哈利·波特与阿兹卡班的囚徒 [4K蓝光原盘] Harry Potter and the Prisoner of Azkaban 2004 2160p BluRaycd HEVC DTS-X 7.1-SUPERSIZE 73.46GB

Harry Potter, Ron and Hermione return to Hogwarts School of Witchcraft and Wizardry for their third year of study, where they delve into the mystery surrounding an escaped prisoner who poses a dangerous threat to the young wizard.
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◎译　　名　哈利·波特与阿兹卡班的囚徒/哈利波特3：阿兹卡班的逃犯(港/台)/哈利·波特与阿兹卡班的逃犯/哈3
( F) t: n9 L8 m" [1 V  ~5 M◎片　　名　Harry Potter and the Prisoner of Azkaban
◎年　　代　2004
◎产　　地　英国/美国
6 v' H+ F: I# g& l8 g◎类　　别　剧情/奇幻/冒险
& x% K  J% t& b5 d; C  x6 A◎语　　言　英语
◎上映日期　2004-09-10(中国大陆)/2004-05-31(英国)
◎IMDb评分  7.9/10 from 564,803 users
◎IMDb链接  https://www.imdb.com/title/tt0304141/
2 k; [* ^- `$ Q9 o4 h9 l+ W' X◎豆瓣评分　8.8/10 from 511,357 users
◎豆瓣链接　https://movie.douban.com/subject/1291544/
& [% Z# O+ i7 D: P# x  k◎文件格式　x265 + DTS
+ ]/ }' j1 F! c◎视频尺寸　3840 x 2160
◎文件大小　1DVD 73.46 GiB
◎片　　长　2:21:42.744 (h:m:s.ms)
7 {$ t& p/ k7 H' j+ N2 t- s◎导　　演　阿方索·卡隆 Alfonso Cuarón
◎编　　剧　史蒂夫·克洛夫斯 Steve Kloves
　　　　　  J·K·罗琳 J.K. Rowling
◎主　　演　丹尼尔·雷德克里夫 Daniel Radcliffe
　　　　　  艾玛·沃森 Emma Watson
+ Q- |  t3 Y& O* n' X　　　　　  鲁伯特·格林特 Rupert Grint
5 o2 b1 Z7 K$ k1 R　　　　　  加里·奥德曼 Gary Oldman
　　　　　  朱丽·沃特斯 Julie Walters
　　　　　  邦妮·怀特 Bonnie Wright
+ {+ ]- w) _4 g) g4 f) m　　　　　  大卫·休里斯 David Thewlis
　　　　　  迈克尔·刚本 Michael Gambon
　　　　　  艾伦·瑞克曼 Alan Rickman
　　　　　  玛吉·史密斯 Maggie Smith
8 ~" @5 X6 K5 u  j6 T　　　　　  汤姆·费尔顿 Tom Felton
# }% d6 p( q9 m- X# k0 Z　　　　　  艾玛·汤普森 Emma Thompson
　　　　　  朱莉·克里斯蒂 Julie Christie
; M4 `+ L' R, h' D( W0 R/ C" \, x6 b  [6 Q　　　　　  蒂莫西·斯波 Timothy Spall

- @$ W7 }# y0 u◎标　　签　哈利波特 | 魔幻 | 英国 | HarryPotter | 美国 | 奇幻 | 2004 | 成长

◎简　　介   
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　　哈利（丹尼尔·雷德克里夫）即将在霍格沃兹渡过第三个年头，此时在阿兹塔班却传出恶棍小天狼星（加里·奥德曼）越狱的消息。据说小天狼星正是背叛哈利父母的好友，他的教父，而这次小天狼星越狱似乎正是为了找他。哈利的心里悄悄的滋生了为父母报仇的想法，期待着小天狼星的出现。

6 F/ o2 N* m) U5 Q2 \　　新来的魔法老师卢平（大卫·休里斯）有着桀骜不驯的个性，与哈利关系很好，教了哈利许多实用的黑魔法防御知识。而此时在他的魔法地图上却出现了一个神秘人物，虫尾巴。偶然的机会下，在尖叫棚屋里集齐了哈利父亲当年的所有好友，卢平、虫尾巴、小天狼星，哈利的魔杖直指向小天狼星，但他发现那罪犯看他的眼神里充满了疼爱……
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( s  N: N7 J+ V0 }5 |- i- Z　　Harry and his friends Ron and Hermione return for their third year at Hogwarts School of Witchcraft and Wizardry, where the teenagers are forced to face their darkest fears as they confront a dangerous escaped prisoner and the equally foreboding Dementors, who are sent there to protect them.
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　　第77届奥斯卡金像奖(2005)
　　最佳视觉效果(提名) 蒂姆·伯克 / 罗杰·盖耶特 / 比尔·乔治 / 约翰·理查森
　　最佳原创配乐(提名) 约翰·威廉姆斯
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　　第58届英国电影学院奖(2005)
5 [6 B! s1 H( m　　电影奖 最佳英国影片(提名) Mark Radcliffe / 大卫·海曼 / 克里斯·哥伦布 / 阿方索·卡隆
　　电影奖 最佳化妆/发型(提名) 尼克·杜德曼 / Amanda Knight / Eithne Fennel
　　电影奖 最佳艺术指导(提名) 斯图尔特·克莱格
6 r0 I6 H/ F2 d% ]' y, b) U　　电影奖 最佳特殊视觉效果(提名) 约翰·理查森 / 比尔·乔治 / 蒂姆·伯克 / 罗杰·盖耶特 / Karl Mooney
　　电影奖 观众选择奖

' t+ H( M$ e+ q7 \  J　　第12届美国电影学会奖(2011)
　　特别表彰

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1. DISC INFO:
   
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3. Disc Title:     Harry.Potter.and.the.Prisoner.of.Azkaban.2004.2160p.BluRayCD.HEVC.DTS-X.7.1-SUPERSIZE
   
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Harry Potter and the Prisoner of Azkaban 4K Blu-ray, Video Quality   
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The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.
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+ y9 X% O6 t' R& }IMDB reports that Harry Potter and the Prisoner of Azkaban was finished at 2K, and other reliable industry sources confirm that this UHD is indeed an upscale to 4K. The movie was shot on film, and the UHD yields a splendid image, very filmic and true to its source. Warner Brothers has employed HDR10 color enhancement for this release, and the results, compared to the Blu-ray, are strikingly different. The 4K image is considerably darker, its colors much more desaturated, its essential façade more reserved, approaching almost a grayscale at times and its bursts of more intensive color held firmly in check, yet still very much present and handsomely organic. Shots on the Blu-ray that nearly look like daytime appear nearly at the end of dusk on the UHD. Truly dark scenes are much more absorbing on the UHD, yielding very firm and stable blacks, inky and accurate with professional, enjoyable shadow detail at work in the film's most challenging nighttime and shadowy scenes. While less vibrant -- as vibrant as a film such as this can be -- the firmer, more deeply saturated, more finely nuanced colors help bring a tangible sense of object separation and pinpoint definition to textural elements as well, drawing more attention to central action, character qualities, and environments as everything blends together within the color scheme's firmer, more agreeable saturation levels and reserved intensity.

! A8 h6 L* ?- }1 g" hThat said, core detailing isn't leaps-and-bounds superior. The movie, which is inherently a tad soft by nature, remains so, though to be sure there's a sense of enhanced textural nuance and subtle detail uptick evident on faces, various intricate surfaces around Hogwarts, and a number of outdoor locations, which includes snow, perhaps the best example of the way the deeper and more grayscale-leaning color palette actually enhances at least one's perception of fine detailing, where it's easier to identify the snow's inherent textural qualities. The image is very filmic. Grain retention is constant and beautifully rendered. While not exceedingly heavy, those who wish for cleaner images will be disappointed, but those who appreciate a naturally organic, cinematic, shot-on-film feel will fall in love.

Harry Potter and the Prisoner of Azkaban 4K Blu-ray, Audio Quality   


Harry Potter and the Prisoner of Azkaban's UHD release features a new DTS:X Master Audio soundtrack which itself proves a healthy upgrade over the previous 5.1 standard-issue track. Things open up with the added rear and overhead channels, sometimes subtly, sometimes aggressively. Take a scene in Fudge's office early in the film. Minute background ticks are smartly and effectively positioned, while extremely fine but environment- and mood-critical reverberation softly opens the stage and transformers it into the office. Modestly more intense elements and locales -- the Hogwarts dining hall, for example -- enjoy a more robust and tangible sense of space, while the most aggressive elements, whether a blowing train whistle and excited and boisterous din at the train station, Hogwarts' heavy doors slamming around while going on lockdown, or shrieking creatures circling above the listener later in the movie, create an intensely impactful sonic environment. Bass is prominent and prolific and action scenes explode with not only low end intensity but engaged channels all around, and above, the listener. Music plays with impeccably clear and refined definition while seamlessly positioning around the stage, whether with airy mobility or intensive firmness. Dialogue is unsurprisingly stout and clear, well prioritized and properly positioned for the duration.
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