黑暗时代/亚瑟王神剑/石中剑 [蓝光原盘] Excalibur 1981 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 25.30GB

4 q2 \- y  T" ]( W: a2 A◎译　　名　黑暗时代/神剑/亚瑟王神剑/石中剑
◎片　　名　Excalibur
◎年　　代　1981
. w! C% p/ g  E- F- ^$ Z◎国　　家　英国/美国
3 |; Z3 ^+ H- }- v, l◎类　　别　剧情/奇幻/冒险
) h6 S2 I2 G# @# b% H1 N◎语　　言　英语
◎上映日期　1981-04-10
◎IMDb评分  7.4/10 from 51,941 users
◎IMDb链接  https://www.imdb.com/title/tt0082348/
◎豆瓣评分　6.6/10 from 375 users
2 E4 ^2 @+ |0 i3 y4 B& R; h* b. G# ^◎豆瓣链接　https://movie.douban.com/subject/1297548/
◎文件格式　x264 + DTS
) ?  V7 A" c% \2 y◎视频尺寸　1920 x 1080
9 g/ c" X, L( b. l◎文件大小　1DVD 25.39 GiB
. O9 m- O! T: ]◎片　　长　2:20:47.063 (h:m:s.ms)
' q/ Q$ R0 U, V7 [& i. @; ?◎导　　演　约翰·保曼 John Boorman
* [1 X" y3 J, _6 }, D3 s- T( F◎编　　剧　罗斯伯·帕伦伯格 Rospo Pallenberg
◎主　　演　尼吉尔·特瑞 Nigel Terry
. d9 M' b  t/ ~* f1 M　　　　　  海伦·米伦 Helen Mirren
. M- g6 X- z0 p8 S( W1 G　　　　　  尼古拉斯·克莱 Nicholas Clay
　　　　　  切瑞·朗西 Cherie Lunghi
6 n- A8 o9 r, o$ d* R　　　　　  连姆·尼森 Liam Neeson
- D4 C( J( }& K. J. X) p+ F9 p) j　　　　　  加布里埃尔·伯恩 Gabriel Byrne
" E1 o. k" j9 f! x& p8 R) o% ?7 s　　　　　  帕特里克·斯图尔特 Patrick Stewart
　　　　　  尼科尔·威廉森 Nicol Williamson
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◎简　　介   
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　　Merlin the magician helps Arthur Pendragon unite the Britons around the Round Table of Camelot even as dark forces conspire to tear it apart.

  N- W+ k: R/ D　　神秘的巫师墨林赋予酋色王一把神剑，在酋色王死时，将神剑插入一大石中，称言谁能将神剑拔出，就能成为英国的国王。多年后，酋色王的私生子拔出了神剑，顺势当上英国的国王，在墨林的引导下娶了昆尼佛为妻，并组织了圆桌武士，然而，亚瑟王同父异母的姐妹却和他发生不伦的关系产下一子，从此便导致亚瑟王的落没……
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/ P7 D1 p& C' p5 w* Z* f; `　　When a bold young squire slips the enchanted sword, Excalibur, from the stone where it was embedded, the golden age of chivalry and the Knights of the Round Table are born. But the magical kingdom of Camelot harbours evil ambition and Merlin's necromancy in this classic tale of King Arthur's legend.
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. u- D7 V3 U8 i- [% B6 {　　第54届奥斯卡金像奖  (1982)
　　最佳摄影(提名) Alex Thomson
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　　第34届戛纳电影节  (1981)
　　主竞赛单元 金棕榈奖(提名) 约翰·保曼
　　Best Artistic Contribution 约翰·保曼

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3. Disc Title:     Excalibur.1981.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
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4. Disc Size:      27,265,372,637 bytes
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Excalibur Blu-ray, Video Quality

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: D' f0 r3 Z! Y- f, R- ZPlagued by production woes, shot under harsh conditions and overrun with a diffuse filmic fog, Excalibur -- now thirty-years old -- buckles beneath its burdens in nearly every scene. So much so that many modern filmfans will walk away from Warner's most recent release of the film disgusted; convinced that, by some miracle and ungodly budget, the studio could have transformed Boorman's fantasy into a dazzling high definition spectacle if only its restoration team had the wherewithal to do just that. So if I may, a spirited defense of Warner's fit and faithful 1080p/AVC-encoded video transfer. Alex Thompson's misty palette isn't prone to primary pomp and circumstance (just visceral splashes of red and gold), but his earthy, deep-forest hues, gleaming steels, foreboding shadows and arcane greens prove to be quite striking. Skintones are lifelike on the whole as well, saturation is lovely and, all things considered, black levels are satisfying. Contrast and clarity are problematic -- fine textures frequently falter, softness abounds, haziness even more so, colors often grow murky, and dimly lit scenes are ghastly -- but overall detail, uneven as it may be, is rather pleasing. (Again, all things considered.) Edges are sharp and unsullied by egregious edge enhancement, closeups are surprisingly revealing (behold the majesty of Liam Neeson's fake beard), film grain is intact and unobtrusive, and only a handful of shots struck me as being over-processed (the aftermath of Arthur's battle with Mordred being the only outright eyesore among them). In fact, a careful analysis of Warner's efforts confirms just how extensive, nuanced and respectful Excalibur's restoration actually is, despite assumptions to the contrary.

On the technical front, the encode excels. Inherent crush, surges of grain and limited print blemishes appear, but none of it undermines the integrity of the presentation. Artifacting, banding and aliasing are held at bay, and there aren't any notable anomalies (other than those that stem from the film's original photography). Ultimately, Excalibur's transfer isn't going to leave anyone breathless or woo any cinephile who isn't a purist at heart. But its undying devotion to its source should be celebrated, not ridiculed, as it stays true to Boorman and Thompson's every intention, conjures up vivid memories of its theatrical presentation, and handily bests its DVD forbearer.      
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Excalibur Blu-ray, Audio Quality
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It's much more difficult to mount a defense of Excalibur's fatally flawed DTS-HD Master Audio 5.1 surround track, a flat, erratic and frumpy catalog remix if there ever was one. Dialogue, though clear and intelligible on the whole, struggles with all manner of inconsistencies and distractions (minor as most may be); sound effects range from pointed and piercing to muddled and indistinct, sometimes in the course of the same scene; and dynamics are maddeningly fickle, raising the dead one moment and burrowing in the mud the next. LFE output isn't much better. The thunder of charging horses is occasionally reduced to a weak and sluggish rumble, castle sieges aren't afforded the raw power they deserve, and earthquakes, rock-splitting magic and mystical caverns are too nebulous to leave any sort of lasting impression. And the soundfield? The track may as well be a stereo mix (and an average one at that). Rear speaker activity is nearly non-existent, chaotic scenes are strangely front-heavy, immersion falls to the visuals alone, and the few effects that do flank the listener are feeble, fleeting and largely inconsequential. To be clear: yes, the track represents a marginal improvement over its standard DVD counterpart, yes, the condition of the original sound elements are to blame for some of the aforementioned issues, and yes, as thirty-year old mixes go, it isn't without its lossless charms (not entirely anyway). That being said, I strongly suspect a more meticulous and comprehensive high-dollar overhaul would go a long way toward resurrecting Excalibur from its sonic grave.

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