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◎片 名 Close Encounters of the Third Kind
* C1 X1 p& m) c8 U5 {8 @9 c◎译 名 第三类接触
& Z7 f' r' I6 m# t9 j◎年 代 19771 C( f1 X0 W3 i0 q$ Y9 Y7 V6 t8 Y
◎产 地 美国
* @: e2 Y! _) x◎类 别 剧情/科幻
5 ^2 n; Y' a5 l" A1 n* X◎语 言 英语/法语/西班牙语/印地语/汉语普通话
3 P$ E, t2 }" j◎上映日期 1990-09-16(中国大陆)/1977-11-15(纽约首映)/1977-12-14(美国). w2 ^# j9 `/ L
◎IMDb评分 7.7/10 from 165,059 users7 q$ \* i9 `. k- I
◎IMDb链接 https://www.imdb.com/title/tt0075860/( [" m+ F5 C- X' e9 ? \8 a7 C
◎豆瓣评分 7.3/10 from 13,645 users
8 S6 s! N6 ^3 {$ a4 [' M◎豆瓣链接 https://movie.douban.com/subject/1298405/
L+ P! P" j/ j; w& C◎片 长 2 h 17 min
* l7 A1 m( C# [◎导 演 史蒂文·斯皮尔伯格 Steven Spielberg
5 `1 y+ d" a" n; Y; N◎编 剧 史蒂文·斯皮尔伯格 Steven Spielberg
2 ?% m" i' Y+ k3 Z◎主 演 理查德·德莱弗斯 Richard Dreyfuss
% m$ B* i' ^: r& h, a) v 弗朗索瓦·特吕弗 François Truffaut
% \; T5 w. b1 o; u& p( Q6 W$ Y 特瑞·加尔 Teri Garr
& G9 s! m$ k' e: V: z6 ^% w, ~ 梅林达·狄龙 Melinda Dillon! a5 y! f) J. u( F2 O2 o! q. H
鲍勃·巴拉班 Bob Balaban7 |. R$ h% ~5 F+ f$ L
J·帕特里克·麦克纳马拉 J. Patrick McNamara% f/ j4 G% k* i) ]
沃伦·肯梅灵 Warren J. Kemmerling6 q, T1 x5 E9 w
罗伯茨·布洛瑟姆 Roberts Blossom: W% J% q$ j/ {3 ~
菲利普·多德斯 Philip Dodds$ R- v9 e+ D. l+ U# ^
卡里·加菲 Cary Guffey/ Z0 [+ x. d: V. Z! P
兰斯·亨利克森 Lance Henriksen
) J# r9 Z+ z( _# L- s$ d) P4 ? |' J 麦瑞尔·康纳利 Merrill Connally8 g: S6 {/ M1 e, J9 w% O
吉恩·戴纳斯基 Gene Dynarski
$ W% A" W5 W# R" t% Q! z 诺曼·巴托德 Norman Bartold/ T0 l# L; z4 H
约瑟夫·索默 Josef Sommer+ v) @/ q* `; U
卡尔·韦瑟斯 Carl Weathers
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% f9 z( e' t3 ]% M6 [4 I3 g: B◎简 介 % r0 ]! T3 s6 _- ~% u
5 ] Q. c" P0 m4 a
1978年意大利大卫奖最佳外语片。
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6 J& [. c X, E& q3 ]/ j& }. X 1945年的一天夜里，当诺伊·尼尔瑞（理查德·德莱福斯 Richard Dreyfuss 饰）在装载卡车时，忽然被神秘的光线所笼罩，之后奇怪的幻象和五个音符一直在他脑海中回旋。他能否发现幻象的意义，又是谁将其置于他的脑海中呢？
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+ w% K1 N$ _& |1 j7 |; l9 Y- B) p 与此同时，美国政府同星际来客有了一定的接触并确定其降落的地点。为了掩饰真相，政府要求人们远离此地。然而，包括诺伊在内的一群人，却被其共同的幻象所吸引，来到此地。
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在沙漠中的魔鬼山上，空军临时修建的基地上空，外星人如约来到，他们的飞船流光异彩，将半个天空都照亮了。人类播放了以前从太空接受到的外星人信息中破译出的音乐作为联络的手段，飞船的大门打开了，从前失踪的地球人都回到了自己的家乡，而一批外形矮小的外星人则来到地球人中间和他们做心灵的沟通……
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- k1 c0 c1 L" R# D1 b◎获奖情况
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第50届奥斯卡金像奖 (1978)
4 }1 c+ A8 ~4 {5 t1 h4 ]# } 最佳导演(提名) 史蒂文·斯皮尔伯格
0 w) T# Y2 p$ v6 u 最佳女配角(提名) 梅林达·狄龙1 L) m5 A" j1 m+ H7 h& n% @
最佳剪辑(提名) 迈克尔·卡恩0 L3 n0 c0 v$ {; @* x
最佳摄影 维尔莫什·日格蒙德
# \7 n+ J& d; @( f) b 最佳视觉效果(提名) 道格拉斯·特朗布尔 / Roy Arbogast / 马修·尤里奇 / 格雷戈里·杰恩 / 理查德·尤里西奇1 L# P/ `$ j! M4 n
最佳音响(提名) 唐·麦克杜格尔 / Robert Knudson / 罗伯特·格拉斯 / 吉恩·S·坎塔梅萨
& D% X, q, ?, ?- O3 l' }% e. M5 r 最佳艺术指导(提名) 乔·阿尔夫斯 / Phil Abramson / Daniel A. Lomino
" {. F. D8 H+ Q6 i( x b4 P 最佳原创配乐(提名) 约翰·威廉姆斯
% l, z& @: D+ U3 q" U6 D 特别成就奖 Frank E. Warner
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[ Info sul file ]
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1 p# u* w# V3 }Nome: Close.Encounters.of.the.Third.Kind.1977.DC.4K.HDR.2160p.BDRip Ita Eng x265-NAHOM.mkv3 C m: j5 P: T: P8 C
Data: Fri, 15 Feb 2019 21:29:51 +0100
0 S7 S+ z) S+ l7 l4 b7 T IDimensione: 18,723,212,348 bytes (17855.846737 MiB)
/ u+ }2 X: @9 b7 _& x: _- HNota: L'analisi non è completa _! d3 G w4 l/ A+ r5 Q
* I# c, N& G7 B: w- @! B2 I[ Magic ]
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Tipo file: data2 d: f: W2 V; f8 Z% P& f' B& ]' b0 ?
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[ Info generiche ]
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Durata: 02:17:14 (8234.254 s)0 C5 x8 {( @6 G- v+ M, v
Contenitore: matroska
( x% E6 h: ~ q# V" cProduction date: Fri, 15 Feb 2019 21:16:17 +0100
% A9 f1 G _, A' i9 qTotale tracce: 9" @8 w+ J) W' W H6 X/ p
Traccia n. 1: video (V_MPEGH/ISO/HEVC) [@NAHOM] {und}( ~# D$ b1 Q4 x4 C* ^5 \
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Traccia n. 5: subtitle (S_VOBSUB) {ger}
, L0 C9 B# a4 _$ O4 }( H7 ?9 K+ aTraccia n. 6: subtitle (S_VOBSUB) {ita}7 V8 ^/ p+ l; U0 f- f: X
Traccia n. 7: audio (A_AC3) {ita}
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Muxing library: libebml v1.3.6 + libmatroska v1.4.9
, f+ ^) Z! o2 H: G$ CWriting application: mkvmerge v30.1.0 ('Forever And More') 32-bit
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[ Traccia video ]
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Codec ID: V_MPEGH/ISO/HEVC
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0 R1 b* t. @* c0 W, ^# j- \
0 {5 E/ o5 D2 y[ Traccia audio nr. 1 ]! o& ` w& Q' k4 A1 e' g5 i
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Freq. campionamento: 48000 Hz; q$ o+ f/ P0 l: `' {
Canali: 6/ b- j& t2 a' I' {4 r/ d
Tipo di bitstream (bs): AC3# e: {9 K. C# {8 \3 S+ {
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Freq. campionamento (bs): 48000 Hz7 ?8 Y+ |" `( j( ^4 m( ? V% W3 u# h
Modo (bs): 3 front, 2 rear, 1 LFE6 s P* t$ b1 n+ X' i5 d1 r
2 x% X' T7 `8 l$ A2 f[ Traccia audio nr. 2 ]* P. u( N3 ?6 x
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5 M& H* J4 \0 m0 _& u; ~% eCanali: 6
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Rapporto creato da AVInaptic (18-12-2011) in data 15-02-2019 23:13:00        3 F7 f" M0 D. |, j5 e
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