8 n6 [  hDuration: 1 h 48 min: T" @; [: x4 w8 j. K; f$ U
Bit rate mode: Variable
4 X; N3 Q+ j9 S! iBit rate: 640 kb/s
% y% K8 p$ @0 S4 g2 fMaximum bit rate: 6783 kb/s2 Q6 A7 w4 z% q1 u0 d$ N9 R
Channel(s): 8 channels
5 @+ _& d! v2 KChannel layout: L R C LFE Ls Rs Lb Rb
) N% G2 |  J! o7 H+ gSampling rate: 48.0 kHz
' d7 n0 T' o4 NFrame rate: 31.250 FPS (1536 SPF)
* g# e: F) W: }! N9 X9 H6 C, P! fCompression mode: Lossless
2 R, m, }7 I% T& ]Stream size: 469 MiB (1%)" [- J( S; E  P, O3 V/ F8 o
Service kind: Complete Main
+ y5 k4 B+ j3 ^0 ]  JNumber of dynamic objects: 11
5 p! B$ \* ^/ fBed channel count: 1 channel2 E& F* M, \5 J& ~- X" {  y
Bed channel configuration: LFE# s6 u, t$ Z/ D! G$ ?; r: w1 x
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Subtitles: English, English, French, Spanish, French
; c9 c' j: z% B5 ~  |Audio Channels: English (7.1), English (5.1), French (5.1), French (5.1), Spanish (5.1)
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, |1 v( ~# l2 f" Q3 AIMPORTANT INFO: A FEW USERS ARE REPORTING ISSUES WITH SYNC ETC, I SUGGEST TO CONVERT THE BMDV AND CERTIFICATE FOLDERS
0 A; z$ }6 L. K* i' [: d5 K6 j* r3 AINTO .ISO AND PLAY IT THAT WAY. OR IF REMUXING TRY DOING IT DIFFERENTLY, THERE IS NO PROBLEM WITH THIS TORRENT. I DOUBLE CHECKED.
The Equalizer 3 4K Blu-ray, Video Quality   
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0 n- J" y" n/ f+ OThe Equalizer 3 arrives on 4K Blu-ray with a top tier 2160p video presentation that's every bit as good (perhaps more so?) than the Equalizer series' equally impressive 4K predecessors. Like the Blu-ray edition, colors here are muted overall, as is contrast, but that's in keeping with the film's original photography. It's a tad strange to see Italian vistas overcast with such cold hues -- often its' quite the opposite, with flooding oranges and overbearing ambers -- but it certainly suits Fuqua's established tone and lends a sense of sadness, even loneliness to the picture. That's not to say there aren't any moments of warmth or lush color to be had (blood reds are especially visceral), only that the palette's strengths are more subtle. There is a slight uptick in depth and fullness in the image thanks to the benefits of HDR colors, and pale blues and fleshtones are perceivably, though minimally, more natural and refined. Black levels remain rich and inky throughout as well and delineation remains quite remarkable despite the heaviness and opaque nature of the deep, noir-esque shadows. Detail, meanwhile, is more than striking; noticeably more so than with the 4K presentation's 2K counterpart. Razor sharp edges are free of any oddities, fine textures are incredibly revealing (especially in close-ups of Washington's wizened face), and only a handful of shots exhibit any softness (even then, each instance is clearly part of the original source rather than an issue with the encode). There also isn't any hint of banding, artifacting or other irritating anomalies of note, even when bright lights punctuate the darkness. The 4K encode remains proficient from start to finish and edges out the standard Blu-ray image. Fans will want to spends a few extra dollars on this one.
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The Equalizer 3 4K Blu-ray, Audio Quality   
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The 4K Blu-ray release of The Equalizer 3 comes complete with a near-reference level Atmos mix, one that doesn't traffic in bombast but rather organic, convincing aural delights that are more interested in crafting an experience than a soundscape. Voices are clean and crystal clear, perfectly prioritized in both more subdued and balls-to-the-wall action-fueled scenes, and music never falls too far or blares too loud to do anything less than enhance the experience. Every additional surround channel tends to deal in softer, more nuanced wares -- ambient city sounds, fluttering birds, distant cars, chattering restaurant crowds and the like -- but smooth pans are spot-on directionality create an immersive, wholly believable soundfield, especially with this Atmos track, which handily bests its lossless standard Blu-ray counterpart. Low-end output isn't just the icing on the cake, it's a tasty, beautifully rounded dessert unto itself. It not only retains a presence as McCall quietly roams his new Italian stomping grounds, it roars to life when car bombs, mayhem, street violence or, more to the point, McCall erupts. It even lends notable brutality boosts in key sequences (an attack on a policeman's family, the film's opening killings, etc.) There's also a sonic floor-drop sensation every time action is about to explode (took me a bit to hear it but it's there), drawing you in then flinging you back (so to speak) when machine guns fire, cleavers thunk into skulls or bodies, erm, hit the floor. (Apologies for the song that just popped into your head.) 4K release and Atmos enthusiasts will be ecstatic. This is what it's meant to sound like, kiddos.! F& K* o: `9 U5 e8 |/ p+ H' \
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