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[4K极清电影] 回到未来2 [4K蓝光原盘] Back to the Future Part II 1989 2160p BluRaycd HEVC TrueHD 7.1 Atmos-EATDIK 80.72GB

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黄金嫖客 发表于 2021-2-7 02:47:39 | 显示全部楼层 |阅读模式
After visiting 2015, Marty McFly must repeat his visit to 1955 to prevent disastrous changes to 1985...without interfering with his first trip.
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  u/ F4 S" Z+ S4 y2 r◎译  名 回到未来2/回到未来第二集$ j9 E2 O* N2 q8 R9 K, J
◎片  名 Back to the Future Part II& q3 R  a, j$ N) V" n
◎年  代 19895 W: N" I2 X, M2 i9 X; b
◎产  地 美国6 Y5 g8 C& c* x) h+ V8 L# G
◎类  别 喜剧/科幻/冒险- N  X, q& I6 D5 j
◎语  言 英语
' i/ t* i/ G5 `# X◎上映日期 1989-11-22(美国)9 f# A1 Z* Y. ~9 w, N8 Y
◎IMDb评分  7.8/10 from 482,309 users$ s  c  ]9 b) u$ n3 T6 ]
◎IMDb链接  https://www.imdb.com/title/tt0096874/
2 }" g! k: H0 ]3 _◎豆瓣评分 8.5/10 from 85,619 users
; f8 G& Q9 c( K7 w& C# y. ?& F◎豆瓣链接 https://movie.douban.com/subject/1299092/
$ i4 T0 M; c9 l' c+ U0 X2 g+ H◎文件格式 x265 + TrueHD
- x, g- q% Z0 l◎视频尺寸 3840 x 2160 ! }! I' s$ _' u, I* `# N( M: U
◎文件大小 1DVD 80.72 GiB! L, B4 Y' p' k/ P/ @7 D+ T
◎片  长 1:48:03.310 (h:m:s.ms)
' Y3 y1 Q% w/ E* m! Y: ~; G◎导  演 罗伯特·泽米吉斯 Robert Zemeckis7 g- ]& `  D9 A, \8 v
◎编  剧 鲍勃·盖尔 Bob Gale+ Q  y9 w$ E6 ^( c& L4 U% A3 L1 U
       罗伯特·泽米吉斯 Robert Zemeckis
8 Y* h1 Q9 G( A◎主  演 迈克尔·J·福克斯 Michael J. Fox
- J8 F1 V/ v) J  q( v  h8 V       克里斯托弗·洛伊德 Christopher Lloyd# [' w) d% p% U8 E/ F4 k
       莉·汤普森 Lea Thompson2 R5 x8 a) t" [% `$ Q  \% {
       托马斯·F·威尔森 Thomas F. Wilson: k1 C1 m1 Q/ [- F
       伊丽莎白·苏 Elisabeth Shue; @: H4 q% F  e$ \3 p! a) [8 p
       詹姆斯·托根 James Tolkan
1 w$ X5 j. L; k       杰弗里·韦斯曼 Jeffrey Weissman4 h9 h$ X4 ?, I+ H' H
       凯西·希玛兹科 Casey Siemaszko
6 }6 o% V3 `8 j1 J$ H. C       比利·赞恩 Billy Zane3 n3 t  [5 a! j8 j- o8 P: H2 l
       J·J·科恩 J.J. Cohen6 l! s& ~- N$ P5 j  m
       Charles Fleischer! A+ w2 N) q  i/ p* `
       E. Casanova Evans
. V" d% I; z8 X4 P/ t) N: O  v, ?' B       Jay Koch
7 q$ j# b& C' W: N  z       Charles Gherardi7 [" y5 O# q, \$ y3 U4 e0 H/ ?
       Ricky Dean Logan4 o- Y  V# d& O7 R5 ?. c$ L7 P
       Darlene Vogel  |0 T0 ^) U% {' H
       贾森·斯科特·李 Jason Scott Lee* n5 t4 W8 f* |' M8 u  A: G
       弗利 Flea
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5 [& K3 X( {; ^! c0 {' E  V◎简  介
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  马丁(Michael J. Fox 饰)才回到现实世界与女友团聚,布朗博士(Christopher Lloyd 饰)就心急火燎地把他们带到了30年后的未来世界,原来这一次是马丁未来的两个孩子因参与抢劫锒铛入狱,博士要携马丁一起阻止悲剧发生。2 w8 ]! G" i/ h7 m9 Q- N6 Y

& b: W  m, N1 Q/ r  周旋一番后,两个孩子被成功挽救,但三人回到现实世界后,却发现周遭发生了天翻地覆的变化,世界被贝夫(Thomas F. Wilson饰)所控制,马丁的父亲乔治惨死,母亲洛莲(Lea Thompson 饰)竟然成了贝夫的妻子!
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  这一切都是因为时光机器的秘密不慎被未来的老贝夫识破,他偷偷回去捣鬼,竟因此使得整个世界都在他的掌握下!马丁与博士再次踏上时光穿梭的征途,希望将世界扳回正轨。
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+ `  Z0 q3 w6 K0 ^  Picking up precisely where they left off, Marty and Doc launch themselves to the year 2015 to fine-tune the future and inadvertently disrupt the space time continuum. Now, their only chance to fix the present is by going back to 1955 all over again before it is too late.
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◎获奖情况- \' j2 ~1 {5 z* `3 m4 ~
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  第62届奥斯卡金像奖  (1990)- H" P' @4 i1 c% X& q7 s
  最佳视觉效果(提名) 肯·拉斯顿 / Michael Lantieri / John Bell / Steve Gawley
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  1. DISC INFO:
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  3. Disc Title:     Back.to.the.Future.Part.II.1989.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-EATDIK/ w# U: G- I+ S+ |3 o0 |, V- G
  4. Disc Size:      86,653,332,579 bytes9 M% _! n: _+ Q( Y, z# x1 ^: H
  5. Protection:     AACS2
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  6. Extras:         Ultra HD, BD-Java8 h6 ^, P+ c1 B5 d/ V
  7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.0.1)
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  9. PLAYLIST REPORT:2 m  `! J* d! ?- G: D4 Z
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  11. Name:                   00040.MPLS  
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  12. Length:                 1:48:03.310 (h:m:s.ms)
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  13. Size:                   78,709,782,528 bytes9 a2 f" J% h& W8 m% {9 _9 i
  14. Total Bitrate:          97.12 Mbps
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  16. (*) Indicates included stream hidden by this playlist.; X/ H" C7 u, h, `' Z
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  18. Video:
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  21. -----                   -------             -----------    8 }. M3 F; O; q
  22. MPEG-H HEVC Video       77296 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / HDR10+ v1 Profile B / BT.2020
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  23. * MPEG-H HEVC Video     7294 kbps (8.62%)   1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / Dolby Vision FEL / BT.20209 `$ X; {* F% Z; U; ^: T

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  29. Dolby TrueHD/Atmos Audio        English         5050 kbps       7.1+11 objects / 48 kHz / 4602 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)3 ~( K  g) m- g% t2 W
  30. DTS Audio                       Spanish         768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit& ]! p- @! ^& S4 @5 h- l5 M
  31. DTS Audio                       French          768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit% f; v$ T) `7 _) j5 i
  32. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
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  33. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps / Dolby Surround
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  39. Presentation Graphics           English         44.416 kbps                    9 p7 l: U4 x5 o& b9 F, |
  40. Presentation Graphics           Spanish         33.773 kbps                    ' \* ?+ i" V& Q7 R" P
  41. Presentation Graphics           French          36.758 kbps                    8 R- t( C- \2 q2 L7 _- ^
  42. Presentation Graphics           Spanish         0.938 kbps                     
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  43. Presentation Graphics           French          1.15 kbps
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Back to the Future Part II 4K Blu-ray, Video Quality   7 s' \, Y: }, a  _

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3 w1 N( l7 f0 U7 v! H+ G6 iThe included screenshots are sourced from the newly remastered 1080p Blu-ray disc.9 L2 a% j) s; Z4 A

9 o, P$ b( A2 Y8 o1 d% IBack to the Future Part II's 2160p/Dolby Vision UHD presentation compares favorably to the previous film's image and, even as the films were released four years apart, there's little stylistic change or divergence from the core look. Here, grain is natural and fine, obviously losing some of its cohesion during some optical effects shots (flying cars in the future, the two Biffs sharing the screen in 1955). Overall, however, it's a fine, natural, critical component. The image yields plenty of rich, effortlessly sharp detail around the future Hill Valley, both old standards like the courthouse and new odds and ends scattered around to give it that "future" look. During the stretch back in the alternate 1985, the contrast between the high dollar hotel and the run down Hill Valley streets are stark, and even under darkness exteriors dazzle with intimate clarity of graffiti and various signs of neglect. The picture thrives in 1955 where much of the action takes place in well lit exteriors, allowing clothes, faces, and environmental textures to thrive.) F2 k# @& T1 u6 I6 h7 J: t

3 {7 l6 e4 Z8 a) e- V7 S* }/ N/ V$ JThe Dolby Vision color grading is terrific. The image yields superb black levels, critical again in that alternate 1985 but also during the finale, taking place at the dance and near the clock tower, both vital scenes in the film. Future highlights are exquisite for the abundance of color on the red auto-sizing jacket and the rainbow ball cap that both Marty and his future son wear. Colorful neons outside the alternate 1985 hotel contrast perfectly with the inky blacks while its interiors are warm and refined. The 1955 Hill Valley enjoys the most color punch under bright sunny exteriors, all far exceeding the SDR colors both in the original releases and the remastered Blu-rays, released concurrently with this. With more impressively bright and crisp whites and more natural flesh tones, the film looks terrific with the Dolby Vision grading in play. Add the absence of print damage and encode issues and there's little here to sway the image very far from perfection.% Y( ?7 M) v' D% `
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Back to the Future Part II 4K Blu-ray, Audio Quality   - G5 b+ _% N* o6 |/ \2 t

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( B4 k8 Q/ J( V2 WThe new Dolby Atmos soundtrack perfectly compliments the new upgraded visuals with its more expansive sound field and more expressive delivery of the film's unforgettable audio cues. The track soars at every opportunity. Alan Silvestri's theme explodes from speakers with both detail and depth, exploring the stage's every inch with fully saturating orchestral bliss. Rock music delights during the scene introducing Biff's 1985 empire in chapter nine, but it's certainly the score where the track shines brightest. Action and atmospheric effects are a delight, too. Sky traffic zips and zooms around the listener when the DeLorean arrives in 2015 and, later in the 38 minute mark, when a jet liner rushes over the car with impressive depth and top end command, telling Doc and Marty that they have returned to 1985, or at least 1985 as it is after the future has changed the past. Opportunities for expansive overhead engagement are frequent, usually not so much with discrete effects but with opportunistic stretch to those new speakers to more completely immerse the listener in the movie's audio worlds. With perfectly placed, prioritized, and lifelike dialogue, this one is excellent start to finish.
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livenchen 发表于 2021-6-26 17:34:07 | 显示全部楼层
谢谢楼主发帖共享好电影

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