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◎译 名 蝙蝠侠:黑暗骑士/蝙蝠侠前传2:黑暗骑士/黑暗骑士(台)/蝙蝠侠-黑夜之神(港)/蝙蝠侠6:暗夜骑士5 y$ a- f6 ~4 i4 o
◎片 名 The Dark Knight / Batman: The Dark Knight / TDK
, `# R" s$ |% U◎年 代 20084 E& v' u* I3 j7 R
◎产 地 美国/英国
. j5 R n5 g: k% N◎类 别 剧情/动作/科幻/惊悚/犯罪 V* s7 K& X7 h' g) V- D8 O: ]5 J
◎语 言 英语/汉语普通话7 {1 F+ X# [" J% ]1 u" |
◎上映日期 2008-07-14(纽约首映)/2008-07-18(美国)
/ }& x" N% i5 X, L◎IMDb评分 9.0/10 from 1,931,515 users
3 d7 B. X! R1 b% M+ a8 ^9 Q: ?◎IMDb链接 https://www.imdb.com/title/tt0468569/, n7 @# g, I3 I, h; }+ h1 q# Z; r8 g
◎豆瓣评分 9.1/10 from 379,763 users
$ e" \! f- B& g- c7 e# i◎豆瓣链接 https://movie.douban.com/subject/1851857/ s/ z) L: t/ l G
◎文件格式 x265 + DTS
p/ `6 d& k1 s& r1 _◎视频尺寸 3840 x 2160
# L: i. {+ k- _1 I6 W◎文件大小 1DVD 67.89 GiB
- j- U F, ]; r6 N! g+ q; N◎片 长 2:32:12.248 (h:m:s.ms)
) w$ ~+ O' H- ]! `' O" k◎导 演 克里斯托弗·诺兰 Christopher Nolan' D, P& p. K' A V; P
◎编 剧 乔纳森·诺兰 Jonathan Nolan
/ W) Z5 u) [. U) Q) l% _$ j 克里斯托弗·诺兰 Christopher Nolan
+ R/ T/ y; A) k, Z4 ?8 n8 M 大卫·S·高耶 David S. Goyer( N6 v- W6 B! X( j: D' f- A
◎主 演 克里斯蒂安·贝尔 Christian Bale
) ]# }; E( `0 _8 w2 g 希斯·莱杰 Heath Ledger
3 x! K1 {% w, |$ I( g9 w* ?( \ 艾伦·艾克哈特 Aaron Eckhart
$ T+ V2 |. g. a 迈克尔·凯恩 Michael Caine) O/ c; f" W* U! j# V0 F1 H9 u
玛吉·吉伦哈尔 Maggie Gyllenhaal
7 L/ ^) Q8 u7 a! M6 M 加里·奥德曼 Gary Oldman
$ y4 g0 C& k' Q: k 摩根·弗里曼 Morgan Freeman
4 o _$ |: t7 k) H 莫尼克·加布里埃拉·库尔内 Monique Gabriela Curnen1 P& r( b2 W+ y) g
罗恩·迪恩 Ron Dean7 z" b" z" `2 s( q4 W. g
基里安·墨菲 Cillian Murphy6 @+ r2 h8 Z8 Z) v* f. [
黄经汉 Chin Han! N( ~8 p& _, \
内斯特·卡博内尔 Nestor Carbonell
1 a/ L9 Z" ]/ v, D 埃里克·罗伯茨 Eric Roberts& s4 \* T' k2 R6 X) h6 `. o4 `; x( m+ i
里特奇·科斯特 Ritchie Coster
: g; R% y, u" L2 k$ }. g 安东尼·迈克尔·豪尔 Anthony Michael Hall. e! y/ ^+ T$ p# N
基斯·斯扎拉巴基克 Keith Szarabajka
9 ~% B, u1 K+ H, t% S 柯林·麦克法兰 Colin McFarlane2 |) t) `! D& Z- D
约书亚·哈尔托 Joshua Harto
! s4 ?+ k( _: Q r. N; i* T' D5 U2 o% u 美琳达·麦格劳 Melinda McGraw
) { r3 C" S( Z6 i9 Z 内森·甘宝 Nathan Gamble
3 d, J* Z. c! {2 y* N8 D2 B 迈克尔·维约 Michael Vieau' P3 d4 P+ K8 q( P! u; p
迈克尔·斯托扬诺夫 Michael Stoyanov; a. V3 Y* R( g8 d) @# `& n
威廉·斯米利 William Smillie3 c+ N+ e9 @3 B& }# n
丹尼·高德林 Danny Goldring! N4 U1 j m+ \& B, ]
迈克尔·加·怀特 Michael Jai White
0 Y8 Y( b# `7 a' ^7 C 马修·奥尼尔 Matthew O'Neill
+ {6 Z: }9 b4 A: } 威廉·菲德内尔 William Fichtner
4 H2 l' o! V, s' Q" H 欧鲁米基·欧拉乌米 Olumiji Olawumi
' T* C8 E5 c% y/ O" k" }% Z4 e* d 格雷格·比姆 Gregory Beam
8 }/ A8 t: O9 X+ k ~# e( [8 A 爱利克·赫尔曼 Erik Hellman
- B! J x3 @( T5 h7 g7 { 毕崔斯·罗森 Beatrice Rosen9 r! M' P& X; _- L5 W
文森佐·尼克力 Vincenzo Nicoli: i; B8 _+ p1 U
陈冠希 Edison Chen) U! x6 E& ]$ O: M& {
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◎简 介 [# t4 v0 S1 W. _
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With the help of Lieutenant Jim Gordon and District Attorney Harvey Dent, the Batman has been making headway against local crime... until a rising criminal mastermind known as The Joker unleashes a fresh reign of chaos across Gotham City. To stop this devious new menace — Batman's most personal and vicious enemy yet — he will have to use every high-tech weapon in his arsenal and confront everything he believes.
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7 J/ c6 q! r! x7 N9 X! v9 \5 H7 I L0 [ 从亲眼目睹父母被人杀死的阴影中走出来的“蝙蝠侠”,经历了成长之后,已经不再是那个桀骜不的孤单英雄了。在警官吉姆·戈登和检查官哈维·登特的通力帮助下,“蝙蝠侠”无后顾之忧地继续满世界的奔波,与日益增长起来的犯罪威胁做着永无休止的争斗,而他所在的高谭市,也是进展最为明显的地方,犯罪率以一种惊人的速度持续下降着,毕竟对方是能够上天入地的“蝙蝠侠”,不借两个胆子谁还敢造次呢?不过像高谭这种科技与污秽并存的城市,平静是不可能维持太久的,果不其然,新一轮的混乱很快就席卷了整个城市,人们再一被被恐慌所笼罩着,而声称愿意为这一切负责的,自然就是所有混乱的源头以及支配者--“小丑”了。9 ]' `" y. W5 J; X/ K2 x0 m
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先不管“小丑”掀起一个又一个犯罪的狂潮的最终目的为何,他的企图都是邪恶的,所作所为更是早就危害到了高谭市民的正常生活……其中自然包括了“蝙蝠侠”身边几个非常重要的人,而他需要做的,就是将这股新的危机全部亲自用手捏得粉碎。然而在面对着这个有史以来最具针对性、最恶毒的对手时,“蝙蝠侠”却不得不从他的地下军械库里搬出每一件能够用得上的高科技武器,还得时刻纠结着为他曾经信仰的一切寻找答案。+ O. D7 k6 p0 `% r# Q+ r. P
- s& f* a) z# ?$ e' i7 W Set within a year after the events of Batman Begins Batman Lieutenant James Gordon and new district attorney Harvey Dent successfully begin to round up the criminals that plague Gotham City until a mysterious and sadistic criminal mastermind known only as the Joker appears in Gotham creating a new wave of chaos. Batman's struggle against the Joker becomes deeply personal forcing him to "confront everything he believes" and improve his technology to stop him. A love triangle develops between Bruce Wayne Dent and Rachel Dawes.
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◎获奖情况
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5 n( }1 a% Q9 U) D @ 第36届日本电影学院奖 (2013)
) _! x7 }! }& f" w6 p/ u, i 最佳外语片(提名)1 y7 e0 n0 O1 v" L" l* E- F Q
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第22届MTV电影奖 (2013)# ^! J" j9 Q/ o' h
MTV电影奖 年度电影(提名)& S! h1 ^/ P- ^4 f
MTV电影奖 最佳打斗(提名) 汤姆·哈迪 / 克里斯蒂安·贝尔
3 u/ c* r5 ~9 i6 N1 _' ^ MTV电影奖 最佳赤膊表演(提名) 克里斯蒂安·贝尔1 m/ ~5 d2 v9 n0 o2 u( f1 P
MTV电影奖 最佳反派(提名) 玛丽昂·歌迪亚 / 汤姆·哈迪" N# n1 S7 }* O/ g, t
MTV电影奖 最佳英雄形象(提名) 克里斯蒂安·贝尔 / 安妮·海瑟薇
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. g* I: c9 i1 n: H; D 第19届美国演员工会奖 (2013)
9 H* Z- O, v7 w: L Y 电影最佳特技群戏(提名) 乔恩·博瑞尔 / 罗伊·T·安德森 / Dan Brown / 瑞克·艾弗里 / Tony Alameda
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1 x+ `; B& e# i3 Z9 g 第84届美国国家评论协会奖 (2013)
( }3 `) t" q" O- Q 年度佳片; d" t% Z; [$ u, i" y) P1 M
: c: [ Q( s6 P K, o 第18届美国评论家选择电影奖 (2013)
8 g% s3 n2 [0 Q 最佳动作片(提名)
9 a& f# p4 t% Z/ i7 n5 G9 _ 动作片最佳男主角(提名) 克里斯蒂安·贝尔( w+ D' z8 F: W/ W
动作片最佳女主角(提名) 安妮·海瑟薇
6 o3 @. i' e" c 最佳视觉效果(提名)' t4 {. H) }" n, G2 i- V: h0 A3 J
8 ?2 d w8 s8 |; W K; M2 ~' y j 第13届美国电影学会奖 (2012)
1 V$ w4 t! U6 d$ I: E, d/ d- G, g 年度佳片! B' g6 x8 C" D/ {- k' |* {
7 z) ~8 P) ?' e 第17届金卫星奖 (2012)
/ c0 i1 Y; Z8 t' R5 p$ d 电影部门 最佳美术指导(提名) Nathan Crowley / Naaman Marshall / Kevin Kavanaugh / James Hambidge
Z' Y9 h- U& Y k 电影部门 最佳视觉效果(提名) 克里斯·考博德 / Paul J. Franklin' ~( x) W1 t/ Q% [+ Z( d& X, ^
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第38届洛杉矶影评人协会奖 (2012): F5 T/ l0 A- x
最佳女配角(提名) 安妮·海瑟薇
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2 u( w" H1 g7 ]6 \* j% u, V 第12届凤凰城影评人协会奖 (2012)
& T( H, ` Z6 s# R9 Q7 `$ v9 K 最佳剪辑(提名) 李·史密斯
) ?, i; V8 i0 \5 J$ B) @, y 最佳特技表演(提名)
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第21届东南影评人协会奖 (2012)4 S$ ~1 a8 d N, }/ y5 z
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' v( D# f( ?" S8 D) g" c' f1 o 第15届美国青少年选择奖 (2013)
4 B7 \ E1 j& F, e2 H 最佳动作片(提名)& f0 y7 u. N/ @* l8 `7 e( x" x
最佳动作片男演员(提名) 克里斯蒂安·贝尔6 w# k, C& d* L& K' ^* V8 b
最佳动作片女演员 安妮·海瑟薇
8 R! f: p; s" O8 t9 \0 P$ K7 p' { 最佳电影反派(提名) 汤姆·哈迪
. q( r2 V' S$ O) s* x 最抢戏电影男星(提名) 约瑟夫·高登-莱维特
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第14届美国青少年选择奖 (2012)
- T+ a) g; C2 q }. o2 Q+ c9 T 最佳电影反派(提名) 汤姆·哈迪
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第3届豆瓣电影鑫像奖 (2013)
* x2 G% H0 W8 @) V' K O* d( r3 m& M 鑫豆单元 最佳影片(外语)(提名)
# }, S ?5 s( j+ K! F; a7 }5 C 鑫豆单元 最佳导演(外语)(提名) 克里斯托弗·诺兰+ T1 V! L# B% v0 ]* K% H3 m
鑫豆单元 最佳男演员(外语)(提名) 克里斯蒂安·贝尔: t. @9 g% H# r6 c* R
鑫豆单元 最佳视觉效果(提名)" @* {. h9 o$ y
鑫豆单元 最佳配乐(提名)
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- A# W! ^( Q$ g G& ]- DISC INFO:
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! `- O1 [& p T, f/ E- Disc Title: The.Dark.Knight.2008.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-OLDHAM( a+ U8 V( m; G* V
- Disc Size: 72,895,082,219 bytes8 ?) N0 F: s l& y/ u
- Protection: AACS2
1 f* a) Q$ s' B+ a3 t8 t& X& D2 ` - BD-Java: Yes
: X: U) t* d7 W& Z- a - Extras: Ultra HD
2 Z9 R# N6 @' q% G1 C4 Z - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.7.7)
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& P" H9 Y2 V- s0 @( o* S, z7 J- PLAYLIST REPORT:
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" c( u/ N D& A" F/ |: @4 v" H- Name: 00033.MPLS + |4 c# g6 h8 V, }2 I
- Length: 2:32:12.248 (h:m:s.ms)# }2 B1 N# @9 U- c" H. ^
- Size: 72,318,400,512 bytes0 O" T2 k( ^7 ^ V8 ?- K7 c) L% R
- Total Bitrate: 63.35 Mbps' F1 |9 `( j V; r8 |
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- Video:
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8 y4 I# E6 |0 S9 A- Codec Bitrate Description 5 h/ J' t6 Q4 I
- ----- ------- -----------
- E# @ _; Y5 w- S - MPEG-H HEVC Video 47159 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /
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- AUDIO: V: g. ], U& w# y+ K( u+ t
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) G7 m9 K9 A8 |$ b6 f. u - DTS-HD Master Audio English 3814 kbps 5.1 / 48 kHz / 3814 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)9 i; i8 k& f! r: X, N1 H
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
1 Q) N/ c( A9 T$ M - DTS-HD Master Audio French 2262 kbps 5.1 / 48 kHz / 2262 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
2 q3 f6 t9 C" F0 ^% X - DTS-HD Master Audio German 2262 kbps 5.1 / 48 kHz / 2262 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)' g6 T+ I C0 D! J: ^$ G4 F
- Dolby Digital Audio Italian 448 kbps 5.1 / 48 kHz / 448 kbps: p: O8 l Y1 p3 O/ X, d
- Dolby Digital Audio Spanish 448 kbps 5.1 / 48 kHz / 448 kbps4 o( _, W/ t& G/ N/ b5 H
- Dolby Digital Audio Czech 448 kbps 5.1 / 48 kHz / 448 kbps" N- P+ C1 ]! S$ E Z
- Dolby Digital Audio Hungarian 448 kbps 5.1 / 48 kHz / 448 kbps
( c- B. t- F8 {" h' X- V4 { ] - Dolby Digital Audio Polish 448 kbps 5.1 / 48 kHz / 448 kbps
( L- C5 m! t" E J/ [* Y- E1 I4 E - Dolby Digital Audio Russian 640 kbps 5.1 / 48 kHz / 640 kbps# X e' u$ n+ P; e5 f. B
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- \1 n$ |$ N' N& Z: N& f* M - Presentation Graphics Korean 20.344 kbps
/ u5 e* @ v0 N" Q - Presentation Graphics Arabic 17.621 kbps
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$ b3 d$ P1 @* Z [4 P i2 k E - Presentation Graphics French 0.214 kbps
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4 f! v r3 {, C: H7 E+ M! M) T - Presentation Graphics Japanese 0.243 kbps
复制代码 The Dark Knight 4K Blu-ray, Video Quality- [, ]' H4 P4 S1 W6 A4 L/ i
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(Note: Screenshots accompanying this review are 1080p captures from the 2008 standardBlu-ray. Additional captures can be found here.)
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& V9 O0 c0 r. x! H' P! j1 ~' iThe Dark Knight was the first project on which Nolan and cinematographer Wally Pfister beganmixing IMAX and 35mm footage, previewing their experiment by including TDK's IMAX-filmed opening as an extra on Batman Begins. First on Blu-ray, and now again on UHD, thepresentation features a shifting aspect ratio, with the IMAX sections formatted at 1.78:1 and35mm portions framed at 2.40:1.5 J6 J M( ~" c" B7 u5 w% u3 }
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A frequent approach in UHD reviews is to highlight a handful of examples of where the 4Kimage does or doesn't show improvements over the Blu-ray. Certainly that review strategy couldbe easily applied to Warner's 2160p, HEVC/H.265-encoded UHD disc of TDK, which has beensourced from a new 4K scan that has been color-corrected and HDR gradedunder the director's supervision. One could point to the finer, more realistic rendition of thecracks and streaks in the Joker's clown makeup (not to mention the skin pores visible beneath thedisguise); the fresh intensity of the colors in the clown masks worn by his gang in the openingbank heist; the elegant refinement of the gray streaks in the hair of gang boss Sal Maroni; theexceptional shadow definition in the nearly-all-black shot of Batman lurking outside JimGordon's home when his family receives the bad news; and the growing blackness of HarveyDent's eyes as he interrogates one of Joker's thugs with coin tosses and Russian roulette. Thereare literally hundreds of such examples throughout TDK's two and a half hours.
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% Z4 e7 j: _2 e- Z6 i- hBut after spending several days watching and rewatching TDK in both formats, I'm left with anoverall impression that transcends the details of any single image. Even more than the other twofilms in the trilogy, which have also received impressive 4K makeovers, there is something aboutTDK on UHD that is simply hypnotic. I start out watching a specific passage to compare it to theBlu-ray, but then I don't turn it off. The sheer intensity the film's visuals is too mesmerizing tointerrupt; the freshness and immediacy with which the UHD brings Nolan's evocation of a worldon the brink of collapse into one's viewing room is too addictive to quit. One can object to theheavy cyan wash cast over numerous sequences—a quality the 4K treatment shares with the Blu-ray—or quibble with the added brightness found in scenes like Batman's abduction of Lau fromhis Hong Kong office tower, and one can certainly fault the occasional video artifact that pops upfrom time to time as an unwanted distraction. But the overall impact of this new TDK renditioncan't be denied. Its pull is irresistible.
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$ v2 q" E- C! F; XAbout those video artifacts: As in the 4K version of Batman Begins, TDK has a few instances ofaliasing, which as noted in the earlier review, isn't something one expects to encounter at thisresolution and with today's software tools. The most obvious instance occurs in the film'sopening shot, as the camera (the IMAX camera!) pushes in above Gotham toward the buildingfrom which Joker's gang begin their assault on the mob bank. Multiple closely space horizontaledges of building slats and grille work vibrate with the motion of the shot. (This does not occuron the Blu-ray.) Another, much subtler example occurs in the long shot where Lucius Fox andBruce Wayne enter the armory as they are discussing high-altitude jumps; the banks of suspendedceiling lights vibrate noticeably, if you happen to glance upward from the actors. (This doesoccur on the Blu-ray, and the UHD handles it somewhat better.) As with Batman Begins, Iconsider this more of a video problem than a 4K problem and have adjusted the disc's scoresaccordingly.
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( s+ q$ [- i; K(Note: The original version of this review incorrectly stated that this UHD was derived from the camera negative. That assertion was based on incorrect information supplied by Warner Brothers. It has now been confirmed from multiple sources that the 4K/HDR master was derived from an interpositive, at Christopher Nolan's express instruction and contrary to Warner's standard policy, which provides that 4K scans should utilize the existing element with the greatest resolution. We regret the error; the scores for Video and 4K have been adjusted.)
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The Dark Knight 4K Blu-ray, Audio Quality+ f2 l( V* s. u, l5 l" X
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# }% G7 _5 U, O* b# NThe 2008 Blu-ray's Dolby TrueHD 5.1 track (discussed here) received a 5.0 rating, which leavesme no room to increase it for the UHD's re-encoding of the same track in DTS-HD MA. Still, tomy ear, the new version is even more powerful than its room-rattling predecessor, with evendeeper bass and a broader dynamic range that expands the contrast between thunderous actionbeats and quieter passages of dialogue. (This has the effect of rendering the quiet moments moreominous, because you know something big and loud is just around the corner.) Rear channel useremains sparing but effective, and the track's overall volume appears to be louder. Whateversetting you may have used for the Blu-ray's TrueHD mix is likely to be too loud for the UHD'slossless DTS.' N: ?2 N5 R( @% i: a6 K! J: C
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