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Chappie tells the story of a robot imbued with artificial intelligence who is stolen by two local gangsters who want to use him for their own nefarious purposes.
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7 e/ k" L0 f2 y R0 [9 d( k8 D9 g◎译 名 超能查派/超人类:卓比(港)/成人世界(台)/查皮/伙伴4 z) S$ F: A2 N. K/ Q
◎片 名 Chappie
4 O% x# O1 _! c! ~& G$ p◎年 代 2015 c! q$ ~+ }$ Q; x& u+ ~% K v
◎产 地 美国/墨西哥/南非6 X2 g/ ^% Y6 `: ~& Y" V
◎类 别 动作/科幻/惊悚9 U! S( t+ E( c$ T+ V" c, a/ |6 k
◎语 言 英语% _6 ^: l7 b7 }; P a
◎上映日期 2015-03-06(美国)/2015-05-08(中国大陆): o1 x( l- x/ V9 }9 @' ^
◎IMDb评分 6.8/10 from 221,022 users+ r0 _/ b0 J( `+ h0 b
◎IMDb链接 https://www.imdb.com/title/tt1823672/
7 X5 c0 ?8 `: ^◎豆瓣评分 7.3/10 from 104,416 users
$ h4 `1 g, n; E1 k◎豆瓣链接 https://movie.douban.com/subject/6846893/' k& C% `% S% x0 }% {8 k: m
◎文件格式 x265 + TrueHD
: `' R- e7 T+ \- `% I- d$ ^9 w◎视频尺寸 3840 x 2160) s* D' E: X2 M. {- W
◎文件大小 1DVD 56.63 GiB
4 X0 R" b/ p3 b2 x8 k! M! _◎片 长 2:00:19.211 (h:m:s.ms)( R; t5 ~$ {$ P9 D6 w
◎导 演 尼尔·布洛姆坎普 Neill Blomkamp
6 f& \) `6 G' O◎编 剧 尼尔·布洛姆坎普 Neill Blomkamp! [# g4 D, G/ g4 q! ^& s
特丽·塔歇尔 Terri Tatchell
: ]9 U* `: B7 {" Q5 d4 f c◎主 演 休·杰克曼 Hugh Jackman
1 z0 f' h/ G* ?; } 西格妮·韦弗 Sigourney Weaver: z- ?9 e" t2 y4 V' P/ B D
沙尔托·科普雷 Sharlto Copley
# G1 X. ~# p9 b M+ X6 F 戴夫·帕特尔 Dev Patel
' a0 v9 S& |% | 忍者 Ninja- U# P$ i8 U: }' o
尤兰蒂·维瑟 Yo-Landi Visser
& n' Q( u" t5 P! K2 J+ i 霍塞·帕布罗·坎蒂罗 Jose Pablo Cantillo8 T9 y6 P+ X+ J- D4 i9 h( p( B
布兰登·奥雷 Brandon Auret6 P9 B4 l8 S; [; J$ v
约翰尼·赛力玛 Johnny Selema
% x3 q) m& k! g1 k% t9 k4 ~ 安德森·库珀 Anderson Cooper" z* E$ E0 r" b. B! e7 _7 j
莫里斯·卡佩德 Maurice Carpede
+ L) n1 x# ^, u, M0 ~0 { 詹森·库伯 Jason Cope1 V3 o7 b* G, U1 Q G! `
凯文·奥托 Kevin Otto
U: Z+ m. P% Y5 H+ A5 T 克里斯·希尔兹 Chris Shields
1 g; C; ^+ T9 r. n% R 比尔·马钱特 Bill Marchant
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◎简 介
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故事发生在2016年的南非约翰内斯堡,为了应对不断攀升的犯罪率,某大型武器公司开发了全机械警察部队。他们将机械警察批量生产并投入使用,在打击犯罪方面取得了令人瞩目的效果。作为开发人员之一,程序员迪恩(戴夫·帕特尔 Dev Patel 饰)一直致力于制造出完全的人工智能机器人。直到某天,他的研究取得突破性进展,可是并未得到老板米歇尔·布莱德利(西格妮·韦弗 Sigourney Weaver 饰)的支持。不甘心失败的迪恩偷偷将一台不久前被打坏的机械警察带出公司,准备完善他的研究,谁知半路被三名匪徒劫持。在匪徒的威胁下,迪恩将22号写入全新系统。
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22号以“查派”的名字重生,它的诞生即将改变许多人的命运……
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" M# \9 f4 D2 h1 O; N- s In the near future, crime is patrolled by a mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself. 7 Z( r9 _6 t- b
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- Disc Title: Chappie.2015.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-TASTED
' r' j a( g/ p X0 e% F - Disc Size: 60,809,141,511 bytes- y) d4 g, p i; E4 \' u7 O
- Protection: AACS2
, e7 U x& z% w y3 t: R - BD-Java: Yes, ^% h+ [( \$ u1 J4 x- ~
- Extras: Ultra HD& r. w5 y7 {6 y. o3 U
- BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.7.3)# u$ v9 w7 J+ I: j( Z
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- PLAYLIST REPORT:/ X+ a" S' H% N' a7 A& Y; ^: J- R8 |
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* M% f' F5 i! Z( Q$ O7 j - Length: 2:00:19.211 (h:m:s.ms)
( Q2 c1 t# y4 E. u: K - Size: 59,931,586,560 bytes; {- }+ m3 g, B5 J; ?. _1 R
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* ~1 d4 d$ w, |7 B% q: B- t: ^- Video:- j5 F1 [/ |) N( n# e6 O* v% B
* I! L2 d( ?. K) [3 I" Y! B" h' y- Codec Bitrate Description : I. u1 f6 O. a% R) K# n
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H! P o5 i1 C: n4 n - MPEG-H HEVC Video 49609 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /9 C. O2 m! |% D( m0 Z/ F- D1 P
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6 j5 h! D" H7 e - Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps0 Y( g1 l/ W( V' J1 C
- Dolby Digital Audio Catalan 640 kbps 5.1 / 48 kHz / 640 kbps! F- p0 S6 n z, X$ D w) P
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
3 }0 i9 O' V' V3 }8 T/ P- S; _) G. T - Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps
+ W. [. C5 [% s3 s - Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps
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/ Q: K) v6 z$ [; X8 V0 _ - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps4 p$ N! {# \/ N; V+ D8 l& j
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1 R( Z& { f9 i. A0 L9 T m2 a: M0 p* H& {. W - Presentation Graphics German 30.674 kbps 2 Y, j$ Q2 U9 ^, F# E
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复制代码 Chappie 4K Blu-ray, Video Quality
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6 N+ [# M, W' b( g/ o V1 F: O# @Chappie was digitally photographed and finished at 4K, presumably the source for this very impressive UHD Blu-ray.
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Sony's 2160p/HDR UHD release of Chappie looks terrific, but the movie's initial playback fell victim to the severe red push outlined in the article above. What should be an orange beam at the 20:25 mark pushed severely red. Chappie's "antenna" suffered the same fate. Fiery reds looked like overzealously colored cartoons. The entire movie took on a grossly over stylized appearance. Banding was introduced at the 4:00 mark, so severe that it literally overwhelmed the visible portions of sky. Another bright sky sequence around the 48:00 mark brought less severe banding but excess macroblocking. Ringing was clearly visible around a tall tower seen right at the beginning of chapter two. It was the worst of the combined efforts of both early (and incorrect) returns on The Martian (way too red) and Exodus: Gods and Kings (way too dark), with the added layer of severe artifacts on top. There are still handshake issues galore as well, but that's neither here nor there, though here's hoping it's ironed out via firmware update(s) sooner rather than later.# H) B' Z+ ? v1 M% ~. b9 j3 T
9 ?( N( c% R$ f+ S6 Q9 Q) m0 e3 rFiddling with turning equipment off and back on again finally yielded what is supposedly the correct image, at least one that's free of all the aforementioned issues and in-line with what one would expect of a Sony title, and one that's already been the beneficiary of a tremendous 1080p Blu-ray release at that. The banding was gone. Ringing remained, but was substantially reduced. Colors looked correct compared to the 1080p Blu-ray. Of course, "correct" on UHD means fuller, richer, and deeper. The disc's HDR (High Dynamic Range) color scheme offers a significantly increased level of vibrancy and depth. Those orange beams are appreciably more densely saturated. Chappie's blue-highlighted chassis offers more pop and a greater sense of intimate color depth compared to the Blu-ray. One of the best moments for comparison comes at the 4:32 mark, a close-up of the robot's chest and head. The coloring on the blue and gold police shield and the blue dots on the "eye" panel are deeper. The 1080p image is noticeably brighter but lacks the subtle color depth. That same shot is excellent for comparing details. While the UHD doesn't offer a serious uptick -- at least not on a 65" monitor -- there's no mistaking a refinement of the dirt and wear on the surface and the increase in pinpoint detailing on things like the mouthpiece and, really, all of the little odds and ends visible in the frame. Another good point of comparison comes at the 6:29 mark, and a little beyond via an overhead shot that reveals all sorts of fine pebbles and smooth stones on the ground below. The UHD disc offers improved definition and also a more refined color, evident even on the muddy browns that permeate the terrain. Skin textures also receive refinement that allows more lifelike, practically tangible definition. Many of the close-ups a striking. Delineation is off the charts, with the absolute finest pores and tattoo markings intimately visible throughout the movie. 0 J. h) H" ]) p- N# T$ l6 `" j
& J# V6 G3 h$ i7 k/ \8 t" NFurthermore, skin coloring appears precise across the movie's wide spectrum of characters and under a number of lighting conditions, including the darkened warehouse interiors, brightly lit exteriors, and a number of more neutral artificially lit interiors. Black levels hold deep as well, never crushing out detail and never appearing too pale. Of note is an issue at the beginning of chapter 16. The camera pans down to a building, and it looks like it's in the throes of an earthquake, the juddering is so bad. That's probably more on the hardware side than the UHD disc side, but it was one of the most distracting and headache-inducing moments in the movie and a good test of how well or poor each user's own hardware handles the shot. ) q# s: o$ q5 l) S2 q
, Q. E* y: D4 n0 C0 a A" fChappie 4K Blu-ray, Audio Quality , ` R) D( d3 T+ B4 S& ?8 V1 X' `/ [
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# ^: H( c: @# `8 q5 _- V( HSony's UHD Blu-ray release of Chappie arrives with a Dolby Atmos soundtrack, leaving behind the previous Blu-ray release's DTS-HD Master Audio 7.1 lossless soundtrack. This review is based on a 7.1.4 setup, which is the "traditional" seven-channel plus subwoofer configuration with the addition of four "object" or "overhead" speakers to the mix. The Atmos track is strong, but the overhead effects are more finely integrated than they are individually pronounced, never "hitting the listener on the head," so to speak, and at least not in the more obvious way some effects seem to emanate from the ceiling in tracks like those found in Goosebumps and Mission: Impossible - Rogue Nation, both of which were extensively sampled prior to this review in order to create something of a listening baseline for the new experience. That experience will of course continue to evolve as more Atmos tracks are reviewed, much the same way the UHD picture quality judgment will evolve as more titles become available for comparison. The Atmos presentation, as noted, offer a less aggressive and more subtly immersive sensation. The track sounds a bit fuller, overall, though the traditional speakers and sound placements along the 7.1 floor standing setup (as the case may be with this reviewer's speaker array) still dominate. Atmos highlights include a helicopter buzzing through -- and above -- the listening area in the first battle and several moments in the climactic battle scene, particularly in one shot where bullets seem to ricochet off the metallic antagonist high above the traditional speaker setup. Gentle rainfall features good pronouncement from above at the 1:09:00 mark. Alarm klaxons are more aggressively spread towards the top at 1:30:35. Some of the quieter warehouse scenes that are dialogue-heavy reveal a well defined sense of spatial ambience that seems to gently pull the listener into the location.
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Otherwise, the track proves very aggressive but sometimes not quite as full and hard-hitting as one might expect. Gunfire pops from every direction, but there's never a real sense of realistically ear-piercing authority to it. Ditto explosions, flying debris, shattering glass, and other action specific details. Where the track excels, however, is making near-constant use of every traditional speaker in the configuration. There's regular activity, whether battle chaos or more general environmental details and voices spread widely throughout the listening area. Musical delivery is appropriately clear and weighty when necessary. The movie's electronic/industrial style music offers tremendous definition throughout the range and is supported by a boomy but balanced low end. The 1:02:30 mark is particularly impressive in that regard. Dialogue delivery is firm and center focused with positive reverberation during an opening ceremony. It threatens to become lost under surrounding effects at a few junctures, but there's no problem with baseline clarity.2 m5 g {- q: _/ _
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