甘地传/甘地 [REMUX原盘] Gandhi 1982 1080p BluRaycd REMUX AVC TrueHD 5.1-FGT 33.55GB

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◎译　　名　甘地传/甘地
  r- x1 y" B  M/ O. Y7 _◎片　　名　Gandhi / Richard Attenborough's Film: Gandhi
/ g9 V& X& f$ T! _4 h◎年　　代　1982
◎国　　家　英国/印度/美国
◎类　　别　剧情/传记/历史
( K  X3 Q, a1 D8 A◎语　　言　英语
◎上映日期　1982-12-03
◎IMDb评分  8.1/10 from 202,351 users
) _$ n4 z% ?) L! I! v* p◎IMDb链接  https://www.imdb.com/title/tt0083987/
: p$ Y0 h/ P3 Z◎豆瓣评分　8.6/10 from 22,419 users
◎豆瓣链接　https://movie.douban.com/subject/1292238/
◎文件格式　x264 + TrueHD
5 l0 {) s! [7 ]$ n3 W◎视频尺寸　1920 x 1080
5 ]  w6 G6 _! F: n◎文件大小　1DVD 33.55 GiB
: k% H6 D6 ^$ L8 R◎片　　长　3 h 11 min
◎导　　演　理查德·阿滕伯勒 Richard Attenborough
◎编　　剧　约翰·布瑞雷 John Briley
9 c$ \1 {1 N. t% |◎主　　演　本·金斯利 Ben Kingsley
　　　　　  坎迪斯·伯根 Candice Bergen
3 ?: L7 Y; W1 p( I, K　　　　　  爱德华·福克斯 Edward Fox
　　　　　  约翰·吉尔古德 John Gielgud
# s! a. v! u5 e/ N: O1 {, T* Q" v　　　　　  约翰·米尔斯 John Mills
, Z6 {. q, R( m$ B. R　　　　　  马丁·辛 Martin Sheen
' m* c7 `) h+ b+ ^- v　　　　　  丹尼尔·戴-刘易斯 Daniel Day-Lewis

◎简　　介      
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　　Gandhi's character is fully explained as a man of nonviolence. Through his patience he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.

　　本片记录了印度圣雄甘地史诗般传奇伟大的一生。1893年，24岁的甘地（本·金斯利 Ben Kingsley 饰）受邀前往南非任律师职，决心在当地带领印度移民开展非暴力不合作的抗议活动，并因此入狱。出狱后甘地回到祖国，在三八朗地区建立了高僧修行所，加入了国大党领导的印度独立运动，宣传非暴力不合作的斗争理念。运动中甘地曾四次入狱；在其不懈努力及国大党的带领下，印度独立终于提上议事日程，甘地也于1931年赴伦敦参加商讨独立的圆桌会议。然而随着独立的临近，印度国内穆斯林与印度教人民之间的宗教矛盾日益突出，甘地的非暴力不合作理念又面临着更为严峻的新挑战……
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　　本片获1982年奥斯卡最佳影片，最佳导演（理查德·阿滕伯勒Richard Attenborough），最佳男演员（本·金斯利），最佳原创剧本，最佳艺术指导，最佳摄影，最佳服装设计和最佳剪辑共八项大奖，并获奥斯卡最佳化妆，最佳电影音乐和最佳音效三项提名。

  p9 x0 @( P3 s& X6 A　　Ben Kingsley stars as Mahatma Gandhi, who rose from small-time lawyer to India's spiritual leader by using his philosophy of non-violent but direct-action protest that helped end British rule in India.
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◎获奖情况

　　第55届奥斯卡金像奖 (1983)
　　最佳影片 理查德·阿滕伯勒
　　最佳导演 理查德·阿滕伯勒
. O& K7 N" N# P* s　　最佳男主角 本·金斯利
! X8 u& ?! M0 y* U2 X　　最佳原创剧本 约翰·布瑞雷
9 `1 k+ u# J. d, ^; {# w: C　　最佳摄影 Ronnie Taylor / Billy Williams
　　最佳剪辑 John Bloom
　　最佳音响(提名) Robin O'Donoghue / Gerry Humphreys / Simon Kaye
1 n8 J; ]% c- e' i7 h　　最佳美术指导 Michael Seirton / Robert W. Laing / 斯图尔特·克莱格
  n9 M* h! X) S: a  w* K- a3 `　　最佳服装设计 John Mollo / Bhanu Athaiya
　　最佳化妆(提名) Tom Smith
　　最佳原创配乐(提名) 拉威·香卡 / 乔治·芬顿
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Video
! C1 n$ a+ W9 l# F( X6 d6 tID..............................: 1
Format..............................: AVC
Format/Info..............................: Advanced Video Codec
Format profile...........................: High@L4.1
Format settings..........................: CABAC / 2 Ref Frames
Format settings, ReFrames................: 2 frames
Duration.................................: 3 h 11 min
7 S4 G( s/ P6 IBit rate.................................: 23.0 Mb/s
Width....................................: 1 920 pixels
) j8 W: Z( f& p) m: Z: @Height...................................: 1 080 pixels
) ^' Z5 Y7 A. i, G/ k  JDisplay aspect ratio.....................: 16:9
Frame rate...............................: 23.976 (24000/1001) FPS
6 J7 e: [( \9 ]( S. t% bBits/(Pixel*Frame).......................: 0.462
7 M/ F% |1 i4 m; a5 G+ J. uStream size..............................: 30.7 GiB (91%)
Title....................................: Gandhi.1982.1080p.BluRayCD.REMUX.AVC.TrueHD.5.1-FGT
Language.................................: English

Audio #1
Format...................................: MLP FBA
0 ]; _1 p9 m$ o, p. u3 tFormat/Info..............................: Meridian Lossless Packing FBA
Commercial name..........................: Dolby TrueHD
Duration.................................: 3 h 11 min
/ `) i$ o  P4 F8 \+ g: uBit rate.................................: 1 237 kb/s
) V  g) h  F; O/ D1 mMaximum bit rate.........................: 2 376 kb/s
1 S$ Y# V0 u/ j9 mChannel(s)...............................: 6 channels
Channel layout...........................: L R C LFE Ls Rs
- M6 y+ Y1 h% C: zStream size..............................: 1.65 GiB (5%)
3 O- j, c+ h% wTitle....................................: Gandhi.1982.1080p.BluRaycd.REMUX.AVC.TrueHD.5.1-FGT
Language.................................: English

Audio #2
2 v" c* t7 S/ t" pFormat/Info..............................: Audio Coding 3
Commercial name..........................: Dolby Digital
Duration.................................: 3 h 11 min
/ r' x; Z& r0 I  F& B- |Bit rate.................................: 640 kb/s
/ E% \1 N+ F( m4 I' J- bChannel(s)...............................: 6 channels
Channel layout...........................: L R C LFE Ls Rs
" ~6 k: O9 u. |7 V! S8 DStream size..............................: 875 MiB (3%)
% p3 r; A" D$ C" vTitle....................................: Gandhi.1982.1080p.BluRaycd.REMUX.AVC.TrueHD.5.1-FGT
Language.................................: English
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1 `- m  I! v) P% c5 j5 h7 |$ cAudio #3
4 W3 L3 C3 @' J" R9 Z: bFormat/Info..............................: Audio Coding 3
Commercial name..........................: Dolby Digital
Duration.................................: 3 h 11 min
Bit rate.................................: 192 kb/s
4 R9 \; D" _  `/ m" B! {+ ?Channel(s)...............................: 2 channels
Channel layout...........................: L R
Stream size..............................: 263 MiB (1%)
* Q9 u9 F+ ^% l' yTitle....................................: Gandhi.1982.1080p.BluRaycd.REMUX.AVC.TrueHD.5.1-FGT
Language.................................: English

5 d. h+ d$ D5 T) zSubtitle
* a8 S" w; i& x# R3 q4 `1 D2 R, {, {Codec ID/Info............................: Picture based subtitle format used on BDs/HD-DVDs
Duration.................................: 3 h 1 min
- S7 Q: \2 P8 `6 p6 P4 l: ^Bit rate.................................: 28.5 kb/s
Count of elements........................: 3895
* r! B6 U$ u( h/ zStream size..............................: 37.1 MiB (0%)
Title....................................: English-PGS
, [$ ]- q+ H. G% y# T  ]( gLanguage.................................: English

Chapter
( W* e0 j) Z, n! A: l5 G* B5 T00:00:00.000.............................: en:Chapter 01
+ ]; v/ Y7 N6 j% O00:00:58.016.............................: en:Chapter 02
1 w+ ^: p8 j2 R00:01:41.392.............................: en:Chapter 03
) p( |  E7 N. ~: J4 C# L3 M00:02:11.131.............................: en:Chapter 04
00:03:05.810.............................: en:Chapter 05
00:04:20.885.............................: en:Chapter 06
, Z8 z; N; m! G8 r( n00:06:21.589.............................: en:Chapter 07
% ]7 L4 x2 ?" E4 E. H4 C+ Q, Y00:07:11.639.............................: en:Chapter 08
' X( T$ h; {7 o( p2 {00:08:21.792.............................: en:Chapter 09
00:09:21.894.............................: en:Chapter 10
& K$ K/ C% ^/ b' Q00:10:31.380.............................: en:Chapter 11
  Z" }2 B& P- _; }# ^* t00:12:16.652.............................: en:Chapter 12
" {4 j/ g5 s; G1 g4 W) Z* q% r0 J00:15:11.827.............................: en:Chapter 13
00:16:26.652.............................: en:Chapter 14
: g* p3 R% z/ o5 P0 H& Y8 D1 G00:16:51.635.............................: en:Chapter 15
7 o* h+ z6 g: G2 O. T* u00:17:36.722.............................: en:Chapter 16
$ V6 N# R- ^8 b% F# E" Q0 S+ u00:18:51.755.............................: en:Chapter 17
00:19:41.805.............................: en:Chapter 18
1 b2 b0 S5 Z, G3 ?# c3 l2 I" H00:22:37.314.............................: en:Chapter 19
3 k5 V" ^- j! V00:23:37.124.............................: en:Chapter 20
00:26:02.644.............................: en:Chapter 21
00:31:23.047.............................: en:Chapter 22
3 t5 B4 T; E0 h1 e# X00:31:53.161.............................: en:Chapter 23
# h5 Q6 U; R  t$ T! w$ j00:36:13.588.............................: en:Chapter 24
00:42:28.170.............................: en:Chapter 25
0 j- m! _7 M  Q00:46:43.675.............................: en:Chapter 26
00:47:14.039.............................: en:Chapter 27
00:53:38.840.............................: en:Chapter 28
4 K( T* V7 q3 d2 ?4 c00:59:29.607.............................: en:Chapter 29
9 w& v% x  q$ z# y+ C& y& @9 s7 x01:00:34.505.............................: en:Chapter 30
% F, T) y( h( L6 [2 z9 z01:08:25.309.............................: en:Chapter 31
3 s9 |, j' h% B- a01:09:05.516.............................: en:Chapter 32
01:15:05.918.............................: en:Chapter 33
' m/ D, f" R/ [. R8 R01:17:15.672.............................: en:Chapter 34
, Z6 D% O' u6 U" H' L1 F9 f; @01:20:41.169.............................: en:Chapter 35
9 [' o6 K, p/ z  g* B7 P01:21:40.645.............................: en:Chapter 36
01:26:16.129.............................: en:Chapter 37
01:37:21.836.............................: en:Chapter 38
$ X  [5 h2 _4 u- w7 P01:40:22.307.............................: en:Chapter 39
8 d2 C# z6 ]% ~  ?01:42:57.171.............................: en:Chapter 40
01:47:22.060.............................: en:Chapter 41
0 W3 O3 k+ o! j5 ]. S+ V  |01:50:47.766.............................: en:Chapter 42
/ P' w0 Y  [, A- o: {* b8 E01:51:57.544.............................: en:Chapter 43
' k3 k7 ^% V1 n& ~5 i01:53:52.534.............................: en:Chapter 44
' ?! r. Y# {3 T6 }( N- n5 E- u01:58:53.376.............................: en:Chapter 45
* H  h4 H+ j6 i01:59:33.416.............................: en:Chapter 46
02:00:23.507.............................: en:Chapter 47
02:01:18.020.............................: en:Chapter 48
02:04:28.752.............................: en:Chapter 49
- h0 J( R( ~5 s5 w8 |02:07:09.038.............................: en:Chapter 50
/ g( Y% C% J6 V/ i7 [02:10:29.196.............................: en:Chapter 51
02:14:38.820.............................: en:Chapter 52
+ C" v/ w# @* c! b) Y02:18:09.489.............................: en:Chapter 53
! L7 o& V2 K5 L5 \6 h$ z3 U1 V& ^02:20:51.067.............................: en:Chapter 54
02:21:39.115.............................: en:Chapter 55
7 x8 b& ^# q7 v9 z02:22:44.806.............................: en:Chapter 56
02:24:39.420.............................: en:Chapter 57
7 I0 g8 @* @/ K2 d) J" I$ Y2 b" C$ g02:25:44.402.............................: en:Chapter 58
02:26:15.099.............................: en:Chapter 59
02:26:39.582.............................: en:Chapter 60
$ Z5 ]/ G/ P% G3 O' T02:30:45.286.............................: en:Chapter 61
02:32:00.194.............................: en:Chapter 62
02:32:25.219.............................: en:Chapter 63
02:33:15.561.............................: en:Chapter 64
1 j' h( k1 |) a8 p0 c1 T! \9 I02:33:50.512.............................: en:Chapter 65
2 q1 a9 O; f- c7 A# Y% r, f02:35:15.014.............................: en:Chapter 66
02:35:49.965.............................: en:Chapter 67
% i" o8 t* l. h02:36:30.422.............................: en:Chapter 68
5 B! |% Z! N) _7 K1 Y02:37:40.826.............................: en:Chapter 69
02:39:40.529.............................: en:Chapter 70
02:40:00.549.............................: en:Chapter 71
& u+ v9 H8 a" {% n, B02:41:29.012.............................: en:Chapter 72
& X+ n' f5 T+ N  l. c# Y" r. t02:41:53.995.............................: en:Chapter 73
+ h! c  ~( q3 y' R0 v/ H, E+ ?02:42:30.782.............................: en:Chapter 74
: V) N6 @7 I' u+ h02:42:55.974.............................: en:Chapter 75
02:48:26.012.............................: en:Chapter 76
8 }: p) E) f& r" v8 n0 _0 E02:58:31.867.............................: en:Chapter 77
02:59:52.031.............................: en:Chapter 78
! }9 m% Q0 Q7 K2 h7 j6 L: S" J03:01:07.106.............................: en:Chapter 79
3 T- `4 x% |/ p3 r% R& [0 j9 n03:03:02.262.............................: en:Chapter 80
/ b& |* k4 b( N  h# n: l03:03:56.900.............................: en:Chapter 81

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" @" j) ?6 \- y$ n6 RGandhi Blu-ray, Video Quality

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Gandhi's nine Academy Awards include Best Cinematography. Director of photography Billy Williams framed all the shots expertly, but there is a softness and gentle strobing throughout the Blu-ray, indicative of source material that has not aged well. The 2.35:1 presentation shows few signs of digital manipulation for an overall film-like experience that, despite the picture's softness and small grain, shows good detail and resolution. But after seeing many reference-quality BDs, it gets more difficult to be too excited about the level of definition in some of these classic catalog titles. Overall, the results are very impressive considering the source material.

Watch the scenes related to the Dharasana Saltworks protest, the preceding march by Gandhi to his hometown and the British officials discussing their response. As Gandhi sits by the sea with the New York Times reporter played by Martin Sheen, the plaid fabric of Sheen's cap shows excellent detail. The landscape appears to have depth not as convincing as a some BD transfers, but not poor either. Williams often allows backgrounds to go soft and follows moving people and objects so that focal points remain fixed while peripheral images blur. Unlike NTSC productions of Gandhi, crowd gatherings have good definition and each person appears distinct. This is demonstrated effectively at several points in the film, but at the seasalt demonstration on the beach, it is particularly noteworthy. The lines on the face of the British magistrate are also impressively resolved. At times, however, the increased resolution shows the problems the makeup team faced in trying to make some of the characters age decades.  Hair and makeup show some flaws, which may be another reason Williams chose a softer look overall. And while Kingsley's acting is flawless, the camera reveals him to be in far better condition than anyone actually suffering weeks of fasting. Thankfully, the 1080p resolution reveals the hair and makeup job was more than adequate for Kingsley as he transforms himself into the character of Gandhi. As a whole, the visuals are above average, but unfortunately the picture does not rise near the level of reference quality.
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Gandhi Blu-ray, Audio Quality

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# y* j6 M5 d( G4 u" x# N& |The audio also reveals limitations of the source material. While the music by Ravi Shankar and orchestral score by George Fenton sound clear and liquid in the midrange--and are anchored solidly across the front three speakers--the treble performance is somewhat lacking. The percussive attack of Ravi Shankar's sitar strings is missing, making for a more polite, less vivid presentation. But that is fairly normal for music recorded in the early 1980s. Unfortunately, the real problems with the audio track crop up frequently with more congested crowd noises, explosions and small arms fire that do not sound terribly convincing. The gunshots at the opening of the film--when the Mahatma is assassinated--sound boxed in and hollow rather than the open, percussive blasts common to more dynamic BD tracks. Voices tend to have this boxy quality too. They appear a bit rolled off and compressed, but maintain good clarity and vocal timbre. While Sony delivers a 5.1 Dolby TrueHD track, it makes virtually no use of the surrounds and includes little content for the LFE channel. At some points in the film, the congestion of sound from crowds or car engines actually breaks up into mild distortion, which is never nice to hear.

+ r( D" G; _& ?/ g- m# A& AWhether you attribute the audio track's problems to the original recording engineers or the source material, the fact remains that it holds back the BD's performance. Listen to the crowd noises as the camera follows villagers walking along the border of India and Pakistan. As the two sides erupt in violence, the music and the cries of the crowd mesh into a congealed boxed-in, rolled-off train wreck. Speaking of which, the train noises are not convincing either. Listen to the locomotive as Gandhi uses the railways to rediscover his homeland. There is no breathy chug-chugging or clacking or whistle sound. It is subdued due to rolled-off highs that would grant the track the treble cues to make it more realistic. To put it in perspective, few fans of the film would find the audio prohibitive. It won't get in the way of the average person's enjoyment of the film, but you won't want to use Gandhi to show off the merits of your HT system.

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