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5 y+ G# O/ w0 t1 L◎译 名 碟中谍/不可能的任务(台)/职业特工队(港)/ r0 g0 w8 k |/ a( @' h
◎片 名 Mission: Impossible / M:I8 Y& }, r$ f* O v) t X# @
◎年 代 1996
9 H% U; d4 O1 v◎国 家 美国
1 R: m" P* C% f1 f# o◎类 别 动作/惊悚/冒险& ^, o5 w' r6 s0 `- k0 X% m5 O
◎语 言 英语/捷克语/乌克兰语/法语; Z w) O1 M1 \. D; ~
◎上映日期 1996-05-22(美国)1 Z; Q7 s' k0 ^' G: T
◎IMDb评分 7.1/10 from 333,995 users
2 a1 Y1 @, |) B4 ]$ e6 g) Z◎IMDb链接 https://www.imdb.com/title/tt0117060/ E: ^+ [1 C9 @+ [2 w+ ]
◎豆瓣评分 7.9/10 from 133,910 users
5 F% u& a: M; b% M" O◎豆瓣链接 https://movie.douban.com/subject/1292484/
; D+ ?7 B) B/ ~2 _◎文件格式 x265 + TrueHD7 A# e, s M2 L. a) h' e
◎视频尺寸 3840 x 2160
/ N7 x# |) v' v* X6 \◎文件大小 61.19 GiB5 M# J o. _/ t% F8 S
◎片 长 1:50:12.939 (h:m:s.ms); v6 `& U! Z7 y, y" q
◎导 演 布莱恩·德·帕尔玛 Brian De Palma4 k* o5 I$ v* N
◎编 剧 大卫·凯普 David Koepp) X/ G& Z% t: |( k; g7 n
罗伯特·唐尼 Robert Towne- d* f9 E. Y3 v0 ^
斯蒂文·泽里安 Steven Zaillian
! }. b# k: ? @3 F7 T 布鲁斯·盖勒 Bruce Geller
- ^7 \" Y+ R! \9 u◎主 演 汤姆·克鲁斯 Tom Cruise- I- j$ r; J2 Y1 B
强·沃特 Jon Voight
- ]" d9 G- D { 让·雷诺 Jean Reno
: x, {& R+ R: _ 艾曼纽·贝阿 Emmanuelle Béart
4 Y, \: r0 ?- `( y 克里斯汀·斯科特·托马斯 Kristin Scott Thomas
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◎简 介 I$ S! E) D5 N- n _ |6 M
) P1 Y# Z+ j% B Tom Cruise stars as Ethan Hunt, a secret agent framed for the deaths of his espionage team. Fleeing from government assassins, breaking into the CIA's most impenetrable vault, clinging to the roof of a speeding bullet train, Hunt races like a burning fuse to stay one step ahead of his pursuers... and draw one step closer to discovering the shocking truth.8 |6 [' `* S C" f% S5 {" |/ l% L
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中情局获得情报,得知他们的特工中出了一个叛徒,准备将中情局布置在东欧的特工名单出卖给外国特工组织。在特工头目吉姆(乔恩·沃伊特 Jon Voight 饰)的策划下,伊森(汤姆·克鲁斯 Tom Cruise 饰)所住的一组特工赶往了他们交易的地点。& ?: W# T) j1 @6 A
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岂料,当他们按计划赶到时,却中了埋伏,一组人中除了伊森和吉姆的妻子克莱尔。这时,伊森的账户无端端多出了12万美金。伊森成了内鬼的最大的嫌疑犯。1 S9 F) K( @: ~6 n n
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无奈之下,伊森只能凭个人之力独闯龙潭虎穴去找出出卖他们的内奸。他和外国间谍组织的接头人麦克斯取得联系后,答应帮麦克斯偷出中情局的间谍名单以交换中情局内鬼的名字。
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, Y' N' @3 _& g9 k' Z Based on the hit T.V. series. Jim Phelps was sent to Prague for a mission to prevent the theft of classified material. His wife Claire and his trusted partner Ethan Hunt were members of Phelps' team. Unfortunately something went horribly wrong and the mission failed leaving Ethan Hunt the lone survivor. After he reported the failed mission Kettridge the head of the agency suspects Ethan of being the culprit for the failed mission. Now Ethan uses unorthodox methods (Which includes the aid of an arms dealer going by the name "Max") to try to find who set him up and to clear his name.
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第20届日本电影学院奖 (1997)( N, G/ C5 A0 L: B* l) Z7 Y! L$ n
最佳外语片(提名)- J) N# |8 e0 W4 }; T
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- DISC INFO:
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- Disc Title: Mission.Impossible.1996.2160p.BluRayCD.HEVC.TrueHD.5.1-COASTER
8 L# Y( G2 a M7 Q - Disc Size: 65,704,277,902 bytes
" r7 E" q4 |' v3 Y- n+ _ - Protection: AACS2$ `% @: R+ h) h9 w" q% m* ^% J
- BD-Java: Yes* K' }4 ]$ z- Q1 u; Q% K) g& G
- Extras: Ultra HD
+ Q ?( s/ _. U4 O - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.9.7)0 b; \2 m: p6 \
8 F0 I9 X3 }4 h# C- PLAYLIST REPORT:. A8 s2 x2 q/ o" m
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- Name: 00800.MPLS
& T2 J" k: M- V - Length: 1:50:12.939 (h:m:s.ms)! O% ~$ X0 s+ U% q
- Size: 63,188,594,688 bytes2 k! X9 k9 U. A
- Total Bitrate: 76.44 Mbps; Y* e% B. G j% t& B; f
- ( N7 R( z5 |3 F' g* P' _" M
- (*) Indicates included stream hidden by this playlist.
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- Video:0 E( b! u& R$ F% D4 Z
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! [% s+ |* G8 I* D - MPEG-H HEVC Video 56540 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 / 3 F b$ `! @+ k5 f' D7 N5 R
- * MPEG-H HEVC Video 6343 kbps 1080p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / Dolby Vision / BT.2020 /
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- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
9 k# Q) W: ]2 a G C$ K - Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps
: n g2 p5 n0 y6 z8 K - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps3 @1 K4 [- o" `1 T1 \0 c* Q+ ?
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
8 c, ?# m: f! S% @) K; z6 O - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps$ H7 R' l* F0 L4 X( ^3 e4 p6 S
- Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps
+ }" \: ]7 n" e3 N2 ~, j9 P - Dolby Digital Audio Japanese 640 kbps 5.1 / 48 kHz / 640 kbps3 W, H8 N# i Z/ i6 c
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+ V( R# P s" u5 l+ g. l& }# X2 _ - Presentation Graphics Spanish 18.936 kbps
8 j) n1 O8 H* ]& I - Presentation Graphics Spanish 21.325 kbps
/ f& X f! g3 y5 M+ j - Presentation Graphics French 24.032 kbps & u" \7 @# r. l$ c" K! _1 {$ l3 n
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2 j4 J- B- E/ A# Q" Q) ]$ }2 y4 j - Presentation Graphics Swedish 18.297 kbps & Y2 \( f+ P! Q% z: C6 N" Y( r
- Presentation Graphics Japanese 0.549 kbps
复制代码 Mission: Impossible 4K Blu-ray, Video Quality
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, z5 }3 P; m* [8 KThe included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.* M( M$ c: T# Q% G
7 N6 P" n5 y$ U& uWhat a difference 11 years make. Mission: Impossible's Blu-ray debut wasn't exactly the stuff of format legend. Dull, flat, and wholly unimpressive, the picture lacked the cinematic yield its source material should command and fans were left with an image that bordered on the unwatchable, particularly as time passed and the format's true capabilities became ever more obvious. % ]7 t8 n3 ], O" K6 |9 J: k
. [4 ]. J( [: }2 ?9 y/ b4 x- P& XFans, exhale. Paramount has finally taken the opportunity of the film's UHD release to offer an image that is not just a massive improvement but one that's about as perfect as the 4K format, and some of this film's own source limitations, allow. Brian De Palma and Cinematographer Stephen H. Burum shot the picture on film, with many tight close-up shots, shadowy and foggy exteriors, dark apparel, slow motion, intensive visual effects, the whole nine yards. Whatever visual challenge the film throws the UHD format's way, it passes with flying colors. The image looks gorgeous. There's no mistaking its crisp, seamless cinematic bonafides. Grain can be a little heavy in select shots, but it's often very even, albeit well pronounced. It's flattering and gorgeously rendered. Texturally, the image soars. Intimate skin details, clothes, environments, everything is ultra-sharp and finely revealing. Basic superlatives don't really do it justice; this, and many of the other top 4K releases, really do require a new vocabulary to differentiate "great" and "excellent" from Blu-ray discs that are at the top end for that format (this film's 1080p release was not one of them). Needless to say, though, viewers who have long yearned for an improved release get it, in spades.% w S, k! Q2 r
5 }( a& D5 Z) E% TThe 12-bit Dolby Vision colors are a great improvement over the Blu-ray as well. Whites are more intense and clean, flesh tones are far more balanced, and the entire palette enjoys a significant increase in color depth, vibrance, and yield. It's much more evenly presented. Nuances are spectacularly revealing -- a sunrise at 39:54 -- and large color swaths are handled with great care and attention to tonal detail. Green plants at a gala early in the film stand nicely apart from the white and black attire that populates the scene. City streets, red lasers, yellow firefighter gear, various essential colors in any number of locations, even those appearing on computer screens and other digital readouts, look amazing, and certainly far, far more refined than the comparatively dull and decidedly lackluster Blu-ray. The transfer's shortcomings are few. Several inherently soft shots appear throughout, various visual effects shots (and scenes, for that matter) lack the crispness of the image at its best, and black levels infrequently teeter on crush during the most challenging nighttime exteriors, but as a general rule perform admirably, with solid, intensive depth and complimentary immersion. This is a first-rate catalogue release from Paramount. Fans will be nothing less than ecstatic with the presentation, which is one of the finer on the developing, and increasingly impressive, UHD format.
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Mission: Impossible 4K Blu-ray, Audio Quality
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Mission: Impossible's UHD release does not include the film's soundtrack encoded in the desirable Dolby Atmos configuration, but the good news is that it does contain a 5.1 lossless track of the Dolby TrueHD variety, and it's a solid step forward from the Blu-ray's antiquated Dolby Digital 5.1 offering. Opening title clarity is much improved. The TrueHD track makes excellent use of the entire front side of the soundstage. There's not a lot of significant back channel engagement, but the dominant front side, the attention to detail, and the substantial low end output more than make up for it. The theme music blares again around the 56 minute mark with much the same excellence, featuring super clarity, wonderful low end support, and pinpoint instrumental distinction and fidelity. There some impressive one-off moments, such as a scene in chapter three in which Jack is caught in an elevator shaft with the big metal box being maneuvered about on its pulley system. There's a very strongly pronounced sense of claustrophobic, mechanical space in the scene as the elevator slowly descends or ascends, depending on the moment. An Atmos track certainly would have improved on the sensation, all but certainly creating a more tightly defined sonic space, but the 5.1 track does deliver the moment with all of the essential and nuanced elements necessary to bring it to life. On the flip side, a high speed train pursuit -- along its top, no less -- that also involves a whirling helicopter near film's end offers a very impressive sense of whooshing weight and movement that, combined with the music, delivers a substantial and very enjoyable burst of sonic energy that's the perfect compliment to the sequence. Dialogue presents without issue. An Atmos track certainly would have been nice, but it's hard to find too much fault in or disappointment with this 5.1 presentation.6 N& x- X5 Y: x1 g' }* y, w
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