教父1 [4K蓝光原盘] The Godfather 1972 2160p BluRaycd HEVC TrueHD 5.1-ESiR 91.75GB

The aging patriarch of an organized crime dynasty in postwar New York City transfers control of his clandestine empire to his reluctant youngest son.
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2 m+ Z0 p+ ^) |4 u# B7 ?◎译　　名　教父/马里奥·普佐教父
, G9 V5 C# j: o* \◎片　　名　The Godfather / Mario Puzo's The Godfather
◎年　　代　1972
◎产　　地　美国
2 @0 o, j9 O" I& T. ^$ h, G( q& [◎类　　别　剧情/犯罪
: C2 m' |" G9 H  x! Y. E◎语　　言　英语/意大利语/拉丁语
5 \( y7 I. @% u: b* I/ k◎上映日期　1972-03-15(纽约首映)/1972-03-24(美国)
◎IMDb评分  9.2/10 from 1,762,298 users
◎IMDb链接  https://www.imdb.com/title/tt0822854/
8 H+ H# T* ^: c% N2 }, e* S8 T◎豆瓣评分　9.3/10 from 848,022 users
$ \+ M; {5 H% ?6 C) A. V; z& A◎豆瓣链接　https://movie.douban.com/subject/1291841/
◎文件格式　x265 + TrueHD  
◎视频尺寸　3840 x 2160
( [0 m* K& q, m* i◎文件大小　1DVD 91.75 GiB
◎片　　长　2:55:28.059 (h:m:s.ms)
4 d4 E4 r% B$ p5 H5 Q3 K( g0 s◎导　　演　弗朗西斯·福特·科波拉 Francis Ford Coppola
◎编　　剧　马里奥·普佐 Mario Puzo
$ f. W/ ]( x/ y　　　　　  弗朗西斯·福特·科波拉 Francis Ford Coppola
◎演　　员　马龙·白兰度 Marlon Brando
　　　　　  阿尔·帕西诺 Al Pacino
　　　　　  詹姆斯·肯恩 James Caan
　　　　　  理查德·卡斯特尔诺 Richard S. Castellano
　　　　　  罗伯特·杜瓦尔 Robert Duvall
: \2 N4 j# r& t/ }) Y　　　　　  斯特林·海登 Sterling Hayden
　　　　　  约翰·马利 John Marley
3 j! }! `# b3 {* m# V/ ]0 z, S) ~( L& A　　　　　  理查德·康特 Richard Conte
　　　　　  艾尔·勒提埃里 Al Lettieri
- l" F7 P3 P: o3 Y: Z: y/ j　　　　　  黛安·基顿 Diane Keaton
) h. v. z  R% Z( @" |　　　　　  阿贝·维高达 Abe Vigoda
( a) g! u1 v- |* L+ f6 c/ g　　　　　  塔莉娅·夏尔 Talia Shire
　　　　　  吉亚尼·罗素 Gianni Russo
　　　　　  约翰·凯泽尔 John Cazale
　　　　　  鲁迪·邦德 Rudy Bond
1 S7 c. ?: X7 h. ^　　　　　  兰尼·蒙大拿 Lenny Montana
' g+ {9 A3 o& V1 P! m9 Y　　　　　  索菲亚·科波拉 Sofia Coppola
  J4 O9 V3 W+ A) A' o9 ]1 \; V　　　　　  弗兰科·奇蒂 Franco Citti
　　　　　  西蒙蕾妲·瑟法奈尼 Simonetta Stefanelli
　　　　　  理查德·布赖特 Richard Bright
6 @/ F. g2 {* H% b- Q　　　　　  朱莉·格雷格 Julie Gregg
  S. ^$ y1 y$ P  e; J/ p" b7 z　　　　　  阿历克斯·罗克 Alex Rocco
　　　　　  卡迈恩·科波拉 Carmine Coppola
) t/ J$ k" m% t& L& l1 n; {  U  B: r　　　　　  萨罗·乌尔齐 Saro Urzì
　　　　　  阿尔·马蒂诺 Al Martino
* X  Y) x7 m. p) m- g　　　　　  摩甘娜金 Morgana King
* \; g9 r3 \$ H- v0 N9 D- P% H　　　　　  安杰洛·伊凡蒂 Angelo Infanti
% j) k) T# T/ h　　　　　  柯拉朵加伊帕 Corrado Gaipa
　　　　　  维托·斯科蒂 Vito Scotti
　　　　　  约翰马迪诺 John Martino
0 T! C7 g- o5 }) p6 u% u　　　　　  维克多伦蒂纳 Victor Rendina
　　　　　  托尼·乔治 Tony Giorgio
! H, g. N6 ?* N$ q　　　　　  加里·弗雷德里克森 Gray Frederickson
. |9 H' k4 O% D) M- f$ B! S5 M; h　　　　　  桑尼格鲁索 Sonny Grosso
　　　　　  罗伯特·埃文斯 Robert Evans
4 F+ q$ e. z: O% O　　　　　  艾伯特·S·拉迪 Albert S. Ruddy
9 r0 K5 H" O  V3 O! h　　　　　  加里·弗雷德里克森 Gray Frederickson
5 }+ D: e+ V& e8 S8 p　　　　　  尼诺·罗塔 Nino Rota
8 @: S9 a+ h3 o# X. c( U　　　　　  戈登·威利斯 Gordon Willis
' n# [: U- K( Q: P　　　　　  菲利浦·莱托 Philip Leto
# b6 A7 L& g0 y& f; e5 `2 N　　　　　  Steven P. Skloot
) z6 e2 l0 j, x( \* i+ G　　　　　  Fred T. Gallo
4 H2 S0 G2 O7 v0 t5 j3 e　　　　　  克里斯托弗·纽曼 Christopher Newman
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◎标　　签　黑帮 | 经典 | 美国 | 犯罪 | 剧情 | 黑社会 | 人性 | 人生

◎简　　介   
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　　40年代的美国，“教父”维托·柯里昂（马龙·白兰度 饰）是黑手党柯里昂家族的首领，带领家族从事非法的勾当，但同时他也是许多弱小平民的保护神，深得人们爱戴。

' G; _5 W/ P0 K8 K* l　　因为拒绝了毒枭索洛索的毒品交易要求，柯里昂家族和纽约其他几个黑手党家族的矛盾激化。圣诞前夕，索洛索劫持了“教父”的参谋汤姆，并派人暗杀“教父”；因为内奸的出卖，“教父”的大儿子逊尼被仇家杀害；小儿子麦克（阿尔·帕西诺 饰）也被卷了进来，失去爱妻。黑手党家族之间的矛盾越来越白热化。
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　　年老的“教父”面对丧子之痛怎样统领全局？黑手党之间的仇杀如何落幕？谁是家族的内奸？谁又能够成为新一代的“教父”？

% u  P+ l2 z' Z5 u6 z& X6 I　　血雨腥风和温情脉脉，在这部里程碑式的黑帮史诗巨片里真实上演。

　　Epic tale of a 1940s New York Mafia family and their struggle to protect their empire from rival families as the leadership switches from the father to his youngest son.

2 ]& U. D; {* \$ s! a" y$ W7 U◎获奖情况  

　　第45届奥斯卡金像奖 (1973)
　　最佳影片 艾伯特·S·拉迪
' R% g8 X3 k, e  J+ }　　最佳导演(提名) 弗朗西斯·福特·科波拉
　　最佳男主角 马龙·白兰度
　　最佳男配角(提名)
/ W4 y" _/ b' e. O* k/ \1 `　　最佳改编剧本
　　最佳剪辑(提名)
　　最佳音响(提名)
　　最佳服装设计(提名) 安娜·希尔·约翰斯通
　　剧情片最佳原创配乐(提名) 尼诺·罗塔

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The Godfather 4K Blu-ray, Video Quality   


The included screenshots are sourced from the legacy Blu-ray discs. The film has been released on remastered Blu-ray; please click here for screenshots (available once those reviews go live post-street).
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7 k3 \9 X6 j7 v! W, E% rThe three Godfather films look beyond amazing and mere words can do little to express the level of work, care, and love that went into bringing this film, and its sequels, to the UHD format. For this release American Zoetrope and Paramount "undertook a painstaking restoration of all three films over the course of three years." This releases uses the original 2007 Robert Harris restoration as a "blueprint" for this presentation. This new work is the result of "thousands of hours" of careful, scrutinizing work that has today resulted in this glorious UHD which is "the most pristine presentation" of the film that also "remain true to the original look." In short: it's the best of both worlds, offering a classic film-like look that has not been "boosted" per se but rather returned to full, original glory for home viewing in a presentation that is certainly befitting of one of cinema's most valued treasures.

Paramount outlines the arduous work that was involved in the new restoration process, which was overseen by Coppola himself:

• Over 300 cartons of film were scrutinized to find the best possible resolution for every frame of all three films.
• Over 4,000 hours were spent repairing film stains, tears, and other anomalies in the negatives.
• Over 1,000 hours were spent on rigorous color correction to ensure the high dynamic range tools were respectful of the original vision of Coppola and cinematographer Gordon Willis.
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The end product that fans will see on their televisions and projector screens is beautiful. While it's not explicitly tack-sharp, it's filmic and pure as well as honest to the original source. Grain is fine and faithful, lending to the picture a handsome facade that holds up to even intense scrutiny. Spikes are limited to a few scenes in which the film stock is pushed a little harder, such as inside a hospital corridor at the 1:06:00 mark. Facial textures are generally well defined; there are some softer shots that appear inherent to the source, but close-ups offer no challenge for this picture, revealing every fine wrinkle and pore with ease. Location details are wonderful, too, showing great yields to textural boost compared to the 2007 Blu-ray. Fine woods and other ornate appointments present with wonderful clarity, pushing beyond 1080p limits and capturing natural, filmic definition both in well-lit interiors and low light shadowy locales alike.
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The Dolby Vision color grading is the perfect compliment to the newer higher resolution textures. The grading brings newfound depth and accuracy to the warm woods seen throughout the estate. Clothing is full and rich. Outdoors, like the wedding sequence to open the picture, are bright and stable, with only the slightest hint of looking washed out. Do blacks teeter on crush? They do, but that is the way Gordon Willis wanted them. The shot outside the hospital in the 67-minue mark approaches the heaviest crush seen in the film but generally blacks are very deep and stable, offering true black depth and fine shadow detail that accentuates the beautiful cinematography and the vital contrasts that are in play throughout the film. At that same hospital scene, some colorful exterior lights dot the landscape, featuring more suitable balance and brilliance than found in previous releases. Whites are gorgeous. There are some exemplary shots and elements that boast true, pure white balance. Skin tones are very good, though with some push that corresponds to particular lighting environments. The net result is a color spectrum that is more foundationally lifelike in balance, contrast, and temperature. Gordon Willis' cinematography is greatly enhanced in the improvements to stability and accuracy; the film has never looed better. Add in that the image is free of both source and encode flaws and this is The Godfather at its best.

4 _6 y0 b. z& ^+ SThe Godfather 4K Blu-ray, Audio Quality   


$ S2 I2 p; c+ T0 v/ Q: a7 gFor this release, Paramount has included both the legacy Dolby TrueHD 5.1 lossless soundtrack (please click here for a full review) and a newly remastered two channel mono track. This new track is presented in the Dolby Digital 2.0 configuration. It lacks the sense of fullness that the 5.1 track offers, but it is well balanced and suitably clear. Music is nicely detailed with positive front side spread. Most of the action pushes to a center imaged area. Gunfire is decently robust. Dialogue is presented with fine natural clarity and, again, within a center imaged location.

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