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Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.
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$ e D3 Y# Q% ~5 s. p1 `◎译 名 指环王3:王者无敌/指环王3:国王归来/指环王III:王者无敌/魔戒3:王者归来/魔戒三部曲:王者再临(台/港)
5 H1 Y5 Y# m3 G; D- D◎片 名 The Lord of the Rings: The Return of the King) o, k5 H; R9 `" s( p) y
◎年 代 20039 |( Q @% V! q$ V
◎产 地 美国/新西兰" m! c/ @% ^9 C* M% ^5 i' s; z( v
◎类 别 剧情/动作/奇幻/冒险
. V$ i% `0 K. ?◎语 言 英语/昆雅语/古英语/辛达林语$ }4 H7 g4 d8 E9 U
◎上映日期 2003-12-17(美国)/2004-03-12(中国大陆), E1 X+ r. ?. [' V: d+ M
◎IMDb评分 8.9/10 from 1,625,902 users1 I' n( A+ r& u
◎IMDb链接 https://www.imdb.com/title/tt0167260/2 b% B7 y0 e6 X% D
◎豆瓣评分 9.2/10 from 585,035 users: c1 Z# i' u' r$ k: ?5 K4 o/ C
◎豆瓣链接 https://movie.douban.com/subject/1291552/
' J& R. q; r2 ~1 a! J$ B◎文件格式 x264 + DTS
: C9 d9 `4 n8 `! _( {7 f3 J+ D◎视频尺寸 1920 x 1080
: A) x) I4 u) ]( S4 b( h◎文件大小 2DVD 76.62 GiB, Q5 d) S% S7 Z; D- S
◎片 长 2:07:40 (h:m:s) & 2:15:35 (h:m:s)
* ~% G1 f ^0 m4 J( l8 R4 b◎导 演 彼得·杰克逊 Peter Jackson0 H) Z5 u- v. d4 a
◎编 剧 弗兰·威尔士 Fran Walsh- a) ^2 y" v' [( }
菲利帕·鲍恩斯 Philippa Boyens t1 Y6 Z! U+ x( b3 I: Q, K
彼得·杰克逊 Peter Jackson" P: Y) o Y) ^; y8 {. ~; Z
J·R·R·托尔金 J.R.R. Tolkien7 P( D' x5 P0 } }. h' ?& K1 }- k
◎主 演 伊利亚·伍德 Elijah Wood1 c4 A2 ?- c9 q& `- D
西恩·奥斯汀 Sean Astin
$ |8 d3 o+ f# z8 E) C3 f* x% l 维果·莫腾森 Viggo Mortensen
- H# {: E( _# z/ u( I" \' p9 K3 X 奥兰多·布鲁姆 Orlando Bloom
; |: s. V1 F. u6 a; G2 q 伊恩·麦克莱恩 Ian McKellen
' j7 v' D: l- ^- q& Z8 R 肖恩·宾 Sean Bean
8 n0 e6 s) |4 S- f9 u* W) A1 S! I 多米尼克·莫纳汉 Dominic Monaghan) Z2 m9 ?& y8 H: E% X- U* ?
丽芙·泰勒 Liv Tyler
j; `1 }+ x" p$ I6 g; D 约翰·贝西 John Bach
2 T/ F3 n9 [6 J2 U, e4 k 凯特·布兰切特 Cate Blanchett
" Y+ U3 O7 L, [/ f6 Q 比利·博伊德 Billy Boyd
6 X" p/ \. N# }4 f* l* o 萨德文·布罗菲 Sadwyn Brophy
9 y" v( ~" p0 S0 W9 D 阿利斯泰尔·布朗宁 Alistair Browning
, n0 B U+ @; R' U: T% ] 马尔顿·索克斯 Marton Csokas
( F: R7 \1 _: s! {: E, z! ? 伯纳德·希尔 Bernard Hill
N9 T; E. c& E 伊安·霍姆 Ian Holm! ]; D9 O$ W w; y# R A. y
布鲁斯·霍普金斯 Bruce Hopkins
8 `3 k9 Q3 l9 C. h Ian Hughes
& |) i) A3 h L2 Z9 V3 D8 X 劳伦斯·马克奥雷 Lawrence Makoare
* Q) ?- E8 I7 q4 e+ v Noel Appleby0 I, {, O$ j9 @1 C* h1 S. t( y# C7 j. l
布雷特·麦肯齐 Bret McKenzie
& @# s7 ~; V, f# B; w4 W/ L Alexandra Astin2 Z$ ?" O' c0 p4 v0 }% B
Sarah McLeod3 n. V7 X; P3 [) s% I- ]
Maisy McLeod-Riera; S( |) q5 c4 I5 @( Q8 @
约翰·诺贝尔 John Noble
/ V7 e2 S, W& r6 G7 T# {- Y% @ Paul Norell
1 q- ^5 F( N$ u: D* c 米兰达·奥图 Miranda Otto/ O* Y; u0 F. k' I
布鲁斯·菲利普斯 Bruce Phillips" |) H6 ?8 o; w7 N- j
沙恩·朗吉 Shane Rangi
' @5 F1 p6 W/ }5 q% D- C 约翰·瑞斯-戴维斯 John Rhys-Davies8 e% T$ G# [& B
Todd Rippon$ P+ b& r' N& J6 k/ E$ l2 N
安迪·瑟金斯 Andy Serkis
& W- h; L0 O5 M% W, l Harry Sinclair
% {) q- [% m$ f7 g# }; [1 O2 ~( t 乔尔·托贝克 Joel Tobeck
5 s1 R! W! ~, ]' I 卡尔·厄本 Karl Urban: R; l% @. A. a3 { y3 o
史蒂芬·乌瑞 Stephen Ure
" k) o; S) H2 R- n/ R 雨果·维文 Hugo Weaving
k1 m- l! c% T5 R- p2 O6 |; S3 V 大卫·文翰 David Wenham: B( m1 R6 p$ B& U1 K6 B
阿兰·霍华德 Alan Howard
) E% T% g* k" s+ p" E# O& m7 A 萨拉·贝克 Sala Baker4 m( b5 n0 Q( U6 z1 F! o4 [
Robert Pollock
% z$ G6 Q5 m7 ?& Z 佩特·史密斯 Pete Smith/ X( ~, z( K- ?0 T. L" Z0 o* V
杰德·布罗菲 Jed Brophy9 l# a( L9 P9 g2 V
菲利普·格里夫 Philip Grieve) ?4 f- A7 i3 m6 U) U
布拉德·道里夫 Brad Dourif
7 k8 X) ]2 Q; c+ n 克里斯托弗·李 Christopher Lee d$ y5 D, ^5 [2 e* _% H1 T
布鲁斯·斯宾斯 Bruce Spence' J/ L* V! H$ c. f6 f3 n, ^( A2 G
吉诺·阿赛维多 Gino Acevedo/ T6 u/ T0 l/ R& s( c
Jarl Benzon! x! }3 H" V% J
Jørn Benzon
' K( t7 x1 P* J* V Robert Catto# z- M! Q2 C! t: N2 C
Michael Elsworth
% O) ~; ^6 F' F 彼得·杰克逊 Peter Jackson2 ~6 ^6 i" l' D* S
Sandro Kopp
4 J; @0 W; ]6 R( ~ 安德鲁·莱斯尼 Andrew Lesnie( D5 s8 c! L% v* n3 ~) c% D. ]9 I; m" y
约瑟夫·米卡-亨特 Joseph Mika-Hunt) U4 `5 J. {( ^1 B0 @/ z3 r) \+ h
亨利·莫腾森 Henry Mortensen2 x. P& V9 ?# q! q5 N1 [: ~$ q8 d
克雷格·帕克 Craig Parker. J' L5 n2 Z% X$ M0 R
克里斯蒂安·瑞沃斯 Christian Rivers
& t- C6 E- E. G& V+ n8 p 迈克尔·斯曼内科 Michael Semanick
$ K# `) `- `0 h! |- r" p0 H, C 霍华德·肖 Howard Shore
1 Z% l0 _( T0 X$ t5 ?$ ~ 约翰·斯蒂芬森 John Stephenson
3 z0 q8 q1 E% \ 理查德·泰勒 Richard Taylor8 l# j+ _: a- g8 q1 X5 L6 T
金永钢 Yonggang Jin1 y B$ c5 |) k% u
张磊 Lei Zhang$ z/ w6 a& O8 s. H
姜广涛 Guangtao Jiang* b; A) W8 k/ \ k; E, w
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◎标 签 魔幻 | 史诗 | 经典 | 美国 | 战争 | 奥斯卡 | 新西兰 | 剧情
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◎简 介
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G. C" c6 D( N! n# o' Q 魔幻战争逐渐进入高潮阶段。霍比特人弗拉多(伊利亚·伍德 Elijah Wood 饰)携带着魔戒,与伙伴山姆(Sean Astin 饰)以及狡猾阴暗的咕噜等前往末日山,一路上艰难险阻不断,魔君索伦为阻止魔戒被销毁用尽全力阻挠。另一方面,白袍巫师甘道夫(伊安·麦克莱恩 Ian McKellen 饰)率中土勇士们镇守刚铎首都——白城米那斯提里斯。魔兽大军压境,黑暗与光明的决战即将来临……3 ^8 z9 S2 u; }
9 O1 F9 ?5 f( l( _( k: @+ v 本片是“指环王三部曲”的终结篇,根据英国作家J.R.R.托尔金(J.R.R. Tolkien)同名魔幻巨著《指环王》(The Lord of the Rings)改编,并荣获2004年第76届奥斯卡最佳影片、最佳导演、最佳改编剧本、最佳剪辑、最佳艺术指导、最佳服装设计、最佳化妆、最佳视觉效果、最佳音效、最佳配乐和最佳歌曲等11项大奖。
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The final battle for Middle-earth begins. Frodo and Sam, led by Gollum, continue their dangerous mission toward the fires of Mount Doom in order to destroy the One Ring. Aragorn struggles to fulfill his legacy as he leads his outnumbered followers against the growing power of the Dark Lord Sauron, so that the Ring-bearer may complete his quest.. l" a. }. N! J
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◎获奖情况 ! Z+ x" Q6 [3 B7 v7 x7 ]$ o. l
4 E* A9 z g0 j: `7 v/ u 第76届奥斯卡金像奖(2004), a- ~# U( o- z3 v8 ^2 f3 t+ G: e
最佳影片 巴里·M·奥斯本 / 弗兰·威尔士 / 彼得·杰克逊
% {0 Y; d1 i3 W" s/ q2 S1 i 最佳导演 彼得·杰克逊
# {" \: z/ c5 w1 j" a# \# d 最佳改编剧本 弗兰·威尔士 / 彼得·杰克逊 / 菲利帕·鲍恩斯
& [& x0 d% y1 |2 U7 ~7 ^7 S/ W$ J6 U 最佳剪辑 杰米·塞尔柯克
9 T2 Q8 K1 C! f, G. j9 ` 最佳视觉效果 亚历克斯·方克 / 吉姆·瑞吉尔 / 乔·莱特瑞 / 兰德尔·威廉·库克& j2 S3 F# X, c) L# i+ h
最佳混音 迈克·亨吉斯 / 哈蒙德·匹克 / 克里斯托弗·博伊斯 / 迈克尔·斯曼内科
6 z l: K0 N4 x) N/ ~( p0 Y( t 最佳艺术指导 丹·汉纳 / 格兰特·梅杰 / 艾伦·李: G B3 e' l3 L
最佳服装设计 恩吉拉·迪克森 / 理查德·泰勒
$ I) j; G; _) F; X% G- g* q' n 最佳化妆 理查德·泰勒 / 彼得·金1 q% D' X; ], m' w
最佳原创配乐 霍华德·肖# ?0 _) ^. r" u
最佳原创歌曲 霍华德·肖 / 安妮·蓝妮克丝 / 弗兰·威尔士
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" U: @7 G& @" `& _8 Q 第61届金球奖(2004)% h/ [; _; ]2 A7 e! J) x0 p
电影类 最佳剧情片% V, n+ ], r% a2 z1 N& ]
电影类 最佳导演 彼得·杰克逊
1 T; H: i f+ i" Q1 O9 H 电影类 最佳原创配乐 霍华德·肖
) M) ]" \7 E6 g! Y8 l# B 电影类 最佳原创歌曲 弗兰·威尔士 / 安妮·蓝妮克丝 / 霍华德·肖
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. g3 ~( m$ y5 Z% v( ~% U) t$ u" ? 第57届英国电影学院奖(2004)7 Y2 H* Y+ L- s% r; h7 m P5 I
电影奖 最佳影片 巴里·M·奥斯本 / 彼得·杰克逊 / 弗兰·威尔士3 o9 n6 a5 x2 o) r# Q/ ?7 N
电影奖 最佳导演(提名) 彼得·杰克逊
) K, ]! W3 t0 g 电影奖 最佳男配角(提名) 伊恩·麦克莱恩
# f( V+ X) ]; v* R# q8 J 电影奖 最佳改编剧本 菲利帕·鲍恩斯 / 彼得·杰克逊 / 弗兰·威尔士1 K( w: O8 f8 _: C" A
电影奖 最佳摄影 安德鲁·莱斯尼9 n# X+ S4 N+ @ D7 F
电影奖 最佳剪辑(提名) 杰米·塞尔柯克
6 \; A" C. k3 F9 i1 Y8 \! I% f 电影奖 最佳化妆/发型(提名) 彼得·金 / 彼得·欧文 / 理查德·泰勒
5 c/ H6 Q- {0 K" b 电影奖 最佳服装设计(提名) 恩吉拉·迪克森 / 理查德·泰勒 / 恩吉拉·迪克森 / 理查德·泰勒. t" \ O( j5 z( ?. ]
电影奖 最佳艺术指导(提名) 格兰特·梅杰5 J) D y9 ]+ L C) e6 w/ ?) [ M
电影奖 最佳特殊视觉效果 吉姆·瑞吉尔 / 兰德尔·威廉·库克 / 乔·莱特瑞 / 亚历克斯·方克
- G7 U1 f- c8 q7 g, z 电影奖 最佳原创音乐(提名) 霍华德·肖# y g- B" S; q d" t- o
电影奖 最佳音效(提名) 迈克·亨吉斯 / 大卫·法默 / 迈克尔·斯曼内科 / 克里斯托弗·博伊斯 / 哈蒙德·匹克 / 迈克·霍普金斯 / 伊桑·范德莱恩
" u8 o; O# K4 o. g 电影奖 观众选择奖
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第28届日本电影学院奖(2005)- m+ J; H7 E# P& E; j5 ^* s
最佳外语片(提名)( y2 [* K& h6 p$ r; N
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第4届美国电影学会奖(2003)
0 n G8 A+ f4 j/ {( e( n 年度佳片8 h' L! x$ K- M+ o% I
8 w/ ]7 D" `' Y' D- The.Lord.Of.The.Rings.The.Return.of.the.King.2003.EXTENDED.1080p.BluRayCD.AVC.DTS-HD.MA.6.1-FGT6 g3 q9 [& p' c% v2 X
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- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
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复制代码 The Lord of the Rings: The Return of the King Blu-ray, Video Quality 0 q0 m0 f4 }5 a, ^+ |* S" h+ N( N
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The stars are veiled. Something stirs in the East. A sleepless malice. The eye of the enemy is moving.( u4 l; ^' Q7 x: v8 R$ U
3 ]1 @9 @: `# z( `1 b( N4 PThe Return of the King makes a triumphant entrance, stealing past The Fellowship of the Ring and The Two Towers on its way to the throne. Reports, vague as they tend to be, indicate Warner's third 1080p/AVC-encoded transfer has been created using a new master; not that there are any major differences between the 2010 theatrical and 2011 extended presentations, at least not as far as I can tell. Regardless of its origins, though, there's very little to complain about. The presentation offers a rich palette of wondrous colors, stalwart contrast, enticing blacks, and rewarding delineation. Detail is excellent and filmic softness only invades when dictated by the original photography. Gandalf's beard, Aragorn's stubble, Frodo's grimy finger nails, Sam's rustled mop, the imperfections on Legolas and Gimli's weapons, Eowyn's tangled locks, stunning glimpses at the cityscape of Gondor, the dank caverns of Dwimorberg, Dickson's impeccable costumes, WETA's marvelous CG battles, the clashing armies of Pelennor Fields... everything from intimate closeups to sweeping shots of towering castles is blessed with excellent clarity.
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Several special effects still show their seams -- a strange black blob briefly hovers in the bottom right corner as Gandalf arrives at Isengard, the Hobbits may as well be standing against a green screen when the Gondorian crowd bows to them in the third act -- but any such shortcomings are hardly the fault of the technical presentation. Significant artifacting, aliasing, aberrant crush, and aliasing don't rear their unsightly heads (thankfully, the film is generously spread across two BD-50 discs), and the slight ringing that still appears, though apparent on only a handful of occasions, isn't gaudy at all. If anything, the tiniest bit of Jackson-and-Lesnie-instituted noise reduction hinders the fun (rest assured, it's fleeting, infrequent and altogether negligible) and small white flecks prick the print throughout (even though they never amount to a problem of any sort). As it stands, The Return of the King looks fantastic. Not pixel-perfect, but about as close as it could.- ?$ ~) N; T9 J# Z2 i5 h7 W1 k
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Over the course of the film, my score moved freely from a 4.25 to a 4.5 and back again, making the 4.5 I settled on an all too easy number to award Jackson's showstopper.! h3 B* K7 m( P( J" F) E
/ ?8 }3 R0 s/ ~; ]/ }The Lord of the Rings: The Return of the King Blu-ray, Audio Quality 1 a5 S! @7 z7 E% k5 b5 Y0 v" W
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There was no lie in Pippin's eyes. A fool... but an honest fool, he remains. He told Sauron nothing of the Ring. We've been strangely fortunate. Pippin saw in the Palantir a glimpse of the enemy's plan. Sauron moves to strike Minas Tirith.! T, X* N- L8 G- C! r0 _" f
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No need to break down each individual release here. Like the 2010 theatrical cut releases, the Extended Editions of The Fellowship of the Ring, The Two Towers, and The Return of the King charge the fields of Blu-ray with a trio of powerful DTS-HD Master Audio surround tracks, all of which allow Jackson's Lord of the Rings trilogy to storm every home theater, no matter how grand in scale. Dialogue, whether whispered or shouted, is crisp, clean, and intelligible; voices, whether human, beast or ethereal warrior, ring true across the soundfield; and creature cries, whether spittled roars or high-pitched screeches, are sharp and stable. LFE output deserves a score of its own, aggressively supporting every charging legion, splintering gate, looming weapon of destruction, volcanic debris, marching armies and collapsing tower the various members of the Fellowship encounter. Close your eyes as the Rohirrim clash with lumbering Mûmakil. Listen intently as fell beasts swoop down and snatch helpless soldiers. Try to lift your jaw off the floor when Sam, Frodo and Gollum find themselves in the heart of a very volatile Mount Doom. Environmental ambience never relents (the Paths of the Dead!), directionality is impeccable (the Battle of the Pelennor Fields!), and pans are as transparent as Frodo when he slips on the One Ring (the stones slung at Minas Tirith hurtle past with alarming precision). Best of all, the experience is as immersive as they come. Howard Shore's masterful score is perfectly prioritized beneath the film's soundscape, gut punch revelations are as pitch-perfect as they are emotional, restless armies will make viewers turn their heads, and the terrifying clamor of orcs, ghosts, beasts of burden, war trolls and more will unsettle the most steely listener. And dynamics? Prepare yourself. The Return of the King, and really The Lord of the Rings trilogy as a whole, is a sonic powerhouse.
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