攻壳机动队1 [4K UHD美版原盘] Ghost in the Shell 1995 JAPANESE 2160p US BluRaycd HEVC TrueHD 7.1 Atmos-AdBlue 62.12GB & 59.90GB

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◎译　　名　攻壳机动队
◎片　　名　攻殻機動隊 / Ghost in the Shell
. j8 h# f$ d' _, L  I7 @: [◎年　　代　1995
◎产　　地　日本
( d: E& V* s* Q) f# ]% e◎类　　别　动作/科幻/动画
5 p" R! z" W) f( |- V: Y◎语　　言　日语
◎上映日期　1995-11-18(日本)
◎IMDb评分  8.0/10 from 108,302 users
◎IMDb链接  https://www.imdb.com/title/tt0113568/
' i& O; O4 r/ D/ ?0 {4 |$ k6 x* s◎豆瓣评分　8.9./10 from 65,231 users
; ]+ J/ \+ X( r9 _4 G" @' L◎豆瓣链接　https://movie.douban.com/subject/1291936/
◎文件格式　x265 + TrueHD
! B/ E  C3 P2 F7 n7 o4 N' {8 S◎视频尺寸　3840 x 2160
◎文件大小　1DVD 62.12 GiB & 59.90 GiB
% g2 y. z" d) U. X2 G; I5 `◎片　　长　1:22:38.954 (h:m:s.ms)
7 _! _3 H' n; Q- D& s- C- q8 y◎导　　演　押井守 Mamoru Oshii
7 @+ f; L8 o* w+ E6 [! a. Y◎编　　剧　伊藤和典 Kazunori Itô
, H7 A; b; c  G3 I0 n' B　　　　　  士郎正宗 Masamune Shirow
◎主　　演　田中敦子 Atsuko Tanaka
　　　　　  大塚明夫 Akio Ôtsuka
　　　　　  大木民夫 Tamio Ôki
　　　　　  家弓家正 Iemasa Kayumi
1 E, K3 b2 _! k: C! F5 M! v　　　　　  玄田哲章 Tesshô Genda
; Y8 j6 w* l% @+ M  ^# N" _　　　　　  山内雅人 Masato Yamanouchi
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◎简　　介   

　　It is the year 2029. Technology has advanced so far that cyborgs are commonplace. In addition human brains can connect to the internet directly. Major Motoko Kasunagi is an officer in Section 9 an elite secretive police division that deals with special operations including counter terrorism and cyber crime. She is currently on the trail of the Puppet Master a cyber criminal who hacks into the brains of cyborgs in order to obtain information and to commit other crimes.
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3 @: Z. m" A% l& n& l9 R% d; U　　公元2029年，未来世界是高科技与信息化的世界。人类生活水平的提高伴随着犯罪活动的高科技化，于是，专门镇压高科技犯罪的特殊部队——公安9课成立了。队长草薙素子，作为一位全身“义体化”的女警，带领公安9课不断展开行动。

7 w" O1 O- N# ?* |2 S　　是次，公安9课帮助公安6课秘密解决了一位程序员外逃他国的麻烦琐事，又卷入传说中的黑客“傀儡师”的犯罪事件。当行动陷入僵局之际，傀儡师竟然不请自来，出现在公安9课！素子与她的战友们，不知不觉地被卷入了一场涉及政府的阴谋之中。
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　　Set in the year 2029 and following World Wars III and IV, a Japanese-led Asian block dominates world affairs. The alliance maintains its international supremacy through its elite security force whose cybernetically enhanced operatives tackle an array of hi-tech terrorists and other threats to international security. These augmented agents can "ghost hack" (i.e., download their consciousness) via the now omnipresent internet into other machines and human/machine cross breeds. Major Motoko Kusanagi, a cybernetically augmented female agent, has been tracking a virtual entity known as the Puppet Master with her crack squad of security agents. The shape-shifting Puppet Master, a rogue creation of a rival agency of the security apparatus, has concluded that it is a life form in its own right, "born in sea of information," and requested political asylum and true physical existence in defiance of its creators.

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1. DISC INFO:
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3. Disc Title:     Ghost.in.the.Shell.1995.JAPANESE.2160p.USA.BluRayCD.HEVC.TrueHD.7.1.Atmos-AdBlue
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1. DISC INFO:
   
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5. Protection:     AACS2
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6. BD-Java:        No
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Ghost in the Shell 4K Blu-ray, Video Quality   
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/ ?  C7 R$ ~( _( [; o1 Y; `7 XNote: Screenshots are sourced from the 1080 Blu-ray.

' a$ A* H( z8 u- s" NGhost in the Shell is presented in 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 1.85:1. Both the 1080 and 2160 discs included in this release are sourced off of the new 4K remaster done for this release, and because Lionsgate isn't releasing the 1080 version by itself, I've included 10 screenshots with this review rather than our standard 5 so that those interested in this release might be able to get more of a handle on what it looks like. Both of these presentations feature some noticeable improvements over previous home video releases, though it may take just a minute or two for those improvements to be fully revealed. The whole opening sequence, which includes the credits after some introductory moments, are intentionally kind of rough looking, and clarity isn't optimal at times, along with a rather heavy grain field and some minor banding. Once the credits end, though, it immediately becomes clear (no pun intended) how general detail levels and things like line detail in particular are much more precise looking. The palette also perks up quite a bit, especially since that opening sequence can be almost monochrome at times, or at best featuring kind of pale greens and/or blues. Dolby Vision gives this release some noticeable new luster, with some gorgeous reds in particular. The almost Blade Runner- esque neon lit, rain drenched, urban landscapes have noticeable new detail, even despite their somewhat Impressionistic animation style.

In terms of fine detail, "little" (in more ways than one) elements like the acupuncture needles in one sequence have a really fantastically precise appearance, and outlines on characters are typically solid. There are some occasional "iffy" moments, probably more noticeable in the 4K UHD presentation than in the 1080 presentation, where pursed lips which equate to a single line in the animation can be a little jagged looking. Some of the then nascent computer aided animation can look upscaled, typically in scenes featuring monitors and the like, as at the scene beginning at circa 1:09:31, and in fact most of those now antiquated effects are probably some of the least effective looking moments in this presentation, with (admittedly probably at least somewhat intentionally) fuzzy, pixellated graphics.
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Note: While I personally didn't experience either of these phenomena, several of our members are reporting either freezing during playback or a strobing flicker in the Dolby Vision presentation. Those concerned about these issues are encouraged to look at our Forum thread devoted to this release.
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Ghost in the Shell 4K Blu-ray, Audio Quality   
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Note: Because Lionsgate is evidently not releasing a standalone (complex or otherwise) 1080 Blu-ray, I've included audio specs for both discs above. The Atmos tracks are on the 4K UHD disc, while the Dolby TrueHD 5.1 tracks are on the 1080 disc. Both discs feature the LPCM 2.0 Japanese track.

Because we evidently can't have a Blu-ray and/or 4K UHD release without some controversy, there's quite a bit of discussion on our Forum thread devoted to this release about a music substitution over the film's closing credits. I'm not going to wade into that particular debate other than to say I'm always in favor of original music being utilized, and the rest of this section will deal with the actual sonics of the Atmos track(s), no matter what the music (or anything else) may be. Both of the Atmos tracks offer some nice, if at times subtle, overhead placement, and it's not necessarily limited to "expected" items like things actually in the air. For example, even the opening few moments feature a nice wash of ambient environmental sounds that waft overhead, and there's even some nice vertical placement to some of the percussion heavy score. Those percussive elements offer some of the most widely imaged effects in terms of the music, and the immersive qualities of the score in particular are quite impressive. There are occasional moments where some really fun discrete channelization is accomplished, as in the police raid fairly early on where suddenly the stampeding feet of the SWAT team emanate clearly from the left channel. Some of the more bombastic skirmishes feature nice, rumbly LFE. Voice casts are typically a matter of individual preference, but that said, fidelity on both tracks struck me as flawless.

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经典之作，看了失望的真人版，还是值得重温一下

啥也不说了，楼主就是给力！
In fact, I have always felt that the landlord of good taste! Ha ha!

谢谢楼主发帖共享好电影

Bluraycd又有新电影发布了，激动中……！
- S) Q' Z8 M# bI love your Blu-ray movies Forum!

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