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7 _, ? Q! b9 W/ U( {◎译 名 伸冤人2/制裁特攻/叛谍裁判2(港)/私刑教育2(台)' K! \& u& o( ~5 o: Q- }
◎片 名 The Equalizer 2 D; X$ ^" L7 _( Z
◎年 代 2018( {9 X8 j0 r- w. Y* f$ D0 l
◎产 地 美国8 j- Y8 z- Q' Y O5 E
◎类 别 动作/惊悚/犯罪
! N+ K2 P: ] o- [, [, E◎语 言 英语/法语/土耳其语/希伯来语1 Y0 G+ [0 y5 c' N5 W
◎上映日期 2018-07-20(美国)9 w4 q$ `% W+ p. k5 V- w2 X
◎IMDb评分 6.8/10 from 47,280 users8 ]' s; o" w t( d; {
◎IMDb链接 https://www.imdb.com/title/tt3766354/
4 [) ~" O. A2 y5 f◎豆瓣评分 6.9/10 from 8,684 users2 \7 L$ I2 l- V0 c
◎豆瓣链接 https://movie.douban.com/subject/26356631/
; k5 O+ \) u' S6 B◎文件格式 x264 + DTS
% h* Z, u& l( N- g z+ C8 ]2 j◎视频尺寸 1920 x 1080
& k- Y' ]2 X# T3 _+ d& b$ |5 |◎文件大小 1DVD 39.06 GiB
, E5 S' h& ]6 J5 T◎片 长 2:00:57.249 (h:m:s.ms)) ~( F) O6 [9 `' f
◎导 演 安东尼·福奎阿 Antoine Fuqua/ c, L% V# w! y# I
◎编 剧 理查德·温克 Richard Wenk
. b/ m2 U* H. b; u+ o) }, N 迈克尔·斯隆 Michael Sloan
; ~1 m4 j* h3 _! \% b 理查德·林德海姆 Richard Lindheim! ], c' `$ J3 S1 N" U$ \
◎主 演 丹泽尔·华盛顿 Denzel Washington9 F- r$ i! I! p D1 ?9 }% g) l/ E
佩德罗·帕斯卡 Pedro Pascal
7 |1 _3 M: o# R5 h$ m 艾什顿·桑德斯 Ashton Sanders
+ I( U" A2 w* u* N 奥森·比恩 Orson Bean
! ^' q$ K' E5 f5 v 比尔·普尔曼 Bill Pullman
! x; H+ k( _3 E: q% C# e 梅丽莎·里奥 Melissa Leo3 t$ Q: ~( o. |: r$ T
乔纳森·斯卡弗 Jonathan Scarfe
! u# d7 N( t, | 沙基纳·贾弗里 Sakina Jaffrey* C t- `% U/ k0 v# ?) {
卡罗琳·戴 Caroline Day
. O3 r8 f; v& t4 g. H% P 特德·阿尔奇迪 Ted Arcidi5 X a, N/ c+ Q2 p
杰伊·赫农 Jay Hieron
# { c' b! F! O 马克西米利安·麦克纳马拉 Maximillian McNamara
* u n" S, M. T/ ? 安德烈·阿罗维斯基 Andrei Arlovski
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◎简 介 : D" q l4 W8 | I2 |! I0 |& Q
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Robert McCall serves an unflinching justice for the exploited and oppressed but how far will he go when that is someone he loves?
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在老朋友苏珊·普拉默遭遇不测后,黑帮终结者麦考尔重出江湖,与新晋加盟的佩德罗·帕斯卡联手伸张正义以暴制暴。) U* e" M2 |( ]% g* f0 K
( L5 i2 G# T& M- J9 n- DISC INFO:; c/ M" W" l9 K& o$ V* F
: k ~% U/ i" X4 Q9 K- Disc Title: The.Equalizer.2.2018.1080p.BluRayCD.AVC.DTS-HD.MA.7.1-HDBEE
6 w5 C! R( \: R, C - Disc Size: 41,937,924,528 bytes
3 X0 I1 }( N0 ?' l- o X7 W, U2 _ - Protection: AACS; u) U w( B$ C8 ]
- BD-Java: Yes
3 M2 r" I1 C% z7 f - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 11.0.0.3)3 z7 r) @" x, b5 t3 ]& _
0 j# v) C8 q* m6 A: V- PLAYLIST REPORT:
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* ~- x1 I1 ~' {! K- Name: 00423.MPLS
, o/ c3 \6 Z* r, E: w; F - Length: 2:00:57.249 (h:m:s.ms)! O4 E1 y) s4 C6 y9 o0 \6 I- }
- Size: 27,513,950,208 bytes
4 z+ k! ^" U n - Total Bitrate: 30.33 Mbps7 S' c1 O: I) }; U# r, B% Y3 E& F
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- (*) Indicates included stream hidden by this playlist.2 [- O! ?) m( V: ]+ W; A
; W6 G8 \, v; Q' z, \& p# o- Video:
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- Codec Bitrate Description
& u: r' t6 y8 Z6 }9 U; A - ----- ------- -----------
0 f; o( o* z* D% v6 |$ y - MPEG-4 AVC Video 22748 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1 /
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* e* Q- H d# b9 Z, u- AUDIO:
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- Codec Language Bitrate Description
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- DTS-HD Master Audio English 2733 kbps 7.1 / 48 kHz / 2733 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)) O: Q% S* f! A; x+ F6 t
- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
$ |" Y, e4 Y! Z7 ~) I6 ]+ z( { - DTS-HD Master Audio Portuguese 2230 kbps 5.1 / 48 kHz / 2230 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
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1 _3 l" j; M+ k) j* Z- Codec Language Bitrate Description - o1 D# m* U' Y& n
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7 A: ~: F4 _+ ]. k' I - Presentation Graphics English 22.156 kbps 4 @5 Q% f* J' s
- Presentation Graphics English 27.5 kbps
/ x" g% [5 }4 b0 U - Presentation Graphics Portuguese 20.308 kbps + @! I& f. _6 S4 L9 Z( ]
- * Presentation Graphics English 22.175 kbps $ O9 W5 E0 ?' p' ^; b
- * Presentation Graphics English 27.511 kbps
复制代码 The Equalizer 2 Blu-ray, Video Quality
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The Equalizer 2 was digitally photographed and is quite the looker on Blu-ray. Even without the added resolution muscle and wider spectrum colors offered on the UHD, Sony's 1080p transfer is an absolute delight, with only moderate low-light noise and a few smudgy/softer focus corners the only visual interferences, both of which trace back to the source. There is some distracting shimmering and false coloring on a porch railing seen at the 1:19:04 mark, which is also visible on the UHD. The image is otherwise very clean, razor-sharp, and highly detailed. Amazingly complex skin textures are the norm with countable pores and perfectly defined lines and hairs amongst the highlights. Finely revealing clothing textures are a strength, and environmental details, whether a bookshop interior, the brick walls around McCall's apartments complex, paved city streets, or small things like the fine texture on the seats and steering wheel inside the Chevy McCall drives for his Lyft job are very impressive. Beyond a few smudgier corners, everything in the film is absolutely tack-sharp. Colors are a treat. Skin tone depth is striking, red blood is a visual strength, clothes pop, and graffiti is a treasure of varied and intense colors. Nighttime exteriors offer rich, deep black levels. No compression or encode issues are apparent. This is a first-class Blu-ray release from Sony, and for those who cannot play back the UHD, it's a wonderful alternative that leaves nothing to be desired and isn't all that far behind, anyway.* W9 R, V7 r: Q
* N/ p1 L$ u% Z: xThe Equalizer 2 Blu-ray, Audio Quality 8 h' {+ B E) {. e+ p
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- G4 c% A6 R: Z- wFor its Blu-ray release of The Equalizer 2, Sony has once again left the Dolby Atmos track for the UHD. The Blu-ray features a DTS-HD Master Audio 7.1 lossless soundtrack. And the track is stellar even without an overhead component. The opening train sequence offers exceptional low end weight, full stage immersion, tons of harmoniously complimentary details, and first-rate elemental clarity. The seamless interconnection of surrounds and fronts is a highlight, but the sequence is defined by fantastic, penetrating bass. The track presents an assortment of seamless and high yield world ambience, including reverb in close quarters around the grounds of McCall's apartment complex, bustling city streets, blaring sirens, rolling thunder in chapter five, and background music in a book shop in chapter three. All examples are extremely well engineered and balanced, perfectly immersive and absolutely lifelike. Music is smooth, flowing around the stage with precision placement and faultless clarity whether score or more intensive beats such as those heard in chapter eight, which is followed by a great example of the track's low end prowess, a deep concussive blast that utterly dominates the listening area. Action is loud, aggressive, and like every other component takes full advantage of every speaker in the configuration, opening wide and drawing the listener into the world, all with harmonious balance, from nuanced effects to prominent bass. Every speaker is engaged in nearly every scene with some level of information. Dialogue is well prioritized, perfectly detailed, and firmly grounded in the front-center unless specifically called upon to emanate from elsewhere. No Atmos? No problem. This is the pinnacle of 7.1 lossless audio.) v' L5 l6 T" i( W0 f. D3 p
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