E.T. 外星人/外星人 [蓝光原盘] E T The Extra-Terrestrial 1982 1080p BluRaycd AVC DTS-HD MA 7.1-FGT 44.35GB

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  O; e4 ~9 U0 ?8 v* Q: K◎译　　名　E.T. 外星人/外星人E.T./外星人
◎片　　名　E.T.: The Extra-Terrestrial
7 N* ?/ C( U5 j- o9 h/ B( T◎年　　代　1982
0 S9 e3 a+ |$ D9 I. [◎国　　家　美国
, h$ l' X- w0 ^◎类　　别　剧情/科幻/奇幻/冒险
◎语　　言　英语
& i8 V* `  X4 N◎上映日期　1982-06-11(美国)/1982-05-26(戛纳电影节)
◎IMDb评分  7.9/10 from 296,809 users
◎IMDb链接  https://www.imdb.com/title/tt0083866/
◎豆瓣评分　8.5/10 from 138,864 users
◎豆瓣链接　https://movie.douban.com/subject/1294638/
◎文件格式　x264 + DTS
1 N" _1 s* B4 Y2 s' z& }3 q◎视频尺寸　1920 x 1080
+ f5 {+ Z0 s- `, Z" T◎文件大小　1DVD 44.35 GiB
◎片　　长　1 h 54 min
◎导　　演　史蒂文·斯皮尔伯格 Steven Spielberg
◎主　　演　亨利·托马斯 Henry Thomas
　　　　　　迪·沃伦斯 Dee Wallace
　　　　　　罗伯特·麦克纳夫顿 Robert MacNaughton
/ @" D) b" O" O/ a$ T0 m5 k/ H0 S　　　　　　德鲁·巴里摩尔 Drew Barrymore
2 T' R! B' K9 |7 j　　　　　　彼德·考约特 Peter Coyote

◎简　　介
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　　After a gentle alien becomes stranded on Earth the being is discovered and befriended by a young boy named Elliott. Bringing the extraterrestrial into his suburban California house Elliott introduces E.T. as the alien is dubbed to his brother and his little sister Gertie and the children decide to keep its existence a secret. Soon however E.T. falls ill resulting in government intervention and a dire situation for both Elliott and the alien.

　　小埃利奥特（亨利托马斯）发现一个意外走失的小外星人，他悄悄的收留了小外星人，并把他介绍给自己的哥哥和妹妹。孩子们与外星人友好的相处，给他吃巧克力，带他去郊外寻找家人留下的痕迹，并为小外星人的种种特异功能兴奋不已。渐渐的埃利奥特与外星人之间形成了某种奇妙的联系，跨越了言语沟通的障碍。
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" X& m$ I8 B0 l5 ]4 q: z: x　　可是不久，外星人的存在被大人们知晓，无情的追捕行动展开了。ET被抓进实验室，小埃利奥特也一病不起。孩子们愤怒了，他们自发组织起来，营救外星人。埃利奥特也在心灵的感召下苏醒过来，加入营救行动。他们能成功么？
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◎获奖情况
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+ y* X0 S6 y+ ]9 E" J　　第55届奥斯卡金像奖  (1983)
　　最佳影片(提名) 凯瑟琳·肯尼迪 / 史蒂文·斯皮尔伯格
2 V' q# D% o/ ]　　最佳导演(提名) 史蒂文·斯皮尔伯格
　　最佳原创剧本(提名) 梅丽莎·马西森
/ a% ^  }# z# I% v0 J0 ?　　最佳剪辑(提名) Carol Littleton
　　最佳摄影(提名) 艾伦·达维奥
　　最佳视觉效果 丹尼斯·穆伦 / 卡罗·兰巴尔迪 / 肯尼斯·史密斯
　　最佳音响 吉恩·S·坎塔梅萨 / Robert Knudson / 罗伯特·格拉斯 / Don Digirolamo
　　最佳音效剪辑 查尔斯·L·坎贝尔 / 本·贝尔特
　　最佳原创配乐 约翰·威廉姆斯

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1. DISC INFO:
   
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3. Disc Title:     E.T.The.Extra-Terrestrial.1982.1080p.BluRayCD.AVC.DTS-HD.MA.7.1-FGT
   
4. Disc Size:      47,619,268,285 bytes
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5. Protection:     AACS
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6. BD-Java:        Yes
   
7. BDInfo:         0.5.8
   
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9. PLAYLIST REPORT:
   
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11. Name:                   00800.MPLS
    
12. Length:                 1:54:29.070 (h:m:s.ms)
    
13. Size:                   35,817,240,576 bytes
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14. Total Bitrate:          41.71 Mbps
    
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20. MPEG-4 AVC Video        29882 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
    
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27. DTS Audio                       Japanese        448 kbps        2.0 / 48 kHz / 448 kbps / 24-bit
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28. DTS-HD Master Audio             English         5174 kbps       7.1 / 48 kHz / 5174 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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29. DTS Audio                       English         448 kbps        2.0 / 48 kHz / 448 kbps / 24-bit
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31. Dolby Digital Audio             Polish          448 kbps        5.1 / 48 kHz / 448 kbps / DN -4dB
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32. DTS Audio                       Russian         768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit
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2 E) x. j% x3 a! I+ Y. }8 FE.T. dazzles with a lovely, beautifully restored and, yes, filmic 1080p/AVC-encoded video transfer supervised and approved by Spielberg himself; one that I can't imagine will generate many, if any, serious complaints. For those who've long railed against Universal's treatment of its catalog titles, take this moment to breathe a hard-fought sigh of relief. E.T. doesn't exhibit any signs of problematic filtering, unnecessary tweaks, noise reduction or, really, any other technique that might undermine its textures' integrity, reduce its grain to a soupy mess, or subvert Spielberg's intentions or Allen Daviau's photography in any way. Simply put, E.T. has never looked better, never been more faithful to its original presentation, or exhibited more life and vitality than it does here. Colors are warm and pleasant, with wonderfully saturated skintones, bright primaries and satisfying contrast. (Black levels are often a touch muted, but very little appears to be out of sorts.) Detail is excellent as well, even if soft shots are fairly common and special effects sequences come with a slew of inherent anomalies (the most distracting of which involves general, image-wide disruptions most noticeable in the night sky). The key word there, though is "inherent," as none of it appears to trace back to anything other than the source. Otherwise, edges are clean and refined (with only the slightest hint of intermittent ringing to be found), fine textures are nicely resolved, a variety of shots are far more revealing than I anticipated, delineation is commendable, and there isn't any significant artifacting, banding or aliasing to report. Perfect? Not quite. As close to perfect as could feasibly be achieved? I suspect so. Fans will be most ecstatic, Universal skeptics will be most surprised, and everyone in between will be most impressed.         
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7 @& h1 e; x9 D' @5 T& W) G- ME.T. phones home with quite an unexpected surprise: a full and boisterous DTS-HD Master Audio 7.1 surround track that propels the film into the future without distancing its original sound design too far from the past. The rear speakers aren't aggressive per se but they are most engaging, immersing the listener in whatever dense underbrush, foggy forests, cramped closets, busy classrooms or mobile med-labs await. Directionality is reserved but precise (particularly in early scenes, when E.T. is avoiding human contact), pans are smooth and there isn't much in the way of air hiss or a noise floor in any of the scenes. It's still a thirty-year-old film with thirty-year-old sound design (difficult as it is to tell at times), but just as much attention and care has been invested in the eight-channel remix as the 1080p video presentation. John Williams' score is the greatest beneficiary to the lossless 7.1 upgrade, of course, and his sweeping themes and soaring orchestral melodies flow freely from every channel, creating a more robust and evocative experience than many will be prepared for. Low-end output is strong as well, lending weight and presence to spacecraft and shady government agents as needed, and dynamics don't disappoint. Dialogue and alien chatter, meanwhile, is clear, intelligible and carefully centered, and only a handful of lines are hollow, muffled or tinny. So could E.T. sound any better? Honestly, I don't see how.
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