世界大战/外星人大战地球 [蓝光原盘 重制版] The War of the Worlds 1953 REMASTERED 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 34.78GB

A small town in California is attacked by Martians, beginning a worldwide invasion.



◎译　　名　世界大战/地球争霸战/外星人大战地球
$ i$ j, a6 k! k5 S1 W◎片　　名　The War of the Worlds
◎年　　代　1953
◎产　　地　美国
◎类　　别　动作/科幻/惊悚/恐怖
◎语　　言　英语/西班牙语
) a" }7 Y. g! I; q, {◎上映日期　1953-08-26
' r! z1 K# _! \3 g- _. G5 B0 P- F1 [◎IMDb评分  7.1/10 from 32,127 users
◎IMDb链接  https://www.imdb.com/title/tt0046534/
/ J$ y$ ~9 [" F5 H' H◎豆瓣评分　6.4/10 from 536 users
◎豆瓣链接　https://movie.douban.com/subject/1293523/
" P. G# z6 S" p" k- a& ~◎文件格式　x264 + DTS  
◎视频尺寸　1920 x 1080
( ~, j! j9 Q, G* s9 k◎文件大小　1DVD 34.78 GiB
◎片　　长　1:25:25.703 (h:m:s.ms)
◎导　　演　拜伦·哈斯金 Byron Haskin
◎编　　剧　巴雷·林登 Barré Lyndon
　　　　　  赫伯特·乔治·威尔斯 H.G. Wells
2 C: J% F" R3 v% n( B6 u◎主　　演　吉恩·巴瑞 Gene Barry
　　　　　  安·鲁滨逊 Ann Robinson
　　　　　  莱斯·崔梅恩 Les Tremayne
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3 A, h3 [& x2 [2 p, a◎标　　签　科幻 | 美国 | 1953 | 1950s | 美国电影 | 外星人 | 惊悚 | 美國
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　　火星人因火星气候变化无法生存而计划大举侵入地球，当第一艘飞船落到地球上时，居民们以为是陨石。博士克莱法斯特通过探测仪器得知有放射性，需等冷却才能查看，但有人好奇前去观看，不料被杀死。人类的所有武器都不能对付火星人的死光炮，全世界的人都在逃命，整个地球乱作一团。正在这时，火星人却一个接一个死去，原来……
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# f" T  N$ y8 k% K4 i$ P* h1 z4 m　　A mysterious object has landed in a small California town. The Martian invasion of Earth has begun.

◎获奖情况  

　　第26届奥斯卡金像奖(1954)
4 R+ i/ _, j" ^* i　　最佳剪辑(提名) Everett Douglas
7 E/ T3 x3 \- K3 r　　最佳特效
5 D5 c5 D7 e& ^2 Y　　最佳录音(提名) 洛伦·L·里德
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3. Disc Title:     The.War.of.the.Worlds.1953.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
   
4. Disc Size:      37,345,811,720 bytes
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5. Protection:     AACS
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6. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 11.0.8.9)
   
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8. PLAYLIST REPORT:
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10. Name:                   00001.MPLS  
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11. Length:                 1:25:25.703 (h:m:s.ms)
    
12. Size:                   25,748,539,392 bytes
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13. Total Bitrate:          40.19 Mbps
    
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19. MPEG-4 AVC Video        32164 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
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25. DTS-HD Master Audio             English         3188 kbps       5.1 / 48 kHz / 3188 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
    
26. LPCM Audio                      English         1536 kbps       2.0 / 48 kHz / 1536 kbps / 16-bit
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27. Dolby Digital Audio             English         224 kbps        2.0 / 48 kHz / 224 kbps
    
28. Dolby Digital Audio             English         384 kbps        2.0 / 48 kHz / 384 kbps
    
29. Dolby Digital Audio             English         384 kbps        2.0 / 48 kHz / 384 kbps
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35. Presentation Graphics           English         38.229 kbps                    
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36. 
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37. NEW 4K restoration from the original camera negative
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38. NEW Audio commentary by film critics Barry Forshaw & Kim Newman
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39. NEW remastered Dolby 5.1 surround remix
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40. Audio commentary by actor Gene Barry and actress Ann Robinson
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41. Audio commentary by “fans” Joe Dante, Bob Burns and Bill Warren
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42. Original English Dolby Digital 2.0 Mono
    
43. “The Sky is Falling: Making “War of the Worlds” documentary
    
44. “H.G. Wells: The Father of Science Fiction” featurette
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45. “The Mercury Theater on the Air Presents: The War of the Worlds Radio Broadcast” (with stills of Orson Welles)
    
46. Theatrical trailer
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47. Optional English subtitles

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The War of the Worlds Blu-ray, Video Quality   

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! P( P6 w, j. C* @+ tPresented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The War of the Worlds arrives on Blu-ray courtesy of Criterion.

The following text appears inside the leaflet that is provided with this Blu-ray release:

"This new digital restoration was created in 4K resolution on a DFT Scanity film scanner from the original three-strip Technicolor negatives. Thousands of instances of negative and positive dirt, stains, scratches, streaks, hairs, and emulsion digs and several misregistrations of the YCM film elements were manually removed using MTI Film's DRS and Digital Vision's Phoenix.
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The original monaural soundtrack was remastered from preservation magnetic tracks using Avid's Pro Tools and iZotope RX. The 2018 5.1 remix was remastered from preservation tracks, several single-strip monaural music cues, and archival sound effects, by Ben Burtt at Skywalker Sound in Lucas Valley, California.

' }1 F5 f$ N. M; q' FRestoration supervisors: Andrea Kalas, Charles Stepczyk, Laura Thornburg/Paramount Pictures.
+ G& Q' ~  h6 e1 M# w+ r# w) R. ~Restoration consultants: Craig Barron, Ben Burtt.
Colorist: Mike Underwood/Technicolor Hollywood.
% I% x' h% U* ]) G6 U0 `/ WDigital restoration: Technicolor Hollywood."

4 d( q* @3 N, B5 p& h: S7 bThe new 4K master that was prepared for this classic film is gorgeous. There is such a wide range of remarkable colors now that from time to time some of the visuals actually become borderline distracting. There are some obvious fluctuations in terms of clarity and depth, plus density levels can vary in areas where archival footage or specific visual effects are utilized, but it is quite easy to tell that they are part of the film's theatrical appearance. More conventional close-ups, like the one seen in screencapture #3, can look particularly strong, but I'd say that even some of the fancier footage can be quite striking. Image stability is fantastic. The entire film has been carefully cleaned up to look as clean and fresh as possible.

There is additional color-correction work done on this release that is not present on other releases of the 4K restoration. On this release, when the film opens up Mars looks red(ish) now (see screencapture #28). On other releases, Mars looks blue(ish).
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Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content.
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The War of the Worlds Blu-ray, Audio Quality   
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$ d  ]1 k1 F; u3 p- aThere are two standard audio tracks on this Blu-ray release: English LPCM 1.0 and English DTS-HD Master Audio 5.1. Optional English SDH subtitles are provided for the main feature.
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4 }% G0 V# y, Q7 iAccording to notes provided by Criterion, the 5.1 track was created for the 4K restoration of The War of the Worlds in 2018 by Academy Award-winning sound designer Ben Burtt. I tested both tracks and while they are equally healthy the 5.1 track really does open up the film quite a bit. The difference is quite easy to appreciate because the film has plenty of footage where sound movement can become very effective. The basics -- clarity, sharpness, and stability -- remain identical on both tracks.
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