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The life of the lawyer who became the famed leader of the Indian revolts against the British rule through his philosophy of nonviolent protest.& _$ f7 Z$ I' ?
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2 W1 X. `' Z& n◎译 名 甘地传/甘地2 c4 q( G& D9 t: G: g# Z* ]
◎片 名 Gandhi / Richard Attenborough's Film: Gandhi
- J" o% h8 T3 e. p* d◎年 代 1982
4 u" b; r1 D0 X( d8 j◎产 地 英国/印度/美国9 \. l! ^/ S* @( ~, l
◎类 别 剧情/传记/历史2 G8 S. U, Y/ C8 h
◎语 言 英语
7 h' @& I3 J' h◎上映日期 1982-12-03
9 w: x8 i* \$ G6 J2 q* [◎IMDb评分 8.0/10 from 214,169 users
: ~& h# B' Z: j7 m" |* p7 p/ r◎IMDb链接 https://www.imdb.com/title/tt0083987/
$ a4 |- L6 b d- l( p◎豆瓣评分 8.6/10 from 28,613 users
1 F2 ^; G2 k) M- w; u% L◎豆瓣链接 https://movie.douban.com/subject/1292238/
8 r+ l4 t6 Z. `/ {4 ~- s3 `! U◎文件格式 x265 + TrueHD
7 J. k7 K9 y) E$ }3 @1 V" Z◎视频尺寸 3840 x 2160# a8 r a1 t; Y7 y
◎文件大小 2DVD 54.78 GiB & 52.46 GiB
# T* X p0 m* \2 f9 c& U◎片 长 1:32:00.348 (h:m:s.ms); g M$ Q t6 R( X; G5 F
◎导 演 理查德·阿滕伯勒 Richard Attenborough
% `' C- ?$ n! C- q◎编 剧 约翰·布瑞雷 John Briley
0 M [6 ] X; d3 A# [◎主 演 本·金斯利 Ben Kingsley
2 P6 @. [! R% J+ R5 T 坎迪斯·伯根 Candice Bergen
1 K9 C) b6 h4 u 爱德华·福克斯 Edward Fox* l3 b _' D+ Q. |* \
约翰·吉尔古德 John Gielgud
! C: b" f5 g3 m9 p 约翰·米尔斯 John Mills* x7 U1 x$ l$ P4 l& z! b0 A
马丁·辛 Martin Sheen
3 i7 o$ S' p" l% z9 c2 t 丹尼尔·戴-刘易斯 Daniel Day-Lewis; f. X% n: r+ a7 y8 O
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◎标 签 传记 | 印度 | 甘地 | 历史 | 英国 | 人物 | 经典 | 1982
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◎简 介
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本片记录了印度圣雄甘地史诗般传奇伟大的一生。1893年,24岁的甘地(本·金斯利 Ben Kingsley 饰)受邀前往南非任律师职,决心在当地带领印度移民开展非暴力不合作的抗议活动,并因此入狱。出狱后甘地回到祖国,在三八朗地区建立了高僧修行所,加入了国大党领导的印度独立运动,宣传非暴力不合作的斗争理念。运动中甘地曾四次入狱;在其不懈努力及国大党的带领下,印度独立终于提上议事日程,甘地也于1931年赴伦敦参加商讨独立的圆桌会议。然而随着独立的临近,印度国内穆斯林与印度教人民之间的宗教矛盾日益突出,甘地的非暴力不合作理念又面临着更为严峻的新挑战……
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本片获1982年奥斯卡最佳影片,最佳导演(理查德·阿滕伯勒Richard Attenborough),最佳男演员(本·金斯利),最佳原创剧本,最佳艺术指导,最佳摄影,最佳服装设计和最佳剪辑共八项大奖,并获奥斯卡最佳化妆,最佳电影音乐和最佳音效三项提名。* m8 p- j8 {9 @5 m
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This acclaimed biographical drama presents major events in the life of Mohandas Gandhi (Ben Kingsley), the beloved Indian leader who stood against British rule over his country. Dedicated to the concept of nonviolent resistance, Gandhi is initially dismissed by English officials, including the influential Lord Irwin (John Gielgud), but eventually he and his cause become internationally renowned, and his gatherings of passive protest move India towards independence.% d# X; w5 o1 B5 [) _# z
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8 V/ J! v" M" X) i! ]1 q, ]9 P 第55届奥斯卡金像奖(1983)2 c, V4 Y z8 G g2 Q" P. H
最佳影片 理查德·阿滕伯勒
- e0 L$ d# g9 j 最佳导演 理查德·阿滕伯勒( E1 t6 v; W' e
最佳男主角 本·金斯利/ f8 E0 x( {% {# X e u( m4 G6 B
最佳原创剧本 约翰·布瑞雷* Z4 ]* a- q B. h- Y4 ?* S
最佳摄影 罗尼·泰勒 / Billy Williams( H2 S5 z/ ~ d, S$ \0 @
最佳剪辑 John Bloom N4 T6 S, ?! d. p- H
最佳音响(提名) Robin O'Donoghue / Gerry Humphreys / Simon Kaye5 q. \& T: Q V' I
最佳艺术指导 迈克尔·塞尔顿 / Robert W. Laing / 斯图尔特·克莱格1 T1 B$ y# g; d6 g; C& O+ q6 r7 z
最佳服装设计 John Mollo / Bhanu Athaiya
" }* m) J4 O7 E+ y' U$ R 最佳化妆(提名) Tom Smith. S0 t* h D- F- g) G9 u
最佳原创配乐(提名) 拉威·香卡 / 乔治·芬顿
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0 w- d+ G7 A' t- DISC INFO:
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- Disc Title: Gandhi.1982.DISC1.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-AViATOR
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复制代码- DISC INFO:+ y2 W, u/ N( h0 S# K9 ^! r
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- Protection: AACS2
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复制代码 Gandhi 4K Blu-ray, Video Quality
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The included screenshots are sourced from a 1080p Blu-ray disc.; K, D1 Q' g3 i7 d
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For its 2160p/HDR UHD release of Gandhi, Sony has split the film across two discs. Disc one runs 1:32:00 while disc two runs 1:39:14. One might rightly describe both Gandhi the man and Gandhi the UHD with the same adjectives: wondrous, impeccable, flawless. Sony's 2160p/HDR UHD presentation of the Oscar-winning classic looks better than most movies made in the past few years. The picture is perfectly filmic. Grain is fine and ever-present, a consistent companion and necessary component in the image that allows it to maintain a picture-perfect cinematic texturing that only enhances the remarkable clarity and fine-point attention to detail evident in essentially every shot. The picture is jaw-dropping gorgeous in all areas, but particularly in its total sharpness. Textures appear effortlessly complex and in-depth. It goes well beyond the Blu-ray which does not look at all poor but the UHD manages to bring out a sizable increase in both intimate and intricate details and also allow the broader elements to come alive with newfound definition and vitality. Whether basics like facial details or attire or natural landscapes or city elements, every shot dazzles with both the clarity of core components and the supportive details around. Everything is breathtakingly true to the source. This is a prestigious presentation.
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The HDR color enhancement is also a major boon for the movie. Tones pop with heretofore unknown natural saturation and clarity. Greens leap off the screen with every example. The varied skin tones are alive with precision nuance and gentle gradations. Blue skies are expressively rich and relaxing. Myriads of tones seen on clothes and flowers and buildings find far greater depth and accuracy than the Blu-ray can offer. Whites are a high point, particularly as they define Gandhi's attire. Whites -- crisp, bright, and pure -- advance well beyond the comparatively creamy look on the Blu-ray, serving as a vital component in bringing the movie to life. Add perfectly defined black levels and the transfer is like the proverbial well-oiled machine. It just works in perfect harmony one component with another. UHD doesn't get any better than this.1 H+ d# u! ]# \- k1 U# v; E% F
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9 I0 M# o* M, r1 KGandhi's soundtrack is certainly not what one would describe as of the high-energy variety, but Sony's new Dolby Atmos presentation handles the film's mostly modest, but occasionally more demanding, sound needs quite nicely. Dialogue is the most vital component here, and it presents with all of the foundational goodness and attention to detail one expects of a finely engineered track. Atmospheric effects arrive in steady procession, offering detailed and smartly positioned elements, beginning with a smattering of voices emanating from all over the stage in the film's opening minutes. As the film progresses, gentle supports such as singing birds, blowing winds, and other natural elements find perfect engagement and spacial awareness throughout. The overheads gently support here, too, and with a little more definition as the situation warrants, like in recreating the sense of aural hollowness as a train enters a tunnel in the 53-minute mark. The first example of truly expressive sonic output comes in chapter six at the 34-minute mark when music rises and stampeding horses power through the stage, both to fine effect. Generally, music finds excellent spacial awareness, dominant in the front but supported throughout the stage with a mild overhead lift. Likewise, the horses power through with impressive detail and quality low end extension, taking full advantage of the entire stage to put the listener in the middle of the mayhem. The track does not strain sound systems, but the Atmos presentation brings all of its pieces together in great, practically perfect, harmony.
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