第三类接触 [4K蓝光原盘 自带中字] Close Encounters of the Third Kind 1977 DC 2160p BluRaycd HEVC DTS-HD MA 5.1-COASTER 90.30GB

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' q; k, |' K, t! {◎译　　名　第三类接触
◎片　　名　Close Encounters of the Third Kind
◎年　　代　1977
" r7 ~' I% @( J/ Q◎产　　地　美国
3 ~9 M  \" z- }) b# T1 H: h/ U◎类　　别　剧情/科幻
◎语　　言　英语/法语/西班牙语/印地语/汉语普通话
◎上映日期　1990-09-16(中国大陆)/1977-11-15(纽约首映)/1977-12-14(美国)
3 R/ I3 X; s/ Y" c◎IMDb评分  7.7/10 from 158,826 users
◎IMDb链接  https://www.imdb.com/title/tt0075860/
◎豆瓣评分　7.2/10 from 11,300 users
◎豆瓣链接　https://movie.douban.com/subject/1298405/
◎文件格式　x265 + DTS
$ M- q9 K4 U/ R+ U: J9 J8 I9 U% D◎视频尺寸　3840 x 2160
◎文件大小　1DVD 90.30 GiB
" D! F+ K( t8 t) Q◎片　　长　2:17:14.225 (h:m:s.ms)
◎导　　演　史蒂文·斯皮尔伯格 Steven Spielberg
◎编　　剧　史蒂文·斯皮尔伯格 Steven Spielberg
◎主　　演　理查德·德莱弗斯 Richard Dreyfuss
+ p; o6 r( Y: _; S8 z8 l% e& T1 p　　　　　  弗朗索瓦·特吕弗 François Truffaut
8 `4 E5 h! ?+ b6 N6 Z- H　　　　　  特瑞·加尔 Teri Garr
　　　　　  梅林达·狄龙 Melinda Dillon
　　　　　  鲍勃·巴拉班 Bob Balaban
: J8 z* n5 ]9 m- B4 [　　　　　  J·帕特里克·麦克纳马拉 J. Patrick McNamara
　　　　　  沃伦·肯梅灵 Warren J. Kemmerling
: f6 y3 D6 I' |; D" x. @9 h　　　　　  罗伯茨·布洛瑟姆 Roberts Blossom
) J1 ]. k' _& P$ e; F& A6 i. ^! h　　　　　  菲利普·多德斯 Philip Dodds
# o* a/ T8 _; [2 c8 D7 P; G　　　　　  卡里·加菲 Cary Guffey
% i3 h- w; e1 k) S  G　　　　　  兰斯·亨利克森 Lance Henriksen
9 Y8 E- u8 c% l. H　　　　　  麦瑞尔·康纳利 Merrill Connally
5 c% U6 ^6 J( M: o! w6 r0 t" R　　　　　  吉恩·戴纳斯基 Gene Dynarski
　　　　　  诺曼·巴托德 Norman Bartold
　　　　　  约瑟夫·索默 Josef Sommer
2 o- x0 i, n8 C　　　　　  卡尔·韦瑟斯 Carl Weathers
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◎简　　介   
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　　In the night skies near his Muncie, Indiana, home, power repairman Roy Neary experiences something out of this world. His close encounter sets into action an amazing chain of events that leads to contact with benevolent aliens and their Mothership.
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+ v' R1 e1 D2 h  u7 }' C　　1978年意大利大卫奖最佳外语片。

　　1945年的一天夜里，当诺伊·尼尔瑞（理查德·德莱福斯 Richard Dreyfuss 饰）在装载卡车时，忽然被神秘的光线所笼罩，之后奇怪的幻象和五个音符一直在他脑海中回旋。他能否发现幻象的意义，又是谁将其置于他的脑海中呢？

　　与此同时，美国政府同星际来客有了一定的接触并确定其降落的地点。为了掩饰真相，政府要求人们远离此地。然而，包括诺伊在内的一群人，却被其共同的幻象所吸引，来到此地。

　　在沙漠中的魔鬼山上，空军临时修建的基地上空，外星人如约来到，他们的飞船流光异彩，将半个天空都照亮了。人类播放了以前从太空接受到的外星人信息中破译出的音乐作为联络的手段，飞船的大门打开了，从前失踪的地球人都回到了自己的家乡，而一批外形矮小的外星人则来到地球人中间和他们做心灵的沟通……
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5 r4 d& J$ d$ x0 H　　Two parallel stories are told. In the first a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations primarily desert regions. In continuing their investigation one of the lead scientists a Frenchman named Claude Lacombe incorporates the Kodály method of music education as a means of communication in their work. The response in turn| at first baffles the researchers until American cartographer David Laughlin deciphers the meaning of the response. In the second electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie Indiana who experience some paranormal activity before some flashes of bright lights in the sky which they believe to be a UFO. Roy becomes obsessed with what he saw unlike some others especially in some form of authority who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession ...
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◎获奖情况
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　　第50届奥斯卡金像奖  (1978)
0 K/ K( k# ^) c3 R' J' v+ V4 w" A　　最佳导演(提名) 史蒂文·斯皮尔伯格
　　最佳女配角(提名) 梅林达·狄龙
　　最佳剪辑(提名) 迈克尔·卡恩
　　最佳摄影 维尔莫什·日格蒙德
' s/ H8 Z2 Y* `7 V　　最佳视觉效果(提名) 道格拉斯·特朗布尔 / Roy Arbogast / 马修·尤里奇 / 格雷戈里·杰恩 / 理查德·尤里西奇
　　最佳音响(提名) 唐·麦克杜格尔 / Robert Knudson / 罗伯特·格拉斯 / 吉恩·S·坎塔梅萨
; ^2 J6 [1 n" `. i) p0 `　　最佳艺术指导(提名) 乔·阿尔夫斯 / Phil Abramson / Daniel A. Lomino
　　最佳原创配乐(提名) 约翰·威廉姆斯
) D/ F. x3 l( B* L2 ^8 B. h　　特别成就奖 Frank E. Warner
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Close Encounters of the Third Kind 4K Blu-ray, Video Quality


4 d2 A) ^+ s; A7 a- ^+ ?Sony's UHD release of Close Encounters of the Third Kind brings home audiences closer than ever to the movie. The film -- all three cuts thereof (Theatrical, Special, Director's) -- receive the 2160p/HDR treatment for this release, all included on the same UHD disc. The presentation is unsurprisingly excellent, similar to another classic Spielberg film to recently release on the 4K format, E.T.. The picture is gorgeously filmic, retaining a natural, critical grain structure that accentuates the innate qualities of its source photography. Presentation is largely even, though it feels a bit sharper at the outset as it swirls about during a sandstorm. A few darker corners, which cannot hold true black, also feature grain that takes on a somewhat snowier appearance. On the whole, however, the image's organic film-quality presentation is wonderful. Details are fantastic, with only the occasional softer shot or visual effects breaking up the precision. Faces are expertly presented, boasting intimate pores and complex hairs with no strain. Definition is striking elsewhere, such as during Roy's first close encounter in his truck or when Jillian's house falls under nearby alien influence and items jump out of the refrigerator and other things turn on, unscrew, and so on. Environments are crisp and there's plenty of detail to be found in the alien suits at film's end. The HDR color palette offers a pleasant boost to depth and saturation. Never does this not look like Close Encounters. There are no drastic alterations to the palette or a major tweaking of any one shade. The HDR colors are complimentary, offering an upgrade in terms of core qualities rather than redefining them. Black levels hold deep beyond a few edges that inch more towards paleness. Flesh tones are steady and some of the characters who partially turn red as a result of alien encounter are nice and flush. The image shows no compression or print anomalies of note. In direct comparison to the Blu-ray, grain is more prominent, details are much sharper, colors are significantly firmer...a noteworthy point of comparison comes during a sequence in chapter five, around 40 minutes into the film, in India. Terrain is significantly sharper, the yellow attire is noticeably more vibrant and well saturated. The UHD presentation is a very positive upward boost for the film.

( z& J: `9 c( T- M* c6 TClose Encounters of the Third Kind 4K Blu-ray, Audio Quality


; s4 X4 K/ r/ Q6 b4 GWith its UHD release of Close Encounters of the Third Kind, Sony has missed an opportunity to expand the soundtrack to Dolby Atmos or DTS:X; the film is teeming with moments that would certainly benefit from greater immersion. Whether blaring alarms during one early scene, the moment when the alien craft hovers over Roy's truck, and of course the sonically critical climax, the film's soundtrack seems ripe for a greater exploration into overhead expansion. Would such really be any different than the HDR processing on the video side? Regardless, the DTS-HD Master Audio 5.1 track is still very strong, offering significant low end extension in many key moments, fantastic spacing and effortless movement, crisp definition, and consistent delivery of pinpoint detail. Still, one can only wonder what the experience might have been like, opened up to a new track. For a full review of the included DTS presentation, please see the Blu-ray.com review of the original 2007 release here.
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