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A Harvard symbologist works with a nuclear physicist to solve a murder and prevent a terrorist act against the Vatican." w( G' `8 G" R3 Y% J
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7 H3 K" E$ ~& v; Z8 Q◎译 名 天使与魔鬼/达芬奇密码前传之天使与恶魔
O9 v4 k' {8 g: D7 V& B◎片 名 Angels & Demons
8 P9 m0 x. e$ F% V" V/ f◎年 代 2009
u3 H! O/ ^/ k' N; I+ o◎产 地 美国/意大利
4 A+ v: z) m7 B0 z3 Q9 G◎类 别 悬疑/惊悚
1 i: w' X/ @" u◎语 言 英语/意大利语/拉丁语/法语/瑞士德语/德语/西班牙语
, y" Q+ A+ l: f8 d3 T3 `! @◎上映日期 2009-05-15(美国)) w% Z! Y% a) _$ |. R3 P
◎IMDb评分 6.7/10 from 246,724 users
+ ]& j' H& L# [; {5 N0 }( G" _◎IMDb链接 https://www.imdb.com/title/tt0808151/' H8 ^" X# W% R. a
◎豆瓣评分 7.3/10 from 80,784 users
& L4 Z% G1 o; o. g6 Z- j5 c6 c◎豆瓣链接 https://movie.douban.com/subject/1927369/
: }: w: A) D% d◎文件格式 x265 + TrueHD
" a) v' q# e& s0 R& J◎视频尺寸 3840 x 2160
/ O2 u/ j$ ?8 }◎文件大小 1DVD 53.48 GiB
, f- ~6 c M, L2 k◎片 长 2:18:37.308 (h:m:s.ms)
* b8 Y; N. l" B3 a) c8 h◎导 演 朗·霍华德 Ron Howard
! y; A) b* w4 c8 x W' n. W◎编 剧 大卫·凯普 David Koepp
x2 B8 Z: J. u8 b1 f6 L 阿齐瓦·高斯曼 Akiva Goldsman% n6 r6 Y: a- {- V3 h$ e
丹·布朗 Dan Brown, z2 l4 N9 y1 ?4 S5 H: K5 c& j
◎主 演 汤姆·汉克斯 Tom Hanks- s$ y/ a& E# O, k3 X& P
伊万·麦克格雷格 Ewan McGregor
$ e, o, U S% U. H* }( M* O$ H 阿耶莱特·祖里尔 Ayelet Zurer0 y6 {' b) a+ a" p
斯特兰·斯卡斯加德 Stellan Skarsgård
3 T: P1 a, H$ L4 X 皮尔弗朗西斯科·法维诺 Pierfrancesco Favino$ v3 K% ?( R2 r) F
尼古拉·雷·卡斯 Nikolaj Lie Kaas+ Y9 i6 N& L" T, v r
阿明·缪勒-斯塔尔 Armin Mueller-Stahl
+ H, T3 H% I. W/ |5 i2 m9 k% ? 托尔·林德哈特 Thure Lindhardt
; u# _; i# {" f5 v+ v8 _5 o 大卫·帕斯奎斯 David Pasquesi
9 i! w; o; W( K. H/ A k* a+ m# R# F, D 科西莫·福斯科 Cosimo Fusco# V% r2 I, j& v4 g
维克多·阿尔菲 Victor Alfieri& N/ [# ?4 S r5 l F' _
科特·罗文斯 Curt Lowens
3 R: F$ T* K7 u w/ R( i- } 鲍勃·耶基斯 Bob Yerkes
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+ Q# N. J4 A9 s7 s5 T% }- r- ?: ]◎简 介 ) V& @, }) x4 h( |; g0 L ~
1 N7 S& x" E3 ]- N8 ^% s 本片根据美国畅销作家丹·布朗的同名小说改编。欧洲核子中心的科学家维多利亚·维特勒(阿耶莱特·祖瑞尔 Ayelet Zurer 饰)与父亲在高速粒子对撞机实验中收集到了反物质,却发现父亲遇害,尸体胸口被烙“光照派”符号,高爆炸性的反物质被偷走,出现在正待选新教皇的罗马梵蒂冈,威胁天主教廷及整个罗马的安危。于此同时,四位主要教皇候选人的红衣主教神秘失踪。在教皇内侍(伊万·麦克格雷格 Ewan McGregor 饰)的授意下,哈佛大学的符号学专家罗伯特·兰登教授和维多利亚都被请到梵蒂冈协助罗马警察开展搜寻行动。兰登说服罗马总探员奥利维迪(皮耶法兰西斯柯·法维诺Pierfrancesco Favino 饰)依照“土、气、火、水”的提示在罗马的名胜教堂间与“光照派”展开了时间战……
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# S$ } V' j8 A, X+ Q J Harvard symbologist Robert Langdon works with a nuclear physicist to solve a murder and prevent a terrorist act against the Vatican during one of the significant events within the church.
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◎获奖情况
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第11届美国青少年选择奖 (2009)
* D2 `8 y/ I6 o* G 最佳剧情片(提名)
& r" \7 E% X, m0 Z+ e 最佳暑期剧情片(提名)
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6 D6 W8 u; c! U8 v8 {0 P- Disc Title: Angels.And.Demons.2009.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-TASTED
- D$ {# T# V3 a! P# L4 D - Disc Size: 57,422,241,359 bytes
) \; b3 W) D9 Y2 d# z5 u+ w - Protection: AACS2
) T" _4 H" K0 i$ Z6 I" h* v - BD-Java: Yes+ ]* Y2 Z+ w/ r( G8 k$ W+ n
- Extras: Ultra HD
; b1 t9 p( y/ y6 n8 h3 N2 ~ - BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.6.)
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1 v3 s$ F: F/ M2 ~* `: a: ?. r( X# { - Length: 2:18:37.308 (h:m:s.ms)
. t* \1 Z7 H# m* j% S - Size: 57,031,501,824 bytes4 g! u# q9 h1 u
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- Video:
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- W! e- z& o; t; T - MPEG-H HEVC Video 42335 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /
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3 T7 y, c3 I- A- q - Dolby Atmos/TrueHD Audio English 5553 kbps 7.1-Atmos / 48 kHz / 5553 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)
0 ^; B+ K* O$ f4 w# V - Dolby Digital Audio English 448 kbps 5.1 / 48 kHz / 448 kbps1 r5 I$ J6 i2 P4 Q
- Dolby Digital Audio French 448 kbps 5.1 / 48 kHz / 448 kbps4 ^2 A5 c2 o+ _3 J# a% e4 k! C
- Dolby Digital Audio French 448 kbps 5.1 / 48 kHz / 448 kbps
* u9 j. |# ~. E9 w - Dolby Digital Audio German 448 kbps 5.1 / 48 kHz / 448 kbps) f$ C/ V w. r2 r1 k
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) _& x- w; f: } F: ^9 ] - Dolby Digital Audio Spanish 448 kbps 5.1 / 48 kHz / 448 kbps1 o- U; k6 l" C% r/ j7 I1 ^8 D5 f
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复制代码 Screens:
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Angels & Demons 4K Blu-ray, Video Quality5 e0 V- J6 e1 o3 G/ L1 L
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/ I" M; O# l2 nNote: The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.! P: J2 e( _# V5 n
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Angels & Demons realeases to UHD with a 2160p/HDR-enhanced image that's amongst the most dazzling yet on the format, right up there with the likes of Pineapple Express as the most gorgeous reference worthy material to date. Sony's presentation is practically above reproach, with only black levels that could stand to push a shade deeper the only real sore spot of note. The picture was shot on film rather than digital and it comes sourced from a true 4K digital intermediate, seemingly one of the few on the market in this age of digitally photographed and 2K-finished movies (the companion The Da Vinci Code is another shot on film and presented in "true" rather than upscaled 4K). Grain structure is gorgeous, enhancing details and offering a textural grace to the picture that replicates the look of film-based cinema as well as anything on the market. The image isn't, at-a-glance, vastly superior to the "mastered in 4K" Blu-ray that was released alongside, but it doesn't take long to note the significantly finer material and skin details and the greater clarity and accuracy of broad, intimate, and background textural elements alike. Colors are resplendent, with the red finding an increased level of nuanced clarity and vividness absent even on the 4K sourced, 1080p resolution Blu-ray. The color explodes off the screen but in a way that's gorgeously refined, not loud or obscene. The entire image, in fact, may be described as "refined." It's a clear step forward from the Blu-ray and, more than most any other UHD on the market, a true indicator of how the format can be a game changer even over a top-end 1080p image. It absolutely screams to be viewed on a large canvas; the 65" screen used for this review does it justice, but it would be a treat to see it bigger.
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Angels & Demons 4K Blu-ray, Audio Quality3 S6 t7 Z- B7 `) `# n$ O) [% X
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+ V9 y' Z! Q. F3 E0 ]* ?9 e6 gUnlike the companion 1080p disc, which features only a DTS-HD Master Audio 5.1 lossless soundtrack, this UHD release of the film features a Dolby Atmos soundtrack which, much like as was said of the video counterpart, is amongst the finest the format has to offer. It's big, dynamic, very clear, and makes good, balanced use of the added back and overhead channels. The film begins with its greatest single sonic moment mere minutes into the film. In the collider, steam, heavy pounds of bass defining machines powering up, and a blaring alarm klaxon mix with a lighter office din as the particles begin the colliding process. As they zip through the machinery, the increase intensity and verve as the particles zoom through the stage with both weight and clarity of movement and placement is absolutely remarkable. Music is rich and detailed. It's wide, fully immersive, and nicely balanced across every channel. Low end support is strong and complimentary, too. Gunfire inside the vault later in the film features several good bullet ricochets around the stage, and the sound of falling glass moments later seems to come from straight above; it's as if a rush of shards are literally dropping right on top of the listener. Another reference moment comes around the 1:17:30 mark when both blaring police sirens and several ringing church bells collide and create one of the fullest and most interesting moments in the track. Supported by fabulously clear and prioritized dialogue -- which features several excellent moments of top-layer and surround-sound reverberation, prominently when Langdon is recruited for his mission at the Harvard pool -- this is a big winner of a soundtrack and a reference presentation all the way through. / \) j: n$ \9 I4 z
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