紫雨/王子普林斯：紫雨 [蓝光原盘] Purple Rain 1984 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 41.60GB

A talented musician with a promising career struggles with family issues, romantic tributlations and a brewing revolt by the members of his band.
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◎译　　名　紫雨/王子普林斯：紫雨
. P3 Y5 F+ j! |◎片　　名　Purple Rain
7 P* d: w; B# r$ S' V◎年　　代　1984
◎产　　地　美国
◎类　　别　剧情/爱情/音乐/歌舞
7 t) U3 R3 A: H8 H: \( m% z◎语　　言　英语
$ g/ X! k8 {' w# r( Y- F5 _◎上映日期　1984-07-27(美国)
◎IMDb评分  6.5/10 from 24,336 users
2 z0 \, ~6 s2 n* o◎IMDb链接  https://www.imdb.com/title/tt0087957/
5 q/ Y% X9 e- b◎豆瓣评分　7.8/10 from 1,585 users
3 s" H  R& i7 H* J2 q' m- X5 s◎豆瓣链接　https://movie.douban.com/subject/1293424/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
" x2 c/ Y+ T2 e( n( o) g◎文件大小　1DVD 41.60 GiB
◎片　　长　1:51:13.541 (h:m:s.ms)
◎导　　演　阿尔伯特·马格诺里 Albert Magnoli
1 O- c7 y+ ]. ~  U/ G. M3 _◎编　　剧　阿尔伯特·马格诺里 Albert Magnoli
- }$ q0 X8 I: U! d" |* D　　　　  　威廉·博林 William Blinn
& @( i7 s8 @3 d1 ]6 p1 m0 ?◎制  片  人　Robert Cavallo
　　　　  　Joseph Ruffalo
& I, M+ A/ k& t; x% E8 E◎演　　员　王子 Prince
" d+ |+ ~0 x9 w# B　　　　  　阿波罗尼·卡特罗 Apollonia Kotero
　　　　  　莫里斯·黛 Morris Day
　　　　  　奥丽娃·维拉索布罗斯 Olga Karlatos
　　　　  　克兰伦斯·威廉姆斯三世 Clarence Williams III
$ K* }, ]8 C- J# m" p7 m　　　　  　杰罗姆·本顿 Jerome Benton
6 R' E1 k4 E" C( U  k1 _　　　　  　Matt Fink
- u' e7 Q4 O* R& r3 a" b8 ]　　　　  　Brown Mark
6 n9 ^$ Y1 h" F* K" Q& C3 y　　　　  　Bobby 'Z' Rivkin

◎标　　签　音乐 | 传记 | 美国 | prince | 摇滚 | 1984 | 青春 | 爱情
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　　自恋敏感又才华横溢的歌手王子（Prince 饰）在享誉盛名的“第一街”舞台上光彩照人，然而最近他的事业出现了停滞：竞争对手“时代”乐队咄咄逼人；家暴的父亲令家中的气氛凝固；他的乐队也出现了不团结；而第一街经理莫里斯对王子的表现日益不满，考虑为这个送出了众多明星的舞台寻找更有魅力的歌手。追寻音乐梦想的少女罗尼亚（Apollonia Kotero 饰）邂逅王子，很快与其陷入恋情，另一方面，王子始终拒绝演唱乐队合作伙伴为他创作的歌曲，这让两位同队姑娘苦恼不已。面临事业的困境和父亲的死亡，王子选择用音乐冲破内心的桎梏……
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　　本片是音乐鬼才Prince‘王子’的自传式剧情片。
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　　A young musician, tormented by an abusive situation at home, must contend with a rival singer, a burgeoning romance, and his own dissatisfied band, as his star begins to rise.

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1. DISC INFO:
   
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3. Disc Title:     Purple.Rain.1984.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
   
4. Disc Size:      44,669,645,033 bytes
   
5. Protection:     AACS
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6. BD-Java:        No
   
7. BDInfo:         0.5.8
   
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9. PLAYLIST REPORT:
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11. Name:                   00100.MPLS
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12. Length:                 1:51:13.541 (h:m:s.ms)
    
13. Size:                   36,210,966,528 bytes
    
14. Total Bitrate:          43.41 Mbps
    
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Purple Rain Blu-ray, Video Quality   
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Purple Rain's 1080p, VC-1 encoded transfer is full of hits and misses. The source print is nearly immaculate, with only a few spots and speckles throughout the film. Colors are generally bold, with big washes of blues, yellows, reds, and—of course—purples soaking the stage during Prince's literally off-the-wall performances. The overall look is far better than the dull presentation of the DVD, but it's far from Warner's best restoration jobs. While certain sections of the film look sharp, many scenes have an almost gauzy softness and the image in general lacks any real HD pop. Black levels are inconsistent, sometimes looking great, occasionally crushing detail—the strands of Prince's hair get easily lost—and other times looking grayish and washed out. Grain levels are similarly helter skelter, with outdoor scenes, like the motorcycle sequence, appearing almost grain- free, while darker interiors and night shots show rampant patches of analog noise. The film looks good, don't get me wrong, but it lacks the crispness and depth of other restored catalog titles.

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0 c/ L% Y* `, U9 Z. G: r% eFor a rock 'n roll film, Purple Rain's TrueHD 5.1 surround track lacks some serious punch. Like the image quality, the audio is never bad, but it does show the limitations and age of its source materials. Bass sounds undefined and overpowering, the mid-range rhythm section feels occasionally flat, and the high-end screeches and squalls of Prince's face-melting guitar solos are rendered thin with compression. Rear channels are used almost entirely for ambience—I can't recall a single discrete effect—and most of the music is blasted from the front speakers. Though the lack of directionality in the music is perhaps accurate for a rock concert—where the speakers are all facing outward—I could live with a rounder sound at the expense of realism. Dialogue, on the other hand, is mostly clear and discernable, though occasionally a line will get lost in the din of the First Avenue club. Overall, this is a clean but dynamically flat track that never rocks the house quite like you imagine it could.
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