回到未来3 [4K UHD蓝光原盘] Back to the Future Part III 1990 2160p BluRaycd HEVC TrueHD 7.1 Atmos-EATDIK 82.42GB & 87.97GB

Stranded in 1955, Marty McFly learns about the death of Doc Brown in 1885 and must travel back in time to save him. With no fuel readily available for the DeLorean, the two must figure how to escape the Old West before Emmett is murdered.
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: M1 b; N$ [2 X# O6 ^- n; f◎译　　名　回到未来3/回到未来第三集
: c5 F! G& O6 C◎片　　名　Back to the Future Part III
' Z) c9 \- l. V" R◎年　　代　1990
◎产　　地　美国
◎类　　别　喜剧/科幻/西部/冒险
. {* O% P% L; K4 `, T◎语　　言　英语
) x. K1 X% X; h/ e2 k◎上映日期　1990-05-25(美国)
◎IMDb评分  7.4/10 from 398,981 users
◎IMDb链接  https://www.imdb.com/title/tt0099088/
◎豆瓣评分　8.5/10 from 70,401 users
◎豆瓣链接　https://movie.douban.com/subject/1296666/
' u" p: Z1 \) o9 s. M3 `9 {◎文件格式　x265 + TrueHD
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 82.42 GiB & 87.97 GiB
+ A- y( u! y1 F0 N6 M6 F; G◎片　　长　1:58:18.257 (h:m:s.ms)
◎导　　演　罗伯特·泽米吉斯 Robert Zemeckis
◎编　　剧　鲍勃·盖尔 Bob Gale
7 H/ O5 w: @* K　　　　　  罗伯特·泽米吉斯 Robert Zemeckis
◎主　　演　迈克尔·J·福克斯 Michael J. Fox
　　　　　  克里斯托弗·洛伊德 Christopher Lloyd
　　　　　  玛丽·斯汀伯根 Mary Steenburgen
5 T8 U8 o) E7 o' s- i& m4 M　　　　　  托马斯·F·威尔森 Thomas F. Wilson
　　　　　  莉·汤普森 Lea Thompson
　　　　　  伊丽莎白·苏 Elisabeth Shue
　　　　　  马特·克拉克 Matt Clark
　　　　　  Richard Dysart
6 _  g) }- ^' w1 }' `( f1 R　　　　　  Pat Buttram
　　　　　  小哈里·凯瑞 Harry Carey Jr.
　　　　　  Dub Taylor
　　　　　  詹姆斯·托根 James Tolkan
　　　　　  马克·麦克卢尔 Marc McClure
　　　　　  温迪·乔·斯佩博 Wendie Jo Sperber
! B1 K! J. l/ ]7 G　　　　　  杰弗里·韦斯曼 Jeffrey Weissman
　　　　　  Hugh Gillin
; y9 ~) u7 A3 A% {" |/ i% h　　　　　  弗利 Flea

◎简　　介   
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　　马丁（迈克尔·J·福克斯 饰）从他生活的八十年代来到了1955年，根据好朋友埃米· 布朗博士（克里斯托弗·洛伊德 饰）于1885年留下的信件，马丁找到了博士研制的时空穿梭机。本以为可以乘坐着这台机器回到未来，马丁却意外发现了博士的墓碑，原来他在留下那封信后不久便被人杀害。为了拯救埃米博士，马丁乘坐时空穿梭机来到了1885年的美国西部。 马丁能否改变历史，拯救博士的生命？二人能否成功回到未来？“

' X8 N2 {2 Z: K- h　　回到未来三部曲”完结篇，一起与马丁乘坐时空穿梭机畅游时间。
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　　Stranded in 1955 after a freak accident, Marty McFly discovers he must travel back to 1885 to rescue Doc Brown before he becomes smitten with school teacher Clara Clayton. Now, it's up to Marty to keep Doc out of trouble, get the DeLorean running and put the past, present and future on track so they can all get back to where - and when - they belong.

Back.to.the.Future.Part.III.1989.2160p.COMPLETE.4K.UHD.BluRayCD.HEVC.TrueHD.7.1.Atmos-MassModz 87.97 GB

General
Format: BDAV
Format/Info: Blu-ray Video
File size: 79.6 GiB
( ?- t! g0 c$ k3 q% S7 @5 IDuration: 1 h 58 min
: g, Y/ {% h) k; x" Y, Z6 B. qOverall bit rate mode: Variable
Overall bit rate: 96.3 Mb/s
. M; |0 x8 |4 `5 D4 M' s" r2 h2 IMaximum Overall bit rate: 109 Mb/s
+ Q9 d7 D( j0 r* M) f, eFrame rate: 23.976 FPS
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, b6 H* a0 t+ u/ _9 BVideo #1
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6 l6 L+ l: E& fMenu ID: 1 (0x1)
+ L5 y; z% v0 N6 {/ GFormat: HEVC
$ j/ m; q1 L* D) S# B6 w9 g) V4 t3 gFormat/Info: High Efficiency Video Coding
" S& A7 J& Q7 H& B) XFormat profile: Main 10@L5.1@High
HDR format: SMPTE ST 2094 App 4, Version 1, HDR10+ Profile B compatible
Codec ID: 36
0 s2 j. ~+ P) z( m% QDuration: 1 h 58 min
Width: 3840 pixels
Height: 2160 pixels
Display aspect ratio: 16:9
Frame rate: 23.976 (24000/1001) FPS
Color space: YUV
Chroma subsampling: 4:2:0 (Type 2)
" t, s/ ]. }5 A2 fBit depth: 10 bits
3 z# Q$ x8 y5 `) YColor range: Limited
Color primaries: BT.2020
& |7 s' U2 s+ HTransfer characteristics: PQ
8 r; _3 n8 ]/ }- M6 {3 ]) ?) nMatrix coefficients: BT.2020 non-constant
Mastering display color primaries: Display P3
3 h6 O/ C4 t* _( J3 q3 fMastering display luminance: min: 0.0050 cd/m2, max: 4000 cd/m2
Maximum Content Light Level: 1000 cd/m2
Maximum Frame-Average Light Level: 615 cd/m2

Video #2 (Dolby Vision)
ID: 4117 (0x1015)
. O; X9 p0 Y$ ?, P: D& _% d) cMenu ID: 1 (0x1)
$ D( C" y& {( \* Q/ pFormat: HEVC
1 A/ g: K% q  f3 `0 vFormat/Info: High Efficiency Video Coding
Format profile: Main 10@L5.1@High
HDR format: SMPTE ST 2086, HDR10 compatible
4 G" f. g( r3 \  U' r+ ^7 E' Q# ?4 u( kCodec ID: 36
1 `9 [- m8 I- sDuration: 1 h 58 min
Width: 1920 pixels
0 T7 C" P; G+ t8 H6 [Height: 1080 pixels
Display aspect ratio: 16:9
Frame rate: 23.976 (24000/1001) FPS
% P) V; }, M" ~( o8 X1 VColor space: YUV
Chroma subsampling: 4:2:0 (Type 2)
/ H1 J/ v4 L6 p0 m/ fBit depth: 10 bits
7 r+ h8 j: q% r: _2 N& @Color range: Limited
% w9 s  s0 s8 n; m' n# n8 rColor primaries: BT.2020
Transfer characteristics: PQ
& k, [& P; p: F% }! e6 W4 R/ F. o+ kMatrix coefficients: BT.2020 non-constant
7 U+ g2 m; ]* H+ k' s, {- ?# Q, m( s$ GMastering display color primaries: Display P3
Mastering display luminance: min: 0.0050 cd/m2, max: 4000 cd/m2

Audio #1
! |& Z# @9 C* j. R! {ID: 4352 (0x1100)
Menu ID: 1 (0x1)
Format: MLP FBA AC-3 16-ch
Format/Info: Meridian Lossless Packing FBA with 16-channel presentation
3 S2 f: ?2 U5 Y8 ?6 S. LCommercial name: Dolby TrueHD with Dolby Atmos
Muxing mode: Stream extension
Codec ID: 131
Duration: 1 h 58 min
Bit rate mode: Variable
Bit rate: 448 kb/s
# g+ g. e4 s6 D# U0 G! P. u/ jMaximum bit rate: 7917 kb/s
/ L1 s5 z7 Q3 Z' T8 dChannel(s): 8 channels
Channel layout: L R C LFE Ls Rs Lb Rb
Sampling rate: 48.0 kHz
3 J4 j; _0 b' m# k- U( X0 xFrame rate: 31.250 FPS (1536 SPF)
Compression mode: Lossless
! }1 j3 c2 D$ k4 {! z$ b2 ~2 W! PStream size: 379 MiB (0%)
" b$ q! P. [1 wService kind: Complete Main
9 ]* ^2 W# V, i2 C& ?( UNumber of dynamic objects: 11
4 }' n$ Z, G$ [. I* d6 P% V- Z) OBed channel count: 1 channel
& R% N( C( X* F, }6 }Bed channel configuration: LFE

Subtitles: English, German, Italian, Spanish, Portuguese, Turkish
Audio Channels: English Dolby TrueHD 7.1 (9216 Kb/s), English Dolby Digital 5.1 (448 Kb/s), German Dolby TrueHD 7.1 9216 Kb/s, German Dolby Digital 5.1 (448 Kb/s), Italian DTS 5.1 (768 Kb/s), Spanish DTS 5.1 (768 Kb/s), Portuguese DTS 5.1 (768 Kb/s), Turkish DTS 5.1 (768 Kb/s)

9 _4 ^( @1 Z& \/ B# sIMPORTANT INFO: THIS IS THE FULL 4K UHD BLU-RAY DISC. IT HAS DOLBY ATMOS AND DOLBY VISION TRACK INCLUDED.

1. DISC INFO:
   
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3. Disc Title:     Back.to.the.Future.Part.III.1990.2160p.BluRaycd.HEVC.TrueHD.7.1.Atmos-EATDIK 82.42 GB
   
4. Disc Size:      88,475,857,702 bytes
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5. Protection:     AACS2
   
6. Extras:         Ultra HD, BD-Java
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.0.1)
   
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9. PLAYLIST REPORT:
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12. Length:                 1:58:18.257 (h:m:s.ms)
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14. Total Bitrate:          89.79 Mbps
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16. (*) Indicates included stream hidden by this playlist.
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18. VIDEO:
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22. MPEG-H HEVC Video       72069 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / HDR10+ v1 Profile B / BT.2020
    ' P6 Z0 i5 _5 i8 Q/ [
23. * MPEG-H HEVC Video     5500 kbps (7.09%)   1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / Dolby Vision FEL / BT.2020
    
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30. DTS Audio                       Spanish         768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit
    
31. DTS Audio                       French          768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit
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32. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps / Dolby Surround
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33. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps / Dolby Surround
    
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39. Presentation Graphics           English         41.709 kbps                    
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40. Presentation Graphics           Spanish         30.637 kbps                    
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41. Presentation Graphics           French          33.958 kbps                    
    
42. Presentation Graphics           Spanish         0.539 kbps                     
    
43. Presentation Graphics           French          0.727 kbps

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Back to the Future Part III 4K Blu-ray, Video Quality   

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; r* K& |1 s8 T/ QThe included screenshots are sourced from the newly remastered 1080p Blu-ray disc.
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Back to the Future Part III is the most visually divergent of the three films in the series, taking place primarily in the Old West where earthen tones and dusty woods and period apparel dominate most every scene. Universal's 2160p/Dolby Vision presentation brings life to the film like never before with a marriage of natural grain, razor sharp elements, and sure colors throughout. Grain retention is consistent and its density is steady. It's the lightest field of the three films but every bit as complimentary and filmic as the others. The cinematic flavor brings the movie's woods, terrain, and Old West attire to life with newfound clarity well beyond any previous standard or high definition image. The intimacy of dust, wear on clothes, facial hair, wooden objects, train bodies, and the now battered and well used DeLorean make for impressive viewing, while Clara's dresses offer tactical definition and material density. Sharpness never gives way and clarity never yields. This one is a stunner.
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4 Z# f, V0 N, |# k- P$ D  MThe Dolby Vision color grading sees colors leap off the screen even as tones are primarily defined by the earthy, dusty old west browns and beiges. There's a newfound depth in play that ups tonal nuance and delights with intricate grading and clarity of small color shifts, where a garment might be slightly more weathered here and less so there. Natural greens and blue skies, the latter in particular in this film, enjoy newfound tonal intensity beyond any previous iteration. Black levels are superb. The nighttime dance where Emmet and Clara begin to truly fall in love and where Tannen confronts McFly is just about as perfect as could be. Skin tones are completely accurate, too. The picture is free of print blemish or encode flaw. This is the best looking of the three films, which is saying something considering how strong the other two look.

5 z8 u/ I( e4 U5 rBack to the Future Part III 4K Blu-ray, Audio Quality   
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The new Dolby Atmos soundtrack perfectly compliments those excellent new visuals. The track demonstrates terrific percussion and depth when Marty first arrives in 1885, pursued by Indians on horseback, the scene accompanied by a wonderfully detailed and deep score. Moments later, the cavalry arrives with equal depth to the horse footfalls but with the added listening pleasure of a tangible top end extension as they leap over the top of the cave where Marty has just hidden the DeLorean. It's probably the single best use of top layer extension in the entire trilogy. The new Western locale allows for a multitude of fun and interesting sound effects, from piercing train whistles to sounds of working machinery inside Doc's 1885 lab. Gunshots hit and reverberate with power and voices dance through the open country when Doc and Marty inspect an unfinished train track in chapter 10. Music again highlights, though, from Silvestri's new score with a Western flavor to the springy Bluegrass beats played during the festival in chapter 11. The Atmos track allows all of the elements to enjoy greater spacial awareness and seamless audience immersion. Dialogue reproduction is perfect, as is the entire track. What a treat for the ears!

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