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, X5 P$ t. a+ ^: }2 \◎译 名 第三类接触# ~* \+ P$ E w, T3 D8 k
◎片 名 Close Encounters of the Third Kind
$ @7 X1 S, @( [: n# @2 e◎年 代 1977
* z% @2 g' O0 z; n8 M◎产 地 美国
$ I8 ?9 l/ n1 S) i3 L◎类 别 剧情/科幻
& Z4 ~+ Z3 H1 Q. i6 s0 c◎语 言 英语/法语/西班牙语/印地语/汉语普通话( ]. ]- }' E1 M5 y" e) T C$ v
◎上映日期 1990-09-16(中国大陆)/1977-11-15(纽约首映)/1977-12-14(美国)! e5 r& B8 a8 E
◎IMDb评分 7.7/10 from 158,826 users
$ A0 c- j$ X7 R◎IMDb链接 https://www.imdb.com/title/tt0075860/! q( w9 s: K0 E$ E1 z: m
◎豆瓣评分 7.2/10 from 11,300 users- F9 s: ]$ m! `, F! Y A5 D
◎豆瓣链接 https://movie.douban.com/subject/1298405/# S2 V3 v" `# d. P
◎文件格式 x264 + DTS- I0 L, M d- v4 h
◎视频尺寸 1920 x 1080
" D" R. @- u9 \2 F% \7 G◎文件大小 1DVD 44.34 GiB
' `* J) x5 i5 h9 |. h◎片 长 2:17:14.225 (h:m:s.ms)3 V9 ^! [+ w, p4 V3 Z0 v
◎导 演 史蒂文·斯皮尔伯格 Steven Spielberg
: y, Z2 v0 N) u* Y' R◎编 剧 史蒂文·斯皮尔伯格 Steven Spielberg1 ?$ b- t, K% {" s7 |
◎主 演 理查德·德莱弗斯 Richard Dreyfuss# n$ T3 K% b# M* Y7 a
弗朗索瓦·特吕弗 François Truffaut
) r Q9 C! }2 \0 e: x7 @# F2 u 特瑞·加尔 Teri Garr
% V+ e* }7 ]+ D X 梅林达·狄龙 Melinda Dillon5 e3 j* p& ]* [; {& v
鲍勃·巴拉班 Bob Balaban' @# [% j: z1 y" X- l, @
J·帕特里克·麦克纳马拉 J. Patrick McNamara
9 ?1 D& k. i, \* d0 F: A 沃伦·肯梅灵 Warren J. Kemmerling
4 Z! n! M% _, c) Y: Q: \ 罗伯茨·布洛瑟姆 Roberts Blossom
6 i' B& O( V$ [1 w5 Y 菲利普·多德斯 Philip Dodds! I" I! E' E) |* A8 N1 N
卡里·加菲 Cary Guffey
% H x) g3 M3 X l# k( R$ r# w 兰斯·亨利克森 Lance Henriksen
# t2 y: Z8 z# \* v 麦瑞尔·康纳利 Merrill Connally' R0 h; [, A) w. s. Y
吉恩·戴纳斯基 Gene Dynarski0 u* v- x9 M1 ]1 ^, N
诺曼·巴托德 Norman Bartold( K: e* ?8 J7 F& f$ P
约瑟夫·索默 Josef Sommer) K1 s7 Y3 ]6 p# x' R; ]) ^+ ]) O. {
卡尔·韦瑟斯 Carl Weathers% P2 {+ G, b& _. T- h. s& e% G
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◎简 介 ; O8 `+ }5 d' J9 l1 |' q# N Q% ]
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In the night skies near his Muncie, Indiana, home, power repairman Roy Neary experiences something out of this world. His close encounter sets into action an amazing chain of events that leads to contact with benevolent aliens and their Mothership.
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9 g8 v, H4 s1 f/ W+ A 1978年意大利大卫奖最佳外语片。1 \$ a( g1 ^6 J6 W6 z' g* j
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1945年的一天夜里,当诺伊·尼尔瑞(理查德·德莱福斯 Richard Dreyfuss 饰)在装载卡车时,忽然被神秘的光线所笼罩,之后奇怪的幻象和五个音符一直在他脑海中回旋。他能否发现幻象的意义,又是谁将其置于他的脑海中呢?6 c! {9 q# E, H9 `- s$ a C2 L# C
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与此同时,美国政府同星际来客有了一定的接触并确定其降落的地点。为了掩饰真相,政府要求人们远离此地。然而,包括诺伊在内的一群人,却被其共同的幻象所吸引,来到此地。! a& e8 U4 T N! w
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在沙漠中的魔鬼山上,空军临时修建的基地上空,外星人如约来到,他们的飞船流光异彩,将半个天空都照亮了。人类播放了以前从太空接受到的外星人信息中破译出的音乐作为联络的手段,飞船的大门打开了,从前失踪的地球人都回到了自己的家乡,而一批外形矮小的外星人则来到地球人中间和他们做心灵的沟通……
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& P8 t2 |, u; w5 n3 O Two parallel stories are told. In the first a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations primarily desert regions. In continuing their investigation one of the lead scientists a Frenchman named Claude Lacombe incorporates the Kodály method of music education as a means of communication in their work. The response in turn| at first baffles the researchers until American cartographer David Laughlin deciphers the meaning of the response. In the second electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie Indiana who experience some paranormal activity before some flashes of bright lights in the sky which they believe to be a UFO. Roy becomes obsessed with what he saw unlike some others especially in some form of authority who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession ...4 \) B. M8 G1 [# |, n" K) D6 t
! [5 U( n) W P◎获奖情况
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第50届奥斯卡金像奖 (1978)# X7 Z! o% A2 R" F: M/ P
最佳导演(提名) 史蒂文·斯皮尔伯格' ~, s0 c8 N; J( F( ~& ]* o
最佳女配角(提名) 梅林达·狄龙! V( a9 m% s) X5 g8 u
最佳剪辑(提名) 迈克尔·卡恩
% a/ T0 q) f* V8 @* b 最佳摄影 维尔莫什·日格蒙德
* u t' H V2 y* p8 V6 E& J 最佳视觉效果(提名) 道格拉斯·特朗布尔 / Roy Arbogast / 马修·尤里奇 / 格雷戈里·杰恩 / 理查德·尤里西奇. d7 Q7 T/ a% y) ?5 k u4 V, n9 b
最佳音响(提名) 唐·麦克杜格尔 / Robert Knudson / 罗伯特·格拉斯 / 吉恩·S·坎塔梅萨
; q9 e2 I$ u6 L; L 最佳艺术指导(提名) 乔·阿尔夫斯 / Phil Abramson / Daniel A. Lomino) O5 h8 a/ T' I
最佳原创配乐(提名) 约翰·威廉姆斯
7 j% ^+ p9 h0 K8 v1 J6 g8 b9 z 特别成就奖 Frank E. Warner
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2 S( }+ @. \; D5 O$ N9 N- DISC INFO:0 i2 {8 R. O, r$ h K# O
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- Disc Title: Close.Encounters.of.the.Third.Kind.1977.3in1.Ultimate.Edition.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT" |1 Z1 G- `; ]* ]& k# s( K- p
- Disc Size: 47,608,986,693 bytes$ c0 t8 g4 U9 B S& P
- Protection: AACS; V; F" c; _1 x" N! F9 {
- BD-Java: Yes) P! W- r5 Y& B9 d! I4 i$ @
- BDInfo: 0.5.8
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- PLAYLIST REPORT:
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0 O: |, y8 P" h- M6 s+ u- Name: 00056.MPLS& O: T' \ t# y# T6 [
- Length: 2:17:14.225 (h:m:s.ms)$ f! V" U% L: y, c9 @' @! M* ]
- Size: 36,098,478,336 bytes
+ g a" J% [" \' p' y - Total Bitrate: 35.07 Mbps) C% V: g0 Z, d2 Y0 H9 [
- T8 d' ]3 M6 x, V+ G$ ?8 T/ l- Video:
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- Codec Bitrate Description
3 U/ C+ R7 g0 W* t5 @; J - ----- ------- -----------
+ n3 H8 Y# n+ f) v! r) o0 W/ @ - MPEG-4 AVC Video 22860 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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+ `) u; [, ]1 r- d8 g- AUDIO:/ u4 U, M& q& E0 W+ p3 F2 q; C- _% K
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- Codec Language Bitrate Description # h. }* }& m9 \1 m1 _! R
- ----- -------- ------- -----------
, p ?9 Q3 I4 S. @5 ?- v% N - Dolby Digital Audio Spanish 448 kbps 5.1 / 48 kHz / 448 kbps / DN -2dB
' B B5 m8 V; C9 \; W( p - Dolby TrueHD Audio English 3188 kbps 5.1 / 48 kHz / 3188 kbps / 24-bit (AC3 Embedded: 5.1 / 48 kHz / 448 kbps)
% a* X$ k/ O6 b: q+ ]) B Y% ~ - Dolby TrueHD Audio French 1516 kbps 5.1 / 48 kHz / 1516 kbps / 16-bit (AC3 Embedded: 5.1 / 48 kHz / 448 kbps)9 J5 U7 Z2 j9 q' \4 M0 J2 c
- DTS-HD Master Audio English 3740 kbps 5.1 / 48 kHz / 3740 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)5 D `& E& [% X3 l/ @: t0 ?4 |
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- Codec Language Bitrate Description . @; @) i' o3 B# O3 ^" ]" P" Z/ X) {
- ----- -------- ------- ----------- ' F2 o3 z3 \7 \$ u2 q( z
- Presentation Graphics English 20.850 kbps
( u& y& m& G; h: k1 n9 }5 V - Presentation Graphics English 18.990 kbps ! R# U& p, s0 B. d, G8 v: y5 n
- Presentation Graphics French 18.721 kbps ( s+ S' N! u/ ?( ?; `$ k0 U
- Presentation Graphics Spanish 17.090 kbps
+ I. w! u4 u" y/ J7 a - Presentation Graphics Arabic 11.959 kbps
$ [5 i$ b5 ^3 D# z* g. n - Presentation Graphics Chinese 18.117 kbps 2 n$ o7 p7 r( u
- Presentation Graphics Korean 14.910 kbps - A' \0 ~9 R, c/ a/ z
- Presentation Graphics Portuguese 19.039 kbps
$ u9 P1 I5 O( V. X - Presentation Graphics Thai 16.191 kbps
复制代码 Close Encounters of the Third Kind Blu-ray, Video Quality # y1 V' }1 u, i: Z
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, [9 W- c$ P$ [- d) t1 bLet's get this right out of the way: Close Encounters of the Third Kind is beautiful. This is a film that is very much of its time, with an abundance of film grain and exceptional contrast and color. This stellar Blu-ray edition is, quite simply, the most accurate and balanced version of this film ever seen outside of the editing bay in 1977. Make no mistake, this film is full of glorious, living grain. It swirls around the frame and comes to life in almost every scene of the film. This is how Close Encounters of the Third Kind is supposed to look. It would be a complete travesty if this film had been smoothed out and homogenized for the Blu-ray release. Fortunately, the magicians at Sony Pictures Home Entertainment have striven to get this one right and no less an authority than Steven Spielberg has given this startlingly gorgeous transfer his blessing. I was blown away by the film's deep and robust shadow detail. Black levels are consistently outstanding and are never crushed. Flesh-tones are incredibly warm and fine detail is never compromised. This extreme level of detail is what allows the grain structure of Close Encounters of the Third Kind to be so perfectly rendered in this Blu-ray edition. I have never seen high definition video look as much like actual film as this Blu-ray does. Close Encounters of the Third Kind is a sterling example of how an older film can shine on Blu-ray. I encourage every interested party to investigate this title first-hand.
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8 E+ U" t l3 g) C! O& MClose Encounters of the Third Kind Blu-ray, Audio Quality
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I wouldn't have expected the sound mix of Close Encounters of the Third Kind to be as active and enveloping as what is presented on this disc. Sony has served up both DTS HD Master Audio and Dolby TrueHD lossless tracks for this release. Although I don't have the ability to currently decode DTS HD, I can confirm that the Dolby TrueHD track is extremely strong. Direction effects are selectively used, but remain extremely effective. Bass reproduction is nothing short of phenomenal with an abundance of LFE effects during the various encounters with alien spacecraft. Lossless also benefits this release immensely in the reproduction of dialogue. It is crisp and clear throughout the picture with nary a indecipherable phrase. Sony has done an immaculate job with the audio on this release and I eagerly await the time when I can sample the DTS track.
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