险恶/凶兆/邪灵 [蓝光原盘] Sinister 2012 1080p BluRaycd AVC DTS-HD MA 5.1-PCH 35.44GB

Found footage helps a true-crime novelist realize how and why a family was murdered in his new home, though his discoveries put his entire family in the path of a supernatural entity.

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2 ^5 r# H9 q& I  N◎译　　名　险恶/凶兆(台)/邪灵(港)
9 R- G, b, w- h, b& O; H! ]( r◎片　　名　Sinister
6 n% w& _( q; u, L2 O◎年　　代　2012
% R7 \/ T8 i, g! L! {! P; v* h◎产　　地　美国/英国/加拿大
◎类　　别　恐怖/悬疑/惊悚
+ j. z+ t1 C8 d" E2 i: X: `◎语　　言　英语
* G* u$ B% v# a" Q6 B◎上映日期　2012-10-05(英国)/2012-10-12(美国)
◎IMDb评分  6.8/10 from 280,126 users
. z4 ~% f. v7 K$ K3 O◎IMDb链接  https://www.imdb.com/title/tt1922777/
! ]- t  g  D, B5 Z& w6 P5 j◎豆瓣评分　6.9/10 from 32,119 users
5 E: ^8 @; q" d$ R5 @◎豆瓣链接　https://movie.douban.com/subject/6875615/
4 m4 b  o  e& F5 d. u& B" `% ^◎文件格式　x264 + DTS
& n* v$ p8 s( T* e1 Z1 J. ]◎视频尺寸　1920 x 1080
◎文件大小　1DVD 35.44 GiB
◎片　　长　1:49:45.662 (h:m:s.ms)
◎导　　演　斯科特·德瑞克森 Scott Derrickson
1 w; n" @. A* i5 L# ?: V8 d◎编　　剧　斯科特·德瑞克森 Scott Derrickson
9 r, x; @+ R' S+ n1 {% J　　　　　  C·罗伯特·嘉吉 C. Robert Cargill
◎演　　员　伊桑·霍克 Ethan Hawke
　　　　　  文森特·多诺费奥 Vincent D'Onofrio
6 c- o8 G+ L" r6 X6 e, Z6 r' W　　　　　  詹姆斯·兰索恩 James Ransone
　　　　　  弗雷德·多尔顿·汤普森 Fred Dalton Thompson
6 \% ^( z5 v& g3 c$ I- T" H  s　　　　　  克莱尔·弗利 Clare Foley
　　　　　  朱丽叶·赖伦斯 Juliet Rylance
  b% Y8 T2 k7 P5 N7 j0 v- V$ @+ X　　　　　  麦克·霍·迪阿达李奥 Michael Hall D'Addario
　　　　　  斯科特·德瑞克森 Scott Derrickson
, v* Y1 ?2 Y3 r' ^: P　　　　　  克里斯托弗·杨 Christopher Young
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( C6 ^1 }4 y' V, J1 @4 X◎标　　签　恐怖 | 惊悚 | 美国 | 悬疑 | 2012 | 血腥 | 犯罪 | 险恶

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　　埃里森·奥斯沃特（伊桑·霍克 Ethan Hawke 饰）是一个十几年前小有名气的犯罪小说作家，为了寻找创作灵感，他不惜一次次搬入曾经发生过命案的凶宅。时至今日，为了重现往昔的辉煌，他再次带着妻子崔茜（Juliet Rylance 饰）以及一双儿女特里夫（Michael Hall D'Addario 饰）和艾丝莉（Clare Foley 饰）搬入一栋凶宅。在收拾阁楼时，他偶然发现一卷家庭录影带，里面记录着房子前主人一家快乐幸福的生活瞬间以及他们被吊死在树上的惨烈画面。此后的日子里，他一遍遍观看录影带，从中寻找罪犯的蛛丝马迹，并且在房屋内的每个角落追查线索。
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　　在这一过程中，各种诡异事件相继在家人身上发生。埃里森此时已难以抽身……

　　A controversial true-crime writer finds a box of Super 8 home movies in his new home, revealing that the murder case he is currently researching could be the work of an unknown serial killer whose legacy dates back to the 1960s.

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1. Sinister.2012.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-PCH
   
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3. http://www.imdb.com/title/tt1922777/
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4. 
   
5. Disc Size: 38,064,607,723 bytes
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6. Protection: AACS
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7. BD-Java: No
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8. Playlist: 00000.MPLS
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10. Size: 31,204,085,760 bytes
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11. Length: 1:49:45.662 (h:m:s.ms)
    
12. Total Bitrate: 37.91 Mbps
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14. Video: MPEG-4 AVC Video / 27826 kbps / 1080p / 23.976 fps / 16:9 / High Profile 4.1
    
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16. Audio: English / DTS-HD Master Audio / 5.1 / 48 kHz / 3549 kbps / 24-bit
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17.       (DTS Core: 5.1 / 48 kHz / 768 kbps / 24-bit)
    
18. Audio: English / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
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19. Audio: English / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
    
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21. Subtitle: English / 23.587 kbps

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Sinister Blu-ray, Video Quality   


7 {( G- k' j! c8 B+ m) ?Sinister is presented on Blu-ray courtesy of Lionsgate Films and Summit Entertainment with an AVC encoded 1080p transfer in 2.40:1. Regular readers of my reviews know I'm not an especially rabid fan of films digitally shot with HD cameras, not really liking their often flat and textureless appearance, but I have to say as far as these films go, Sinister looks largely spectacular. Even director Scott Derrickson takes HD cameras to task for looking too much like video and not enough like film in one of the two commentary tracks included on this Blu-ray, but his work here with DP Christopher Norr utilizing the Arri Alexa pops extremely well despite the film's overall very dark environments. Close-ups reveal abundant fine detail and colors, while intentionally muted, look very accurate (Derrickson also talks about his own personal "obsession" with color on his directorial commentary track). The high definition presentation occasionally falters in terms of shadow detail in the darkest elements, but that in fact only helps to achieve a scary mood.
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Sinister Blu-ray, Audio Quality   
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Sinister features an extremely effective and moody loss DTS-HD Master Audio 7.1 track that ably supports the film's growing sense of foreboding and dread. Some of this is due to pretty standard audio tricks like rumbling LFE to up the listener's anxiety (even when there's nothing particularly disturbing happening on screen), as well as Christopher Young's dissonant underscore. But there are some amazingly nuanced sound effects consistently utilized throughout the film. Listen, for example, during the sequence where a car is set on fire to the very subtle burst of minimal LFE as the blaze starts. It's incredibly effective because it's so understated. Fidelity is top notch, presenting dialogue, effects and score cleanly, clearly and extremely well prioritized. Surround activity is also very well rendered, with regular use of side and rear channels. Dynamic range is quite wide, but does tend to utilized gimmicks like sudden overpowering LFE to aurally shock the audience.
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