E.T. 外星人/外星人E.T. [4K蓝光原盘 自带中字] E T the Extra-Terrestrial 1982 2160p BluRaycd HEVC DTS-X 7.1-SUPERSIZE 54.93GB

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◎译　　名　E.T. 外星人/外星人E.T./外星人
◎片　　名　E.T.: The Extra-Terrestrial
6 W; ]$ w, N* u$ d6 A& ]◎年　　代　1982
7 m1 y! y; f, c  S0 W& F+ b◎产　　地　美国
◎类　　别　剧情/科幻
◎语　　言　英语
◎上映日期　1982-05-26(戛纳电影节)/1982-06-11(美国)
  x, S8 E+ U% H+ |◎IMDb评分  7.9/10 from 309,752 users
  u9 m: Z: p! U* |0 T  @4 }- {◎IMDb链接  https://www.imdb.com/title/tt0083866/
◎豆瓣评分　8.5/10 from 150,361 users
◎豆瓣链接　https://movie.douban.com/subject/1294638/
◎文件格式　x265 + DTS
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 54.93 GiB
# J! d2 M, r$ e; \! M, [: Y; X8 B◎片　　长　1:54:29.070 (h:m:s.ms)
◎导　　演　史蒂文·斯皮尔伯格 Steven Spielberg
◎编　　剧　梅丽莎·马西森 Melissa Mathison
& \1 ~# L9 R5 j. [& P( I◎演　　员　亨利·托马斯 Henry Thomas
　　　　　  迪·沃伦斯 Dee Wallace
4 h9 T+ h  N- J/ q% R: }　　　　　  罗伯特·麦克纳夫顿 Robert MacNaughton
　　　　　  德鲁·巴里摩尔 Drew Barrymore
　　　　　  彼德·考约特 Peter Coyote
. l( a! }, R9 S$ J+ F　　　　　  童自荣 Zirong Tong
　　　　　  埃丽卡·埃伦尼克 Erika Eleniak
　　　　　  K.C.马特尔 K.C. Martel
　　　　　  帕特·威尔士 Pat Welsh
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5 c. W1 A) g* c7 o◎标　　签　科幻 | 斯皮尔伯格 | 经典 | 美国 | ET | 外星人 | 美国电影 | 温情
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◎简　　介
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　　An extra-terrestrial is accidentally left behind on Earth and is befriended by a young boy and his brother and sister. As Elliot attempts to help his extra-terrestrial companion contact his home planet so that he might be rescued, the children must elude scientists and government agents determined to apprehend the alien for their own purposes...which results in an adventure greater than any of them could have imagined.

8 u  W8 b, B4 f/ M4 s　　小埃利奥特（亨利托马斯）发现一个意外走失的小外星人，他悄悄的收留了小外星人，并把他介绍给自己的哥哥和妹妹。孩子们与外星人友好的相处，给他吃巧克力，带他去郊外寻找家人留下的痕迹，并为小外星人的种种特异功能兴奋不已。渐渐的埃利奥特与外星人之间形成了某种奇妙的联系，跨越了言语沟通的障碍。

　　可是不久，外星人的存在被大人们知晓，无情的追捕行动展开了。ET被抓进实验室，小埃利奥特也一病不起。孩子们愤怒了，他们自发组织起来，营救外星人。埃利奥特也在心灵的感召下苏醒过来，加入营救行动。他们能成功么？
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6 L# ]% _. A8 c% K; d2 X; R- N" Z 　　After a gentle alien becomes stranded on Earth the being is discovered and befriended by a young boy named Elliott. Bringing the extraterrestrial into his suburban California house Elliott introduces E.T. as the alien is dubbed to his brother and his little sister Gertie and the children decide to keep its existence a secret. Soon however E.T. falls ill resulting in government intervention and a dire situation for both Elliott and the alien.

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　　第55届奥斯卡金像奖  (1983)
　　最佳影片(提名) 凯瑟琳·肯尼迪 / 史蒂文·斯皮尔伯格
$ T8 E) G( w2 k6 h6 j4 J" y　　最佳导演(提名) 史蒂文·斯皮尔伯格
1 F* T9 \* [/ d& r/ N　　最佳原创剧本(提名) 梅丽莎·马西森
% Y6 `  N2 `6 j9 \7 {! Z6 @　　最佳剪辑(提名) Carol Littleton
$ x) @3 B$ \) ~- b　　最佳摄影(提名) 艾伦·达维奥
" h8 y2 k2 J8 O; {: N; A! B　　最佳视觉效果 丹尼斯·穆伦 / 卡罗·兰巴尔迪 / 肯尼斯·史密斯
　　最佳音响 吉恩·S·坎塔梅萨 / Robert Knudson / 罗伯特·格拉斯 / Don Digirolamo
; }7 l3 q! a% L" K# f5 E) F2 |　　最佳音效剪辑 查尔斯·L·坎贝尔 / 本·贝尔特
2 a6 }1 L" X1 A& y$ O" d　　最佳原创配乐 约翰·威廉姆斯。
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1. DISC INFO:
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3. Disc Title:     E.T.the.Extra-Terrestrial.1982.2160p.BluRayCD.HEVC.DTS-X.7.1-SUPERSIZE
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4. Disc Size:      58,979,861,955 bytes
   
5. Protection:     AACS2
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6. BD-Java:        Yes
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7. Extras:         Ultra HD
   
8. BDInfo:         0.5.8.7 (compatible layout created by DVDFab 10.0.7.3)
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10. PLAYLIST REPORT:
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12. Name:                   00800.MPLS  
    
13. Length:                 1:54:29.070 (h:m:s.ms)
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14. Size:                   57,960,327,168 bytes
    
15. Total Bitrate:          67.50 Mbps
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21. MPEG-H HEVC Video       53955 kbps          2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /
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27. DTS:X/DTS-HD Master Audio       English         5910 kbps       7.1-X / 48 kHz / 5910 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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28. DTS Audio                       English         448 kbps        2.0 / 48 kHz / 448 kbps / 24-bit
    
29. DTS Audio                       French          768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit
    
30. DTS Audio                       Spanish         768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit
    
31. DTS Audio                       Japanese        768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit
    
32. DTS Audio                       Japanese        448 kbps        2.0 / 48 kHz / 448 kbps / 24-bit
    
33. DTS Audio                       Portuguese      768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit
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39. Presentation Graphics           English         26.007 kbps                    
    
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41. Presentation Graphics           Spanish         15.714 kbps                    
    
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43. Presentation Graphics           Portuguese      14.946 kbps                    
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48. Presentation Graphics           Portuguese      0.085 kbps

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It's safe to say that E.T. has never looked this good for home viewing. Universal's UHD presentation, which would appear to be from the same 4K scan as the previous and very well-received 1080p Blu-ray, ranks amongst the finest the format has seen thus far. The image is richly filmic, boasting a refined grain structure, superb detailing, and expert colors that are enhanced, but not necessarily altered, by the HDR workmanship. Comparing to the Blu-ray yields an image that's effectively firmer, sharper, more inherently crisp and accurate. Both images impress, but the UHD offers a more prominent, yet nevertheless very fine, grain structure. Details enjoy a modest, but critical, uptick. Colors are noticeably deeper and punchier but, again, never betraying the core E.T. experience, as evidenced right off the bat with the purple-on-black title card. The image's inherent sharpness is evident even in the film's many dark exteriors and lower-light interiors. Shots of terrain reveal extraordinarily fine natural qualities. Distance shots of the town are clear and precisely detailed even at distance. E.T.'s wrinkly, somewhat slimy body reveals all. Odds and ends throughout the house are sharp as a tack. Even something as simple as the sheet that covers E.T. during trick-or-treat reveals a much more filmily organic texture about it. The HDR color scheme produces a mildly darker image, but shades are a bit more densely defined and more richly realized. Natural greens, decor around the house, E.T.'s glowing orange finger and chest, and the red Speak and Spell toy all present with more stability and lifelike accuracy. On the very slight downside, blacks aren't quite as inherently deep here, but shadow detail is excellent throughout the film's many low-light scenes. No source or encode flaws are readily apparent; even a densely foggy early shot poses no challenge to Universal's excellent, must-see UHD presentation.
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" p) d" g$ J3 {6 [& }1 AE.T.'s DTS:X Master Audio soundtrack doesn't phone it in. While the film was originally released with a 2.0 soundtrack (which Universal has also included), the DTS:X track adds an overhead component to the previous Blu-ray's 7.1 lossless soundtrack. To be sure, there's not a significant change. The top end never screams and only rarely really makes its presence all that immediately obvious. It offers some finely complimentary support engagement in a few key moments. E.T. magically sends a few balls swirling into the air in one scene, and the resultant swooshing effect grabs a bit of the upper end. Thunder booms off to the right-hand side of the stage around the 75-minute mark and comes supported by a gentle overhead presence, as does a helicopter a few moments later. Bikes race through the town in the third act and, at one point, zip right atop a government sedan, which offers, arguably, the most distinctive overhead presence in the track. But rest assured, much like the HDR colors, there's not a significant alteration to any core E.T. sound element. As for the rest of the track, it's superb. John Williams' score plays with beautiful stage saturation, effortless width and depth, and pure, distinctive accuracy. It pleasingly swells with unmatched richness and clarity at every turn and is particularly agreeable as it accompanies key moments, such as when Elliot and E.T. ride the bike across the moon. The opening title card is matched by a somewhat haunting rear-channel dominant presence, an interesting immersive moment with sound distinctly rearward and the screen frontward. Atmospherics are very well integrated; beeps and rustling leaves in the opening sequence, drips within the alien craft, and quality separation of voices and medical equipment in the third act offer pinpoint placement and exacting clarity. Dialogue is clear, well prioritized, and naturally positioned in the front-center.

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