- 积分
- 63906
- 经验
- 23091 点
- 热情
- 13295 点
- 魅力
- 4122 点
- 信誉
- 6584 度
- 金币
- 264 枚
- 钻石
- 185 颗
- 蓝光币
- 0 ¥
Post Share
- 金币
- 264 枚
- 体力
- 27073 点
|
/ N9 U; \9 F! E3 K8 a8 Y
- I0 t" `% O. H3 u' V9 V j5 ^( p◎译 名 星际穿越/星际启示录(港)/星际效应(台)/星际空间/星际之间/星际远航/星际: H E. {. v; ]
◎片 名 Interstellar / Flora's Letter5 u. A" l) R9 g8 H( r' a' m* h
◎年 代 2014
$ j* t. I' T1 r6 K$ ?1 L* X◎产 地 美国/英国/加拿大/冰岛
$ n4 x/ O+ n1 G◎类 别 剧情/科幻/冒险9 y3 ?8 o/ B& x3 z
◎语 言 英语: K( l0 I% |$ g7 ?5 _3 n( b$ N8 ~
◎上映日期 2014-11-12(中国大陆)/2014-11-07(美国)/ L% g! O9 |4 p k; c( p+ R
◎IMDb评分 8.6/10 from 1,175,077 users
. n% I: p( v* w# R7 |- j- S0 ~◎IMDb链接 https://www.imdb.com/title/tt0816692/
; [' J: A- d8 A2 _◎豆瓣评分 9.2/10 from 573,568 users
( p8 m/ g5 ~4 `: H◎豆瓣链接 https://movie.douban.com/subject/1889243/
3 W, Z* k) ^; ^$ _% ^+ s' ~ M& L◎文件格式 x265 + DTS/ p/ j5 Q' d' ?' p
◎视频尺寸 3840 x 21602 ^* q7 y5 h0 K: l9 |3 A
◎文件大小 84.10 GiB
! q3 N% a5 f# X, Y4 s" j" @◎片 长 2:49:04.217 (h:m:s.ms)
! A$ G$ s8 @3 d; h8 c* v% s# n◎导 演 克里斯托弗·诺兰 Christopher Nolan2 ~1 ]4 ~& L3 `
◎编 剧 乔纳森·诺兰 Jonathan Nolan6 V: p) V6 S% `% j/ ^/ k; {8 w
克里斯托弗·诺兰 Christopher Nolan; }& \ X" s; x' s2 }; I
◎主 演 马修·麦康纳 Matthew McConaughey' A9 |) Q& {; E% Y
安妮·海瑟薇 Anne Hathaway. b( {- w) s5 k! c
杰西卡·查斯坦 Jessica Chastain
5 D) @0 z0 w7 ]" y 卡西·阿弗莱克 Casey Affleck
. W5 [9 W0 V( F @ 迈克尔·凯恩 Michael Caine
& l0 f! t1 k. H* g 马特·达蒙 Matt Damon
6 z+ U9 r8 w8 e 麦肯吉·弗依 Mackenzie Foy
( L& N/ ~4 `7 Z0 r 蒂莫西·柴勒梅德 Timothée Chalamet4 J$ G! }- \0 g. |* _
艾伦·伯斯汀 Ellen Burstyn# _3 P0 J S$ e( N
约翰·利特高 John Lithgow0 j. u1 u$ t. K# D
韦斯·本特利 Wes Bentley
) Q% a: i5 Z h2 g4 s* O0 Y5 j& D 大卫·吉雅西 David Gyasi
# S0 Y# G' c) Z; u+ e$ d7 x& ~ 比尔·欧文 Bill Irwin
& j# B0 y1 _; N3 ~5 K, u( P 托弗·戈瑞斯 Topher Grace Q* H5 m& ^" [/ r, m3 R4 d. Z! s2 P4 A
科莱特·沃夫 Collette Wolfe
5 `: Q6 N# \* R 弗朗西斯·X·麦卡蒂 Francis X. McCarthy* h8 {2 q$ j7 p! L
安德鲁·博尔巴 Andrew Borba
4 r% F; s, e/ W" G! Z/ k: ?$ q 乔什·斯图沃特 Josh Stewart
3 t* _6 [$ `1 s9 m, d) ] 莱雅·卡里恩斯 Leah Cairns% O+ r# D" p4 i9 u ~
利亚姆·迪金森 Liam Dickinson: I! h+ x0 r0 r" ~( x9 ~
杰夫·赫普内尔 Jeff Hephner5 ]6 I5 E' Y, a3 M h* B* @' \
伊莱耶斯·加贝尔 Elyes Gabel
+ ^" S( b. e8 }9 |- P' J& M 布鲁克·史密斯 Brooke Smith
3 m Y3 N% c* P5 }6 B4 v 大卫·奥伊罗 David Oyelowo; {/ c2 D7 c Z0 V( p+ Q
威廉姆·德瓦内 William Devane2 b8 P4 A6 b: Y$ X$ P( o
拉什·费加 Russ Fega
3 ]: ^" O/ o) ]( j# u% I 格里芬·弗雷泽 Griffen Fraser# Z* ~2 B" X1 s7 b* e9 m1 V& F& ^
弗洛拉·诺兰 Flora Nolan
+ y2 ]" G n2 p$ }
$ |( k9 \# v4 [1 f' d◎简 介
0 I* e& O Q# U' Z, L. F( P( V6 Y1 G4 J( M1 G
With our time on Earth coming to an end, a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars.
7 ~6 H, e% I" }# X
: f7 v9 t* m. n/ U6 }6 V 近未来的地球黄沙遍野,小麦、秋葵等基础农作物相继因枯萎病灭绝,人类不再像从前那样仰望星空,放纵想象力和灵感的迸发,而是每日在沙尘暴的肆虐下倒数着所剩不多的光景。在家务农的前NASA宇航员库珀(马修·麦康纳 Matthew McConaughey 饰)接连在女儿墨菲(麦肯吉·弗依 Mackenzie Foy 饰)的书房发现奇怪的重力场现象,随即得知在某个未知区域内前NASA成员仍秘密进行一个拯救人类的计划。多年以前土星附近出现神秘虫洞,NASA借机将数名宇航员派遣到遥远的星系寻找适合居住的星球。在布兰德教授(迈克尔·凯恩 Michael Caine 饰)的劝说下,库珀忍痛告别了女儿,和其他三名专家教授女儿艾米莉亚·布兰德(安妮·海瑟薇 Anne Hathaway 饰)、罗米利(大卫·吉雅西 David Gyasi 饰)、多伊尔(韦斯·本特利 Wes Bentley 饰)搭乘宇宙飞船前往目前已知的最有希望的三颗星球考察。
& Y3 [6 ^3 O+ Q+ r1 D! Q6 A# [- X% A2 ?6 f3 q8 _5 m
他们穿越遥远的星系银河,感受了一小时七年光阴的沧海桑田,窥见了未知星球和黑洞的壮伟与神秘。在浩瀚宇宙的绝望而孤独角落,总有一份超越了时空的笃定情怀将他们紧紧相连……, _& H( w: \ r
* I; P+ B) @! q Earth's future has been riddled by disasters famines and droughts. There is only one way to ensure mankind's survival: Interstellar travel. A newly discovered wormhole in the far reaches of our solar system allows a team of astronauts to go where no man has gone before a planet that may have the right environment to sustain human life.! i. F! F$ y. i9 X: _% k
9 p! d' C; W* Z◎获奖情况# \3 K; ?; @4 I3 \1 g5 H
' _* C/ b8 \% P. G/ |
第87届奥斯卡金像奖 (2015)
) y9 c) F8 S4 N 最佳视觉效果
; z" h% _4 d- E# g- [ 最佳混音(提名)
" o9 S1 `" D7 W5 o! o, ?7 z. m. Z 最佳音效剪辑(提名)( _3 c0 w5 O+ ]: Y
最佳艺术指导(提名). C4 x0 ?2 h2 A; P
最佳原创配乐(提名)
( X3 L( N2 ^/ ~0 C) i A
2 s7 u3 f& j1 |" K6 Z: L 第72届金球奖 (2015); i9 h5 _9 p0 ?- x
电影类 最佳原创配乐(提名)
& B9 y2 g5 r. u9 h8 Q
1 Y' j. j) e" J" ^% ^ 第38届日本电影学院奖 (2015)+ s6 A2 V7 @( M z% X0 L( E
最佳外语片(提名)0 g6 J" @ v7 Z
; W1 D( t# |6 p 第15届美国电影学会奖 (2014)8 N! |) r& ]7 B3 E' Q# M
年度佳片. v& {- q( I* T& w1 |! \
4 t6 V4 g8 v; E: R& Y
第13届华盛顿影评人协会奖 (2014)
0 l6 r3 i4 o" B 最佳青少年表演(提名) 麦肯吉·弗依6 h8 |5 Y! }. i+ H
最佳摄影(提名) 霍伊特·范·霍特玛1 z ~& W+ `. j
最佳剪辑(提名) 李·史密斯
" \8 _# b; C2 @4 @$ d; T 最佳原创配乐(提名) 汉斯·季默
6 {3 v! i# f. _' c0 y% f5 F" N 最佳艺术指导(提名) Nathan Crowley / Gary Fettis0 B6 x4 F3 ^; z4 r" m2 f
" M& l: Z" f/ E- _ 第17届美国青少年选择奖 (2015)8 F% c9 G4 R. Q
最佳科幻/奇幻电影女演员(提名) 麦肯吉·弗依; D# }2 l7 c5 I
! o3 u' w0 |# }- e- C4 f6 h 第1届豆瓣电影年度榜单 (2014); j6 p. I9 ]" c1 a- X
评分最高的外语电影: t" s" ~7 O# F
最受关注的院线电影(提名)
: R; R" u% y v# j: S$ L1 W 年度电影原声(提名) x, w2 p. {! k
11月最受关注电影
# ]# b) z( r) l1 }) S+ n& q: K3 a. b( Q' A# |2 r ]4 f+ u
第5届豆瓣电影鑫像奖 (2015)
+ e& M# ?1 a/ R. ~4 Y8 [9 m 鑫豆单元 最佳影片(外语)
% |+ F$ L0 A0 n# L4 b 鑫豆单元 最佳导演(外语) 克里斯托弗·诺兰
& c9 I/ i8 f; x; |* b6 s 鑫豆单元 最佳男演员(外语) 马修·麦康纳: F0 p( P7 [5 e/ }
鑫豆单元 最佳科幻/动作片* i2 u- `( w& i4 Y/ T0 r* t
鑫豆单元 最佳配乐1 ?4 Y( y) D. p; W, z$ `: {
! u- D$ N& ?7 u- t: B( p+ f: m5 q* n* k! ?; P& y" M
. c# z3 W9 H1 M3 {
6 X6 J& @( I9 |: \# J1 Z5 F! `# g# e8 c& n! I
( _/ m; D# t3 @' |9 d x: t- DISC INFO:# ^9 \, G5 b- i3 R# O) }6 j' [
9 Q* v9 F' W' T, o( |* ?, S- Disc Title: Interstellar.2014.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-TASTED% J. D4 J! f1 j2 U G5 d( W
- Disc Size: 90,018,559,318 bytes9 M& C4 P2 O5 v" e
- Protection: AACS23 n. f* T, j r% N# Y8 y$ ~
- BD-Java: Yes* |: K# n2 v, c, ]
- Extras: Ultra HD
7 ^' `3 N. [' j3 q - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.7.7)! {6 k9 G- N( |
- 0 }7 ?6 C2 t, l7 E! W
- PLAYLIST REPORT:+ w. c5 M4 N9 Q6 m
: I8 O7 z9 M5 R: v, M. ~0 A- Name: 00800.MPLS ) i, f# k; |- d6 p. j. a/ T
- Length: 2:49:04.217 (h:m:s.ms)
# s& t/ A- B1 Z& d: `5 p - Size: 89,343,946,752 bytes
% s- J/ F q& @8 N8 a% p% K+ P - Total Bitrate: 70.46 Mbps
" _1 v* I9 O! x: X
- {: Y6 `, q2 t2 G- (*) Indicates included stream hidden by this playlist.+ B4 q6 C! `. j) X! \$ U
, ^; }2 P, s' g0 ~/ ~5 ^3 b- Video:
/ x6 s0 {' j- p& y( X1 ]
. y- R0 i* y. p4 t- Codec Bitrate Description
" i M0 Z1 T/ U7 o$ R! j* s& v5 y - ----- ------- ----------- 7 ^0 @6 t. m- z( ^" M6 `" U
- MPEG-H HEVC Video 51670 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 / $ E1 s9 H0 c4 ?6 ^1 z
- , z/ v$ v8 E9 s4 z. b
- AUDIO:5 I |( Z3 ?9 r& W% q
- , s4 u' D' c' _' _# ]3 B# w
- Codec Language Bitrate Description 8 i1 d' n7 Q3 B/ Z+ x
- ----- -------- ------- ----------- ) L3 P3 s1 f/ O& l
- DTS-HD Master Audio English 3686 kbps 5.1 / 48 kHz / 3686 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)" Z0 u9 D' c+ ]& ~
- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
2 _: ^8 l2 s% B- v9 w - DTS-HD Master Audio French 2225 kbps 5.1 / 48 kHz / 2225 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
9 i% L6 V# T9 O+ Z - DTS-HD Master Audio German 2205 kbps 5.1 / 48 kHz / 2205 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)' t$ A1 J, u1 D! o8 D& m6 n
- Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps0 K0 |* I- V# Q# S2 T
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps0 @6 n( B4 y: D: }
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
7 G" c1 C# s1 D$ k4 j; Q - Dolby Digital Audio Portuguese 640 kbps 5.1 / 48 kHz / 640 kbps: _- e; G/ v) U6 _
- Dolby Digital Audio Czech 640 kbps 5.1 / 48 kHz / 640 kbps7 W3 D. T7 J9 g& m" J* b
- Dolby Digital Audio Polish 640 kbps 5.1 / 48 kHz / 640 kbps9 r/ ?. p: c( X3 q& g$ r/ H
- Dolby Digital Audio Russian 640 kbps 5.1 / 48 kHz / 640 kbps
/ E. @5 ^8 e& r: Z. @" E - * Dolby Digital Audio Japanese 640 kbps 5.1 / 48 kHz / 640 kbps
; c) K; t- c/ a
0 w7 V8 Q: K e- P0 |4 c4 U0 p- SUBTITLES:& l7 P% B# \/ j: Q% y ?
5 ]. C; k! g& D* }: u- Codec Language Bitrate Description 5 C4 U. s* T& C, g# F
- ----- -------- ------- ----------- ( R) X5 ^% R( ]" a- g7 Q$ c. `: O) U% K
- Presentation Graphics English 31.226 kbps " b0 C; V# K8 R& j Q+ s7 o
- Presentation Graphics French 24.996 kbps
- _8 h M" `1 ^' f) U$ G0 z. p - Presentation Graphics German 35.399 kbps
- f: S. P: d$ J8 b9 z& A; \- M0 \ - Presentation Graphics Italian 31.606 kbps & ]7 v5 l' r5 |7 {5 y3 H
- Presentation Graphics Spanish 28.29 kbps 1 e. G: Z. h9 e+ r
- Presentation Graphics Dutch 24.945 kbps 0 {1 m; E# G& x/ I
- Presentation Graphics Chinese 24.047 kbps
9 O2 X Q5 R9 o6 f - Presentation Graphics Chinese 23.71 kbps + E, p+ V7 y+ V( P; y2 o( S7 y
- Presentation Graphics Korean 20.927 kbps 4 u8 ?6 @# p3 D/ A
- Presentation Graphics Spanish 30.013 kbps
. A: `% ?" w6 ~ n4 z! Y - Presentation Graphics Portuguese 28.818 kbps
% j: X2 W0 Q, x3 h& n - Presentation Graphics Arabic 14.031 kbps & c0 O3 H' x: x$ `7 w
- Presentation Graphics Croatian 28.218 kbps 7 T) ` ?( r5 O# R2 C' H
- Presentation Graphics Czech 24.877 kbps - \4 l; z- E3 Q( k. c: L: J+ V
- Presentation Graphics Danish 28.102 kbps
' l& {! p' c9 D7 S - Presentation Graphics Finnish 22.86 kbps
) D2 N( r$ a3 P' n2 ] - Presentation Graphics Greek 27.297 kbps
1 X* Q8 h# l$ J; k - Presentation Graphics Hebrew 21.703 kbps + _4 p8 d- f" y. L: b
- Presentation Graphics Hungarian 28.734 kbps
& J1 W( i( Q5 V1 Z - Presentation Graphics Norwegian 26.266 kbps
% J, N4 v; H* A) M9 C% ^ - Presentation Graphics Polish 23.972 kbps
5 F! J) ?6 K6 ^ - Presentation Graphics Portuguese 30.089 kbps # C) U4 ~; C5 Y6 I+ Z
- Presentation Graphics Romanian 27.364 kbps % F/ x5 F+ j9 y% F9 C
- Presentation Graphics Russian 30.135 kbps 8 p, `# C- G9 i
- Presentation Graphics Swedish 27.197 kbps
( y$ g% F5 E, N# I9 g+ | - * Presentation Graphics Japanese 22.213 kbps
S4 x3 x* @! @* v1 r( v2 C - * Presentation Graphics Japanese 0.031 kbps
复制代码 Video information:$ c1 L- U: {, E3 W2 ?! @9 ~
7 T* d& `0 `9 H7 }; D8 D; L. i
; K, ^3 X' c: Z+ p+ F& _! X
) u0 k6 }+ [9 r5 q" O+ W$ uInterstellar was director Christopher Nolan's first collaboration with cinematographer Hoyte VanHoytema, who would go on to photograph the director's Dunkirk. The film saw Nolan's mostextensive use of IMAX cameras up to that point, and it was released to theaters in a variety ofaspect ratios, ranging from 2.39:1 for standard 35mm projection to 1.43:1 for IMAX 70mm. Ason many of his other projects, Nolan has chosen a shifting aspect ratio for home video, withIMAX scenes framed at 1.78:1 and non-IMAX at 2.39:1. As I noted in reviewing Dunkirk, thepractice remains controversial, with some viewers finding it unacceptably distracting, whileothers barely notice it.. g( Z* q' e. x, q
/ U0 C- a$ ?. j! W- ]Interstellar is a good example of the pitfalls of relying on IMDb for technical information. Thefilm's IMDb entry claims that it was finished on a digital intermediate at 4K, which initially ledme to believe that Nolan had departed from his usual insistence on both shooting and finishinghis works on film. In fact, Interstellar was finished photochemically, and Warner holds the reelsof original cut negative in its archives. For this 2160p, HEVC/H.265-encoded UHD disc, thefilm has been newly scanned at 4K, followed by color correction and HDR grading reviewedby the director at every stage.
4 a! _% |$ ^) M0 b8 e" e8 Y! A& F9 v
The result is an image of jaw-dropping clarity, in both the 35mm and IMAX scenes. The finenessof the dust seeping into the Cooper household in the early Earth-bound scenes is as beautiful as itis threatening, and the fields of corn that surround the farm are made up of individual stalksrather than blending into a green mass. The mechanical textures of the several spacecraft inwhich Joseph Cooper and his fellow astronauts hurtle through space are so minutely renderedthat you feel as if you can reach out and touch them, and the blackness that surrounds them isdeeply inky and black as it frames both the manned vehicles and a variety of celestial bodies. Thealien landscapes on which the team lands are even more beautiful and threatening, the one withits vast rippling oceans and the other with its forbidding mountain peaks. In the climacticsequence where Cooper finds himself in what can only be described as an alternate dimension,the individual strands of pulsating light that comprise the environment are separately rendered,each with its own rhythm and frequency, simultaneously lovely and strange.
1 K' |" e$ H& \1 g6 t5 s9 [) B8 ] I# W; Q9 S
Interstellar's Blu-ray presentation was excellent, and it still is. But put on the Blu-ray afterwatching the UHD, and you immediately sense that something is missing. By comparison, theimage is dim, soft and sometimes even mushy (a phenomenon that Marty noted in his review).No such softness infects this 4K presentation. Its gorgeous images remain sharp, tactile andimmediate from first to last./ q+ ^% G9 J4 O/ i& [+ F5 N9 A
& n8 ^: ^4 ~* I) f# W3 w& O! X1 d- @
(Note: The original version of this review incorrectly stated that this UHD was derived from the camera negative. That assertion was based on incorrect information supplied by Warner Brothers. It has now been confirmed from multiple sources that the 4K/HDR master was derived from an interpositive, at Christopher Nolan's express instruction and contrary to Warner's standard policy, which provides that 4K scans should utilize the existing element with the greatest resolution. We regret the error; the scores for Video and 4K have been adjusted.), G8 w. g7 l# S M. a
! t, a1 `6 R5 x! r& \
0 ~9 X( Z' x, h5 v
; L3 U$ a5 W9 X' J% AThe UHD arrives with the same room-rattling DTS-HD MA 5.1 soundtrack previously reviewed by Marty. I9 Y& `. l4 O' c- e
|
|